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Hungary - Serveware, Ceramics, Silver and Glass

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Item Ships From: Hungary
Swan-shaped Centerpiece, Silver Figural Centerpiece with Engraved Decorations
Located in Budapest, HU
Silver centerpiece. Gross weight: 1135 g. Swan-shaped silver-encased shell (nautilus). With a wavy rim, an oval base depicting a naturalistically crafted waterside scene. On it, t...
Category

1880s German Antique Hungary - Serveware, Ceramics, Silver and Glass

Materials

Silver

Lívia Gorka Decorative Ceramic Bowl, Hungary ca 1960s
By Livia Gorka
Located in Budapest, HU
Munkácsy Mihály Prize-winning Hungarian ceramicist, worthy artist, and daughter of Géza Gorka, Gorka Lívia is one of the most renowned Hungarian ceramists. Her present work is a highly distinctive piece even if measured against her own exceptional repertoire. In 1947, Lívia Gorka passed her master's exam in pottery. Her master was his father, Géza Gorka. As an independent, self-employed artist, se worked in the Gorka workshop in Verőce until 1959, and had created in her own studio after that. The source of her art has always been nature, and as such, her typical objects (if we can discuss typical at all in her case) are large, asymmetrical vessels, idols, fish, birds, and stones. Gorka preferred creating unique objects and to think in series and groups of objects. She worked with high-fired, custom-made materials such as stone, oxide clay glazes, and often combined clay with metal. The colours of her works have a strong plastic effect and are generally quite restrained. This handmade piece reflects her minimalistic and timeless language of forms that appears in every inch of this bowl that is in the field between art, design, and handicraft. The colours are spectacular, the black glazed outside harbours a medley of shapes and colours on the inside. This glazed, geometrically decorated piece has an unusual, modern shape with a hollow opening on top. The bright orange line traces the shape to the hollow opening towards the top and articulates the unusual angle at which the bowl stands. Lívia Gorka was able to step out of her father's shadow and create her own style with her ceramics. A true artist who always worked with craft techniques, she also developed her own technique for making the glaze, so her works, like this bowl, always represent a recognizable, unique world of shapes and colours. Gorka was a master of these subtleties that established her one-of-a-kind visual language that is still coveted not just in her native Hungary, but all around the world among ceramic enthusiasts and collectors. Thanks to this, it can easily be placed in both a vintage or contemporary interior and is sure to stand out from its surroundings. About the designer: Gorka Lívia (Nógrádverőce March 5, 1925 – Diszel, August 4, 2011) Mihály Munkácsy Prize-winning Hungarian ceramicist, a distinguished artist. Daughter of Géza Gorka. She was born in Nógrádverőce to Géza Gorka and Irén Kovács. She received her professional and artistic training in her father's workshop. She got used to serious work when he was six or eight years old, as she worked in his father's workshop during school breaks...
Category

1960s Hungarian Mid-Century Modern Vintage Hungary - Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Coffee Set Designed by Jurcsák László of Hollóháza, 17 Pieces
Located in Budapest, HU
The coffee set designed by László Jurcsák for Hollóházi Manufacture of Hungary, is a 6-person collection. Production was limited, and only a few pieces were made available for purcha...
Category

1980s Hungarian Vintage Hungary - Serveware, Ceramics, Silver and Glass

Materials

Porcelain

Charming Ceramic Vase
Located in Budapest, HU
"I was born in Budapest, I live in Budapest, I work in Budapest. I like to exhibit everywhere, this is the best game of my life'. I work with the traditional disc, so I knead and ...
Category

2010s Hungarian Hungary - Serveware, Ceramics, Silver and Glass

Materials

Ceramic

Anchor Hocking Peach Lustre Glazed Coffee and Tea set - for 6 -
By Anchor Hocking
Located in Budapest, HU
Fire King coffee and tea set from Anchor Hocking from the 1950ths. Shining in a high-gloss peach-coral color, it looks different in every light. Set of 12 pieces. 6 cups and 6 placem...
Category

1960s American Other Vintage Hungary - Serveware, Ceramics, Silver and Glass

Materials

Glass

Trio Set Bathroom Murano Bubble Glasses
Located in Budapest, HU
Elegant and original Murano bubble glass bath set consisting of three bottles for powder, perfume and cream.
Category

1960s Vintage Hungary - Serveware, Ceramics, Silver and Glass

Materials

Art Glass, Blown Glass

Wine Glasses/Goblet Art Nouveau Hand Blown, Gilded Copenhagen, Moser, circa 1909
By Moser Glassworks
Located in DE
These 6 wine goblets have a classical, elegant, harmonious shape. They are part of the Copenhagen drinking set that represents the Czech Republic during all the important meetings of the President of the Czech Republic and of the Czech Embassies all-over the world (Moser has become the exclusive supplier of the drinking sets for the Czech Embassies in the world in 1999) They are hand blown and made of ecologically friendly lead-free crystal. They are then handcut and hand polished to a high gloss. They are also beautifully gilded with an Oroplastic design (a wide gilded border with flower design), hand gilded with 24-karat gold. They come in the original packaging. 9901 goblet C: 260 ml / 8.7 oz Measures: H 18 cm / 7.1 inch These glasses are known to be used by the Jordan Royal Palace, Phillip the Prince of Spain with his wife, Haile Selassie...
Category

