Palm Beach - Mixed Media

How long have I been dreaming? This work is sourced directly from the artist. Butterflies cut from Vintage Comic Book Pages and pinned with stainless steel entomology pins to canvas. Framed in a clear, plexiglass box. About Charles Patrick Charles Patrick is best known for his intricately cut paper...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immi...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immi...

Painting on Panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Colorado. Co-founder of the International Post-Dogmatist Group, Touchon is director of the group's Ontological Museum, Founder of the International Museum of Collage, Assemblage and Construction and founder of the International Society of Assemblage and Collage Artists. In 2005 an exhibition was held in Cuernavaca, Mexico entitled "Cecil Touchon - Thirty Years of Fluxing Around" in which art works and scores dating as early as 1975 were exhibited showing the fluxus tendency in Touchon's work over the last thirty years. Touchon has never been formally associated with the Fluxus group until the year 2000 with his participation in the Fluxlist - an email group where the current generation fluxus artists interact and collaborate. In 2002 Touchon, with a number of other artists from the Fluxlist established the Fluxnexus - a group of artists working together on various new Fluxus projects including a new Fluxus performance workbook. In 2006 Touchon established the FluxMuseum in order to assemble and archive samples of works by contemporary 21st Century Fluxus artists. The central focus of the Fluxmuseum has been the creation of Fluxus related publications and curating and mounting international exhibitions of Fluxus art called Fluxhibitions. Touchon co...

Jules Cheret (1836-1932) is an important figure in poster history. He pioneered the art of color lithography, and for this is commonly referred to as the, “Father of Poster Design”. ...

Franco DeFrancesca (b. 1967) is a multidisciplinary artist whose work investigates the links between art and technology. Using digital imaging to navigate between photography and pai...

🌴 Introducing "Perfectly Palm Beach" - An Exclusive Charles Fazzino 3D Pop Art Masterpiece 🌴 Step into the enchanting world of Palm Beach with our Limited Edition "Perfectly Palm Beach" artwork by the renowned 3-D pop artist, Charles Fazzino. This stunning piece measures 10.75" x 15.25" and comes beautifully framed with anti-reflective glass, creating a captivating display that spans 18" x 23". Each of the Deluxe Editions, limited to just 300 pieces worldwide, is an exquisite work of art. Hand-signed by Charles Fazzino himself, these editions boast three layers of hand-cut, hand-glued dimensionality on a pristine white museum board. Adding to its allure, every artwork is individually adorned with genuine Swarovski Crystals and carefully applied glitter, ensuring that no two pieces are alike. We are thrilled to offer you a unique opportunity to own Edition #261/300, exquisitely framed as shown, accompanied by an Original Museum Editions LTD Certificate of Authenticity. Immerse yourself in the beauty of Palm Beach County through this remarkable creation. But there's more! On all editions numbered from 246/300 to 299/300, Charles Fazzino's New York Studio has thoughtfully personalized each piece to include many Palm Beach Dining...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11 x 13 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ...

Stephen Graham constructs dazzling three-dimensional artworks from metal pins, each individually crowned with SWAROVSKI Crystals and, he says, the essential ingredient of negative sp...

Elvis, is a one-of-a-kind, fine art piece by renowned Brazilian artist, Romero Britto. Britto combines a unique use of mixed media and rich, vibrant colors such as, greens, pink, re...

Henry Newman: 1923-1996. Listed American artist with auction results Over $800. This assemblage is a really clever piece, showing an artist and his model. It is made of different mat...

