New Arrivals: Figurative Drawings and Watercolors

A delightful early 20th century watercolour by the artist Franz Wilhelm Voigt (1867-1949), depicting figures gathered around a fountain. Signed to the lower left. Well presented in a...

A romantic early 20th-century watercolour scene depicting a young shepherdess waiting on a country stile for her secret sweetheart. The ornate gilt-effect frame brings a touch of ele...

This atmospheric watercolour captures the essence of a bustling harbour, with moored boats in the foreground and city buildings rising hazily in the background. Unsigned. Presented i...

The sheet is (27.8 x 39.2 cm) double-sided. The front (watercolor ink, white lead) depicts a rural hamlet, in which a church is also glimpsed, characterized by various buildings of ...

Saku (XX-XXI), Abstract Figural Composition, Pen and Ink on Paper, 2002, signed and dated lower right, in acrylic setting. Image: 8" H x 11" W; frame: 8.25" H x 11.75" W. Provenance:...

A vivid early 20th century watercolour by the artist Mary Winifred Freeman (1866-1961), depicting pilgrims at Lourdes. Signed to the lower left. Well presented in a gilt frame. On pa...

The drawing, India ink on paper, falls within the studies of antiquity popular in the Academies from the 18th century onward, and refers to the frieze of an ancient sarcophagus. Al c...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

