Vintage Givenchy Pearl and Dangling Pear Drop Gripoix Circa 1980s

Vintage Christian Dior Gold and Faux Pearl Dangling Bracelet Circa 1980s. Various Red Beads and Varying Shades of Red Gripoix on this 6 Strand Bracelet with One Long Draping Strand ...

Vintage Gripoix Faux Pearl with Red, Green and Chartreuse Beads on a Gold Chain. The Pearls all have these varying shades of beads stuck through them and they all move easily. There...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Givenchy Link Chain with Dangling Drop Necklace Circa 1980s. Toggle Closure gives a lot of options. Wear it long or wear it wrapped with the toggle in the front or in the ba...

Maison Gripoix Vintage White and Light Purple Dangling Earrings. These will always be in style. The Chanel look has never left. It is classic and timeless and says class. It is an elevated look. No matter what you wear these will look right. A Chanel suit or jeans and a white t shirt with a blazer. You look stunning and done. These are all you need. Clip on. This look will always walk down the Chanel runway in one form or another. I will send you velcro dots to hold them on and you can do cartwheels in these earrings. The models in Paris wear them and you can easily go 20 hours. Just remind me. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet, but certainly the best relationship Gripoix had was with Gabriel Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of byzantine jewelry to Susanne Gripoix; and asked her to make the pieces in that same style, requesting: “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne”. She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous byzantine style of Chanel jewelry was brought to life, fancying golden Maltese crosses with large multicolor stones and matching bracelets; cabochons and massive brooches all of which have become a part of the Gripoix Chanel liked to combine both natural and imitation stones in one item, for example she would combine natural and imitation pearls in one necklace. Gripoix made them in such a way that it was impossible to tell the difference between the either of them. Susanne Gripoix made special irregular shape pearls from glass for Chanel; imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls . As the main Paris supplier to the couturier houses, Gripoix worked for many designers: from Cristobal Balenciaga, Pierre Balmain and Christian Dior to Yves Saint Laurent; and later for Christian Lacroix and Marc Jacobs. However it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today Gripoix is no longer a family affair/company but the House still makes jewelry, although the style has changed considerably over the last few years. The jewelry has become simpler, more graphical and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Vintage Faux Pearl With Gold and Green Bead Accent Bracelet Circa 1980s. This is such a well made bracelet and the pearls are in perfect shape. There are pieces of green sitting on ...

Simply Beautiful! Rare signed Givenchy Tutti Frutti and Faux Pearl Haute Couture Bracelet.The brilliant primary colors of the glass elements are set off beautifully by the pave set p...

Good condition. Some light scratches or colour loss, especially at the chain. 100% genuine. Toggle clasp is outfitted with two red glass cabochon endings. Givenchy logo hang Tag is missing. Size: 20 cm. Pendant: 2.5*2 cm. Weight: 95 g. _ _ _ Great for everyday wear. Come with velvet pouch and beautiful package. Makes the perfect gift for Teens, Sisters, Friends, Girlfriends, Birthdays, Anniversaries, Mother’s Day, Valentine’s Day, Christmas and many more. With exquisite fine detail, these fashion jewellery are ideal for a glamorous look. Ideal for a splendid gift or an eye-catching jewellery for your everyday outfit. Also don't forget to look through my other listings, I have so many more beautiful jewellery waiting for you. _ _ _ I am a freelancer more than 2 years. I love fashion, I believe jewellery play a very important role in this field. I am really addicted in it, so the related because my full time work. I am very versatile, chasing different kind of jewellery, not matter where they are come from vintage or contemporary. I collected many vintage jewellery. In the meantime, I am also a costume jewellery designer. I am a new 1stDibs seller...

This Beautiful Bracelet is set with colorless round brilliant cut diamonds approx. 2.70 carats, alternating with Black Tahiti pearls 11mm . Eye-catching and wonderfully crafted in 1...

- Vintage item - 8.5" length - 1.1" width - Simulated black and golden gripoix pearls - Gold plated hardware - Hidden push box clasp - By Karl Lagerfeld (double signed on clasp...

Vintage 1980s Givenchy Bracelet Introducing a true vintage gem - an 80s gold plated textured bangle from Givenchy, unworn and in mint condition with its original tag. This stunning piece is a timeless classic, crafted with an intricately textured design which adds a touch of dimension and depth to the bracelet. Crafted from high-quality materials, this bangle is both durable and comfortable to wear, making it the perfect accessory for any occasion. Don't miss out on the opportunity to own a piece of fashion history! Givenchy is an iconic French fashion house renowned for its timeless, elegant jewellery produced during the 70s, 80s and 90s, which are now highly sought after and collectible. Founded by Hubert de Givenchy in 1952, the brand gained fame for its association with Audrey Hepburn, who became Givenchy's greatest muse and wore the label in some of her most famous roles, including Breakfast at Tiffany's. By the 1970s, on the advice of Cristóbal Balenciaga, Givenchy diversified into accessories and shoes and arrived on New York’s Fifth Avenue in 1976. Today, Givenchy jewellery continues to be a symbol of sophistication and luxury, sought after by collectors and fashion lovers around the world. Size & Fit -Length - 8 inches -Width - 0.75 inches -Slip on Authenticity & Condition Every piece is fully examined by experts and guaranteed authentic. This bracelet is in excellent condition and features the Givenchy stamp and original tag. All our pieces are guaranteed to arrive as described and gorgeously packaged with care. All our pieces are guaranteed 100% authentic and have been fully examined and authenticated by experts with many years of passion and expertise for costume jewellery and fashion. We have a rigorous authentication process by in house and external experts. We are always happy to answer any questions or send more photographs / videos so you can order with complete confidence. Product code: 22.EK Care Instructions Signs of age add to the unique appeal and story of your precious pieces, but to minimise unwanted damage try to avoid liquids, make up and hair products and where possible try to store flat in packaging to avoid storage wear and tear. A bit about Jagged Metal Jewellery Jagged Metal embodies the bold spirit of 70s-90s and Y2K fashion...

Miriam Haskell pate de verre and faux baroque pearl bracelet composed of three oversized faux jadeGripoix Glass handmade glass beads and...