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Item Ships From: Illinois
Le Cheval Bleu (The Blue Horse)
By Albert Zavaro
Located in Chicago, IL
Edition of 110, signed and numbered lower right
Category
1970s Contemporary Illinois - Prints and Multiples
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Odeon-Casino 1911"
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...
Category
1910s Expressionist Illinois - Prints and Multiples
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Cabaret Bonbonniere"
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...
Category
1910s Expressionist Illinois - Prints and Multiples
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Hagen-Pathe"
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...
Category
1910s Expressionist Illinois - Prints and Multiples
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Lena Amsel"
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...
Category
1910s Expressionist Illinois - Prints and Multiples
Materials
Lithograph
Tender Words
By Arica Hilton
Located in Chicago, IL
Hand painted mixed media on screen print.
Edition size: 10
Painting based on a poem by 13th century Sufi mystic poet Rumi.
"Tender words we spoke to one another
Are sealed
...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Oil
Christ and the Little Saint John Playing with the Lamb (2nd State)
By Christoffel Jegher
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp)
337 x 451 mm.; 13 1/4 x 17 3/4 inches
Provenance:
The Metropolitan Museum of Art, New York, Duplicate stamp on verso...
Category
17th Century Baroque Illinois - Prints and Multiples
Materials
Woodcut
Ballet und Pantomime "Der Tanzende Gott" (The Dancing God), plate #14.
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...
Category
1920s Art Deco Illinois - Prints and Multiples
Materials
Paper
Silk
By Peregrine Honig
Located in Morton Grove, IL
copper etching, aquatint, lithograph, silkscreen
signed and editioned
edition of 11
**print sold unframed**
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Etching, Aquatint, Lithograph, Screen
Cotton
By Peregrine Honig
Located in Morton Grove, IL
copper etching, aquatint, lithograph, silkscreen
signed and editioned
edition of 7
**print sold unframed**
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Etching, Aquatint, Lithograph, Screen
The Great Draughtsman Sitting (Self-Portrait)
By Jacques Villon
Located in Chicago, IL
This etching is signed and numbered by the artist and was printed in an edition of 50. The references for this work are: Auberty & Perussaux 266 and Ginestet & Pouillon E. 385 II/II...
Category
1930s Modern Illinois - Prints and Multiples
Materials
Etching
Lizard Cup
By Ken Price
Located in Morton Grove, IL
silkscreen
Category
20th Century Contemporary Illinois - Prints and Multiples
Materials
Screen
"Mascaras de Madres" by Peregrine Honig
By Peregrine Honig
Located in Morton Grove, IL
print portfolio
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Lithograph, Screen, Paper
French Figurine Cup
By Ken Price
Located in Morton Grove, IL
Silkscreen
Ken Price (1935 - 2012) received a BFA from the University of Southern California after studying at Chouinard Art Institute, and Otis Art Institute with Peter Voulkos. ...
Category
20th Century Contemporary Illinois - Prints and Multiples
Materials
Screen
Texas Turtle Cup By Ken Price
By Ken Price
Located in Morton Grove, IL
"Texas Turtle Cup"
12,000.00
Ken Price
16 color screenprint
Edition of 75 signed and numbered in pencil
1971
41 x 32.5''
Ken Price (1935 - 2012) received a BFA from the University...
Category
1970s Post-Modern Illinois - Prints and Multiples
Materials
Screen
Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Archival Paper
Femme nue devant une Statue
By Pablo Picasso
Located in New York, NY
A very good impression of this etching. Edition of 260. Signed in pencil, lower right. Picasso watermark. Printed by Lacourière, Paris. Published by Vollard, Paris.
Catalogue refer...
Category
1930s Cubist Illinois - Prints and Multiples
Materials
Etching
"Sublime Elevation" for Hésperus Art Nouveau Lithograph by Carlos Schwabe
By Carlos Schwabe
Located in Chicago, IL
Hand-colored Stone Lithograph on Japon; Aquatint.