The Complete Illustrated Book of Card Magic by Walter B. Gibson 1969 This is not one of the many reprints issued later. This is the actual book from 1969! Mr. Gibson wrote dozens of great books on magic and many other topics and also ghost-wrote for others. Book is in excellent condition, like new. See photos. The complete illustrated book of card magic: the principles and professional techniques fully revealed in text and photographs. Details: All basic secrets, master methods, and the greatest magic tricks done with cards – explained and illustrated step-by-step by WALTER B. GIBSON, one of the greatest authorities in the history of magic! If you have ever been baffled by the flawless performance of a card trick . . . if you have ever dreamed of amazing your friends with a deck of cards . . . this astonishing, giant of a book is for you. It shows how all the tricks are done – and how to do them yourself. And it’s easy! Because Walter Gibson – friend and close associate of Houdini and Blackstone – explains every trick every step of the way! The ultimate reference on card magic You’ll learn Houdini’s own “top change,” how to prepare a deck, how to force a spectator to choose the card you want him to. You’ll find nine pages of gambler’s tricks. In all, you’ll learn 23 simplified tricks; 89 basic sleights; 86 methods of card control; 34 patterns of card discoveries; 18 special tricks; 51 flourishes; 9 color changes; 85 full-pack tricks; 33 special types of tricks; 17 dealing tricks; and 20 prepared tricks. All in the 200,000 clearest, most authoritative words ever written on the subject. Plus . . . 379 Photo-illustrations. Every photograph is captioned and every one was taken with mirrors. Which means that, as Walter Gibson performed, he saw his hands and chose the clearest position for the photograph . You see every step of the trick exactly. Page 1 Triumphant Threes Page 2 As Many As You Page 3 Royal Roundup Page 5 Add-a-Card Page 6 Predicted Heap Page 8 Thieves and Sheep Page 9 Improved Piano Mystery Page 10 Mental Mastery Page 11 Double Choice Page 11 Super Mental Mastery Page 13 Kings and Queens Page 14 Royal Marriages Page 16 Red-Card Prediction Page 17 Super-Red Prediction Page 19 Twenty-Seven Trick Page 20 Fifth Card Page 21 One Choice in Five Page 21 One Out of Many Page 22 Transposed Cards Page 23 Color Sense Page 24 Three Color Packets Page 25 Forty-Nine Cards Page 29 Ways of Dealing Cards Page 29 Simple or Reverse Deal Page 30 Turnup Deal Page 31 Group Deal Page 32 End Deals Page 32 Bottom Draw Page 32 Cutting the Pack Page 33 Single Cut Page 33 Multiple Cut Page 33 Undercut Page 34 One-Hand Table Cut Page 35 Turnover Move Page 37 Shuffling the Pack Page 38 Standard Overhand Page 39 Reverse Overhand Page 39 Front-and-Back Overhand Shuffle Page 40 Dovetail Shuffle Page 41 Outer-Corner Shuffle Page 41 False Cuts Page 41 Double Pickup Page 41 Double Laydown Page 42 Top-Card Blind Page 43 Simulated Cut Page 43 False Three-Heap Cut Page 44 False Running Cut Page 45 False Triple Cut Page 47 False Shuffle Cut Page 48 False Shuffles Page 48 False Dovetail Page 49 Small-Group Dovetail Page 50 Push-Through Shuffle Page 51 V Twist Page 52 Inverted V Twist Page 52 False Overhand Shuffles Page 53 Top-to-Bottom Shuffle Page 53 Double Pullaway Page 53 Cut Shuffle Page 54 False Front-and-Back Shuffle Page 54 False Shuffle Devices Page 54 In Jog Page 56 Out Jog Page 56 Break Page 58 Second Deal Page 60 Turnover Second Deal Page 62 Bottom Deal Page 64 Methods of Presenting the Pass Page 66 Standard Pass Page 69 Slow-Motion Pass Page 71 End-over-End Pass Page 73 Slow-Motion End-over-End Pass Page 76 Turnover (Herrmann) Pass Page 79 Delayed Turnover Pass Page 80 Modified Turnover Pass Page 82 Charlier Pass Page 85 Screening the Charlier Pass Page 85 Turnaway Page 85 Behind the Back Page 85 Behind the Arm Page 86 Right-Hand Screen Page 86 Full-Front Pass Page 87 Charlier Turnover Page 87 How to Palm Cards Page 87 Top Palm Page 88 Simple Side Palm Page 88 Palm Holds Page 90 Improved Side Palm Page 91 Side Count Page 91 Spread Count Page 91 End Count Page 92 Spring Palm (Spring Count) Page 93 Thumb Count Page 93 End Palm Page 94 Corner Palm Page 96 Turnover Palm Page 96 Second Palm Page 97 Swivel Palm Page 98 Bottom Palm Page 98 Standard Bottom Palm Page 99 Bottom Count Page 100 Push-Out Page 100 Thumb