Framed Cuban Artist/Caricaturist Conrado Walter Massaguer presents Hollywood star Adolphe Menjou in a satirical dual portrait. In the foreground, the subject is seen in a dapper top hat, tux, fashionable cigarette and boutonnière, and is shown as being the epitome of being stylishly debonair. To make a larger point about this subject, Massaguer paints a cast shadow of Menjou as a burning red devil who studies his alter ego from above. Keeping with the artist's sarcasm, we see the good and bad in one image. Works by Massaguer are rare and this work is in keeping with his signature style. This work was most likely done on assignment for Life Magazine, Cosmopolitan, The New Yorker or Vanity Fair. Signed upper right. Inscribe lower right. Titled on verso. Unframed, Slight bend to board; toning to board; scattered faint foxing; pin point abrasions to margins, not affecting image. 19-1/2 x 15-1/8 inches board size. Conrado Walter Massaguer y Diaz was a Cuban artist, political satirist, and magazine publisher. He is considered a student of the Art Nouveau. He was the first caricaturist in the world to broadcast his art on television.He was first caricaturist to exhibit on Fifth Avenue. He was the first caricaturist in the world to exhibit his caricatures on wood. He, and his brother Oscar, were the first magazine publishers in the world to use photolithographic printing. Self portrait of Conrado Walter Massaguer, depicted on a carrousel ride, with the devil over his left shoulder and an angel over his right. (1945) He created the magazine Social with his brother Oscar to showcase Cuban artistic talent. The duo later created the magazine Carteles, which became for a period the most popular magazine in Cuba, which was purchased by Miguel Ángel Quevedo in 1953. In his life, he met and drew caricatures of Franklin D. Roosevelt, Walt Disney, Albert Einstein, the King of Spain, and many others.[ In sum total, he was the author of more than 28 thousand caricatures and drawings.Ernest Hemingway once had to refrain himself from punching Massaguer in the face after the artist drew an unflattering caricature of him. The dictator Gerardo Machado, however, did not punch Massaguer for his own unflattering caricature - he had the artist deported. He was one of the most internationally renowned Cuban artists of his day, and his art is still regularly featured in galleries across the Western Hemisphere and Europe. Early life Massaguer was born on October 18, 1889, in Cárdenas, Cuba.[In 1892, his family moved to Havana. When the Cuban War of Independence broke out, Massaguer's family escaped the country. From 1896 to 1908, he lived in Mérida, Mexico. However, during this time, his parents enrolled him in the New York Military Academy, where he stayed during school years. In 1905, after graduating the military academy, he briefly attended the San Fernando school in Havana, where he was tutored by Ricardo de la Torriente and Leopoldo Romañach. In 1906, less than a year later, he returned to the family home in Mexico. Career as artist Early career While living in Yucatán, Mexico, Massaguer published his first caricatures in local newspapers and magazines. These included La Campana, La Arcadia, and the Diario Yucateco. In 1908, he moved back to Havana. After returning to the island in 1908, Massaguer began mingling with Havana's aristocratic circles, forming close friendships with some of the city's most powerful and influential men, as well as winning the favor of many women who were quickly charmed by him. Massaguer, largely self-taught, honed his style using the avant-garde techniques he studied from the European and American magazines that were widely available in Cuba at the time. Cover of the immensely popular Cuban magazine El Figaro, drawn by Massaguer in 1909. This cover depicts two bumbling, incompetent American tourists to the island. He started drawing for El Fígaro, and was featured prominently on the cover in 1909. After two years of refining his craft, Havana announced a poster contest aimed at attracting North American tourists to stay in the city during the winter months. Notable figures like Leopoldo Romañach, Armando Menocal, Rodríguez Morey, Jaime Valls, and others also entered the competition. The jury was particularly impressed by the modern execution and creative solution of one piece, signed by Massaguer, who was relatively unknown at the time. The jury deliberations caused a great controversy.[5] The prize was ultimately awarded to the Galician painter Mariano Miguel, who had recently married the daughter of Nicolás Rivero, the wealthy owner of the conservative newspaper Diario de la Marina. Although Massaguer received only an honorable mention, the fraud scandal caused such an uproar that his name quickly entered the public spotlight, and he became an overnight sensation. In 1910, he became co-owner of the advertising agency Mercurio, with Laureano Rodríguez Castells. At Mercurio, he led the Susini cigar campaign, and earned substantial wealth. Massaguer has been described as a restless man, in both mind and body.After earning enough money from his art to begin traveling, he was almost always doing so. He constantly traveled between New York City and Havana, Mexico and France, Europe and the Americas. In 1911, his reputation among the Havana socialites solidified when he organized his own first public caricature exhibit, and also the first Caricature Salon ever held in the Americas, hosted at Athenaeum of Havana (the Ateneo), and the Círculo de La Habana. Other exhibitors here included Maribona, Riverón, Portell Vilá, Valer, Botet, Barsó, García Cabrera, Carlos Fernández, Rafael Blanco, and Hamilton de Grau. "Messaguer Visits Broadway." Caricatures of theatrical and literary figures. Elsie Janis, Raymond Hitchcock, S. Jay Kaufman (columnist), Ibanez, author of The Four Horsemen, and Frances White In 1912, in the New York American Journal, he published his first Broadway drawings. From 1913 to 1918, he was an editor for Gráfico. Social Main article: Social (magazine) Cover of the magazine Social, July 7, 1923 In 1916, he created the magazine Social with his brother, Oscar H. Massaguer. Social's contributors included Guillén Carpentier, Chacón y Calvo, Enrique José Varona and others.Social has been described as Massaguer's great love in the magazine industry, and was the property that historians say he cared the most about. Social was an innovative magazine, being the first magazine in the world to use a modern printing process called photolithographic printing. Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[11] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt. In Social, readers could find a variety of content, including short stories, avant-garde poetry, art reviews, philosophical essays, and serialized novels, as well as articles on interior design, haute couture, and fashion. Occasionally, the magazine also featured reports on sports such as motor racing, rowing, tennis, and horse riding.The cultural promotion efforts of both Massaguer and Emilio Roig de Leuchsenring are evident in the magazine. Notably, this period overlaps with their involvement in the Minorista Group, which was then at the forefront of the country's intellectual life.[5] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas. One of the features of Social magazine was its section called "Massa Girls," which was a play on his own name, and pronounced with a glottal 'g' in a similar fashion to the letter in Massaguer.[12] Massaguer drew women as independent and free-thinking, and never drew the woman celebrity as a caricature of herself, but as a free agent surrounded by caricatures.[11] However, Massaguer himself has been described as a womanizer in his personal life, and hesitant to fully embrace every facet of women's liberation. In 1916, he also established la Unión de Artes Gráficas and the advertising agency Kesevén Anuncios.[9] The art critic Bernardo González Barroa wrote: “Massaguer has solved the problem of working hard, living comfortably off what his art produces and not missing any artistic, sporting or social event. His broad, childish laugh, of a carefree individual who carries his luck hidden in a pocket, appears everywhere for the moment, disguising the pranks of pupils that lurk, mock and, finally, flash with satisfaction at finding the characteristic point after having analyzed a soul... Massaguer's personality is beginning to solidify now. He has been the best-known and most popular caricaturist for a long time, but his technique had not reached the security, the mastery of values that he presents in his latest works, which is very natural and explainable”[5] Carteles Main article: Carteles Cover of the magazine Carteles, November 29, 1931 In 1919, Massaguer and his brother created the magazine Carteles.[9] Carteles gained the widest circulation of any magazine in Latin America, and the most popular magazine in Cuba for a time, until that title was claimed by Revista Bohemia. Carteles remained in print until July 1960.This magazine showcased Cuban commerce, art, sports, and social life before the revolution. In 1924, Carteles took a more political turn, with articles criticizing Gerardo Machado's government. it became a prime example of the humor and graphic design employed by artists like Horacio Rodríguez Suria and Andrés García...