Category
Early 1900s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph, Aquatint
"Angels" Illustration for Hésperus, Art Nouveau Lithograph by Carlos Schwabe
By Carlos Schwabe
Located in Chicago, IL
Hand-colored Stone Lithograph on Japon; Aquatint.
Category
Early 1900s Art Nouveau Illinois - Prints and Multiples
Materials
Aquatint, Lithograph
Untitled (for Harvey Gantt)
By Richard Diebenkorn
Located in New York, NY
A very good impression of this color lithograph on Rives BFK. Initialed, dated and numbered 183/250 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blind sta...
Category
1990s Abstract Expressionist Illinois - Prints and Multiples
Materials
Color, Lithograph
Birdcage by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
Rare Jonas Wood print!
etching
2014
paper size- 15.75 x 13.75
frame size- 18.75 x 16.75 x 1.5"
signed and dated
SP2
*two small pinholes in the upper ...
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Etching
Le Pater: "Thy Kingdom Come" 1899 illuminated manuscript by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha's hand-colored pochoir illuminated manuscript plate of Thy Kingdom Come from his masterpiece of mysticism, Le Pater. Stone lithograph with hand-colored detail, printed by F. Champenois and published by Henri Piazza in Paris in an edition of 510, 1899.
“Le Pater is the perfect convergence of three important movements at the close of the 19th century: Art Nouveau, Mysticism, and Religion. Art Nouveau, through its respect and honor of Nature, promotes the idea of a spirit of energy coursing through all things–a tenet of Mysticism–that finds foundation in the traditions of Mucha's personal relationship with the imagery of Religion. Le Pater gave Mucha a venue to communicate his beliefs specifically through his unique approach to Art and the coded language he had been learning through his devotion to Masonic teachings. He combined the aesthetics of Medieval manuscripts...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Nile View by Betty Woodman(INV# NP3631)
By Betty Woodman
Located in Morton Grove, IL
Nile View (INV# NP3631)
Betty Woodman
color woodcut with chine collé
40.25 x 30”
1996
# P.P. 2/2, outside the edition of 30
signed
Category
1990s Contemporary Illinois - Prints and Multiples
Materials
Driftwood
Pompeian Garden by Betty Woodman (INV# NP3632)
By Betty Woodman
Located in Morton Grove, IL
Pompeian Garden (INV# NP3632)
Betty Woodman
color woodcut
29 x 34.75”
1992
# P.P. 2/2, outside the edition of 15
signed
Category
1990s Contemporary Illinois - Prints and Multiples
Materials
Woodcut
Kabuki Space by Betty Woodman (INV# NP3629)
By Betty Woodman
Located in Morton Grove, IL
Kabuki Space (INV# NP3629)
Betty Woodman
color woodcut
37 x 25”
# P.P. 2/2, outside the edition of 30
2000
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
Early 2000s Contemporary Illinois - Prints and Multiples
Materials
Woodcut
Kimono Still Life Vase by Betty Woodman (INV# NP3630)
By Betty Woodman
Located in Morton Grove, IL
Kimono Still Life Vase (INV# NP3630)
Betty Woodman
color woodcut with chine collé
27.5 x 41.5
1992
# W.P. 1/2, outside the edition of 15
signed
Category
1990s Contemporary Illinois - Prints and Multiples
Materials
Woodcut
Boardwalk Vase (INV# NP3628)
By Betty Woodman
Located in Morton Grove, IL
Boardwalk Vase (INV# NP3628)
Betty Woodman
color woodcut with chine collé
37.88 x 36.75”
1998
# P.P. 2/2, outside the edition of 30
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
1990s Contemporary Illinois - Prints and Multiples
Materials
Woodcut
After Mexico in Kyoto (INV# NP3627)
By Betty Woodman
Located in Morton Grove, IL
After Mexico in Kyoto (INV# NP3627)
Betty Woodman
color woodcut with chine collé
27.25 x 36.25”
1997
# P.P. 2/2, outside the edition of 30
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
1990s Contemporary Illinois - Prints and Multiples
Materials
Woodcut
Monoprint on Paper by Kirk Mangus (INV# NP3598)
By Kirk Mangus
Located in Morton Grove, IL
Kirk Mangus
Monoprint on Paper (INV# NP3598)
30 x 22.5"
1985
signed by artist
Category
1980s Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Waving Flower
By Claire Lieberman
Located in Bloomington, IL
"Waving Flower" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's pr...
