Paris - Prints and Multiples

Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...

Emile BOIZOT Paris, Luxembourg Garden - 1920 Original woodcut Handsigned in pencil Numbered /165 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

The original exhibition poster for "Mes Dessins d'Antibes" by Pablo Picasso, showcased at the Galerie Lucie Weill and printed by Mourlot in 1958, offers a captivating glimpse into th...

MORIN-JEAN (1877-1940) Allegory of Spring, 1923 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Ima...

Pablo PICASSO (1881-1973) Diurnes, Woman with Horse, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

Lithograph, 1957 Handsigned by the artist in pencil and numbered 87/100 Publisher : Editions le Musée de Poche, Paris Printer : Jean Pons Catalog : [Polieri 1747] 66.00 cm. x 50.00 c...

Pablo PICASSO (1881-1973) Diurnes, Man From a piece of wood, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,...

Marc CHAGALL Memory of the Natal Land Original stone lithograph On paper 31 x 24 cm (c. 12 x 10 inch) Edited by Teriade, 1969 REFERENCES : Catalog raisonne Mourlot #572 Excellent ...

The original 1927 poster entitled "Panthère noire" by Paul Jouve is a captivating work that embodies the artist's talent for capturing the majesty and powe...

Urbain HUCHET Palace Garnier (Opera Garnier), 1960 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm Very good condition

Silkscreen and relief collage Handsigned by the artist in pencil and annotated EA Edition : 30 ex. 61.00 cm. x 78.00 cm. 24.02 in. x 30.71 in. (paper) 61.00 cm. x 78.00 cm. 24.02 i...

Edvard MUNCH (1863 - 1944) Madonna, 1983 Original vintage poster (high quality four-color process) On thick paper 79 x 50 cm Created for the exhibition "Munch Engravings and Lithogr...

Pablo PICASSO (1881-1973) Diurnes: Werewolf, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) REFERENCE...

C-Print on argentic paper Edition of 7 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

Jean-Pierre HENAUT (1942-) Surrealist Beach & Guitar Original lithograph Handsigned in pencil Limited /275copies On vellum 60 x 54 cm (c. 24 x 22 in) Excellent condition

Urbain HUCHET Montmartre : Place du Tertre and Sacre Coeur, 1960 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On vellum paper, size 19 x 28 cm (c. 8 ...

Lithograph, 1984 Handsigned by the artist in pencil and 9/200 76.00 cm. x 54.00 cm. 29.92 in. x 21.26 in. (paper) 60.00 cm. x 43.00 cm. 23.62 in. x 16.93 in. (image) Dry stamp Atel...

The 1966 original exhibition poster by Man Ray for "À l'heure de l'observatoire – les amoureux" at the Los Angeles County Museum of Art (LACMA) is a captivating piece of art history....

Eugène DELACROIX (1798-1863) Tasso in the Madhouse Engraving after a drawing Signed on the plate On vellum 38 x 50 cm INFORMATION: In 1839, Delacroix painted his famous painting "T...

Urbain HUCHET Montmartre : Cabaret du Moulin Rouge, 1970 Original lithograph Handsigned in pencil Numbered / 295 copies Size 19 x 27 cm (c. 7,4 x 10,6 in) Excellent condition

