Florida - Prints and Multiples

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...

Artist/Designer; Manufacturer: Keith Haring (American, 1958-1990) Marking(s); notes: signed; ed. 280/1000; 1988 Materials: lithograph Dimensions (H, W, D): 11.25"h, 8.5"w; 21.5"h, 17...

Artist: Leonard Tsuguharu Foujita Title: 'Profil de madone' Year: 1957 Medium: lithograph on paper Size: 55.5 x 38 cm. (21.85 x 14.96 in) Edition: 165/220 signed & numbered in penc...

Serigraph in colors on paper. Hand signed numbered by the artist. From the eition of 250. Frame size approx 40 x 48 inches. Artwork appears to be in excellent condition. Has not be...

ARTIST: Salvador Dali TITLE: New York City Plaza (Plaza Fountain) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 101/125 MEASUREMENTS: 30" x 22" YEAR: 1964 FRAMED: No C...

Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Medium: Serigraphy (Silkscreen Printing). These are the original high quality serigraphs produced in partnership with Disney first released at D23. Edition: Varying Edition Sizes ba...

Artist: George Rodrigue Title: Sweet Like You Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Excel...

18 color screen print on 300 gsm somerset paper. Hand signed lower right front by Fanakapan. Hand numbered 52/125 lower left front. Artwork size 31 x 22.4 inches. Frame size appr...

This is being sold unframed. Reception in Miami. Born to Lithuanian Jewish parents, Levine grew up in the South End of Boston, where he observed a street life composed of European immigrants and a prevalence of poverty and societal ills, subjects which would inform his work. He first studied drawing with Harold K. Zimmerman from 1924-1931. At Harvard University from 1929 to 1933, Levine and classmate Hyman Bloom studied with Denman Ross. As an adolescent, Levine was already, by his own account, "a formidable draftsman". In 1932 Ross included Levine's drawings in an exhibition at the Fogg Art Museum at Harvard, and three years later bequeathed twenty drawings by Levine to the museum's collection. Levine's early work was most influenced by Bloom, Chaim Soutine, Georges Rouault, and Oskar Kokoschka. Along with Bloom and Karl Zerbe, he became associated with the style known as Boston Expressionism. In 1935, shortly after its formation, Levine joined the WPA’s Federal Art Project, where he was employed intermittently until 1939. In 1937, while with the WPA, Levine painted The Feast of Pure Reason...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition Artist Proof. Signed and numbered by Norman Rockwell. Published 1973, Gallery Ret...

Artist: Christo (1935 - 2020) Title: Wrapped Paris Review Size: 36" x 24" inches Type: Lithograph Poster Hand Signed Christo was born in 1935 in Gabrova, Bulgaria. (He would drop hi...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

Pencil signed original limited edition woodcut woodblock print great depression era. from the 1930s. Abramovitz, Albert 1879-1963 Born in Riga, Latvia, Abramovitz studied art at th...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

Serigraph on paper. From Paris Nights Suite. Hand signed and numbered by the artist. Image size 18.5 x 15 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Artist: Dan May (American, 1955-) Title: "Book on Chair" *Signed and numbered by May in pencil lower left Year: 1989 Medium: Original Screenprint on unbranded white wove paper Limite...

EA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper. Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...

Artist: Gene Davis (American, 1920-1985) Title: "Yankee Doodle" *Signed and numbered by Davis in pencil lower right Year: 1972 Medium: Original Screenprint on wove paper, laid down t...

"The Devil at the Keyboard" 1976 color lithograph artist proof. Abstract portrait of Thelonious Monk by Willem de Kooning. Hand signed de Kooning and numbered A/P in front lower righ...

Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, repro...

Victor Vasarely Ionau, 1987 Serigraph Ed. 145 of 300 40 x 72 in Signed and numbered in pencil. Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is ...

Artist: Roberto Matta Title: Nous ne sommes pas au monde (Une Saison en Enfer) Season in Hell Medium: Original Etching & Acquatint on Arches Paper Signed: Hand Signed Edition Numb...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Rare Original limited edition lithograph, printed by Mourlot in Paris, France on vélin du Marais watermarked paper. this is not signed as issued. This is from a signed and numbered p...

Victor Vasarely "Okta-2" 1985 Lithograph 31 x 25 1/2 in Ed 192 of 250 Perfect Condition Frame included

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 and 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.In 1991, Alice Asmar was chosen for prestigious Honorary Membership in the National League of American Pen Women. Only three such honors are given each year. This recognition reaches back to her childhood, Alice Asmar was considered a child prodigy, winning awards and recognition for her artwork before the age of 10. Her education from 1946 through 1959 included a BA magna cum laude, from Lewis and Clark College, Portland; an MFA from the University of Washington, Seattle; and a one-year fellowship to study at L'Ecole Nationale Superieure des Beaux-Arts, Paris, France. Born in Flint, Michigan of Lebanese and Greek descent. Her parents moved to Portland, Oregon when she was just a baby. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists. She Graduated magna cum laude from Lewis and Clark College in Portland and Obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawing for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. A master of many media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books,American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Prints including lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, Security Pacific International Bank of New York, The Public Art Museum of Gabrova, Bulgaria, kaiser-Permanente, and the Dr. Nicholas Townell collection in Angus, Scotland. Studied with Edward Melcarth & Archipenko, University of Washington, MFA. Work: National Museum of American History Smithsonian Institute, Washington. Los Angeles City-Scape at sunset (Mural), Commissioned by Dr. Walter jayasinghe, 66; Painting of doves, Bangs Manufacturing Co, Burbank Exhibitions: Seattle Art Museum. Museum of Science & Industry, Los Angeles. Circle Gallery Ltd, Houston, Abbot Hall Gallery, William Temple House, Portland Oregon. Nambe Mills, Santa Fe, New Mexico. Sr Eye Art Gallery, Long Beach. Descanso Gardens, La Canada Flintridge, California.Sun Cities Art Museum, Arizona. Audubon Art Exhibit, Portland Oregon.Walt Disney Art...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

