Florida - Prints and Multiples

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodprint and collagraph 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Sergio Hernández (Mexico, 1957) 'Lluvia de Estrellas', 2011 woodcut on paper Velin Arches 300 g. 45.7 x 81.9 in. (116 x 208 cm.) Edition of 10 Unframed

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 1', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-102 Hand-signed by author

Sergio Hernández (Mexico, 1957) 'Observatorio II', 2016 lithography on zinc on paper Deponte 300 g. 35.4 x 47.2 in. (90 x 120 cm.) Edition of 30 ID: HER-199 Unframed ...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an Artist in her early years of education. Dee's career started in the 1970s as a pattern painter with her works of art included in the Pattern and Decoration at P.S. 1 (other artists included Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Robert Kushner, Kim MacConnel, Miriam Schapiro, Betty Woodman, Robert Zakanitch.) She researched and explored the Fibonacci Progression in color on graph paper and also explored geometric complexity of architectural designs, leading her to create the small horizontal oil paintings of cities and landscapes. Dee Shapiro became a Yaddo fellow in 2017. Dee Shapiro obtained her bachelor's degree in 1958 and Master of Science in 1960 from Queens College, City University of New York. Dee Shapiro is an artist that sees the subject on a large scale, but what she creates is on a diminutive scale. Shapiro's strength is the ability to give expressive power on canvas that makes her work seem larger than they are. Dee Shapiro has been a teacher, lecturer, and writer through career. "I have been concerned with women’s issues most of my life. I have worked to enhance the position of women in society through supporting the work of women artists. As a contributor to Heresies Magazine and a founder of a women’s cooperative gallery as well as developing a body of work that references women’s work and more currently focuses on female sexual imagery, I identify with feminist matters and affairs." Group exhibitions 2018 The American Dream, Emden, Germany Solo exhibitions 2016 Art 101, Brooklyn, NY 2015 Andre Zarre Gallery, NYC 2015 Five Points Gallery, Torrington, CT 2012, 2010, 2009 Andre Zarre Gallery, NYC 2010 Norfolk Library, Norfolk, CT 2009 George Billis Gallery 2006 Harrison Street Gallery, Frenchtown, NJ 2004 The Mercy Gallery. Loomis Chafee, Windsor, CT. 2004,2002, 1998 Andre Zarre Gallery, NY C, National Arts Club, NYC 2000 Principle Gallery, Alexandria, VA 1998 Nassau County Museum of Fine Art, Roslyn, NY 1997 Andre Zarre Gallery, NYC 1996 North Winds, Port Washington, NY 1994, Andre Zarre Gallery, NYC 1984 Ana Sklar Gallery, Miami, FL 1983 Andre Zarre Gallery, NYC 1982 Everson Museum, Syracuse, NY, Andre Zarre Gallery, NYC 1981 Dubins Gallery, Los Angeles, CA, Zenith Gallery, Pittsburgh, PA 1980, 1976 Andre Zarre Gallery, NYC 1979 Gallery 700, Milwaukee, WI Andre Zarre GalleryNYC 1978 St. Mary's College, Notre Dame, IN 1977 University of Arkansas, Little Rock, AK 1975, 1973 Central Hall Gallery, Port Washington, NY, Nassau County Museum of Fine Art, Roslyn, NY Selected bibliography James Panero, Supreme Fiction The Hudson River School Revisited, March, 2010 Piri Halaz, From the Mayor’s Doorstep, April 2010 Steve Starger, Art New England, Dee Shapiro: “On The Horizontal,” Feb/Mar 2005 Maureen Mullarkey, The New York Sun,”The Last Time I Saw Cuba,” April 15, 2004 James Kalm, NY ARTS, International Edition, April 2000 Helen Harrison...

"Nelson Dominguez (Cuba, 1947) 'La dama de Elche', 2005 sugar aquatint on paper Velin Arches 300 g. 47.5 x 20.7 in. (120.5 x 52.5 cm.) Edition of 40 ID: DOM-105"

Sergio Hernández (Mexico, 1957) 'Corral V, 2011 silkscreen on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Sergio Hernández (Mexico, 1957) 'Corral II', 2011 woodcut on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Julio Girona (Cuba, 1914-2002) 'Genevieve' collagraph on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 75 ID: GIR-301 Unframed

This original vintage travel poster, titled "Australia – The Great Barrier Reef," was created in 1956 by Eileen Mayo for the Australian National Travel Association. It is one of the most celebrated examples of mid-century Australian travel advertising, brilliantly capturing the wonder and biodiversity of the world’s largest coral reef system. The composition features a richly stylized underwater scene, teeming with fish, coral, and marine flora rendered in bold, naturalistic colors. Mayo’s intricate detailing and balanced composition invite viewers into a magical aquatic world—simultaneously educational and awe-inspiring. Eileen Mayo (1906–1994) was a British-born artist, designer, and printmaker who later became a major artistic voice in both New Zealand and Australia. Trained at the Slade School of Fine Art in London and later under Claude Flight at the Grosvenor School of Modern Art, Mayo's career spanned book illustration, painting, tapestry, and poster design. She was especially known for her scientific accuracy combined with a strong design sense—a rare combination that made her work particularly well-suited to natural subjects and public commissions. After emigrating to Australia in the early 1950s, Mayo quickly became an integral figure in the Australian art world. She designed postage stamps, illustrated educational materials, and worked closely with government agencies on visual campaigns, including those promoting tourism and environmental awareness. Her work is characterized by a deep respect for nature, clarity of form, and a graceful merging of art and science. This poster exemplifies Mayo’s talent for transforming biological detail into captivating visual storytelling. Her sensitivity to nature and compositional discipline make this one of the finest Australian travel posters...