China ink drawing realized by Mino Maccari in the mid-20th Century. Hand signed lower right. Very good condition.

China ink drawing realized by Mino Maccari in the mid-20th Century. On recto and verso. Not signed. Very good condition.

Pencil and watercolor drawing realized by Karl Hanny (1879-1972) in 1935 ca. Not signed. Very good condition.

Jean Cocteau ( 1889 - 1963 ) Nijinsky dancer in Shéhérazade . circa 1930 . dessin original encre de chine et crayon . certificat Madame Annie Guedras . dessin : 27 x 21 cm encadr...

La obra va firmada por el autor en la parte inferior "A.Opisso" y fechada del año 1969 Se presenta enmarcada (leves signos de uso en la enmarcación) El estado de conservación de la...

"Nude Torso" (FRAMED) Pencil Drawing 18" x 12" in (1975) by Zaccaria Zeini Medium: pencil on paper Signed and dated Zaccaria El Zeini (1932 - 1993) was raised in the popular distr...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Original graphite, watercolor on paper. Hand signed top left front by Richard Lindner. Artwork size 14 x 12.25 inches. Frame size approx. 22.75 x 20.75 inches. Artwork is in o...

Norman Carton (Ukrainian/American, 1908-1980), Eight Nude Woman Compositions, Ink on Paper, each signed, unframed. Largest: 17" H x 14" W. Provenance: From a New York City Collection.

Charcoal and oil pastel on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 44x34. Sirio Pellegrini, born in Rome ...

Tempera and watercolor on cardboard realized by Sirio Pellegrini in 1970. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years...

Oil pastel and watercolor on cardboard realized by Sirio Pellegrini in 1960s. Includes a wooden frame realized by the Artist. cm. 157.5x113.5. Sirio Pellegrini, born in Rome on Mar...

Oil pastel and watercolor on paper realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 157.5x113.5. Sirio Pellegrini, born in R...

The Power is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork was in mixed media of ink and white lead on paper. Included a Passepartou: 50...

This artwork is part of the series that Anna Pennati has dedicated to Homer's Odyssey, a subject very dear to her and one that she has tackled several times in the past. is the daug...

“TEMPLE OF THE Great BUDDHA.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." Once, Siddhartha Gautama was an ordinary man, yet through countless lifetimes of virtue ...

This artwork is part of the series that Anna Pennati has dedicated to Homer's Odyssey, a subject very dear to her and one that she has tackled several times in the past. Venus has b...

This artwork is part of the series that Anna Pennati has dedicated to Homer's Odyssey, a subject very dear to her and one that she has tackled several times in the past. Paris of Tr...

This artwork is part of the series that Anna Pennati has dedicated to Homer's Odyssey, a subject very dear to her and one that she has tackled several times in the past. The Judgeme...

José Luis Cuevas, Mexican (1934 - 2017) - Whispering Figure, Year: 1980, Medium: Ink and Graphite on Paper, signed and dated top right, Size: 7.75 x 10.75 in. (19.69 x 27.31 cm), ...

José Luis Cuevas, Mexican (1934 - 2017) - Consoling Partner, Year: 1980, Medium: Ink and Graphite on Paper, signed and dated top right, Size: 7.5 x 10.5 in. (19.05 x 26.67 cm), Fr...

José Luis Cuevas, Mexican (1934 - 2017) - Antonio Liarte con modelos, Year: 1979, Medium: Ink and Watercolor on Paper, signed, titled and dated in ink, Size: 7 x 9.75 in. (17.78 x...

Peter Potworowski 1898-1962 Woodland Scene, 1956, circa gouache and pastel 25.1 x 28.2 cm 9 7/8 x 11 1/8 in unsigned Tadeusz Piotr (Peter) Potworowski was a Polish abstract and figu...

Judith Williams’ Moonlit Musings evokes a dreamlike moment of introspection. This charcoal drawing features soft shadows and flowing lines that suggest movement, memory, and quiet th...

