Texas - Paintings

Vibrant, yet also subdued, this work’s use of color and line imbue ordinary subject matter with an uplifting sense of levity and beauty. Bolstered by a strong use of abstract elements and impressionist techniques, this oil on canvas painting is an excellent example of Chambers’ unique stylistic blend. Chambers transforms the pastoral into the extraordinary. Long before she puts paint to a canvas, her artistic process begins with the simple act of paying attention. From the outside looking in, she observes often overlooked aspects of life to discover an otherwise unseen beauty in the ordinary. Her paintings are vibrant compositions of color. She works in two distinct palettes, one bright the other subdued, each containing an incredible diversity of hue and value. Her insistence on variety furthers the idea that everything contains its own unique beauty, if only you stop to notice. Chambers skillfully uses lines and shapes to both break up the vibrancy of the canvas and to imbue her compositions with a narrative power. The line work introduces a tension to the color as the objects of her focus appear to pop and the details of each scene defiantly catch the viewer’s impatient eye. It is in this way that her paintings elevate above mere depiction to offer a lesson in the observation of art. Each painting has strong elements of abstract and impressionist techniques, as well as drawn forms that are cartoon like in character. The blend of the two adds dimension to the flat surface and provides visual anchors in the midst of the cacophony of color. Based in Belleville, Texas, Chambers is a “Texas Big 10 for Art” prize winner at KCAM, a recipient of the “Silver Award” from Art Forward, and the “Alexander Rutsch Painting Award” from the Pelham Art Center. Chambers’ art has been featured in numerous shows in galleries across the United States, including Houston, Lexington, Palm Beach, and New York. Select exhibitions include The Grace Museum in Abilene, the Dairy Arts Center in Boulder, Colorado, the McKinney Avenue Contemporary in Dallas, Texas, the Fort Worth Community Arts Center in Fort Worth, Texas, the Lawndale Art Center in Houston, Texas and the Pelham Art Center in New York. Lindy Chambers "Eyes of the Bayou...

This work is a playful rendering of a placid homestead scene. The warm and reserved color palette encourages a laid-back atmosphere, which also serves to complement the aloofness o...

This work utilizes a gentle complementary color scheme in concert with a range of hues and values. Additionally, combined with the treatment of the medium, this colorful composition ...

Playful and spontaneous, "Party Animals" is an energetic arrangement of color, line, and shape. The bold variety of detailed forms lends a dynamic field o...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

Buddhists believe in making merit in this life to build Karma for a better future life. The wheel reminds us of the inevitable cycle of birth, death and rebirth. Artwork Details: ...

Our lips can express a thousand emotions. Use them wisely to create a better world. Artwork Details: Paramat Lueng-On "Big Mouth" 2000 Rich Gold and Acrylic on Canvas 43 x 43 Inches

Human desire for togetherness, acknowledged by Lord Buddha. Artwork Details: Paramat Lueng-On "Look On" 1999 Rich Gold and Acrylic on Canvas 43 x 43 Inches

Contrasting streams of purple in the background and red patch in the foreground highlight this semi-abstract work. The waves of smoke depict the extinguishing of desire. According to...

In this oil painting on canvas, Tobreluts takes a softer approach to her trademark geometric abstract style. The geometric forms begin to express a more organic character - bending a...

In this painting, Tobreluts takes a softer approach to her trademark geometric abstract technique. The geometric forms begin to express a more organic character - bending and falling...

This painting on canvas demonstrates Tobreluts’s range of technique. Departing from the robust geometric abstract style that characterizes so many of her paintings, this work is dist...

This oil painting on canvas demonstrates Tobreluts’ range of technique. Departing from the robust geometric abstract style that characterizes so many of her oil paintings, this artwo...

This work is an intense and colorful acrylic painting on canvas. All content remains entirely non-objective, emphasizing color and movement as the primary aspects of this wild and energetic composition. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "The History of Painting...

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1978 Acrylic and Paper Collage on Canvas...

Sandi Neiman (b. 1959) Title: "Confetti" Size: 12" x 12" Medium: Mixed Media on Board Markings: Signed and Titled on Back Sandi Neiman is local to the Austin, TX area and has recen...

Jose Royo (b. 1941, Spain) Title: "Andaluza" Medium: Oil on Canvas Dimensions: 20 x 20 in. (canvas) Markings: Signed LR "Royo" Framed

Abstract collage painting with acrylic paint. Painted pieces of paper were attached to a blue painted paper. This piece was shown at The Santa Fe Artists Emergency Medical Fund along...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Cuban-born, Houston-bred Lilian Garcia-Roig describes her mode of painting as Maximalism. Utilizing the plein-air technique of working on-site, her work differs from traditional land...

The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert lands...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...