Sale

Stunning and complete unique early Baroque altarpiece with beautiful and very rich carved and gilded decor, Spain, circa 1650 Weathered, small losses, old repairs and adjustments o...

Circa 1686 Daniel Stoopendaal Map: Biblical Sites from Paradise to Canaan This circa 1686 hand-colored map by Daniel Stoopendaal, titled "De Gelegentheyt van 't Paradys en 't Landt Canaan," beautifully illustrates the Middle East, extending from the Mediterranean to the Persian Gulf. The map features numerous Biblical locations, such as the Garden of Eden, the wanderings of the Children of Israel, and the story of Jonas and the whale. It is adorned with elaborate decorations, including a banner-style title cartouche and four corner vignettes depicting scenes from Genesis: Paradise, the creation of Adam and Eve, Eve offering the apple, and their expulsion from Eden. The bottom center showcases a dramatic portrayal of Noah's Ark. Measuring 18.3 inches wide by 11.9 inches high, this first state map includes Dutch text on the reverse and is in good condition, with a crisp impression, light toning along the centerfold, and a small chip in the bottom margin. Keywords: - Daniel Stoopendaal map - Biblical map - Garden of Eden - Land of Canaan - Middle East historical map - Noah's Ark map - Adam and Eve - 17th-century Bible...

Antique map titled 'Jerusalem.' Plan of the ancient city of Jerusalem. With extensive key and scale. Source unknown, to be determined. Artists and Engravers: Made by 'Cornelis de...

Antique map titled 'Typus Frisiae Orientalis.' Map of East Friesland and the area around Emden and Norden. Large inset map of the mouth of the Amasis River. The map is decorated with a large title cartouche and two large coats of arms...

A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured i...

Faceted Mandarin Citrine Weight : 10.55 Carats Dimensions : 14.4x14.4x10.2 Mm Clarity : Loupe Clean Origin : Brazil Color: Orange Shape: Round Certificate: On Demand Month: Novembe...

Michiel Jansz van Mierevelt (Delft 1566 - 1641) circle Portrait of a gentleman in dark suit with ruff, aged fifty-nine, 1624 Top right family crest, age of the sitter ‘59’, and the d...

This antique print, titled "Zedoaria," depicts the Curcuma zedoaria, also known as zedoary, white turmeric, or kentjur. The plant is a member of the ginger family, known for its medi...

This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...

Antique map titled 'Natoliae sive Asia Minor'. Original old map of Turkey, Asia Minor and Cyprus. Includes a decorative cartouches, sailing ship, sea mon...

Francesco Noletti known as the Maltese (Malta 1611-Rome 1654) Workshop/circle of Still life with musical instruments, toys, armour, textiles and precious objects Oil on canvas (52 x 78 cm. - in frame 71 x 102) This painting, of beautiful scenic effect, depicts a still life composed of a rich display of precious objects, arranged with an apparent disorder, one part on a table and the other on the floor, all theatrically behind a hanging drape from which tassels swing. Among the objects, our author has reproduced we can see parts of a parade armour with gold borders, jugs and plates...

Antique print titled 'd'Aal-oude Kruis-straffen der Romeinen: hoedanige door Constantyn de Groot, uit eerbied voor het Kruis des Saligmakers, afgeschaft zyn'. Antique print of the ancient punishment by crucifixion which was abolished by Constantine the Great in deference to the cross of Jesus...

On offer here is a very rare Dutch cabinet made of the finest European summer oak in the tradition of the Dutch Renaissance during the “Dutch Golden...

Antique botany print titled 'Maiorana Syriaca sive Marum Syriacum'. Original antique print of origanum syriacum, also known as bible hyssop, Biblical-hyssop, Lebanese oregano or Syri...

Faceted Spessartine Garnet Weight: 0.65 Carats Dimension: 5.7x3.9x3.3 Mm Origin: Afghanistan Shape: Emerald Cut/Facet: Emerald Color: Orange Fanta Clarity: Eye Clean Certificate: O...

Set of 2 antique horse riding prints. Published circa 1680.

Antique map titled 'Le Duche de Pomeranie divise en ses Principales Parties (..)'. Large map of Pomerania. Pomerania is a historical region on the southern shore of the Baltic Sea in...

Antique map titled 'Isole dell' Indie, diuise in Filippine, Molucche e della Sonda'. Old map of the Philippines, Malaysia, Indonesia, Singapore, Northern Australia and contiguous i...

Good Condition, Original Design Modified.

17thC Set of Three Boston Hallmark Sterling Silver Graduated Plates Measures- Small plate: 6.25" diameter x .5" deep; Medium plate: 6.75" diameter x .5" deep; Large plate: 7.5" dia...

The image is an original antique copperplate engraving by Swidde, completed in 1695. The scene is a meticulous depiction of an elegant palace and its formal gardens, rendered in the ...