Category
21st Century and Contemporary Minimalist Illinois - Prints and Multiples
Materials
Handmade Paper
"Princess Hyacinthe" Original 1911 Lithograph, Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
“One of Mucha’s best Czech posters, printed by the firm of V. Neubert in the Smichov quarter of Prague, was for Princezna Hyacinta, a fairy-tale ballet and pantomime with music by Oskar Nedbal and libretto by Ladislav Novák. The portrait of the popular actress Andula Sedlácková as the princess dominates the poster. The plot develops as a dream of a village blacksmith who falls asleep after digging for a buried treasure. In his dreams he becomes lord of a castle, and his daughter Hanicka becomes the Princess Hyacinth. Of her three suitors, one is a sorcerer who abducts her to his underground palace, but she is rescued by a poor knight who looks like her real-life lover. Mucha used the motif of the hyacinth throughout the entire design, from embroideries to silver jewelry, and for an elaborate circle sparkling against the mossy green background. The portrait of the actress is seen against a sky full of stars and encircled with images from the dream: the blacksmith’s tools...
Category
1910s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
"Promenoir" by Henri de Toulouse-Lautrec
By Henri de Toulouse-Lautrec
Located in Hinsdale, IL
TOULOUSE-LAUTREC, HENRI DE
(1864-1901)
PROMENOIR
Delteil 290, Adhemar 324, Wittrock 315
Lithograph printed in olive black-green ink, c. 1899
Printed on japon paper, Full margi...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
"Papilion" by Victor Vasarely
By Victor Vasarely
Located in Hinsdale, IL
VICTOR VASARELY
PAPILLON
Color Serigraph, 1981.
Image Size: 23 7/8x30 3/4 inches, full margins.
Signed and numbered 184/250 in pencil, lower margin.
Victor Vasarely was a Fre...
Category
1980s Op Art Illinois - Prints and Multiples
Materials
Screen
Diet 7UP
By Jonas Wood
Located in Morton Grove, IL
Jonas Wood (Inv # NP3380)
Diet 7UP pot
3- color screen print on white Stonehenge paper with vellum finish
paper size 10.5 x 8"
Frame size 14 x 11.50”
2016
edition...
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Screen
"Untitled" by Victor Vasarely
By Victor Vasarely
Located in Hinsdale, IL
Victor Vasarely
(1906-1997)
"Untitled"
Screenprint in color
Pencil signed lower right
Edition 128/200
Image Size: 10"h x 10"w
Victor Vasarely was a French-Hungarian artist credi...
Category
1960s Op Art Illinois - Prints and Multiples
Materials
Screen
"Quest of the Golden Girl" from Les Maitres de l'Affiche
By Ethel Reed
Located in Hinsdale, IL
REED, ETHEL
(1874 -1926)
"Quest of the Golden Girl"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bea...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Pebble Beach
By David Yarrow
Located in Chicago, IL
Pebble Beach
Alaska, USA - 2021
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edi...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Archival Pigment
"Kunst-Anstalt fur Moderne Plakate" from Les Maitres de l'Affiche
By Anton Otto Fischer
Located in Hinsdale, IL
FISCHER, OTTO
(1870 -1947)
"Kunst-Anstalt fur Moderne Plakate"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lowe...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Le Pater: "Give Us This Day Our Daily Bread" 1899 lithograph by Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha's hand-colored pochoir illuminated manuscript plate of Give Us This Day Our Daily Bread from his masterpiece of mystici...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Bitch I Made This Pot by Theaster Gates
By Theaster Gates
Located in Morton Grove, IL
Lithograph, screen print and rubber stamp on Somerset
Last one left in the edition of 100, all the rest have sold out.
