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Item Ships From: Brooklyn
"JAMÓN JAMÓN I (Reliquary Generalife)", ceramic sculpture, porcelain vessel, urn
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Enamel
Infinite Drifter 1
By Lizzie Scott
Located in Dallas, TX
textile & mixed media
Category
2010s Abstract Brooklyn - Sculptures
Materials
Muslin, Silk, Nylon
"CALL NOW WHILE SUPPLIES LAST", Ceramic Sculpture, Sinking Ship, Disaster, Humor
By Andrew Smenos
Located in Toronto, Ontario
From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "CALL NOW WHILE SUPPLIES LAST" – a cargo ship sinking slowly... At 6x3x3"...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Paint
"PLUG-N-PLAY I", stoneware glazed sculpture, green, yellow, blue, white, wheel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"PLUG-N-PLAY I (Yellow, Black and White)", 2019, in wheel-formed stoneware, glaze, stain and cork by artist Andrew Cornell Robinson, is one of ...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Glaze, Stoneware
"ENDLESS STAIRCASES OF SIENA", stoneware clay sculpture, Italy ancient hill town
By Rene Murray
Located in Toronto, Ontario
ENDLESS STAIRCASES OF SIENA is a stoneware clay sculpture with slips and engobes by Brooklyn, New York artist Rene Murray. It measures 16"H x 17"W x 11"D. ...
Category
21st Century and Contemporary Romantic Brooklyn - Sculptures
Materials
Clay, Stoneware
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"CASTLE LORD", porcelain clay sculpture, turquoise glaze, royal court, medieval
By Rene Murray
Located in Toronto, Ontario
CASTLE LORD is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 26"H x 23"W x 10"D. It's an ...
Category
21st Century and Contemporary Romantic Brooklyn - Sculptures
Materials
Clay, Porcelain, Glaze
"BLUE HANDLE HORSE", stoneware clay sculpture, blue clay inlay, storybook equine
By Rene Murray
Located in Toronto, Ontario
BLUE HANDLE HORSE is a stoneware clay sculpture with blue clay inlay by Brooklyn, New York artist Rene Murray. It measures 24"H x 18"W x 7"D. It's an encha...
Category
21st Century and Contemporary Romantic Brooklyn - Sculptures
Materials
Clay, Stoneware
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
"CHAMBERLAIN", porcelain clay sculpture, turquoise glaze, royal court, medieval
By Rene Murray
Located in Toronto, Ontario
CHAMBERLAIN is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 23"H x 19"W x 9"D. It's an e...
Category
21st Century and Contemporary Romantic Brooklyn - Sculptures
Materials
Clay, Porcelain, Glaze
Homemade Hermes Birkin Bag ( Pink ) 2015 by Shelter Serra
By Shelter Serra
Located in Brooklyn, NY
Homemade Hermes Birkin Bag ( Kelly Green )
2015,
15”x14.5”x1.5” inches unframed, 18.75 "x 18.75 x 2.5 framed
Cast Resin, Edition of 15
Also available in Kelly Green, White, Gold and Silver. The frame is a white shadow box frame with plexiglass.
The Homemade Hermes Birkin Bag is a sculpture that celebrates the beauty, and status, that the docents of fashion have bestowed upon coveted objects and accessories as such. In a Duchampian gesture of representation, the artist has created an object that has been “elevated to uselessness”, yet reveals much about our society’s infatuation with consumption and materialism. Cast in resin the sculpture becomes an apropos trope of our time, a perfect conversation starter.
Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Enamel
"RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
By Andrew Cornell Robinson
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity.
Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used."
Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives.
He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial.
Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City.
He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Gold, Gold Leaf
"DESTROYER", Ceramic Sculpture, Sinking Boat, Sinking Ship, Disaster, Humor, SOS
By Andrew Smenos
Located in Toronto, Ontario
From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "DESTROYER" – the rusted hulk of a ship is sinking however, itself destro...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Paint, Wood
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
By Harold Wortsman
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"JAMÓN JAMÓN VI", pitfire ceramic sculpture, table, food, bait, identity, vessel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN VI (Language of Flowers)", 2019, in slipcast glazed, pit smoke fired ceramic by artist Andrew Cornell Robinson, is one of a series...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Slip, Glaze
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Large Mirror Sculpture; 'Sphere Mirror'
By Kelly Bugden + Van Wifvat
Located in New York, NY
The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation.
Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...
Category
2010s Abstract Brooklyn - Sculptures
Materials
Gold Leaf
"Poppy №1" 2022
By Anneke Bogardus
Located in New York, NY
Anneke Bogardus "Poppy №1" 2022
Entirely hand sculpted. Raku fired.
15 1/2” tall, 35 1/2” around at widest point
Raku firing is an ancient Japanese ceramics technique. The Raku t...
Category
2010s Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
By Harold Wortsman
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Surreal Contemporary Figurative Mixed-Media Sculpture Found-Object American
Located in Buffalo, NY
One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...
Category
2010s Surrealist Brooklyn - Sculptures
Materials
Found Objects, Mixed Media
$1,012 Sale Price
20% Off
Helene – Plaster Female Torso by Zura, Available in Bronze (2025)
Located in Brooklyn, NY
Commanding and contemplative, Helene presents a life-size female torso marked by rupture and radiance. A visible crack separates the front and back of the form—revealing an inner lay...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Gold Leaf
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"CASTLE CHANCELLOR", porcelain clay sculpture, turquoise glaze, royal court
By Rene Murray
Located in Toronto, Ontario
CASTLE CHANCELLOR is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 24"H x 22"W x 11"D. It...
Category
21st Century and Contemporary Romantic Brooklyn - Sculptures
Materials
Clay, Porcelain, Glaze
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
By Harold Wortsman
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"DESK SET I", majolica glazed earthenware sculpture, faience, ceramic, tin glaze
By Andrew Cornell Robinson
Located in Toronto, Ontario
"DESK SET I", 2012, in majolica glazed earthenware by artist Andrew Cornell Robinson, is one of a series of sculptural objects that are also kn...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Glaze
Moon 1 - intricate white 3D abstract geometric circle pulled paper drawing
Located in New York, NY
Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...
Category
2010s Abstract Geometric Brooklyn - Sculptures
Materials
Archival Paper
"KING BABAR HORSE", stoneware clay sculpture, Iron Yellow glaze, storybook
By Rene Murray
Located in Toronto, Ontario
KING BABAR HORSE is a stoneware clay sculpture with Iron Yellow Glaze by Brooklyn, New York artist Rene Murray. It measures 22"H x 13"W x 7"D. It's an ench...
Category
21st Century and Contemporary Romantic Brooklyn - Sculptures
Materials
Clay, Stoneware, Glaze
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"MOVIN' ON UP, Ceramic Sculpture, Apartment Building on Fire, Disaster, Humor
By Andrew Smenos
Located in Toronto, Ontario
From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "MOVIN' ON UP" – an apartment building in flames and on fire... At 17x11x...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Ceramic, Paint
Surreal Contemporary Figurative Mixed-Media Sculpture Found-Object American
Located in Buffalo, NY
One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...
Category
2010s Surrealist Brooklyn - Sculptures
Materials
Found Objects, Mixed Media
Infinite Drifter 2
By Lizzie Scott
Located in Dallas, TX
Textile & mixed media
Category
2010s Abstract Brooklyn - Sculptures
Materials
Muslin, Paint
Not Square (Red, Pink, Tan)
By Lizzie Scott
Located in Dallas, TX
Flashe on muslin with mixed textiles
Category
2010s Abstract Brooklyn - Sculptures
Materials
Muslin
Not Square (Green plus Pinks)
By Lizzie Scott
Located in Dallas, TX
Flashe on muslin with mixed textiles
Category
2010s Abstract Brooklyn - Sculptures
Materials
Muslin
Spiral#1-Blue, large maple sculpture
By Eric Pesso
Located in Brooklyn, NY
Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...