'Master of the parrot' (a painter active in Antwerp in the early 16th century, whose name refers to the parrot who always occurs in his paintings) - follower of Madonna on the throne with child (With the coat of arms of the client family in the upper part of the composition) Oil on the table 101 x 62 cm. - In frame 114 x 76 cm. The beautiful proposed work explains the typical iconographic characters of the painter called 'Master of the parrot', a conventional name used by critics to define an anonymous Dutch author of the 16th century. More precisely, it is a painter of the southern Netherlands, active in Antwerp around 1530-50, so defined for the unmistakable parrot who often appears in his works of him. In religious iconography the parrot has often been used as a Marian symbol, as it was widespread that its most common verse was "Ave", that is, the greeting of the Archangel Gabriele to Mary at the time of the Annunciation. Today the idea according to which the name 'master of the parrot' has not referred to a single painter, but rather a group that, based on the stylistic characters, carried out their training at the workshop of Pieter Coecke Van Aelst (Aalst (Aalst is widespread. 1502 - Brussels 1550), creating devotion paintings intended for a bourgeois client and concentrating their activity on a specific topic particularly requested by the contemporary market. By way of example we can mention the Virgin with the San Diego Museum of Art child where the figures, like our own, are in line, With the mannerist taste for the elegant body proportions that exceed reality, with elements such as tapered finger, wide face and thin nose. These characters also betray the influence of active artists in the region such as Joos Van Cleve...

Lithograph Measures 31.5 x 29 inches. Good condition, slight crease (pictured on third image).

Antique map titled 'Totius Lemovici et Confinium (..).' - A handsome and detailed map of Limousin/Limoges, prepared by the well-known engraver, Petrus Kaerius. With an insert view ...

Antique map titled 'Imperii Sinarum Nova Descriptio'. Beautiful map of China and Korea, much detail troughout the map. Including the Islands of Formosa (Taiwan) and Hainan. The Great...

Very old and beautiful hand forged iron candleholder. France, circa 1650-1750. Weathered.

The print titled "Ricinus Americanus Major Rubicundus" depicts the Ricinus communis plant, commonly known as the castorbean or castor-oil-plant. This plant is notable for its large, ...

This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven. It was painted circa 1650 and depicts a village with figures outside a tavern, eating, drinking and dancing. Beyond are more dwellings, villagers and animals, all under a blue summer's sky. The detail, brushwork and vibrant colouring are superb. This is an excellent example of Apshoven's work and a typical subject he loved to paint. Provenance. Leominster estate. Wax stamp verso. Condition. Oil on panel, 22 inches by 17 inches and in good condition. Frame. Housed In beautiful gilt frame, 30 inches by 25 inches and in good condition. Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger. He was born on 30 November 1622 in Antwerp as the eldest son of Ferdinand van Apshoven the Elder and Leonora Wijns. His father was a painter who had studied with Adam van Noort and had become a master of the Antwerp Guild of Saint Luke in 1596. No paintings by his father are known. His younger brother Ferdinand van Apshoven the Younger became also a successful painter. Thomas studied under his father. Some sources state that he became a pupil of the prominent genre painter David Teniers the Younger. It is more likely, however, that he was an imitator of Teniers. He was registered as a 'wijnmeester' [son of a master] in the Guild of St. Luke of Antwerp in the guild year 1645–1646. He married Barbara Janssens on 22 March 1645. The couple had four children. The godfathers of the children included the painters Victor Wolfvoet...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

Orpheus Enchanting The Animals, 17th Century Circle of Cornelis Saftleven (1607-1681) Large 17th Century Dutch Old Master depiction of Orpheus enchanting the animals, oil on panel...

Aristocratic style is presented by this tapestry; a heraldic coat of arms formed by woolen cloth of different colors applied in collage on blue woolen cloth. Lucchese (Lucca) manufac...

Antique map titled 'Gastinois et Senonois'. Old map of the region of Étampes and Sens, France. It shows the cities of Sens, Melun, Étampes, Orleans, Fontainebleau, Montargis and othe...

This map, titled 'Royaume des Amazones', was created by Alain Manesson Mallet and published in 1684 in a German edition of *Beschreibung des Gantzen Welt-Kreisses*, a renowned work d...

The map titled "Ducatus olim Episcopatus Bremensis et ostiorum Albis et Visurgis Fluviorum novissima Descriptio" by Johannes Janssonius provides a rich historical and geographical il...

Scandinavian Mid-Century Modern design darkwood bookcase designed by Poul Hundevad and produced by Hundevad Møbelfabrik in the 1960s, variable ...

Antique map titled 'Albis Fluvius Germaniae celebris A Fontiubus Ad Ostia, Cum Fluminibus ab utroque latere in illum fluenibus descriptus'. Detailed map of the course of the Albis Ri...

