Florida - Prints and Multiples

Carborundum Etching, artist signed edition 10/30, 60"h x 40" new black wood frame under plexiglass. Pierre Marie Brisson French b. 1955 - one of the most talented contemporary art...

Luis Miguel Valdes (Cuba, 1949) "Another sitting on the wall", 2024 monotype (monoprint) on paper 22.5 x 28.75 in. (57x73 cm.) Hand-signed by author ________________________________...

A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...

Frederick Stuart Church: 1842-1924. Very well listed American artist. He is best known for his allegorical compositions. He has auction results...

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition of 50. ...

Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin Titled in pencil middle margin and signed in pencil lower...

Raul Anguiano (Mexico, 1915-2006) 'Salomé', 2003 Engraving, sugarlift on Deponte handmade heavy-weight paper of 650 g. 19.3 x 15 in. (49 x 38 cm.) ID: ANG-108 Hand-signed by author

Juano Diaz was born in Glasgow in 1977. Diaz's artistic practice executed by private commission has been placed in many high-profile international private and corporate collections w...

Lithograph in colors on paper. Hand signed and numbered by the artist. AE edition of 100. Image size approx 20 x 6 inches. Sheet size is 22 x 8 inches. Artwork is in excellent con...

Alfonso Fraile (Spain, 1930-1988) 'Personaje I', 1987 engraving on paper Overall size: 30 x 22.1 in. (76 x 56 cm.) Edition of 50 ID: FRA1262-004-050 Hand-signed by author ___________...

Juan Alcalde Alonso (Spain, 1918-2020) 'Estudio', lithograph on paper 20.9 x 28.8 in. (53 x 73 cm.) Edition of 225 ID: ALC1002-029-225 Hand-signed...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Born in Budapest in 1907, he had a humble upbringing and a passion for the arts. Shortly after the Hungarian Revolution broke out in 1956, Domján was invited to showcase his work in New York; given both the circumstances and opportunities, he readily accepted. Eventually, with his wife and children, he settled in Tuxedo Park. Here, he established the Domján Studio and where lived until his passing in 1992. In his early years, and during the Great Depression, Domján toured Europe with the desire to be engulfed by art. Previously, much of his time had been consumed with the work of both an engine fitter and foundry worker. After testing the waters of over 20 different professions, he discovered his passion in the arts. Later, during his European tour, he earned his way by selling a variety of works including both paintings and sketches. Post-depression, he returned to Hungry where he studied seven years at the Budapest Academy of Arts. Having spent an earlier portion of his life as a painter, Domján created his first woodcut in 1947 by using oil paint as opposed to printer’s ink. The result was stunning. This technique, becoming his signature style, would later set him apart from others within the trade. To create his pieces, Domján applied rich color, layer by layer, and lays claim to having “succeeded in bringing to the world something that had not existed before.” Ultimately, each print became three dimensional and gave the appearance of a painting. His technique has gained him international merit as well as the honor of receiving China’s “Master of the Color Wooodcut” award, a recognition given only once every century. The inspiration behind many of Domján’s woodcuts, coupled with his love of nature, is derived from Hungary’s brilliant folklore. The intricacy of his design is certainly his prominent element; however, their subtle coloring and abstract images contribute to his unique style. For the 59th Anniversary of composer Béla Bartók’s opera, Duke Bluebeard’s Castle, Domján used the opera’s profound imagery to create a series of woodcuts. The work included an ominous castle, coiled snakes, smirking masks, elusive zodiac symbols, and the story’s forbidden key. In doing so, Domján was able to weave traditional folklore components into a fantastic piece of modernized art. His work is not only expressive of Hungarian folklore...

Namiko Prado Arai (Mexico, 1963) 'La regadera', 2003 silkscreen on paper Guarro Super Alpha 250g. 39.4 x 27.6 in. (100 x 70 cm.) Edition of 50 ID: PRA-301 Unframed

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

Juan Alcalde Alonso (Spain, 1918-2020) 'El maldito', 2003 silkscreen on paper 22.9 x 19.7 in. (58 x 50 cm.) Edition of 100 ID: ALC1002-035-100 Hand-signed by author Excellent conditi...

Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-312-054 Hand-signed by author

Comètes, 1968 Lithograph in colors on wove paper 26.90 x 21.75 inches Signed and numbered in pencil, edition of 200 copies Professionally framed Alexander Calder was born in Ph...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Antoni Tapies (Spain, 1923-2012) 'Varations V: Chaussure sur chaise', ca. 1970-1975 lithograph on paper 29.6 x 41.4 in. (75 x 105 cm.) Edition of 90 Unframed ID: TAP1162-022 Hand-sig...

Francisco Corzas (Mexico, 1936-1983) 'Nezahualcoyotl - The First Constructor 1', 1975 lithograph on paper Velin Arches 300 g. 25.8 x 19.3 in. (65.5 x 49 cm.) Edition of 200 ID: COZ-2...

Adam Mars(b. 1981, American) Life (Ass-Backwards and Upside Down) 2020 Screenprint 11 x 14 in. Edition of 20 Pencil signed and numbered Adam Mars (born 1981...

Alexander Calder, Ballons Dégoulinés (Bulles D'air), 1969 Signed and numbered in pencil, from an edition of 75 Framing: Although it is currently framed, it is being sold unframed. ...

Juan Alcalde Alonso (Spain, 1918-2020) 'La calle', ca. 2000 - 2010 silkscreen on paper 20.5 x 26 in. (52 x 66 cm.) Edition of 225 ID: ALC1002-052-225 Hand-signed by author Excellent ...