Steal Page 101 Replacing Palmed Cards Page 101 Simple Replacement Page 102 Turnover Replacement Page 102 Riffle Replacement Page 102 Drop-On Page 103 Bulge Page 104 Pickup Page 104 Cut Pickup Page 105 Spread Replacement Page 105 Ways of Changing a Card Page 105 Bottom Change Page 108 From Right to Left Page 108 Sleeve Change Page 109 Top Change Page 111 From Right to Left Page 111 Top-Change Deal Page 112 Take-Away Change Page 114 Concealed Top and Bottom Changes Page 119 Palm Change Page 120 Throw Change Page 122 Spring Change Page 124 Alternatives for the Pass Page 124 Alternatives for the Standard Pass Page 124 Sleeve to Sleeve Page 125 Sleeve Switch Page 125 Top-Middle-Bottom Page 126 Revolving Pass Page 127 Riffle Pass Page 128 Throw Pass Page 128 Alternatives for End-over-End Page 128 Crosswise Bridge Page 130 Longitudinal Bridge Page 131 Single Card Page 132 Double End-Over Page 133 Forward Drop Page 134 Push-Back Page 136 Fan Grip Page 137 Shuffle Pass Page 137 Simple Shuffle Pass Page 138 Reverse Shuffle Pass Page 139 Special Shuffle Pass Page 139 Corner Crimp Page 140 Upward Crimp Page 141 Downward Crimp Page 142 Random Card Page 143 Various Sleights I Page 143 Half Pass Page 143 With the Standard Pass Page 143 With the Turnover Pass Page 143 With the Modified Turnover Pass Page 143 With the Charlier Pass Page 144 Half Flip Page 144 Turning the Pack Page 144 Turnover Page 145 Layover Page 145 Glimpsing a Card Page 145 Dovetail Glimpse Page 146 Shuffle Glimpse Page 146 Squeeze Glimpse Page 147 Quick Top Glimpse Page 148 Expert Glimpse Page 148 Gambler’s Glimpse Page 150 Various Sleights II Page 150 Glide Page 151 Slip (Slip Cut) Page 152 Slide Page 153 Flipover Page 154 Double Lift Page 154 Outward Lift Page 156 Inward Lift Page 156 Side Lift Page 157 Remarks on Lifts Page 157 Triple Lift Page 158 Thumb-Off Page 158 Drop Page 159 Buckle Page 160 Buckle Count Page 160 False Count Page 161 Forcing a Card Page 162 Standard Force Page 163 Behind the Back Page 164 Alternative Procedure Page 164 Joker Force Page 165 Variant Page 165 Face-Front Force Page 167 Charlier Force Page 167 Glide Force Page 168 Cards in the Case Page 169 Turnover Force Page 169 Riffle Force Page 169 With a Short Card Page 170 Double Deal Page 171 Double Turnover Force Page 171 Special Controls Page 171 Peek Page 172 Tilt-Back Page 173 Side-Drop Page 173 Corner Grip Page 174 Side Steal Page 176 Riffle to Pocket Page 177 Multiple Push-Through Page 179 Palm Steal Page 180 How to Switch Packs Page 180 Simple Pocket Switch Page 181 Duplex Pocket Switch Page 181 Two-Pack-Trick Switch Page 181 Single-Trick Switch Page 181 Pocket-Handkerchief Switch Page 182 Handkerchief on Table Page 182 End Shuffle Page 182 Basic Shuffle Page 183 Simple Card Location Page 185 Flash Force Page 185 Bottom Glimpse Page 186 End Shuffle Card Control Page 187 False End Shuffle Page 187 End Shuffle Force Page 188 Top Glimpse Page 189 Hit the Deck Page 189 Knockout Page 190 Countdown Page 190 Name the Card Page 191 Card in Wallet Page 191 Double Detection Page 191 Cards Caught in Midair Page 192 Card Through Handkerchief Page 192 Handkerchief Repeat Page 192 Magnetized Card Page 193 Jumping Card Page 193 Any Number Down Page 193 Double Count Page 193 Turnup Count Page 194 Calling All Cards Page 194 Chosen Card Up Sleeve Page 194 Follow-Up Sleeve Page 195 Any Number Up Page 195 Card Finds Card Page 195 Your Card Is Next Page 195 Best Card in Pocket Page 196 Pocket Prediction Page 197 Baffling Queen Page 197 Like Seeks Like Page 198 Three-Card Climax Page 199 One Chance in Four Page 200 Third Card Page 201 Double-Dealer Page 202 A Neat Card Location Page 202 Three in a Row Page 203 Find Five Cards Page 203 Klip-Kard Page 204 Card, Clip, and Ribbon Page 204 Sit-Down Strike Page 205 Six-Card Repeat Page 209 Six-Card Repeat Without Extra Cards Page 211 Twelve Cards Up Sleeve Page 215 Slap Vanish Page 215 Packet-to-Packet Page 219 Reversed Passage Page 220 Red and Blue Packets Page 221 Between Ten and. Twenty Page 223 Thirty-third Card Page 225 Quick Prediction Page 226 Do As I Do Page 227 Shuffle Do As I Do Page 228 Triple Do As I Do Page 229 Card Through Handkerchief and Case Page 230 Phonepathic Card (Super Telephone Telepathy) Page 233 Twenty-Card Memory Page 235 Ten-Card Memory Page 237 Spring Page 239 Spring Location Page 239 With Additional Cards