Benelux

An engraved portrait of Henry VIII, King of England, famous for his role in the separation of the Church of England from the Roman Catholic Church. His reign saw the Dissolution of...

This print is a colored engraving titled "VIEW in MILAN" and was published by Harrison & Co. on April 1, 1782. It is a picturesque scene depicting a tranquil landscape in Milan, It...

A fascinating piece of cartographic history! The map, titled "Carte du supplément pour les Isles Antilles," featuring inset maps of various islands in the Caribbean, is from the "Atl...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

Vienna Porcelain Coffee or Mokka pot with floral decoration and Rococo ornaments on the lid and handle. Product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegiert...

This majestic hand-colored engraving depicts the "SHOEPANDOGE or ROYAL GOLDEN BARGE," a magnificent vessel that radiates the opulence and grandeur of a bygone era. Engraved for "Ma...

Antique map titled 'Supplément pour les Isles Antilles (..)'. Original old map of the Virgin Islands, with insets of Barbuda, St. Kits, Antigua, Dominica, St. Lucia, Barbados, St. Vi...

Beautiful rare extensive antique Copeland Spode creamware tableware parts ca 1800s The border outside and inside are Handpainted decorated with...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

Vienna Porcelain Coffee or Mokka Cup and Saucer with floral decoration. Product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique), a porcela...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

The image is an original engraved portrait, depicting King Edward IV of England. This engraving was created for "Harrington’s Edition of Rapin’s History of England." The text below...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

An engraved portrait of Edward VI, who was King of England and Ireland from 1547 until his death in 1553. Edward was the son of Henry VIII and his third wife, Jane Seymour, and he ...

This image is an engraved portrait of Mr. Rapin de Thoyras, created for Harrington's edition of "Rapin's History of England." The individual in the portrait is Paul de Rapin, Lord ...

The image is an original antique architectural print, specifically a rosette, which is a round, stylized flower design, commonly used in architectural decoration. The print is titled "Rosone preso da Frammenti Antichi T.2. plate 41", indicating that it is the 41st plate from volume 2 of a work that deals with designs taken from ancient fragments. This particular print was created by Carlo Antonini between 1777 and 1790, as part of an art print set...

Set of 4 cups and saucers with decoration of gilt flower sprays and blue border by the Kaiserlich priviglierte Porzellan Fabrique in Vienna. It was founded in 1718 and continued unti...

This image is an original architectural print depicting a rosette, a decorative motif fashioned after a stylized rose, commonly found in ...

An engraved portrait of Henry IV, King of England. Henry IV was the first English monarch from the Lancastrian branch of the Plantagenets and came to power after deposing his cousin Richard II in 1399. His reign was marked by the start of the 15-year civil strife known as the Wars of the Roses, numerous rebellions, and efforts to consolidate his power and legitimize his somewhat tenuous claim to the throne. The text mentions that the portrait is based on a picture at Hampton Court, which is a royal palace in the London Borough of Richmond upon Thames. Published as the act directs on June 18th, 1787, this engraving is part of the collection for "Harrington's Edition of Rapin's History of England." Henry IV's reign is notable for the rebellion led by the famous knight Henry Percy...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

An original antique engraved portrait from Harrington's edition of "Rapin's History of England." The text identifies the subject as Edward the VI, King of England, France, and Irel...

This original antique print is labeled "Rosone Antico nell'Arco degli Argentari," which can be translated as "Ancient Rosette in the Arch of the Silversmiths." The phrase "Rosone An...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

"Rosone Antico nel Tempio di Giove Statore." A breakdown of the title: - "Rosone" typically refers to an architectural term for a rose window, which is a circular window with a dec...

This image is an illustration from a natural history work, a collection titled "Getreue Abbildungen naturhistorischer Gegenstände in Hinsicht auf Bechsteins kurzgefasste gemeinnützi...

Original antique engraving of a Comparative Anatomy of Primate Skulls Description: This detailed print by Carl Johann Georg Reuss, an illustrious illustrator, features a striking il...

