India - Figurative Paintings

Shipra Bhattacharya - Untitled - 24 x 48 inches (unframed size) Acrylic & Oil on canvas Inclusive of shipment in a roll form. Style : Shipra, is a leading contemporary mid career a...

Subha Basu - Festival Tempera & Charcoal on Acid Free Paper, 17 x 22 inches, 2019 Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsmans...

Anil Kumar Yadav - Aradhana-27 - 30 x 30 inches (unframed size) Acrylic on Canvas. STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in 1984 a village in Uttar Pradesh...

Subuddha Ghosh - Untitled - 18 x 18 inches Acrylic on Canvas Subuddha lives and works in Kolkata, India. His canvas is always large and realistic. Using his photographic memory, Su...

Bappa Halder - Rhythm - 2 - 30 x 36 inches (unframed size) Acrylic on Canvas. Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I am ...

Boy eating fruit and corn By Great Modern Indian Artist Paritosh Sen Size 20 x 12 inches each (unframed size) Acrylic and Mixed Media on board ( Set of 2 works ) Inclusive of shipme...

Pragnesh Patel - Untitled - 36 x 48 inches Oil & Acrylic on Canvas with Fiber Glass Inclusive of shipment in Stretched Form This work cannot be rolled ...

Raju Sarkar - Untitled Watercolour on Paper, 10 x 10 inches, 2021 (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (pa...

Yuvraj Patil - Monk Charcoal on Canvas, 18 x 36 inches Inclusive of shipment in roll form. Born : 16th April, 1980 Kolhapur A young contemporary artist.Master in charcol works and ...

Birendra Pani - Risk The Time - 66 x 42 inches (unframed size) Acrylic on Canvas , 2009 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Arup Das - Ganesha 13 x 11 inches (unframed size) Acrylic on Canvas , 2020 ( FRAMED ALL IN DELIVERED PRICE ) About the Artist and his work : Born : 1957 in West Bengal. Educati...

Mintu Naiya - King - 16 x 9 inches ( unframed size ) Wash on Paper ** Shipped in roll form. About the Artist & his Art work : Born : November, 1976. Education : Graduate from Calc...

Bolgum Nagesh Goud - Ardhanaareeshwara Metallic Acrylic & Ink on Canvas 48 x 48 x 2 inches ( Rolled & Delivered ) Born July 18, 1965 Education 1993 Bachelor of Fine Arts, Colleg...

Kartick Chandra Pyne - Untitled - 42 x 36 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style of the Artist : After graduating from the Government Col...

Ramananda Bandopadhayay - Untitled Pastel & Ink on Paper, 15 x 11 inches ( unframed size ) ( Unframed & Delivered ) A beautiful rendition of the Bengal Maestro adept in making work...

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

Subuddha Ghosh - Untitled - 48 x 36 inches Acrylic on Canvas Subuddha lives and works in Kolkata, India. His canvas is always large and realistic. Using his photographic memory, Su...

Haren Das - Untitled (Floating diyas) Woodcut on Paper 6 x 8 inches ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diploma in fin...

Samir Sarkar - Sound-70 - 72 x 36 inches (unframed size) Acrylic on Canvas Style : He says, “All my paintings have people wearing some headgear that has a face painted on them. Th...

Uday Mondal - Untitled, 20 x 14 inches (unframed size) Acrylic & Pastel on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society in a responsible, lucid and coherent fashion. They are thought-provoking and give a new perspective to art. The most interesting things about his artworks are that they transcend politics, religion, and gender striking a chord with the viewers. About the Artist and his work : Born : 1976. Education : 1999 : BFA in Painting from the Indian Art College, Rabindra Bharati University, Kolkata 2002 : MFA in Painting from MS University, Baroda. Solo Shows : 2006 : Gallery Beyond, Mumbai 2005 : Jehangir Art Gallery, Mumbai 2001 : Solo Show at Baroda. Group Shows : 2010 : IMA Foundation, London & Jehangir Art Gallery by Pink Ginger Arts, Mumbai 2009 : ‘Art Expo’ Mumbai ; ‘Cutting Chai’ curated by Sandhya Bordewekar, Sarjan Art Gallery, Baroda & Online show ‘IMA foundation’ London. 2008 & 09 : ‘Spandan IV’ Gallery Articulate, Yash Birla Group, Mumbai 2006,07 & 08 : ‘Summer Show’ CIMA Art Gallery, Kolkata 2008 : ‘Emerging India’ Henry Moore Gallery, London by Art Alive Gallery 2007 : ‘Singapore Art Fest’, Singapore ; “Synchrome 4’ Tao Art Gallery, Mumbai & Akar Prakar, Kolkata & ‘Reality Bytes’ three men show...

Jogen Chowdhury - Untitled - 7.5 x 5.5 inches (unframed size) Ink & Pastel on Paper, 2013 Signed in Bengali ( All in Door Delivered framed and ready to hang ) Style : He has immen...

Sunil Das - Bull Ink on Paper 11 x 14 inches, 2009 ( Framed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his co...

Sunil Das - Bull & Horse - 9 x 8.5 inches (unframed size) Mixed Media on Thick Paper Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal...

Subuddha Ghosh - Untitled - 24 x 24 inches Acrylic on Canvas Subuddha lives and works in Kolkata, India. His canvas is always large and realistic. Using his photographic memory, Su...

Subha Basu - The House - 10.5 x 9.5 inches (unframed size) Tempera & Charcoal on Acid Free Paper. Born - 1982 at Kolkata. B.V.A from The Indian College of ...