The 1948 original illustrated book titled "Quand on parle d'amour" by Jean-Gabriel Domergue is a beautifully crafted example of mid-20th-century French book art, blending the poetic musings of Pierre Harel-Darc with the refined and elegant illustrations of Domergue, a celebrated French painter and illustrator known for his depictions of Parisian high society and graceful female figures. Jean-Gabriel Domergue: The Artist Jean-Gabriel Domergue (1889–1962) was a prominent French painter, often credited as the inventor of the "pin-up" style in France. He became renowned for his depictions of fashionable Parisian women, often characterized by elongated figures, elegant postures, and a refined, almost ethereal beauty. Domergue’s illustrations for "Quand on parle d'amour" are a testament to his ability to capture the essence of femininity, romance, and the sophisticated allure of the Parisian lifestyle. In this book, Domergue’s illustrations are not mere decorations but serve as visual interpretations of Harel-Darc’s poetic themes. His watercolors, translated into lithographs, echo the elegance and subtle emotional undertones of the poems, creating a harmonious blend of art and literature. The Poetry: Pierre Harel-Darc Pierre Harel-Darc’s "Quand on parle d'amour" is a poetic exploration of love—its emotions, complexities, and the often unspoken nuances that come with it. The poetry is deeply reflective, capturing both the joy and melancholy of romantic experiences. Harel-Darc’s words find a perfect counterpart in Domergue’s illustrations, which evoke the tender and passionate feelings expressed in the text. Lithography and Colorization The illustrations were originally created as watercolors by Jean-Gabriel Domergue and were then lithographed and colored by Maurice Beaudet, a skilled lithographer known for his expertise in translating watercolor works into lithographic prints. The lithographs maintain the soft, delicate quality of the original watercolors, ensuring that the vibrant yet subtle color palette enhances the overall aesthetic of the book. Beaudet’s work brings Domergue’s illustrations to life on the printed page, allowing the colors to evoke the romantic and emotional atmosphere that the poetry conveys. This collaboration between artist and lithographer demonstrates a high level of craftsmanship and artistic synergy, making the book not only a literary work but also a piece of fine art. Edition Details and Production The edition of "Quand on parle d'amour" was printed in a limited run of 350 copies, making it a rare and sought-after collector’s item. The breakdown of the edition is as follows: 280 copies were printed on vélin du Marais, a high-quality French paper known for its durability and fine texture. The copy in question is numbered 80, one of the 280 copies on this prestigious paper. In addition to its rarity, this particular copy is enriched with autograph inscriptions from both the author, Pierre Harel-Darc, and the illustrator, Jean-Gabriel Domergue. These handwritten dedications on the half-title page add significant value to the book, making it a unique item with personal connections to its creators. Condition This copy of "Quand on parle d'amour" is described as very well preserved, with the contents of the book itself remaining in excellent condition. However, the slipcase that originally housed the book has suffered some damage over time. While this affects the exterior packaging, it does not diminish the overall value of the book, especially given the excellent condition of the interior pages and the added significance of the autographed inscriptions. Rarity and Collectibility The rarity of this book, combined with the fame of Jean-Gabriel Domergue and the meticulous craftsmanship involved in its production, makes it a highly collectible piece. The limited edition run, high-quality paper, and lithographs, combined with the personal touches of signed inscriptions, ensure that this book holds significant value for collectors of fine art books and illustrated literature. Moreover, the lithographs by Domergue, executed by Maurice Beaudet, make this edition a prime example of mid-20th-century French book production, where the interplay between poetry and visual art was celebrated and revered. Collectors with a particular interest in Jean-Gabriel Domergue's work or those focused on illustrated French books...

Claude Monet (after) Woman with the Fan Exhibition poster printed in offset, with some color in lithograph and metallic ink Signature printed in the plate 119 x 84 cm (c. 48 x 34 in...

Archival Giclée print Limited Edition of 100 Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constant...

This circa 1910 original advertising poster promotes the H. Vigneron sewing machines, a brand sold at 70, Boulevard de Sébastopol, Paris. Designed in a distinctive early 20th-century...

Pablo Picasso (after) Man With Sailor Blouse (Garçonnet III) Stone lithograph in colors Printed signature in the plate On vellum 38 x 28 cm (c. 15 x 11 ...

The 1908 original poster by B. Capelle, created to promote the Exposition Franco-Anglaise, is a remarkable artifact of early 20th-century European cultural diplomacy. This exposition...

Arnulf RAINER (1929) Eiffel Tower and Informal Composition, 1990 Original vintage lithographic poster (Edited by Maeght-Long) Printed signature in the plate On paper 77 x 56 cm (c. ...

Pierre GARCIA-FONS Window Wide Open Original lithograph Signed in pencil On vellum 24 x 31.5 cm (c. 9.5 x 12.5 inch) Excellent condition

Marc Chagall Fables : The Rat and the Elephant, 1952 Original etching Printed signature in the plate On Montval vellum 39 x 30 cm (c. 15.5 x 12 in) With COA of the gallery and photo...