Jose Sacal (Mexico, 1944-2018) 'Angel', 2002 mezzotint on paper 22.1 x 18.4 in. (56 x 46.5 cm.) Edition of 25 ID: SAC-101 Hand-signed by author

Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida II', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50

. Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent. Signed in the p...

Lithograph in colors depicting an enchanted evening in Paris with a snowman and children playing outside the restaurant Chez Joseph on a winter day. Signed in bottom right margin "M...

"Taxi Pretzel" lithograph by Red Grooms from 1971 "No Gas" portfolio. Hand-signed Red Grooms AP on bottom of shoe on lower right corner. Image size: 27 1/4 x 21 1/2 inches.

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 8" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'Wal-Marx', N/A Silkscreen on paper 19.6 x 27.6 in. (49.7 x 70 cm.) Edition of 50 ID: ARE-201 Hand-signed by author

Luis Miguel Valdes (Cuba, 1949) 'La Lengua Castellana (Blue)" (The Spanish Tongue/Language), 2015 woodcut, manual intervention on paper 47.3 x 84.7 in. (120 x 215 cm.) Edition of 10 ...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

ARTIST: Salvador Dali TITLE: La Tauromachie Individuelle MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet EDITION NUMBER: XXV/C MEASUREMENTS: 25.5" x 20" YEAR: ...

Artist: Ellsworth Kelly Title: Abstract Geometric IX Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border: No ...

Robert Smith (United States, 1944) 'Changes with the wind', 1972 Engraving 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 ID: SMI1158-003-075 Hand-signed by author

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Edition of 250. There were also 50 artist’s proofs. Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alexan...

Hand signed rf Lichtenstein, numbered and dated '96 in pencil lower left. Printed by Noblet Serigraphie Inc., New York. Produced as a benefit for the Brooklyn Academy of Music (BAM) ...

Magda Bolumar (Spain, 1936) 'La llena (Collection "La luna presente")', 1997 etching, aquatint on paper Rives BFK 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Ed...

TECHNICAL INFORMATION Jasper Johns Untitled 1977-1980 Lithograph 34 1/4 x 30 1/4 in. Edition of 60 (12 artist’s proofs) Pencil signed, dated and numbered Published by Gemini G.E...

TECHNICAL INFORMATION: Julian Stanczak Dedicated, from Twelve Progressions 1971 26 1/8 x 31 3/4 in. Edition of 90 Pencil Signed and Numbered Accompanied with COA by Gregg Shienbaum...

OPAC The Organization of Photorealist Artists and Collectors presents Seltzer, a signed and numbered giclee on canvas by famed photorealist Mark Schiff. This piece is 28" x 34". The ...

Lithograph in colors on arches paper. Hand signed and numbered by Marcel Janco. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 to h...

Gina Pellón (1926-2014) "Untitled" Lithograph 30 x 22 in Frame included

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

Luis Miguel Valdes (Cuba, 1949) 'Vecindario I' (Neighborhood I), 2020 woodcut and watercolor on paper 44.5 x 80.4 in. (113 x 204 cm.) Edition of 10 ID: VAL-599 Unframed Luis Miguel ...

This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a trapeze artist an acrobat on the high wire. This came from a portfolio inscribed by Vertes and also signed by the Surrealist Jean Cocteau. MARCEL VERTES FRENCH HUNGARIAN 1895(Ujpest, Hungary)-1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

Artist: Pierre Augustin Massé (French, 1880-?) Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898 Medium: Or...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...

Silkscreen Black and White Lantern Flowers with Flocking

ARTIST: Salvador Dali TITLE: Le Vitrail MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: XCVII/C MEASUREMENTS: 15" x 10.4" YEAR: 1968 FRAMED: No CONDITION: Excellent ...

This Europe poster was created circa 1960 by the gifted American artist David Klein (1918 -2005) for TWA. Klein chose to depict some of the European highlights for this poster: The R...

ARTIST: Salvador Dali TITLE: Wealth Health Fame and Love MEDIUM: Lithograph on Japon Paper SIGNED: Hand Signed PUBLISHER: Levine & Levine for Collectors Guild/Center Art EDITIO...

Author: Baruj Salinas (Cuba, 1938) Title: 'Nebula incandescente', 1977, Artist Proof Medium: Limited Edition Print. Technique: Mixed media on paper Size: 22.1 x 30 in. (56 x 76 cm.) ...

Artist: Andy Warhol Title: Wild Raspberries FS IV.126-143 The complete book, comprising 18 offset lithographs, 3 with hand-coloring, (one of which is a double plate), printed title page and two blank pages (as issued), with recipes by Suzie Frankfurt...

"Voices XII" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Michoel Muchnik was born in Philadelphia in 1952. Muchnik received his artistic training at the Rhode Island School of Design. He later studied Jewish and Talmudic studies at the Rabbinical College of America in Morristown, New Jersey. Michoel Muchnik's art focuses on imaginative and joyful depictions of traditional and mystical Jewish and Hasidic themes. Muchnik has exhibited his work and lectured on Hasidic art throughout the United States as well as abroad. In 1977, Muchnik was selected alongside four other Hasidic artists, including Hendel Lieberman...

Fritz Scholder (American, 1937-2005) 'Mask of the artist', 1982 Engraving, aquatint and resin 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-005 Unframed

Fina Miralles (Spain, 1950) 'Café', N/A lithograph on paper 27.6 x 20.5 in. (70 x 52 cm.) ID: MIR1346-001-000 Hand-signed by author _____________________...