Page 240 Another Spring Location Page 241 Spring Pass Page 242 Arm Spread Page 243 Slide-Down Page 243 Turnover Page 244 Slide Toss Page 244 Somersault Page 245 Turnover Catch Page 246 Inward Catch Page 246 Backhand Catch Page 247 One-Hand Catch Page 247 Double Catch Page 247 Shuffled Spread Page 248 Halfway Turnover Catch Page 249 Waterfall Page 250 Electric Pack Page 250 Fan Sleights Page 250 One-Hand Fan Page 251 Fan Production at Elbow Page 252 Face-Front Fan Production Page 254 Repeat Fan Production Page 254 Vanishing Pack Page 256 Reappearing Fan Page 258 Card-Fan Pack Switch Page 259 Fan Force Page 262 One-Hand Fan Force Page 263 Fan-Force Location Page 263 Reverse Fan Sweep Page 265 Fan-Sweep Location Page 267 Fan-Sweep Palm Page 269 Pressure Fan Page 270 Ornamental Fans Page 271 Finger Fan Page 272 Closing the Fan Page 272 Blank Fan Page 273 Split Fans Page 274 Special Fanning Packs Page 274 Giant Fan Page 275 Double Fan Page 275 Wedge (Faro) Shuffle Page 276 Card Vanishes and Productions Page 276 Back-and-Front Palm Page 279 Showing the Back of the Hand Page 281 Alternative Mode of Transfer Page 281 Vanish and Reproduction of Additional Cards Page 285 Six-Card Vanish and Production Page 286 Continuous Card Production Page 287 Continuous Fan Production Page 290 Cards at Finger Tips Page 291 Snap Production Page 293 Perfection Card Production Page 295 Perfect Color-Change Routine Page 295 Thumb Steal Color Change Page 297 Palm Color Change Page 298 Color-Change Routine Page 301 Erdnase Color Change Page 304 Vertical Color Change Page 307 Transposed Spot Page 308 Visible Change Page 311 Visible Change Routine Page 316 With a New Pack Page 316 Multiple Mentality Page 317 Three-in-a-Row Page 318 Cards Foretold Page 318 Double Detection Page 319 Seven-Handed Poker Page 321 Special Setups Page 321 Pack-to-Pack Page 322 Suit-for-Suit Page 324 Alternative Method Page 325 Red-and-Blue Coincidence Page 326 Climax Card Change Page 327 Three-Card Climax Page 328 Two Minds in Tune Page 330 Card Foretold Page 331 Simplex Coincidence Page 332 Multiple Surprise Page 333 Divided Packs Page 333 Red and Black Page 334 Pairing the Suits Page 334 Odds and Evens Page 334 Suits and Values Page 335 Shuffling and Cutting the Divided Pack Page 335 With the Dovetail Shuffle Page 335 With the Overhand Shuffle Page 335 Cutting the Pack Page 336 Double Choice Page 336 One-Way Packs Page 338 Handling the One-Way Pack Page 338 Sweep Replacement Page 338 Turnover Turnabout Page 339 Dividing the Pack Page 339 Shuffling the Pack Page 339 Bringing Turned Cards to Top Page 340 Setting Up the One-Way Pack Page 340 Natural Affinity Page 341 Red-and-Black Baffler Page 342 Pointer Cards Page 343 Prearranged Packs Page 344 Naming a Chosen Card Page 344 Multiple Detection Page 345 Suit and Value Page 345 Three Heaps Page 346 Concentration Page 346 Lucky Thirteen Page 347 Card at Any Number Page 348 Where Is My Card? Page 348 Perfect Bridge Deal Page 349 Faked Packs Page 349 Peek Deck Page 350 Naming Chosen Cards Page 350 Vanished Cards from Pockets Page 350 Two-Pack Climax Page 350 Special Speller Page 351 Notes on Peek Decks Page 351 Brain Wave Deck Page 353 Impromptu Brain Wave Page 354 Follow-Up to Impromptu Brain Wave Page 355 Alternative Brain Wave Page 356 Alternative Brain Wave (with Spread-Out) Page 357 Svengali Pack Page 358 In the Force Page 358 When the Pack is Shuffled Page 358 Display Riffle Page 359 Fan Discovery Page 359 Count to Chosen Card Page 359 Think of a Card Page 360 Wrapped Pack Page 360 Unseen Card Page 360 Reversed Card Page 360 Card on Chosen Heap Page 360 Ascending Card Page 361 Card-Stabbing Climax Page 361 Svengali Outdone Page 361 Mene-Tekel Pack Page 363 Mental Detection Page 363 Card in Pocket Page 363 Face-Up Card Page 364 Face-Up Repeat Page 364 Red and Blue Page 365 Two Packets Page 366 Remote Control Page 367 Wizard Pack (Strippers) Page 368 Controlling a Chosen Card Page 369 Tricks with the Wizard Pack Page 369 Dropaway Cards Page 369 Cards Under Handkerchief Page 369 Four-Ace Deal Page 369 Cut to Any Number Page 370 Red-and-Black Fantasy Page 370 Prediction Pack Page 372 Spelling Tricks Page 372 Triple Mental Speller Page 373 Alternating Speller Page 374 Multiple-Speller Mystery Page 376 Spell It Yourself Page 377 The Card You Took Page 378 Shuffled Speller Page 379 Spelling Bee...