Category
2010s Abstract Brooklyn - Sculptures
Materials
Maple, Latex
Surreal Contemporary Figurative Mixed-Media Sculpture Found-Object American
Located in Buffalo, NY
One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...
Category
2010s Surrealist Brooklyn - Sculptures
Materials
Found Objects, Mixed Media
Surreal Contemporary Figurative Mixed-Media Sculpture Found-Object American
Located in Buffalo, NY
One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame.
Born in Dunkirk NY, Kuznicki started his career working for artists su...
Category
2010s Surrealist Brooklyn - Sculptures
Materials
Found Objects, Mixed Media
Sculpture; 'Portal'
By Kelly Bugden + Van Wifvat
Located in New York, NY
The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation.
Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...
Category
2010s Conceptual Brooklyn - Sculptures
Materials
Gold Leaf
Translucent Mini Birdbath in Quince
By Paula Hayes
Located in Miami Beach, FL
Artist Paula Hayes joins natural and sculptural forms in her otherworldly creations. Here, she creates a miniature birdbath—providing a respite for humans and animals alike—exclusive...
Category
2010s Contemporary Brooklyn - Sculptures
Materials
Resin
Demna Baby – Balenciaga-Inspired Edgy Mixed Media Sculpture by Zura
Located in Brooklyn, NY
ZURA (Georgian-American, b. 1969)
DEMNA BABIES, 2024
Mixed media
H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm)
Clear acrylic plexiglass included
Zura’s Demna Babies are edgy, mixed-me...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Iron
Demna Baby – Balenciaga-Inspired Edgy Mixed Media Sculpture by Zura
Located in Brooklyn, NY
ZURA (Georgian-American, b. 1969)
DEMNA BABIES, 2024
Mixed media
H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm)
Clear acrylic plexiglass included
Zura’s Demna Babies are edgy, mixed-me...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Wire
Cellist – Bronze Figurative Sculpture by Zura (2020)
Located in Brooklyn, NY
With lyrical elegance and sculptural precision, Zura’s Cellist captures the quiet intensity of musical performance. The elongated form, cast in bronze, evokes both movement and still...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Bronze
Chaotic Past – Wall Sculpture by David Datuna, 2011
By David Datuna
Located in Brooklyn, NY
In Chaotic Past, David Datuna transforms the everyday into a layered reflection on modern life. Using shattered china dishes embedded into a framed wall composition, the work draws d...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Mixed Media
Mogen David #2, hand carved sculpture Jewish themed star of David
By Eric Pesso
Located in Brooklyn, NY
Abstracted, Judaica Maple Sculpture based upon Jewish Star
Eric Pesso is recognized for his mind-bending carved creations, created from single trunks of neighborhood trees. In 2012...
Category
2010s Abstract Brooklyn - Sculptures
Materials
Maple
Concorde Cap, Electroplated Copper Contemporary Art Sculpture by Shelter Serra
By Shelter Serra
Located in Brooklyn, NY
Concorde Cap
Shelter Serra
5.5”x7”x9”
Electroplated Copper
2017
The Concorde Cap is one of an ongoing series of copper electroplated hats. Ranging from Superman to Nascar, the artist chooses hats from all walks of life before distilling through the electroplating process, transforming the once functional hat into an object of contemplation and beauty.
Shelter Serra’s sculptures and drawings explore notions of mass consumption and cultural identity. He juxtaposes objects that are both mundane and immediately recognizable: a 40 ounce bottle of malt liquor cast in plaster, a Best Buy cap plated in copper, and a designer handbag cast in resin, to name a few. Casting and plating these objects in unlikely materials—resin, plaster, platinum silicone, and copper—Serra strips them of their intended functionality, thereby highlighting their underlying cultural symbolism and transforming branded products into objects of aesthetic contemplation. “Refining an aesthetic and making beautiful objects, whether that be a dress, bag, or sculpture," says Serra, "is a celebration of pure creativity and personal vision.”
His Fake Gun...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Copper
Moon Dancer
By Larry Scaturro
Located in Brooklyn, NY
Painted maple abstract form
Category
2010s Abstract Brooklyn - Sculptures
Materials
Wood
$3,120 Sale Price
20% Off
Spiral#4-Red w/ chestnut stain, large maple sculpture
By Eric Pesso
Located in Brooklyn, NY
Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...