Royal Navy Blue Squadron Off A Mediterranean Port, early 17th Century School Of Cornelis Claesz van Wieringen (1573-1633) Large 17th Century scene of the Royal Navy Blue Squadron o...

Antique print, titled: 'Nyseus Bachus in Aedibus, Burghesys.' Statue of Bacchus or Dionysus, the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in ancient Greek religion and myth. From the 1660 Dutch edition of 'Icones et Segmenta Nobil. Signorum et Statuarum quae Romae extant' by Francois Perrier...

Faceted Electric Blue Topaz Weight : 9.85 Carats Dimensions : 12.6x9.6x8.5 Mm Origin : Brazil Clarity : Loupe Clean Shape: Emerald Color: Intense B...

Attractive and early map of the area around Venice, Italy. With South-Tirol in the North, areas of Krain (Slovenia), Croatia, Ferrara, Modena and Piacenza. In the east with areas aro...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Rare 17th century carved walnut chest of drawers, bracket carved feet. Italy , Emilia PLEASE NOTE THAT THE EXPORT AUTHORIZATION BY THE ITALIAN MINISTRY OF CULTURAL HERITAGE TAKES ...

Antique map of France titled 'Carte du Païs et Duché de Nivernois'. Decorative map of the Nivernais region, part of Burgundy, France. This map originates from 'Atlas Novus, Sive Thea...

Title: "Vibyholm Castle: A Baroque Gem in Dahlbergh's Collection" Description: This splendid hand-colored engraving from the 1670s features Vibyholm Castle, a notable example of Swe...

Giovanni Ghisolfi (Milan 1623 - 1683) Architectural capriccio with ruins of an Ionic temple Oil painting on canvas 73 x 87 cm., within a gilded wooden frame 87 x 100 cm. This quali...

Follower of Jacopo Da Ponte, known as Jacopo Bassano (Bassano del Grappa ca. 1510 - Bassano del Grappa 1592) - Christ Mocked. 38.5 x 47 cm without frame, 48 x 58 cm with frame. Ant...

Saint George A follower of Giovanni Battista Cima, known as Cima da CONEGLIANO (Conegliano c. 1449 - Conegliano c. 1517) Oil on canvas 126 x 49 cm. Framed 143 x 65 cm. The painting...

Antique map titled 'India quae Orientalis dicitur, et Insulae adiacentes'. Old map of the East Indies and Southeast Asia showing the area between India in the West and parts of Japan, the Marianas and New Guinea/Australia in the East. This map is dedicated to D. Christophorus Thisius by Henricus...

Antique print titled 'Lubecca, Lübeck'. A bird's eye view of Lubeck, the northern German city in Schleswig-Holstein. This print originates from 'Topographia Saxoniae Inferioris'. Ar...

Antique map titled 'Isola e Castello di Gerbi'. Original antique map of the Island of Djerba, Tunisia, in Africa. Includes an inset of the Djerba Castle in upper right. This map orig...

This map titled *Pascaret van Schager-Rack de Bælt en de Sondt* was created by the prominent Dutch cartographer Johannes van Keulen and published in Amsterd...

A French Aubusson rustic tapestry from the late 17th century, with the turbulent sea at center, and other ships docked by the riverside cityscape in the left distance. Enclosed by a narrow monochromatic border. Wool with silk inlay. Measures: 10’1” H x 7’2” W This tapestry was probably woven after a design by the French painter Claude-Joseph Vernet (1714-1789), renowned for his Marines, or maybe by his student Charles Grenier de Lacroix also known as Lacroix de Marseille...

Antique miniature map titled 'Illyricum'. Original small map of Illyricum. The Roman province of Illyricum stretched from the Drilon River (the Drin, in...

Original antique map titled 'Tab XII Asiae Taprobanam (..)'. For this map of Toprobana (Sri Lanka), Ptolemy drew on the accounts of travelers and sailors and though the information was secondhand and often inaccurate, it represented the most advanced account of the world's geography at that time. This map depicts the island with the typical misconceptions of the period with the enlarged island straddling the Equator and nearly divided by a ridge of mountains. A small part of India is incorrectly shown in the northeast corner of the map and a spurious coastline labeled Gangem fills the upper right corner. The stipple engraved sea contains an oriental ship...

The image is an engraving titled “VEROVERINGE VAN RIO GRANDE IN BRASIL ANNO 1633.” This historical print depicts the Dutch conquest of Rio Grande in Brazil, known today as Natal, dur...

A large Blue & White transitional plate with a nice decoratrion. Additional information: Material: Porcelain & Pottery Type: Plates Region of Origin: China Country of Manufacturing:...

Antique map titled 'Gelre'. Old map of the city of Geldern, Germany. This map originates from 'Toonneel der Steden van de Vereenighde Nederlanden' by J. Blaeu. Artists and Engrav...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...