Abstracted beach scene.

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...

Curiosity and conversation drive her work. Curiosity allows her to be experimental. Conversation weaves the work together. With the analogue collages, she looks for conversations bet...

Heavily textured abstract in substantial black frame.

Fun beach scene great for a beach house. Nicely framed.

Heavily textured abstract with heavy black wood frame.

Heavily textured abstract in substantial black wood frame.

"Cammino Nell'Universo (Path in the Universe)" mixed media artwork by artist Oriano Galloni. A tiny sculpture in the upper left corner of the canvas is the first sculpture the artist...

12 repurposed industrial aluminum pipes with acrylic on wood panels. Each element has a 10.5-inch diameter. Overall dimensions variable

Unusual set of eight bird or parakeet images ambitiously crafted in butterfly wings with a sculptural effect. Presented in wood frames under glass.

Turquoise Channel - 60 X 40 Acrylic medium is troweled onto the wood with a layer of resin. Acylic paint with silver leaf encasing the fish. A blue wash is applied over the silver leaf with a coat of resin to protect the silver leaf. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art and History in New York. His work has been collected by Museum Jacobo Borges...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immigrated to Los Angeles at the age of 18. There, he was introduced to street art by fellow artist, Mr. Brainwash. The pair worked together creating art for over 15 years. Today, Punk Me Tender’s work melds techniques of street art, graffiti, photography, and fashion. His bold three-dimensional mixed media creations often use a silhouette of a butterfly as his focal point amid explosions of color and texture. Spun art is one of the major techniques the artist employs in the work. On his work he explains “the technique I use is itself a transformation: I lay down colors over white butterflies, and watch them transform.” “The same way a butterfly is born, and how it transforms itself from a chrysalis– my whole body of work is based on that” Inspired by the anonymity of Mr. Brainwash and Banksy, Romain began to work under the pseudonym, Punk Me Tender, a name derived from his great love for the legendary singer Elvis Presley and electronic duo Daft Punk. He has held residencies at the SLS Hotel South Beach, Nobu, Astra, Club MIami, and the Kiss Kiss...