19th Century Czech Art Nouveau Antique Hungary - Serveware, Ceramics, Silver and Glass

Materials

Crystal, Gold

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Old Paris Porcelain Coffee and Tea Set, 40 Pieces, 19th Century, France
By Old Paris
Located in Delft, NL
Old Paris porcelain coffee and tea set, 40 pieces, 19th century A white ribbed porcelain with gold paint service with a very large coffee pot, teapot, lidded sugar pot, a creamer and 18 cups and saucers Coffeepot measures 29 high, 20 cm wide and the depth is 12 (1370 gram) Teapot measures 21.5 high, 19 cm wide and the depth is 11 (808 gram) Sugar pot measures 19 high, 11 cm diagonal (540 gram) Creamer measures 21 high, 12 cm wide and the depth is 7.5 (460 gram) Cups measures 10.5 high, 7 cm diagonal And the saucers measures 3 cm high and 12.5 cm / 13.5 cm diagonal (264 gram per cups and saucers) “Old Paris” porcelain, or as the French say, “Vieux Paris” porcelain, prefers not to a single Manufacturer, but to more than thirty porcelain sources, based around Paris, from late 18th century till, circa 1870. This “Old Paris” French porcelain...
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Wonderful German 800 Sterling Silver Cherub Figural Centerpiece Lazarus Posen
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Crystal Decanter with Six Glasses, Germany, 1960s
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Crystal decanter with a set of shot glasses. Very good condition. Carafe dimensions, height 32 cm, dia. 11.5 cm Glasses, height: 6.5 cm, diamete...
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Materials

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Belleek Cabaret Tea Set, Cream Cob Lustre, Erne, Victorian, 1890s
By Belleek Pottery Ltd.
Located in London, GB
This is an extremely rare Belleek cabaret set for two, or "tête-à-tête", made in the Erne series brought out in the 1890s. The items carry the 2nd Black Mark, used between 1891 and 1926. The set consists of a teapot, a milk jug, a sugar bowl, two teacups and saucers, and a large matching tray. This set is very fine and with its restrained cream-white colour it would make a wonderful wedding gift! If you ever thought Belleek fine china looks, sounds and feels unique, you are right. There is a back story to this extraordinarily fine Irish eggshell porcelain, which has an unusually high amount of "frit" and therefore is thinner and finer than any other china. Pottery in Belleek (in the now Northern-Irish area of Fermanagh) had started in 1849 with John Caldwell Bloomfield, who was a wealthy land owner. During the Irish famine he realised that unless he would find a way for his tenants to make a profit off the land, they would starve. Agriculture had become impossible due to the agricultural diseases. This caused millions to starve and more millions to leave. As an amateur mineralogist, John Caldwell Bloomfield realised that his land had exactly the right mineral deposits to be used as clay for porcelain. He involved several investors and scientists and after many years of research, trial, error, the building of a railway line to import coal from England, and building a factory, the Belleek pottery resulted, employing the local people and soon producing the finest china made with clay from the Belleek area. What had started as a way to fend off famine among the local tenants had became a story of incredible success by the 1880s as Queen Victoria fell in love with the fine white china and the many homely, slightly bizarre but nature-loving designs; this was different from English tradition, yet it was very much to the taste of the British who had developed a real love for home-made fine china since it was introduced in the late 18th Century. Belleek not only brought out many tea services, but started a new tradition of intricately woven porcelain baskets. Soon the English nobility started to place big orders and the pottery is still flourishing today and selling its wares the world over, while in England most potteries have long disappeared. Belleek made many cabaret services, often called breakfast services or "tête-à-tête" services; these were used to carry breakfast tea up to the bedroom. Queen Victoria bought one in the Echinus style during a visit to the factory in the 1860s, and ever since Belleek's cabaret services have been in great demand. Nowadays there are very few of these left and it is rare to find a full service like this. The Erne series was named after the river right besides the Belleek factory. This river forms the border between the Republic of Ireland and Northern Ireland, with the factory on the Northern Irish end of the bridge at Belleek. The pattern seems to be a play on the baskets and nets of the fishermen who once fished the abundant trout and salmon on the river Erne and the lake that belongs to it. The items carry the second Black Mark, which was used between 1891 and 1926, however the very fine quality of the porcelain indicates that most pieces of the set are more likely to be from the 1890s than from the 20th Century. You will see that the shade of cob lustre is different on each item; this is normal for Belleek tea sets...
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