This engraving, titled "Rosone preso da Frammenti Antichi," presents a detailed rosette that draws inspiration from classical motifs found in ancient fragments. The intricate design ...

This exquisite engraving, dating back to around 1780, presents a masterfully crafted rosette, a decorative motif that captures the elegance and refined aesthetic of the neoclassical ...

This elegant engraving from the late 18th century features a rosette, an ornamental design resembling a stylized rose, which has been a recurring motif in architectural design throug...

Canton, late 18th century In original hardwood frame with ruyi-shaped metal mount for suspension. H. 38.7 x W. 44.3 cm (incl. frame) H. 31.8 x W. 37.5 cm (image) Chinese reverse glass paintings for export are known since mid 18th century. By the 1780's the copying of European, mainly English, engravings came into vogue in Chinese paintings on glass...

Title: "Villa d'Este Tivoli Rosette, Plate 21" Description: This 18th-century engraving, titled "Da frammenti Antichi nella Villa d'Este in Tivoli," portrays...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The plate is dedicated to "Chass...

These antique engravings are illustrations from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. These plates are particularly v...

wonderful patina on this Spanish ebonised and guilt pearwood framed mirror, lovely foxed mirror glass ... chic, elegant, timeless ...

Original Hand-Colored engraving with the specific species mentioned as: "Vespertilio Serotinus Buff" (the Asian parti-colored bat), indicate the types of bats documented in Schreber...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

Original antique hand-colored engraving of the Norway Lemming, originating from "Die Säugethiere in Abbildungen nach der Natur mit Beschreibungen," which translates to "The Mammals...

An original and finely hand-colored print of a Cardinal bird, signed by William Hayes with a reference to the year 1780 (or 1786). This particular print is titled 'Cardinals', whic...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image is an antique plate il...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image depicts a plate from t...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. This engraving is part of the "...

Title: "Canis Cruciger: The Cross-Bearing Canine" The text on the print refers to the creators of the image: - "D. Hermann Fil. pinx Argent" likely indicates "D. Hermann Fil. (Fili...

The prints depict two different bat species, both intricately illustrated with a level of detail that suggests they come from Johann Christian Daniel von Schreber's "Die Säugthiere i...

Title: "Elegance in Black and White: Viverra Mephitis Linn." Description: This hand-colored print, meticulously drawn by J. Hle and engraved by J. Beck, features 'Viverra Mephitis L...

Given the engraver's name, G. Vogel, and the visual style and content of the print, it is quite likely that this engraving is from Johann Christian Daniel von Schreber's "Die Säugeth...

An original historical map titled 'Presqu' Île Au Dela Du Gange et Archipel De L'Inde', created by Pierre Francois Tardieu and published in the "Atlas Universel" by Pierre Grégoire C...

Offered is this beautiful English pinewood Cricket table from the 18th century. If you're a true enthusiast of beautifully styled interiors, you simply cannot overlook genuine antiqu...

An 12 carat rosé gold necklace set with cabochon cut orange carnelian, and rose cut white-grey calcedony agate, end 18th century or early 19th century, England. weight: 33.62 grams...

half-moon console table with saber legs dating from the 18th century, very beautiful patina with decorative motifs (patina in several colors)