Alexander Calder, Ballons Dégoulinés (Bulles D'air), 1969 Signed and numbered in pencil, from an edition of 75 Framing: Although it is currently framed, it is being sold unframed. ...

This energetic image for the Lea and Norma Cycles Company was created during the height of popularity for cycling for sport. The man pictured is likely a specific competitor who rece...

The Italian influence of style is clearly evident in this fine poster created circa 1910 by the artist, Nonni. He uses the influence of the Arts Nouveau of France but puts his unique...

Rene Gruau (1909-2004) is one of the most recognized poster artists of the 21st Century. Gruau was a fashion illustrator whose exaggerated portrayal of fashion design through paintin...

Pinchas Burstein, known as Maryan Lithograph (after the drawing). 1960 Dimensions: 12 3/8 x 9 3/8 inches (315 x 240mm). There is printed text on the back, as issued. Signed in the...

Offset lithograph on paper. Each stamped and numbered on verso. Edition of 120. Size: 35.5 x 27.5 inches (each); 35.5 x 55 inches (total). Artwork is in excellent condition. Certif...

Silkscreen Edition of 200 Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightm...

Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin Titled in pencil middle margin and signed in pencil lower...

Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...

Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed by Krasner in the...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Crucible of The Philosopher MEDIUM: Etching on parchment paper SIGNED: Hand Signe...

This historically important and exceptionally rare poster was created to encourage Japanese Americans to enlist in the 442nd Infantry Regiment, which would become the most highly dec...

Artist: Serge Helenon (French, 1934-) Title/Portfolio: "Présence" *Each work is signed by Helenon in pencil lower left Year: 1985 Medium: The Complete Portfolio of Three Original Car...

"Tapiz of Tarragona" 1970 Lithography. virtual frame 76x56 Cm. 200 Copies Edition Exemplary HC Papel Guarro with Water Filigree of the Sala Gaspar Signed in Monogramada and numbered ...

This original 1893 poster for Chocolat Menier is among the most iconic and beloved images in the history of advertising. Created by French illustrator Firmin Bouisset (1859–1925), it...

In this travel poster, Roger Broders captures the pristine beauty of Lac d’Annecy, one of the most picturesque lakes in the French Alps. Commissioned by the PLM (Paris–Lyon–Méditerra...

Artist: Roberto Matta Title: Attire le gai venin (Une Saison en Enfer)Season in Hell Medium: Original Etching & Acquatint on Arches Paper Signed: Hand Signed Edition Number: 92/10...

This work is edition number 33/50. Signed/numbered in pencil, lower lect. By reducing his subjects to their most essential visual components, Alex Katz engages in a reductive proc...

ARTIST: Salvador Dali TITLE: La Tauromachie Individuelle MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet EDITION NUMBER: XXV/C MEASUREMENTS: 25.5" x 20" YEAR: ...

Fred Fehlau is an American a Postwar & Contemporary artist. He was born in 1958. Known for his sculpture. EDUCATION ArtCenter College of Design MFA, with Honors 1986–1988 ArtCenter College of Design BFA, with Distinction 1976–1979 Educational Management Program Harvard Graduate School of Education, 2011 Selected Exhibitions: 2014 The Avant-Guard Collection, Orange County Museum of Art, Newport Beach, CA. Curated by Dan Cameron and Fatima Manalili. 2003 The Spirit of White, Beyeler Gallery, Basel, Switzerland. Curated by Urs Albrecht. 2000 New Acquisitions...

Genre: Judaica Subject: People Medium: Print Surface: Paper size: 13.5 X 10.5, 17.5 X 13.75 with mat. on the Haifa Museum website this piece is described as a vernis-mou, aquatint et...

Edward Avedisian (1936-2007) Green Gold, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25 inch...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Unique screenprint of an edition of 60. Signed and numbered "30/60" in pencil lower right. Published by Andy Warhol, New York. Printed by Rupert Jasen Smith, New York. Andy Warhol P...

Johnny Friedlander:1912-1992. Well listed German abstract expressionist artist. He has had an auction record price for a single print over $2400. this powerful piece is either an et...

Artist: Ralph Steadman Title: Up, Up and Up Your's Medium: Three color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes:...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

ARTIST: Salvador Dali TITLE: Symbols Devil MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: EGI/Vanguard Studios (Beverly Hills) EDITION NUMBER: 26/150 MEASUREMENTS: 16" x 16" ...