Turquoise Turn 36 X 60 Acrylic medium is troweled onto the surface. A layer of resin is applied before the acrylic paint. Gold leaf is applied encasing the fis...

This work is sourced directly from the artist. Butterflies cut from fine art paper, arranged in the shape of a solid circle, airbrushed with liquid acrylic paint and pinned with stai...

Painting on Panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist li...

In the “Mirrors” series, Tigran Tsitoghdzyan explores the complexities of self-identity in a media-driven society. The process begins with the artist photographing a model and her ha...

This work is sourced directly from the artist. Butterflies cut from International Currency and gold foil, arranged in the shape of a target, and pinned with stainless steel entomology pins to canvas. Framed in a white, wooden frame. About Charles Patrick Charles Patrick is best known for his intricately cut paper butterflies, suspended like museum specimens on individual entomology pins and clustered together to form icons, logos, and symbols against the backdrop of pristine canvases. Living in a world between the paper and digital ages, these works conjure feelings of nostalgia for the tactility of paper, created from vintage comic books, children’s books, currency, maps, and other obsolete ephemera. This stands in jarring contrast to the clean, pixelated designs that the butterflies form which exchange individual emotion for the universal immediacy of today’s contemporary visual language. Targets, hearts, ohms, and stars pop from the canvas in three-dimension - a fresh departure from the flat screens that are the norm today. With a background in vintage poster restoration, illustration, and printmaking, Charles Patrick combines his love of paper, art history, and design to create works that are both strikingly beautiful and poignantly thought-provoking. Charles lives and works between Cos Cob...

This work is sourced directly from the artist. Butterflies cut from fine art paper, arranged in the shape of the word LOVE, airbrushed with liquid acrylic paint and pinned with stain...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immigrated to Los Angeles at the age of 18. There, he was introduced to street art by fellow artist, Mr. Brainwash. The pair worked together creating art for over 15 years. Today, Punk Me Tender’s work melds techniques of street art, graffiti, photography, and fashion. His bold three-dimensional mixed media creations often use a silhouette of a butterfly as his focal point amid explosions of color and texture. Spun art is one of the major techniques the artist employs in the work. On his work he explains “the technique I use is itself a transformation: I lay down colors over white butterflies, and watch them transform.” “The same way a butterfly is born, and how it transforms itself from a chrysalis– my whole body of work is based on that” Inspired by the anonymity of Mr. Brainwash and Banksy, Romain began to work under the pseudonym, Punk Me Tender, a name derived from his great love for the legendary singer Elvis Presley and electronic duo Daft Punk. He has held residencies at the SLS Hotel South Beach, Nobu, Astra, Club MIami, and the Kiss Kiss...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immigrated to Los Angeles at the age of 18. There, he was introduced to street art by fellow artist, Mr. Brainwash. The pair worked together creating art for over 15 years. Today, Punk Me Tender’s work melds techniques of street art, graffiti, photography, and fashion. His bold three-dimensional mixed media creations often use a silhouette of a butterfly as his focal point amid explosions of color and texture. Spun art is one of the major techniques the artist employs in the work. On his work he explains “the technique I use is itself a transformation: I lay down colors over white butterflies, and watch them transform.” “The same way a butterfly is born, and how it transforms itself from a chrysalis– my whole body of work is based on that” Inspired by the anonymity of Mr. Brainwash and Banksy, Romain began to work under the pseudonym, Punk Me Tender, a name derived from his great love for the legendary singer Elvis Presley and electronic duo Daft Punk. He has held residencies at the SLS Hotel South Beach, Nobu, Astra, Club MIami, and the Kiss Kiss...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immigrated to Los Angeles at the age of 18. There, he was introduced to street art by fellow artist, Mr. Brainwash. The pair worked together creating art for over 15 years. Today, Punk Me Tender’s work melds techniques of street art, graffiti, photography, and fashion. His bold three-dimensional mixed media creations often use a silhouette of a butterfly as his focal point amid explosions of color and texture. Spun art is one of the major techniques the artist employs in the work. On his work he explains “the technique I use is itself a transformation: I lay down colors over white butterflies, and watch them transform.” “The same way a butterfly is born, and how it transforms itself from a chrysalis– my whole body of work is based on that” Inspired by the anonymity of Mr. Brainwash and Banksy, Romain began to work under the pseudonym, Punk Me Tender, a name derived from his great love for the legendary singer Elvis Presley and electronic duo Daft Punk. He has held residencies at the SLS Hotel South Beach, Nobu, Astra, Club MIami, and the Kiss Kiss...