Category
2010s Abstract Brooklyn - Sculptures
Materials
Maple, Latex
Spiral#2-Red, large maple sculpture, carved, painted elements
By Eric Pesso
Located in Brooklyn, NY
Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...
Category
2010s Modern Brooklyn - Sculptures
Materials
Maple, Latex
Stream (Green Glow, Coral Bars)
By Lizzie Scott
Located in Dallas, TX
Flashe on muslin with mixed textiles
Category
2010s Abstract Brooklyn - Sculptures
Materials
Muslin
Spiral#3-Green, large maple sculpture
By Eric Pesso
Located in Brooklyn, NY
Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...
Category
2010s Abstract Geometric Brooklyn - Sculptures
Materials
Maple, Latex
Untitled (black octagons)
By Thomas Lendvai
Located in Boston, MA
Artist Commentary:
None of my sculptures are ever worked out on paper. The process is always tactile and worked out in the form of a model or small sculpture. This sculpture was an ...
Category
21st Century and Contemporary Abstract Brooklyn - Sculptures
Materials
Other Medium, Polyurethane
$950 Sale Price
50% Off
Admiral Byrd Cast Plaster Sculpture by Shelter Serra
By Shelter Serra
Located in Brooklyn, NY
Admiral Byrd by Shelter Serra
2004
13”x9”x7.5” inches
Cast plaster
This plaster sculpture is an homage to classical sculpture and the legacy of Admiral Richard E. Byrd. Overshadowe...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Plaster
Kind Of Blue
By Larry Scaturro
Located in Brooklyn, NY
Inspired by the music of jazz great Miles Davis and his classic album "Kind Of Blue". At the end of the twentieth century it was voted one of the ten best...
Category
2010s Contemporary Brooklyn - Sculptures
Materials
Paint, Resin
$3,040 Sale Price
20% Off
Abstract wood Sculpture: 'Horn'
By Kelly Bugden + Van Wifvat
Located in New York, NY
The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...
Category
2010s Abstract Brooklyn - Sculptures
Materials
Wood, Paint
Stockings in the Air
By Aima Saint Hunon
Located in Brooklyn, NY
Sensual bronze sculpture.
Category
2010s Contemporary Brooklyn - Sculptures
Materials
Bronze
$11,600 Sale Price
20% Off
Ocean
By Janine Sopp
Located in Boston, MA
Artist Commentary:
Drawing and stamping on clay allows for immediate and spontaneous expression. This piece was inspired by the fluidity and bounty of the ocean. The ocean, a source ...
Category
21st Century and Contemporary Abstract Brooklyn - Sculptures
Materials
Ceramic
$1,500
Untitled, Large Abstract Sculpture, 2018
By Thomas Lendvai
Located in Boston, MA
Artist Commentary:
My freestanding sculptures have no secret fastening devices. Gravity holds them in place. They aren't magic tricks. I hope the only magic that happens is the exp...
Category
21st Century and Contemporary Contemporary Brooklyn - Sculptures
Materials
Paint, Wood Panel
Abstract wood Sculpture: "Fortress'
By Kelly Bugden + Van Wifvat
Located in New York, NY
The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...
Category
2010s Conceptual Brooklyn - Sculptures
Materials
Wood, Paint
"Torso Cello" hybrid musical instrument sculpture, assemblage
Located in New York, NY
This cello sculpture created by Ken Butler is part cello mannequin dress form torso. It is made in the spirit of absurdity many surrealists embraced using f...
Category
21st Century and Contemporary Assemblage Brooklyn - Sculptures
Materials
Mixed Media, Found Objects
The Teapot or not
Located in Miami Beach, FL
François Bauer is a visual ceramist born in 1986, currently based in Strasbourg, France. After studying graphic design in Chaumont, he pursued his education in object design at HEAR ...
Category
2010s Brooklyn - Sculptures
Materials
Enamel
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