Ricardo Sanabria (Mexico, 1983) 'La resilencia', 2017 etching, sugar aquatint on paper Guarro Biblos 250g. 21.3 x 29.8 in. (54 x 75.5 cm.) Edition of 20 ID: SAB-101 Unframed

This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...

Carlos Rios (Cuba, 1958) 'El Salto', 2010 dry point, engraving on paper Guarro Super Alpha 250g. 27.8 x 19.1 in. (70.5 x 48.5 cm.) Edition of 10 ID: RIO-10...

Victor Guadalajara (Mexico, 1965) 'Capullo', 2005 Chine colle, engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-102 Unframed

Enrique Martinez Guillen (Cuba, 1964) 'La cara del tambor', 2001 dry point on paper Guarro Super Alpha 250g. 25.6 x 19.3 in. (65 x 49 cm.) Edition of 30 ID: MA...

Bernardo Navarro Tomas (Cuba, 1977) 'Cosmopolitan II', 2018 silkscreen on paper Feltmark 300 g 22.9 x 35.5 in. (58 x 90 cm.) Edition of 40 ID: NAA-107 Unframed

Tere Metta (Mexico, ) 'Untitled', 2002 etching, aquatint on paper Guarro Biblos 250g. 16.8 x 6.9 in. (42.5 x 17.5 cm.) ID: MET-101 Unframed

Antonio Diaz Cortes (Mexico, 1935) 'Otoño', 2006 engraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-105 Unframed

Luis Lara (Mexico, 1972) 'Reflejo', 2000 mezzotint on paper Velin Arches 300 g. 28 x 19.7 in. (71 x 50 cm.) Edition of 13 ID: LAL-305 Unframed

Adigio Benitez (Cuba, 1924-2013) 'Mulata y lagarto', 2003 etching on paper Velin Arches 300 g. 25.6 x 18.4 in. (65 x 46.5 cm.) Edition of 30 ID: BEN-101 Unframed

Leonel Maciel (Mexico, 1939) 'Kapamu', 2005 silkscreen on paper Velin Arches 300 g. 15.4 x 21.3 in. (39 x 54 cm.) ID: MAC-301 Unframed

Victor Guadalajara (Mexico, 1965) 'Untitled', 2011 silkscreen on paper Velin Arches 300 g. 17 x 14.6 in. (43 x 36.9 cm.) Edition of 10 ID: GUA-108 Unframed

David Lozada (Mexico, ) 'Calendario Azteca', 2015 woodcut on paper 26.8 x 18.8 in. (68 x 47.5 cm.) Edition of 30 ID: LOZ-101 Unframed

Juan Sebastian Barbera (Mexico, 1964) 'Retrato 2', 2013 acrylic on paper Guarro Biblos 250g. 30 x 22.1 in. (76 x 56 cm.) Unframed ID: BAR-308 Hand-signe...

Fernando Aceves Humana (Mexico, 1969) 'Clase de dibujo primer día', 2007 woodcut on paper 17.8 x 22.5 in. (45 x 57 cm.) Edition of 20 ID: ACE-102 Unframed

Francisco Corzas (Mexico, 1936-1983) 'Nezahualcoyotl - The First Constructor 3', 1975 lithograph on paper Velin Arches 300 g. 25.8 x 19.3 in. (65.5 x 49 cm.) Edition of 200 ID: COZ-2...

Carlos Garcia de la Nuez (Cuba, 1959) 'Amor ', (Love) 2003 Engraving on paper 15 x 19.5 in. (38 x 49.5 cm.) Edition of 20 ID: GAC-101

Hand signed in Hebrew Lower right. Dimensions: H 19.5" x 13.5" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people...

Luis Miguel Valdes (Cuba, 1949) 'Untitled', 2020 silkscreen on paper Guarro Super Alpha 250g. 17.8 x 25.2 in. (45 x 64 cm.) ID: VAL-603 Unframed

Nelson Dominguez (Cuba, 1947) 'Murcielago (B/N)', 2005 engraving on paper Velin Arches 300 g. 19.7 x 19.7 in. (50 x 50 cm.) Edition of 20 Unframed ID:...

