Circa 1790 Painted and Outcurved Oval Bas Relief Panel from Austria

A pair of elliptical reliefs dating to circa 1850, these French plaques depict various stages in the life of St. Louis. The metallic reliefs, which are signed “Justin” in the lower left, are wonderful three-dimensional renderings surrounded by gold matte with a deep cavetto and encased within wood and glass frames with deep undercut moldings. One scene represents the arrival of Louis IX, King of France (later canonized as St Louis), at the royal chapel known as Sainte-Chapelle. Commissioned by Louis in the mid-1200s, the Gothic shrine...

This large painted overdoor was once part of a boiserie in a French chateau, and the upward curve of the bottom edge indicates that it was most likely placed above an arched door. Th...

A magnificent display of mastery level woodworking, this antique oval plaque of St Luke was not only carved in bas relief, but it has an incurved shape. The concave plaque has severa...

This beautiful boiserie panel depicting an allegory of Spring and the Arms of France was hand-painted in France, circa 1840. Boiserie is ornate wooden paneling that covered walls and ceilings of luxurious chateaus in France. The use of these panels became more prevalent at the end of the 17th century, before exploding in popularity during the 1700’s, thanks to multiple installations at the Palace of Versailles. Lengthy paintings such as this (ours is over 112 inches long) would often be placed above a doorway, forming a continuous theme with the rest of the room. The arrival of Spring is depicted by four winged cherubs frolicking among pink, white, and yellow flowers. None of the cherubs are clothed, although two of them are draped in colored textiles. The putto on the far left has a billowing peach colored material hanging from the left shoulder as he holds a sheer piece of fabric. The transparent veil stretches across most of the canvas, extending to the right hand of a female cherub wearing a jeweled tiara on the far right. On the same side of the canvas, but more medial, is another putto loosely draped in green fabric. To the left is the fourth cherub, a female with a laurel leaf tiara that is holding onto the edge of the Arms of France. A gold oval medallion, adorned with volute scrolls at the top and bottom, encircles a representation of the coat of arms of France from the Bourbon Restoration (1814/1815-1830). There is a large, curled leaf rising from the top volute with a husked border surrounding the light blue background with three gold fleur de lys. Our magnificent French painting gives off a warm and lively feel. Although it could still be used as part of a boiserie room...

This is a vintage oval relief plaque. An English, reconstituted stone decorative frieze in the manner of Jasperware, dating to the late 20th century, circa...

A handsome and most decorative Italian early 19th century Neo-Classical st. Rosso Verona, Black Belgian marble and Ormolu plaque of Bacchus. The wonderful oval plaque is set within a...

This is an antique classical wall frieze. A Continental, silvered copper Grand Tour relief plaque in later frame, dating to the late Victorian perio...

This Beautiful 19th century bas relief carving depicts a portrait of Venus and a cherub, framed beautifully in a gilded wood Rococo frame. The...