Nice - Chandeliers and Pendants

This stunning Art Deco chandelier made from wrought iron dates back to 1940. It is elegantly patinated and comes equipped with six 4w LED lamps, making it ready for installation. The...

We present you with this magnificent chandelier by the Italian designer Gaetano Sciolari, featuring a blend of chrome and gold accents. Dating back to the vibrant 1960s in Italy, thi...

Our lighting fixtures are more than just lighting objects, they are functional works of art that bring a touch of mystery and wonder to any space. The Jedy collection is no exception...

Embleme 2 pendant lamp by Lea Ginac Unique Piece. Dimensions: diameter 45 cm Materials: handmade Ceramic. Technique: Hand-modeling. Available in two other designs. All our lamps ...

3 opaline glass and brass ceiling fixtures. 3 items now available, See dimensions below By Bent Karlby for Lyfa. Denmark, late 1950s dimensions available: (Height of the opalin...

Ceiling light "Bubbles" by Goffredo Reggiani Italy dating from the 60's, chrome-plated steel base, seven lights with white opaline globes. Very good condition, works perfectly, only...

Hand carved alabaster pendant light. 14 stone lights on 42 cm round canopy. Combining a modern design with the original appearance of alabaster, the Sauron suspension fits in all ...

Venini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.

Embleme 3 pendant lamp by Lea Ginac Unique piece. Dimensions: diameter 45 cm Materials: handmade ceramic. Technique: hand-modeling. Available in two other designs. All our lamps c...

Marcel Wanders, Skygarden pendant lamp, shiny white aluminum covered with white plaster, sculpted Edition Flos, circa 2000, Holland, Netherlands. Height 46 cm, diameter 91.5 cm. Fan...

Hand blown glass pendants. 7 glass columns on 42 cm round canopy. The Chavana collection features pebble inspired glasses stacked along a 17W LED tube, lighting up to form a cascade...

Hand blown glass pendants. 7 glass lights on 140 cm x 55 cm rectangular canopy. Glass dimensions: ? 38 cm x H 17 cm. The Fantasia Extra glass and its saucer shape allows to pl...

Hand blown glass pendant. 14 glass balls on 42 cm round canopy. The Sweety pendant light illuminates your space in a soft and warm way. The smooth and shiny balls have a diameter o...

Hand blown glass pendants. 7 glass lights on 42 cm round canopy. Glass diameter: 30 cm The Serail pendant light creates a welcoming and relaxing atmosphere in your interior. This co...

Hand blown glass pendants. 4 glass columns on 42 cm round canopy. The Chavana collection features pebble inspired glasses stacked along a 17W LED tube, lighting up to form a cascade ...

In the style of Kérylos, Neoclassical suspension, Composed of a multi-layered glass basin with acid-free decoration of antique muses and bronze, circa 1...

Alessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...