Punk Me Tender (b. 1982) is a French street artist whose brightly colored work explores themes of love, beauty, sensuality, and desire. Born Romain Lefebvre in Paris, France, he immigrated to Los Angeles at the age of 18. There, he was introduced to street art by fellow artist, Mr. Brainwash. The pair worked together creating art for over 15 years. Today, Punk Me Tender’s work melds techniques of street art, graffiti, photography, and fashion. His bold three-dimensional mixed media creations often use a silhouette of a butterfly as his focal point amid explosions of color and texture. Spun art is one of the major techniques the artist employs in the work. On his work he explains “the technique I use is itself a transformation: I lay down colors over white butterflies, and watch them transform.” “The same way a butterfly is born, and how it transforms itself from a chrysalis– my whole body of work is based on that” Inspired by the anonymity of Mr. Brainwash and Banksy, Romain began to work under the pseudonym, Punk Me Tender, a name derived from his great love for the legendary singer Elvis Presley and electronic duo Daft Punk. He has held residencies at the SLS Hotel South Beach, Nobu, Astra, Club MIami, and the Kiss Kiss...

Artist's Bio: Dan J Leahy is a contemporary artist born and raised in South Florida. Dan started his personal journey in the arts with film and video in Los Angeles and New York city...

Paper and Adhesive collage by Wayne Timm. Image measures 13 x 17 In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the ...

Paper and Adhesive collage by Wayne Timm. Image and mat opening measures 11 3/4 x 12 3/4 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchen...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 8 x 8 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ma...

Rare and unusual antique diorama of a street in a neighborhood, in a city capturing a time and a place for centuries to come. Crafted with metal and pa...

Vintage Paper and Adhesive collage by Wayne Timm. (Mat opening) or Image measures 11 3/4 x 12.5 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, ...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11 x 13 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ...

Paper and Adhesive collage by Wayne Timm. Image measures 11 x 13in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in ...

Horse drawing in charcoal on canvas

"Untitled" wood and paper collage by artist Louise Nevelson. Hand-signed and dated Louise Nevelson -76. Framed under glass.

Abstract #5 acrylic on wool. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Ceramics in Mendoza, Calman Shemi was a stu...

Sunny Side, 2022 Artist signed verso, natural pigment , mixed media on canvas size 60"x50" framed 64x54x2 This painting by Alexander and Natalia Gore husb...

Painting on Panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist li...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Charming mixed-media painting of a lion and palm trees executed with watercolor and gouache with applied metal. Presented in a silver leaf frame and titled Take a Chance. Joule is a ...

Charming palm tree painting on canvas with a mixed media approach using oil, gouache, and watercolor. Featuring a three-dimensional folky sea shell and sea life...

The Surface of Water 31 x 40 x 5.5 in Mixed Media on Hand-Sculpted Acrylic Shimmering blue wall sculpture made by Paul Rousso. A dimensional piece that reflects light beautifully. ...

Mixed media still life with enhance lithographic oranges on a faux silver leaf background. Presented in an impressive carved wood frame.

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Portrait Of A Young Model Work On Paper Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Structure #11 acrylic on wool. Hand signed and titled on verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Cerami...

Spray paint and bronze patina on canvas Framed in a custom wood frame Diptych 28” x 28 20” x 28”