A serene study in charcoal, The Art of Relaxation by Judith Williams captures the quiet strength of a woman at rest. Rendered with expressive, gestural linework, this minimalist figu...

A Fabulous, 1951 Mid-Century Modern Abstract Portrait of a Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork Size: 12 x 9 1/2 inches. Artwork is unframed, matted ...

A Compelling, 1951 Mid-Century Modern Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 12 x 9 1/2 inches. Artwork is unframed, matted/...

A Sensitive, Finely Rendered 1950s Mid-Century Modern Portrait of a Young Man By Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 12 x 9 1/2 inches. Artwork is un...

Alicia Armstrong’s Whole World VII is a captivating blend of whimsy and refinement. This charming oil painting features a brown bear tenderly holding a soft blue ball, set against a ...

Delicate Moments is a striking example of Judith Williams’ mastery of line and negative space. This charcoal figure study exudes intimacy and vulnerability, making it a poignant foca...

Y. David Chung (German/American, b. 1959), "Highway Stop", Oil Stick on Wove Paper, 1997, apparently unsigned, with Gallery K descriptive label to verso, black frame. Image: 41" H x ...

The Beauty of Movement by Judith Williams combines charcoal and mixed media in a lyrical tribute to the human form in motion. Soft washes and expressive lines create a rhythmic compo...

The figures in the painting symbolize mobility. The world is changing quicly and requires changes from us. The gallery guarantees the uniqueness and high quality of this work of art,...

Oil pastel on paper realized by Sirio Pellegrini in 1975. Hand signed and dated. Includes a contemporary wooden frame cm. 49x39. Sirio Pellegrini, born in Rome on March 1, 1922, o...

Oil pastel and watercolor on paper realized by Sirio Pellegrini in 1975. Hand signed and dated. Includes a wooden frame realized by the Artist cm. 49x39. Sirio Pellegrini, born in...

What is an ideal in your undetstanding? Everyone has their own. We are so different and this is how we attract each other. The gallery guarantees the uniqueness and high quality of ...

IT'S ALL IN THE BAG - This set of three original pencil artworks on heavy textured paper features streamlined compositions with an emphasis on the bag. The blend of detailed and expr...

Peter Potworowski 1898-1962 Untitled (Gates and Pink Path) watercolour with crayon 24 x 32.5 cm 9 1/2 x 12 3/4 in unsigned Tadeusz Piotr (Peter) Potworowski was a Polish abstract a...

Peter Potworowski 1898-1962 Cornwall, 1953/1954, circa watercolour 17.5 x 23 cm 6 7/8 x 9 in Tadeusz Piotr (Peter) Potworowski was a Polish abstract and figurative painter who lived...

Norman Carton (Ukrainian-American, 1908-1980), Six Nude Woman Compositions, Ink on Paper, each signed, unframed. Largest: 12" H x 18.75" W. Provenance: From a New York City Collection.

Norman Carton (Ukrainian/American, 1908-1980), Six Nude Woman Compositions, Ink on Paper, each signed, unframed. Largest: 12" H x 18.75" W. Provenance: From a New York City Collection.

Norman Carton (Ukrainian-American, 1908-1980), Six Nude Woman Compositions, Ink on Paper, each signed, unframed. Largest: 12" H x 18.75" W. Provenance: From a New York City Collection.

Norman Carton (Ukrainian-American, 1908-1980), Eight Nude Woman Compositions, Ink on Paper, each signed, unframed. Largest: 12" H x 18.75" W. Provenance: From a New York City Collect...

Norman Carton (Ukrainian/American, 1908-1980), Eight Nude Woman Compositions, Ink on Paper, each signed, unframed. Largest: 12" H x 18.75" W. Provenance: From a New York City Collect...

A Fabulous Mid-Century Female Nude Studio Figure Study By Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a Seated Nude, the drawing is ink and watercolor on paper an...

Karlis Miesnieks (1887.31.I – 1977.25.X) Studied in the studio of J. Madernieks (1910), in Petersburg society of Imperial art promotion school (1911) and he graduated class of theat...

The Beauty of Movement by Judith Williams combines charcoal and mixed media in a lyrical tribute to the human form in motion. Soft washes and expressive lines create a rhythmic compo...

A Fabulous, Finely Rendered 1945 Modern Seated Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). The drawing is charcoal on paper and dates from 1945. Artwork siz...