Manhattan - Paintings

Hunt Slonem "2 Blue Diamond Dust" Bunny Couple A pair of rabbits gestured in blue and white on a dark blue Diamond Dust background in a vintage frame Unframed: 14.5 x 11.5 inches Fr...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on th...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Turquoise blue background with thick use of paint...

"Divine Spontaneity II" 2023, 48" H x 36" W. Vertical abstract painting consisting of acrylics, house paint, oil pastels, color pencils, and carbon pencils on canvas by Argentine-bo...

Title: Rhythm Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Joanne Freeman Squares and Strokes (Cadmium_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem240) My paintings and drawings incorporate elements found in arc...

Hunt Slonem (b. 1951, Kittery, ME) is an American artist best known for his “maximalist” paintings of wildlife exotica — most famously birds, rabbits and butterflies. Drawing inspira...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

A whimsical oil painting depicting a Parisian Cafe scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in the first ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Hunt Slonem "Catalayas and Orioles" Birds, Flowers and Guardians on White Multiple birds and orchid flowers on a white "Guardian" background Unframed Hunt Slonem is a well-renowned ...

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Hunt Slonem "Pink Double" Monkey Couple A monkey couple gestured in black and white on a pink background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Paint...

Karl Adolph Gugel(1820-1885)  German  Perhaps inspired by Vermeer's Girl with a Pearl Earring, this Orientalist portrait of a young woman is depicts an eastern lady donning an incr...

Leonard Creo (American, 1923-2019) Untitled, c. 1960s Oil on canvas 29 x 48 in. Framed: 30 1/8 x 49 1/4 x 1 1/2 in. Signed lower right: Creo Creo was bor...

A pop piece depicting New York City's iconic Times Square in Midtown Manhattan with taxis, cars and people in a bursting street scene filled with color and impasto paint, with quick ...

This painting depicts a landscape scene of a town scene of figures on the stairwell. The attractive perspective is what makes this painting so interesting and desirable; there is a s...

An impressionistic portrayal of Japanese Koi fish jubilantly depicted with movement and enthusiasm. In a burst of motion, the fish joyfully swim in the clear light blue waters, as th...

A charming depiction of Snow in New York City by Washington Square Park on a cold snowy evening with city lights and buildings captured in the distanc...

My abstract paintings are also glimpses of nature. Some of these paintings read as landscapes of a different world, a wondrous space. Others are about the more intimate aspects of na...

An outstanding oil painting depicitng a portrait of a yong boy with a landscape in the background. The bright colors and quick brush strokes are what makes this piece so attractive a...

We are delighted to debut Charles Buckley’s most recent series of ink drawings, based on photographs sourced from the mid-20th century. Buckley ...

“Naturaleza” by Gloria Sáez is an evocative horizontal oil painting on canvas that captures the serene essence of a natural landscape. The artwork features a stunning palette of cool...

A stunning oil painting by Albert Munghard depicting figures by a Dutch Canal, this piece was created after the great Dutch artist of the times Heinric...

An exceptional impressionistic depiction of an afternoon at the Waterfront Cafe in Paris by Jules René Hervé. This piece takes place on a summer day with busy activities of figures l...

A contemporary figurative painted portrait of a man in a blue shirt by Mark Beard/[Bruce Sargeant (1898-1938)] Portrait with Blue Shirt n.d. Signed in red, u.l. Oil on canvas 14...

Title: Tree-Lined River Medium: Oil on canvas Size: 34 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Title: Lackview Medium: Oil on canvas Size: 23 x 29 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Doris K. Mooney Hanna (American, 1931-2022) Untitled, 1960 Acrylic on canvas 49 x 36 in. Signed lower right: Doris K. Mooney Doris Mooney Hanna grew up in Phi...

A whimsical oil painting depicting a Courtyard Scene with a cafe of figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in...

Title: River Bay Medium: Oil on canvas Size: 11.75 x 15.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

A wonderful depiction of a colorful landscape with puffed trees by the country side. For this beautiful depiction, we find distinct elements that are unique to the earlier works of O...

A beautiful oil on canvas painting by the French artist, Jack Prudnik. Prudnik was an American painter known for his colorful cityscapes depicting the tim...

A wonderful impressionist summer seashore scene of a tug boat and sailboats in Beatons, Mantolokings, New Jersey. Waltsak has portrayed this piece in a most intimate, yet energetic w...

Hunt Slonem "Jackie O Yellow" Single Bunny A black outlined rabbit on a yellow background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed - Pleas...

Signed, u.r. Oil on canvas mounted to Masonite 80 x 32 inches

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Sandy Litchfield’s "Latent" reflects her signature approach of transforming landscapes into lyrical, abstracted visions. Drawing from memory, walking, and direct observation, Litchfi...

A wonderful composition of one of Slonem's most iconic subjects of Cockatoos. The thick use of paint is greatly recognizable as he slathers on layer after layer of multicolor oil pai...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Untitled (SF63-039) is an acrylic painting on paper, with an image size of 41 x 27.5 inches, signed 'Sam Francis' verso, and framed in a contemporary light wood frame. Untitled, 196...

Impressionist winter pastoral scene of a quaint snow covered home in Tinicum, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

Artist: Slonem, Hunt Title: Greener Series: Bunnies Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14" x 12" Signature: Signed by Artist on V...

Hunt Slonem "Mandy 2" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches *Painting is...

Susan English Forest Bloom, 2025 tinted polymer on Yupo paper 26 x 20 in (eng274)

Painted by Hudson River School artist Joseph Antonio Hekking (1830-1903), "Adirondack Stream in Fall" is oil on board and measures 8.5 x 6.5 inches. The painting is signed at the low...

Title: Trees In Autumn Medium: Oil on canvas Size: 27 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

A cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...

acrylic & labels on paper

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Hunt Slonem "Awaiting Flutter" Multicolor Butterflies A group of seven butterflies on a scored gold metallic background in a vintage frame Unframed: 22 x 30 inches Framed: 26.5 x 34...

Peter Stephens Quadrivium 83, 2025 acrylic and collage on paper 30 x 22 in image size: 13 ½ x 17½ in (ste031)

An abstract piece with vivid use of color and mixed media on canvas. Like splashes of a raindrop or flickering lights through the busy city remind us of these colorful canvases. The ...

Antique Male Academic nude painting Henri Brugnot with exposition label (1st prize). by Henri Brugnot (1874-1940) Oil on canvas board 15" x 30" The lab...

Charles Henry Miller (American, 1842-1922) Untitled (New York Landscape), c. 1900 Oil on canvas laid on foam 6 1/8 x 10 5/8 in. Signed lower left: C.H.M. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

Signed on reverse. Hovsep Pushman was one of those rare artists whose work was appreciated by critics and collectors, and who enjoyed recognition and good fortune. In a 1932 one-man...