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Mother II ', 2004 dry point on paper Guarro Super Alpha 250g. 19.3 x 15.4 in. (49 x 39 cm.) Edition of 20 ID: CHO-112 Unframed

Nelson Dominguez (Cuba, 1947) 'Untitled', 2002 lithograph on paper Guarro Super Alpha 250g. 13.5 x 11.5 in. (34.2 x 29.2 cm.) Edition of 48 ID: DOM-30...

Demian Flores (Mexico, 1971) 'Defensa Personal', 2005 engraving on paper Guarro Super Alpha 250g. 27.6 x 39.4 in. (70 x 100 cm.) Edition of 99 Unframed ID: FLO-101 Hand-signed by author

It depicts a musical score or music notes. Offset Lithography on rag paper hand signed lower right in pencil: Kounellis numbered 37/90. Provenance: The Collection of Ileana Sonnabend...

Alexis Kcho Leiva (Cuba, 1970) 'Untitled III', 2019 woodcut, silkscreen on paper Intaglio 300 g. 44.5 x 31.2 in. (113 x 79 cm.) Edition of 30 ID: KCH-119 Unframed

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego III', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-120 Unfra...

Jose Bedia (Cuba, 1959) 'Encanto De La Madre', 2019 silkscreen on paper Guarro Super Alpha 250g. 27.7 x 35.2 in. (70.3 x 89.3 cm.) Edition of 30 Unframed

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego VI', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-123 Unframed

Sergio Hernández (Mexico, 1957) 'Observatorio I', 2016 lithography on zinc on paper Deponte 300 g. 35.4 x 47.2 in. (90 x 120 cm.) Edition of 30 ID: HER-199 Unframed ...

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 lithography on zinc on paper Deponte 300 g. 35.5 x 47.3 in. (90 x 120 cm.) Unframed

Sergio Hernández (Mexico, 1957) 'Untitled', 2014 engraving on paper Velin Arches 300 g. 29.6 x 33.5 in. (75 x 85 cm.) Edition of 30 Unframed

TECHNICAL INFORMATION Robert Rauschenberg Source from Speculations 1996 28 color screenprint 47 3/4 x 70 1/4 in. Edition of 35 Pencil signed & numbered Accompanied with COA ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

David Welker – Anthropomorphized Anomalies 4-Print Set Limb Factory / New Neighbors / Lithosphere / Recycle Bin Signed & Numbered – Mint Condition – Edition of 120 Each From the bri...

Theo Wujcik (1936-2014): Peter Max, 1970. Etching in black on wove paper. Unsigned. 3.5 x 4.25 in. (sheet), 10 x 9 in. (frame). Custom welded brass frame with resolved corners and ...

Renzo Eusebi, Born in Patrignone di Montalto Marche, Italy, 1946 In the 1960s he completed his artistic studies in Rome, followed the classic route and qualified for teaching which h...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf im Profil (Male Head in Profile)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 219, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4" x 3.38" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Hand signed, numbered and dated on verso. Landscape 8, from Ten Landscapes (C. 58). Iridescent silver Mylar collage on opaque black Rowlux and gray moire Rowlux. The full sheet, moun...

Aaron Horkey – The Snare Gilded Age Collection 2015 Thinkspace Gallery Debut Signed & Numbered Edition of 640 Includes Certificate of Authenticity Originally unveiled at the acclai...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. TAPIES Antoni Tapies...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Sandro Chia (Italian, 1946) Children Holiday, 1984 Lithograph in colors on six sheets of Somerset soft white, 71 x 77 inches (180.3 x 195.6 cm) Numbered A.P. 13/15 (aside from an edi...

Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he h...

Artist: Hijack Title: Puzzled Medium: Unique silkscreen on Archival Fine Art Paper Size: 22 x 30 Inches Edition: 38 of 45 Year: 2006 Notes: "Puzzled," released as an edition of 45 w...

Pol Bury (Belgian, 1922-2005) screen print of a train Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Born in 1940 in Shostka, Ukraine, Konstantin Bokov immigrated to New York City in 1974.Born the son of Viktor Bokov, the well known poet who perished in the Soviet gulag, Konstantin Bokov was an accordion player and sheep-herderbefore he became a self-taught artist and expelled dissident. When he appeared at the Morin-Miller Gallery in 1978 bearing a painting of a Tropicana juice carton, Carmen Morin brought it home. Jack Miller remembers his reaction: "We don't buy art, we sell it!" --- then their personal collection of Bokov's work grew to over a hundred pieces. Many paintings, sketches, collages and recycle assemblages were done, It's been said that Bokov’s canvases and collage recycled pieces offer an image of New York that is both a scathing critique and profession of love. This is especially evident in his pieces "Manhattan Madness (Road Repair)" and his Statue of Liberty series...

This is a poster created in the 1970's to announce the new location and telephone number of the Pianos Daude Company. It utilizes the original design created by Monsieur Daude in the...

Carlos Garcia de la Nuez (Cuban, 1959) 'El juego', 2005 Engraving 71 x 101 cm. (28 x 39.8 in.) Edition of 99