Very rare.
Comes with a the original signed certificate.
Theas...
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Lithograph
Christ and His Disciples Harvesting on the Sabbath
Located in Chicago, IL
Engraving after David Vinckboons (Malines 1576-1629 Amsterdam), executed by Jan van Londerseel (Antwerp c. 1570-1624/25 Rotterdam)
Category
17th Century Old Masters Illinois - Prints and Multiples
Materials
Engraving
Landscape with the Prophets Ahias and Jerobeam
Located in Chicago, IL
Engraving after David Vinckboons (Malines 1576-1629 Amsterdam), executed by James Van Londerseel (Antwerp c. 1570 - 1624/25 Rotterdam)
Category
17th Century Old Masters Illinois - Prints and Multiples
Materials
Engraving
Shelf Still Life by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
Jonas Wood
Shelf Still Life
Lithograph and silkscreen on paper
32 x 26"
Edition of 80
Published by Cirrus Editions Ltd. and WKS Editions, Los Angeles
2018
unframed
signed
Provena...
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Lithograph
Ups and Downs by KAWS
By KAWS
Located in Morton Grove, IL
KAWS
Ups and Downs NO. 8
2013
screenprint in colors, on Saunders Waterford High White paper
35 x 23"
Signed and dated in pencil
Edition of 100
Category
2010s Abstract Illinois - Prints and Multiples
Materials
Screen
VOTE by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
6-color screen print on Coventry rag paper
15.75 x 10 inches
Edition of 300
Signed, dated and numbered on recto in pencil
In originally packing and never removed.
Category
2010s Post-War Illinois - Prints and Multiples
Materials
Screen
Blame Game
By KAWS
Located in Morton Grove, IL
screenprint
35 x 23”
2014
edition of 100
*comes framed
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Screen
Living with Rocks
By Ken Price
Located in Morton Grove, IL
1 color lithograph, 2 color screenprint
paper size 14" x 14" , frame size 16.75" x 16.75"
Edition of 150
Signed by artist
Framed
Category
Early 2000s Contemporary Illinois - Prints and Multiples
Materials
Screen, Lithograph
Untitled by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
screenprint
Signed and numbered in pencil by the artist
edition of 50
Beautifully framed!
provenance: The Nevica Project
Jonas Wood (American, b. 1977) is a Los Angeles based-artist. His paintings are most notable for their reconsideration of the golden era of 20th century American painting, drawing fine comparisons to artists such as Edward Hopper. Linda Yablonsky from the New York Times Style Magazine has said that, “Wood has one foot in Modernist cool and the other in vibrant Pop Art.” He paints what is around him in daily life, from basketball players to living rooms, and tries to preserve the beauty he sees in these subjects and share it with the viewer.
Jonas Wood was born in 1977 in Boston, Massachusetts. He graduated in 1999 from Hobart and William Smith Colleges, New York, and received his M.F.A. in 2002 from the University of Washington, Seattle. Murals and solo exhibitions include “Primitives: Chris Caccamise and Jonas Wood,” Cereal Art...
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Screen
Untitled
By Jonas Wood
Located in Morton Grove, IL
Screenprint with colors
Edition of 50
Signed and numbered by artist in pencil
Very rare
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Screen
John II
By Chuck Close
Located in Morton Grove, IL
6-run direct gravure
Edition 26/40
Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic...
Category
1980s Contemporary Illinois - Prints and Multiples
Materials
Photogravure
American Icon
By Arica Hilton
Located in Chicago, IL
Archival Pigment Print on canvas
Edition size: 10 plus 2 artist proofs
Each canvas is hand painted by the artist
Available in the following sizes:
20" x 40" • 30" x 60" • 36" x 72" • 47" x 96"
“American Icon” examines the world’s perception of America. It combines quintessential American imagery to create a depiction of this nation as seen through the eyes of the world. From the Founding Fathers to Facebook, Cowboys and the Wild West; The Wright Brothers to PanAm; Mickey Mouse to Marilyn Monroe, John Wayne, Frank Sinatra, Elvis; Babe Ruth to Hank Aaron...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Canvas, Mixed Media, Oil
Défaite de la cavalerie Turque (1st State)
By Jacques Callot
Located in Chicago, IL
Defeat of the Turkish Cavalry (1st State)
From: The Life of Ferdinando de'Medici
Engraving
224 x 300 mm.; 8 7/8 x 11 7/8 inches
Reference:
Lieure No. 154
Meaume No. 541
Ru...