During the 1930s, Art Deco reigned supreme as a symbol of modernity and elegance. Charles Delavat's iconic poster for Dubonnet, created around 1930, epitomizes this era of sleek design and vibrant allure. At its center is a stylish woman, the epitome of Art Deco fashion, holding a glass of Dubonnet with confidence and allure. The poster's bold geometric shapes, rich colors, and dynamic composition reflect the era's spirit of sophistication and cultural dynamism. Delavat's work not only promoted Dubonnet but also captured a lifestyle—luxurious, modern, and vibrant. It remains a timeless example of how advertising merged with art to create enduring symbols of style and glamour. In the realm of Art Deco design, Charles Delavat's Dubonnet poster...

Original exhibition poster of Marc Chagall for the Maeght Gallery made in 1962. Marc Chagall 🇷🇺 🇫🇷 (1887-1985) occupies a special place in 20th century art. He is one of the mos...

Very nice original poster of David Hockney, Images and thoughts for Vogue magazine at the Claude Bernard gallery. David Hockney was born in 1937 in Brad...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

A stunning tribute to Switzerland’s pastoral charm, this original lithographic poster by Hugo Wetli, created around 1950, captures the serene beauty of springtime on Lake Lucerne (La...

Jean Marais (1913 - 1998) Christmas Tree and Horses Original lithograph Signed with the stamp of the artist (Also bears printed signature in the plate) Numbered / 100 copies On vell...

Françoise GILOT (1921) The Love Letter, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Fr...

This poster, very beautiful and very rare was realized in 1944, by the Americans for the liberation of Paris then occupied by the Nazis. Indeed we can appreciate this big French flag...

The 1997 original poster Louis Vuitton Italia Classica: Da Modena a Portofino, created by French artist Razzia (Gérard Courbouleix Dénériaz), beautifully captures the spirit of Itali...

Raoul DUFY Sunset on the Vineyards, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 38 cm (c. 11 x 15 inch) Excellent con...

Pablo Picasso (after) Cubist Still Life with a Guitar, 1926 Lithograph and stencil (Atelier Ducros et Colas) Printed signature in the plate Dated in the plate 1920 Limited to 750 un...

Le Corbusier Hand with Enigmatic Symbol, 1964 Original lithograph Printed signature in the plate On vellum 42.5 x 35.5 cm (c. 16.5 x 13.7 in) Edited by Forces-Vives (Paris) in 1964...

This circa 1900 Art Nouveau advertising poster, designed by Peruvian-born artist Daniel Hernández, is a stunning example of early 20th-century luxury brand marketing. Created for JOB cigarette rolling papers, the advertisement reflects the era’s elegant aesthetics and sophisticated lifestyle appeal. The slogan, "Fumar el papel JOB o dejar de fumar" ("Smoke JOB paper or stop smoking"), emphasizes the brand’s prestige and superior quality, making it seem indispensable for tobacco connoisseurs. The artwork features a sensual and dreamlike composition, characteristic of the Belle Époque. A radiant red-haired woman, partially draped in sheer fabric, lounges in a relaxed pose, smiling seductively as she delicately holds a lit cigarette. The soft pastels, golden hues, and fluid lines create a warm, ethereal atmosphere, reinforcing the romantic and luxurious associations of the JOB brand. The swirling wisps of smoke, artistically integrated into the design, echo the organic, flowing forms typical of Art Nouveau illustration. The ornate green decorative border further enhances the visual richness, framing the central figure like a jewel in an exquisite setting. At the turn of the century, tobacco advertising was at its peak, and brands relied on opulent, aspirational imagery to captivate consumers. JOB, a French rolling paper company founded in the 1830s, became known for collaborating with renowned artists to create highly collectible posters. This particular piece, executed with remarkable softness and luminosity, reflects Hernández’s mastery of portraiture and classical technique, which he refined during his studies in Europe. His ability to capture the sensuality and grace of the female form made him a sought-after artist for both fine art and commercial illustration. Beyond its commercial function, this poster is an important example of the fusion between fine art and advertising, a defining feature of Art Nouveau poster design. It demonstrates how companies in the early 20th century elevated advertising into an art form, commissioning celebrated painters to craft exquisite promotional imagery. Today, original JOB posters...

