India - Prints and Multiples

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 33" x 46" unframed (84cm x 117cm) 2022 Edition 1/8 Aditya Dicky Singh's images have enthralled many and ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 39" x 26" unframed (100cm x 66cm) 2022 Edition 1/10 *Should you ...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 26" x 39" unframed (66cm x 100cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 60" x 36" unframed (152cm x 91cm) 2022 Edition 1/8 *Should you wish the photographs to be printed ...

Sunil Das - Early Horses, Charcoal on paper - 19 x 29 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extrem...

Ganesh Haloi - Untitled (Landscape) Watercolour on Paper 12.5 x 9.6 inches, 2025 ( Unframed & Delivered ) This untitled watercolour on paper by Ganesh Haloi, created in 2025 is a fi...

Amitabh Sengupta - Untitled - 13 x 19 inches (unframed size) Digital Graphics on Paper Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted in va...

Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper 53" x 36" unframed (135cm x 91cm 2017 Edition 2/10 *Should you wish the photograph to be printed at...

Kamal Mitra - Untitled - 10 x 13 inches (unframed size) Etching on Paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting) ...

Amitabha Banerjee - Night Call - 12.5 x 15.5 inches ( unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Bari...

Kamal Mitra - Thinker - 16 x 12 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (P...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 28" x 42" unframed (71cm x 107cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 3/8 *Should you wish the photographs to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 2/8 Aditya Dicky Singh was an active member of a small band of experts, proactively ensuring the health of the Tiger population in the Park and at the same time the survival of the smaller communities whose livelihoods depend on the same land. Through his lens he documented generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest. His knowledge was vast, not only of big cats but the other flora and fauna that co-exist in this special place. This tender artwork shows a small troop of backlit, Grey Langur...

Kamal Mitra - Folk Singer - 12 x 10 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelo...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 40" x 60" unframed 2023 Edition 1/8 *Should you wish the photograph to be printed at a different ...

Compelling set of 25 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 25 works are Edition 4/7. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, 25 Etchings on Archival paper, dated 2022, signed and titled under each piece in pencil 65" x 50" (depending on hanging layout), without framing, comprising 25 etchings. Each etching, sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, 'This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 45 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/8 Dicky Singh's images have enthralled many and...

"The Holy Cow" is a contemporary work of art by Indian artist, Binay Sinha. This work depicts a cow split with a head on either side. One side is focused whil...

Amitabh Sengupta - Dry Point - 25.5 x 19.5 inches (unframed size) Etching on Paper , 2012 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted in...

Atin Basak - Untitled - 11 x 15 inches (Plate Size) Etching on paper Inclusive of shipment in a roll form Style : Atin Basak says that his recent body of work represents the belief...