New Jersey - Drawings and Watercolor Paintings

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts, one head" series. The...

Interior design paintings. The work was done with acrylic and watercolor in red and black color on watercolor paper 360g. The work is 11 by 15 inches in size framed (black) with a s...

"Pink Lady X" (2019) by SarahGrace Archival ink on archival paper, block print; woman, nude, figurative portrait, hot pink pigment Hand-signed by artist Certificate of Authenticity I...

Interior design paintings. The work was done with alcohol ink in brown, beige color on Yupo paper. The work is 11 by 14 inches in size, framed black with a styrene face on a mat boar...

Interior design paintings. The artwork were done with oil, gold leafing pen 18 kt and ink in gold and turquoise color on watercolor paper 300g. The work are 20 by 15 inches in size, ...

Interior design paintings. The diptych is made with alcoholic ink on Yupo paper. Each work is 11 by 14 inches in size, framed (gold) with a styrene face on a double mat board in dark...

Interior design paintings. The diptych were done with acrylic, ink and watercolor in bronze and ultramarine blue color on watercolor paper 300g. The works are 11 by 14 inches in size...

Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...

"Blue Nudes VI" (2019) by SarahGrace Ink on Paper Drawing, Blue & White, Women, Faces, Holding Hands, Dancing, Roses, Figurative Study Drawing / Nude / Human Figure / Flora / Figura...

Interior design paintings. The artworks were done with acrylic, ink in silver and white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, framed (silver...

Interior design paintings. The work was done with acrylic in light rose, sand color on Yupo paper. The work is 20 by 26 inches in size, framed in fine-quality solid wood with a styre...

Interior design paintings. The work is made with alcoholic ink in pink, grey - blue color on Yupo paper. It is 11 by 14 inches in size, framed (gold) with styrene face on a double m...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova is New York artist . She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 and 2021 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Interior design paintings. The work was done with alcohol ink in blue, grey, brown color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene fac...

Interior design paintings. The work was done with india ink and alcoholic ink in black, grey and green color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts, one head" series. The...

MAXIMILIENNE GUYON "BEAUTY" PASTEL AND WATERCOLOR, SIGNED FRANCE, C.1895 18 X 10.5 INCHES FRAMED 27 X 19 INCHES Maximilienne Guyon was born in Paris...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Interior design paintings. The artworks were done with watercolor and acrylic on black watercolor paper 300g. The works are 11,5 by 16,5 inches in size, framed (black) with a styrene...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Price is per each framed print. "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origin...

Born in Czechoslovakia on May 5, 1914. Laisner studied at the University of Chicago and AIC. Most of his career was spent in Pullman, WA as a professor at the state college. He died ...

A mid-sized work with bright colors and depths. The artist captures a stone seaside house - possibly in the Old World. The work has a calming energy no doubt aided by the backgroun...

SHOULD I STAY IN or GO OUT? is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee...

This is an Jeff Koons original drawing signed and dated made 2001. In good condition condition. Measures 26x26. Was made for Hugo Boss back in 2001. There’s article you can google i...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Milton Avery (1885 – 1965). Milton Avery was a prominent Modernist painter whose work combined abstraction and...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

Ultra vibrant orange version of the Stik Holding Hands print. Issued folded in the Hackney Today newspaper as a special thank you to the residents of Hackney. The color in each paper...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim's of Lambertville Fine Art Gallery is proud Albert Hirschfeld (1903 – 2003) At the age of 12, Albert Hirschfeld, the famed caricaturist who depicted figures in the New York theater...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

Original Tarkay watercolor Comes with coa in excellent condition measures 25x22x2

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by John Whorf (1903 - 1959). Watercolorist John Whorf was born in Massachusetts in 1903. At age 14, Whorf attende...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Albert Hirschfeld (1903 – 2003). At the age of 12, Albert Hirschfeld, the famed caricaturist who depicted figures in the New York theater...

Interior design paintings. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

Interior design paintings. Egyptian god Ra. The artwork were done with acrylic, gold leafing pen 18 kt and ink in gold and black color on watercolor paper 300g. The work are 16 by 20...

Richard Segalman original Watercolor “water edge”in good condition. Measures 14x13

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

There is nobody here (Lady in red) - Line Drawing Woman Body in red dress, 2025. Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works a...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Beautiful Hip poster in blue version by UK artist Stik. Released by Big Issue Magazine Japan in September 2013. Printed exclusively in Japan and was issued folded. Has faint fold lin...

Andre Gisson original drawing pencil lady In good condition. Measures 18x16.

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

Interior design paintings. Does not see, does not hear, does not speak. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (...

This is an original water color made in 1999. In good condition. Measures 30x25

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Joseph De Martini (American, b. 1927) Miss America, 1976 Watercolor and airbrush on board Unframed. In good shape measures 30x20

My 80's Heart "Token 9" 2019, gouache, acrylic, graphite, panel, blue, orange, yellow

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

Interior design paintings. The work was done with alcohol ink in violet, orange color on Yupo paper. The work is 11 by 14 inches in size, framed black with a styrene face on a mat bo...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

My 80's Hart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green, blue