An antique engraving depicting a dance scene titled "An Exact Representation of a Dance in Otaheite," Otaheite being an archaic name for Tahiti in French Polynesia. This engraving would have been created as a part of a series to document the culture and life of the Tahitian people, likely observed by European explorers during one of the many voyages to the South Pacific in the 18th century. In the foreground, there are central figures engaged in a dance, wearing traditional Polynesian attire, which includes wraps around their waists and adornments that seem to represent status or a part of the dance costume. They are holding what appear to be fans, which may be part of the traditional dance. The dancers' poses suggest movement and a performance aspect to the scene. Behind the dancers, we can see a group of musicians providing the accompaniment, playing drums, which indicates the importance of music and rhythm in the dance. To the right, there is an audience of seated individuals, likely members of the community, watching the performance. The background of the scene includes thatched huts and a lush landscape with palm trees, depicting a typical village setting in Tahiti. The checkerboard pattern on the ground where the dance takes place is notable, as it adds a sense of structure to the scene. This image would have been intended for a European audience unfamiliar with Tahitian culture and would have served as a visual record of the encounters between European explorers and the peoples of the Pacific Islands. The engraving you've uploaded, titled "An Exact Representation of a Dance in Otaheite," is likely from a work documenting the voyages of Captain James Cook, given the style and subject matter. Captain Cook made three voyages to the Pacific Ocean during the 18th century, and his encounters with the peoples of the Pacific, including those of Tahiti (Otaheite), were extensively recorded and published. The engravings from Cook's voyages were made by artists who accompanied him, such as John Webber on his third voyage, or were based on sketches made by other crew members. These images were then published in the official accounts of the voyages. The most notable of these accounts is "A Voyage to the Pacific Ocean" undertaken during Cook's third voyage from 1776 to 1780, which was published in the years following his death in 1779. Another possible source for this engraving could be from the accounts of Joseph Banks. Banks was a naturalist who joined Cook on his first voyage (1768-1771) aboard the HMS Endeavour and was responsible for extensive collections and descriptions of Pacific cultures. His collections and later works also included illustrations and engravings of the scenes and peoples encountered. Given that the engraving is labeled as "London Published as the Act directs by Alexr. Hogg at the Kings Arms...

Copper engraving from Thomas Bankes’s “New System of Geography” published by Royal Authority c.1775 This engraving for sale depicts a scene of Karakakooa Bay in Owyhee (Hawaii), whe...

The image is an original antique engraving from "Bankes's New System of Geography," which depicts "A Man of the Sandwich Islands Dancing." The term "Sandwich Islands" was the name gi...

This image is an antique copper engraving with the title "A View in the Island of Pines," created by William Hodges. William Hodges was an English painter who is known for his work a...

The uploaded authentic engraving for sale portrays a scene of interaction between European explorers and indigenous peoples, identified by the caption as occurring at "Port des Franç...

Two authentic engravings on one sheet, also from "Bankes's New System of Geography," published by royal authority, which suggests a similar time frame to the previous engravings, lik...

Title: "The Valley of Inspruck: An 18th-Century Engraved Perspective" This elegant original antique engraving, titled "The Valley of Inspruck," showcases a serene view of the Innsbruck Valley. The artwork is delicately rendered, capturing the grandeur of the mountains and the pastoral tranquility of the valley. The print depicts a detailed landscape scene, replete with towering craggy peaks that loom over a peaceful settlement nestled in the valley. A striking feature is the contrast between the ruggedness of the natural environment and the cultivated lands and architecture, indicating a harmonious coexistence of humanity with nature. It was published as directed on January 1, 1792, by T & G Egerton of Whitehall for the author. Albanis Beaumont is credited with the original design ('Del.' for delineavit, indicating he drew the initial illustration), and Cornelis Apostool is noted for the engraving work ('Sculp.' for sculpsit, indicating he engraved the image). The publication of this print during the late 18th century aligns with a time when there was a heightened interest in natural beauty and the picturesque, reflected in the art and literature of the Romantic period. This print would have appealed to those with an appreciation for both the aesthetic and the sublime qualities of the European landscape. The publication by T & G Egerton, a reputable firm known for their work in the arts, and the involvement of a skilled artist and engraver like Beaumont and Apostool, respectively, underline the quality and desirability of the print. It is a piece that would attract collectors of fine engravings and admirers of European landscapes, offering a window into the aesthetic values and artistic endeavors of the late 18th century. As a historical piece, this print offers a view into the past, inviting contemplation of the rich cultural and natural heritage of the Innsbruck area. It is a valuable collectible for enthusiasts of antique maps and prints...

Blue and white tureen with flowers Delft, 1761-1777 The Three Porcelain Bottles pottery Mark: HB for Hugo Brouwer (1761-1777) The oval tureen s...