Ashoke Mullick - Untitled - 36 x 36 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style : Ashoke Mullick is considered one of the leading painters f...

Birendra Pani - Gotipua Dancer (The Precarious Existence) - 66 x 42 inches (unframed size) Acrylic on Canvas , 2008 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Boy Dancer with Mahanadi - 66 x 42 inches (unframed size) Acrylic on Canvas , 2009 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Untitled - 66 x 42 inches (unframed size) Acrylic on Canvas ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for extra freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua Dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua Dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Sunil Das - Head, Ink & Watercolour on paper - 11 x 17.25 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Ex...

Prakash Karmakar - Untitled - 20 x 29 inches ( unframed size ) Pastel on Board Inclusive of shipment in roll form This work is amongst the more rarer work by the artist executed. ...

Prakash Karmakar – Untitled 28 x 20 inches (unframed size) Acrylic on Paper, 2004 ( Unframed & Delivered ) In this bold acrylic on paper, Prokash Karmakar juxtaposes a dyna...

Bolgum Nagesh Goud - Lord Hanuman Metallic Acrylic, Pen & Ink on Canvas, Deep Edge Stretcher 30 x 30 x 2 inches (unframed), 2023 ( Rolled & Delivered ) Born July 18, 1965 Educat...

Wasim Kapoor - Krishna with Golden Flute Acrylic on Canvas 53 x 95 inches (unframed size) 2014 ( This work will be shipped in roll form for ease of shipment) About this work : In h...

Gurucharan Singh - The Transformation in Tim - 36 x 24 inches ( Unframed Size ) Oil on Canvas Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Prokash Karmakar - Beach Series Mixed Media on Paper 16 x 23 inches 2004 ( Framed & Delivered ) Karmakar is best known for his landscapes and nudes, which are generally painted in v...

Samir Sarkar - The Sound - 120 x 42 inches (unframed size) Acrylic on Canvas (Diptych) Style : He says, “All my paintings have people wearing some headgear that has a face painted...

Jogen Chowdhury - Untitled Dry Pastel on Paper 8.2 x 5.8 inches, 2022 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Always...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...

Samir Sarkar - Untitled 36 x 72 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headgear that has a face painted on the...

Akhil Chandra Das - Untitled (Enlightened ) Bronze & Wood Edition : Single H 37.8 x W 17 x D 8.3 inches Akhil Chandra Das (b. 1968), a prominent sculptor hailing from Bengal, stands...

Samik De - Kali Acrylic on Paper 12 x 17 inches, 2025 ( UNFRAMED & DELIVERED ) Style : Sekhar Kar's paintings depict men and women in swirling masses of color with cesspools of em...

Prakash Karmakar – Untitled 60 x 48 inches (unframed size) Acrylic on Canvas 2012 ( Rolled & Delivered ) In this dynamic composition, Prokash blends acrylic on paper, crea...

Gobardhan Ash - Untitled Gouache on Paper 13.25 x 7.5 inches ( Framed & Delivered ) In this evocative composition, Gobardhan Ash masterfully blends abstraction with suggestion, usin...

Haren Das - Untitled (Return from the Market) Woodcut on Paper 6.8 x 10 inches ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a dip...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) Ink on paper Two Side drawing on the note book Total of 9 drawings Inclusive of shipment in framed form. About the Artist &...

Ramananda Bandyopadhyay Ganesha Mixed Media on Paper 10.5 x 11 inches, 2006 ( Unframed & Delivered ) This enchanting work by Ramananda Bandyopadhyay blends folk-inspired motifs with...

Samir Sarkar - Untitled 36 x 72 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headgear that has a face painted on the...

Bikash Bhattacharjee - Untitled AP - 31/32 Lithograph on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Style : Bikash Bhattacharya is credited with bringing realism back to...

Dipak Banerjee - Untitled AP - 25/32, Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Dipak Banerjee is today the undisputed leader and ‘creator’ of what was earlie...

Subrata Gangopadhyay - Untitled Pastel on Paper 15 x 11 inches, 2000 ( Unframed & Delivered ) This evocative pastel artwork by Gangopadhayay captures a graceful, intimate moment of ...

Gobardhan Ash - Untitled Gouache on Paper 13 x 8 inches ( Framed & Delivered ) In this tender composition, Gobardhan Ash captures an intimate moment of familial connection through s...

Gurucharan Singh - Untitled Oil & Acrylic on Canvas, 48 x 24 inches Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehan...

Sakti Burman - Untitled Watercolour on Paper 30 x 20 inches Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des Beaux ...

Subrata Gangopadhyay - Untitled Acrylic on Canvas 29.5 x 29.5 inches, 2022 ( Rolled & Delivered ) This vibrant painting beautifully captures a romantic, rustic moment between a flut...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Lalu Prasad Shaw - Babu - 21 x 15 Inches Tempera on Board, 2015 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pr...

Shuvaprasanna Bhattacharya Untitled Acrylic on Paper 14 x 11 inches 2002 (Framed & Delivered ) In this delicate composition, he explores the intimate poetry of nature through a sing...

Samik De - Ganesha Acrylic on Paper 12 x 12 inches, 2024 ( UNFRAMED & DELIVERED ) Style : Sekhar Kar's paintings depict men and women in swirling masses of color with cesspools of...

"Bites of Trivial Matter," is a six panel work by Binay Sinha, but each piece is also available for sale individually. The artist discusses modernity, specifically the effect in has ...