Category
17th Century Baroque Illinois - Prints and Multiples
Materials
Engraving
The Temple of Antoninus and Faustina (Veduta del Tempio di Antonio e Faustina)
By Giovanni Battista Piranesi
Located in Chicago, IL
This is a 3rd state impression (from seven). This impression includes the address of the artist and the price that he was charging at the time, which were removed from the plate in ...
Category
Mid-18th Century Old Masters Illinois - Prints and Multiples
Materials
Etching
Untitled 2
By Tara Donovan
Located in Morton Grove, IL
etching
paper size: 14 x 14"
image size: 12 x 12"
signed by artist and labeled 6/23
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Etching
Untitled 1
By Tara Donovan
Located in Morton Grove, IL
etching
paper size: 14 x 14"
image size: 12 x 12"
signed by artist and labeled 6/23
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Etching
The Second Tournament with the Tapestry of Samson and the Lion
By Lucas Cranach the Elder
Located in Chicago, IL
Watermark:
Bull's Head with Serpent and Cross (Briquet 1575, dated 1492 by Briquet)
Provenance:
Martin Folkes (Lugt 1034)
Reverend G. L. Blake (Lugt 1172)
Reference:
Bartsc...
Category
18th Century and Earlier Northern Renaissance Illinois - Prints and Multiples
Materials
Woodcut
Blue with Red by Richard Diebenkorn
By Richard Diebenkorn
Located in Morton Grove, IL
Richard Diebenkorn
woodcut on echizen kozo washi paper
37 x 25"
1987
signed by artist
*edition of 200
Framed in a beautiful maple frame.
museum plexi glass
PERFECT condition!
Richard Diebenkorn (1922–1993) maintained his love of vivid color and structured composition in both his abstract and representational works. Born in Portland, Oregon in 1922, Diebenkorn moved with his family to San Francisco in 1924. After attending Stanford University from 1940 to 1942, he joined the U.S. Marine Corps, where he concentrated on art classes. In the winter of 1944, when he was stationed in Virginia, he frequently visited The Phillips Collection, where he was inspired by the paintings of Henri Matisse and Paul Cezanne. He particularly admired Matisse’s technique of structuring space through planes of color, merging indoor and outdoor space. Returning to San Francisco in 1946, Diebenkorn enrolled at the California School of Fine Arts, where he studied with David Park, an expressionist artist from the Bay Area. Awarded a fellowship the same year, he moved East, living and working in Woodstock, New York, visiting New York City, and making many contacts. After returning to San Francisco, where he defined himself as a leading Bay Area artist, he was appointed to the faculty at the California School of Fine Arts in 1947, a position he held for two years; his fellow teachers included Elmer Bischoff, Edward Corbett, Hassel Smith, and Clyfford Still.
Diebenkorn had his first one-person show in 1948 at the California Palace of the Legion of Honor. After receiving a degree from Stanford University in 1949, he was awarded an M.F.A. from the University of New Mexico, Albuquerque in 1951. He briefly taught at the University of Illinois at Urbana 1952-53, settling shortly thereafter in Berkeley, California. Diebenkorn often titled his works after places that provided him with inspiration, such as his Berkeley paintings...
Category
1990s Neo-Expressionist Illinois - Prints and Multiples
Materials
Washi Paper, Woodcut
"untitled"
By Tara Donovan
Located in Morton Grove, IL
etching
edition of 35
In the era of Tony Oursler, Kara Walker, and Neo Rauch.
Category
21st Century and Contemporary Abstract Illinois - Prints and Multiples
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