Henri de Toulouse-Lautrec Portrait of M. X (Anonymous Man) Original drypoint etching Printed signature in the plate On thin vellum 25 x 19 cm (c. 10 x 8 inch) REFERENCES : Catalogu...

Pierre Bonnard's "La revue Blanche" poster, created in 1896, is considered a masterpiece of poster art. It is part of the "Maîtres de l'Affiche" collection, edited by Jules Chéret, a...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Original Poster Exhibition - Galerie 65 Cannes...

In the realm of travel posters, certain creations stand as timeless masterpieces, and Mathieu's 1967 Air France Grèce poster is undoubtedly one such gem. This iconic artwork extends ...

Pablo PICASSO Métarmorphoses d'Ovide, The Battle, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : - Catalo...

In the golden age of air travel, Air France soared to new heights as a symbol of elegance and adventure. The airline's promotional efforts were often complemented by captivating trav...

Raymond PEYNET Astrology - Zodiac : Capricorn, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by ...

This stunning 1960s travel poster by Pan American World Airways (Pan Am) perfectly encapsulates the romantic allure of the South Pacific, a dream destination for jet-age travelers. Featuring a young Polynesian woman immersed in tranquil waters, the advertisement embodies the exotic, idyllic, and untouched paradise that Pan Am sought to promote as part of its growing international network. The visual composition is simple yet evocative. The subject, a smiling woman in a red floral bikini, sits partially submerged in crystal-clear waters, her gaze inviting and serene. The lush, blurred greenery in the background creates an atmosphere of tropical seclusion, reinforcing the idea of the South Pacific as a haven of beauty, peace, and escape from the modern world. The typography is particularly elegant. The words “South Pacific” are rendered in a flowing, calligraphic script, emphasizing the region’s exotic charm and gentle rhythms of island life. Below, the bold capital letters of "PAN AM" provide a striking contrast, reminding viewers of the airline’s prestigious global reach. By the 1960s, Pan Am had firmly established itself as the premier airline of the Jet Age, pioneering long-haul luxury travel to far-flung destinations like Tahiti, Fiji, Samoa, and Hawaii. Posters like this one played a crucial role in shaping public perceptions of international travel, presenting the South Pacific as an exclusive retreat for the world’s elite—a place of untouched beauty, rich culture, and warm hospitality. This era of airline advertising was as much about selling a dream as it was about selling a ticket. With its lush setting, inviting subject, and soft natural lighting, the poster taps into Western fantasies of the Pacific Islands as a place of exotic adventure and relaxation. It also reflects the broader cultural fascination with Polynesia in the mid-20th century, which influenced everything from Hollywood films to tiki bars and Hawaiian shirts. Today, vintage Pan Am travel posters...

In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...

Edward PELLENS The Sailboat, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

The original poster by Firmin Bouisset for Chocolat Menier, featured as Plate 47 in the prestigious Les Maîtres de l'Affiche series, is an iconic work of late 19th-century advertisin...

Mark TOBEY (1890-1976) Burning Devouring Love, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Au...

Alexander CALDER Abstract Composition, 1971 Original vintage lithograph poster (Arte / Maeght workshop) Printed signature in the plate On thick paper 89 x 59 cm (c. 35 x 23,2 in) I...

Lithograph, 1972 Handsigned by the artist in pencil and numbered 74/150 Publisher : André Sauret (Monte-Carlo) Printer : Mourlot (Paris) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. ...

Hans HARTUNG Black and Yellow Composition Original Lithograph (Maeght / Arte workshop) Printed signature in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Gam...

Henry MOORE Figures and Shadows, 1951 Original lithograph (Printed in Desjobert Workshop) Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) REFERENCES : Henry...

Jacques VILLON Reading Man, 1962 Original lithograph (Mourlot workshop) Printed signature in the plate On tinted vellum 32 x 24 cm (c. 13 x 10 in) Excellent condition

The 1956 lithography by Jean-Gabriel Domergue Ernestine est à peindre, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a ...