Paintings on Sale

Reclining Nude figure

Antique American impressionist flower landscape oil painting by Edward S Annison. Oil on board, circa 1910. Signed. Image size, 9L x 12H. Housed i...

Impressionist landscape of a river at the edge of the woods by Yuri Gusev (Russian, b. 1928). There is a kneeling figure between the trees in the foreground. Presented in a pink-hued...

Oil on board by Spanish artist Mariano Andreu Estany (1888-1976). Amazing quality and fine detail. Excellent original condition. Signed lower left, "Mariano Andreu '39". Image si...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

Artist: Todd Connor (American, 1964-) Title: "Where's Pa?" *Signed by Connor lower right. It is also signed and titled by Connor lower center on verso Year...

Jean-Baptiste Robie (1821 Brussels - 1910 ibid.). Still life with meadow flowers. Oil on wood, 24.5 x 18.5 cm (inside measurement), 37 x 31 cm (frame), signed and dated (difficult to...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

The area of South Africa where the artist lives, is called "Die Swartland" (The Black Land). It was given this name by the first Dutch settlers, who named it after the shrub that is ...

Artist: John McCormick, American Title: 1956 Ford Thunderbird Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

Oil painting of a study of "Blue Boy" standing with his hat in his left hand by Mary Welch (American, 1875-1967). Circa 1918. Signed "M. Welch" lower left and gifted circa "1955" on verso. Image: 6"L x 9"H. Mary Welch, born 10 years after the end of the Civil War, was a woman ahead of her time. She signed her paintings M. Welch, hoping that potential buyers wouldn't discover she was a woman. More often than not, when they learned her sex, art dealers lost interest. The Hutchinson artist never married, never had children. But when she died in 1967, she left an impressive body of paintings, many of them familiar Kansas landscapes...

Josep Serrasanta (1916-1998) - Spanish rural town- Oil on canvas Canvas measures 46x55 cm. Frameless. Josep Serrasanta was born in Buenos Aires (Arge...

View of a Port "59" French Modernist School Oil on canvas Illegibly signed. l.r., dated "59" 28 3/4 x 23 3/4 (30 x 25 frame) inches A positively brilliant, Modernist view of a French port...

Samantha Buller's (US based) "Mountain Road" is an original, handmade oil painting that depicts a red roof of a building and the road that runs alongsi...

Due to the size of the work, it was sent rolled in a tube The painting in question is an impressive work that stands out for the intensity of its colors and the dramatic texture of ...

Oil on canvas painting of red, white, and yellow flowers in a vase next to a bottle of wine and a glass by California artist Molly E. Brubaker (American, 1922-2000). from aFcollecti...

Moorings, River Yealm, Devon, England by British Painter Peter Symonds Art measures 24 x 16 inches Frame measures 30 x 22 inches Peter Symonds is an ar...

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

This is original work by Okumura Aka, Pen, acrylic on paper mounted on wood panel Okumura Aka ( Japan ) Aka Okumura explores the spiritual aspect of life and death by contrasting ...

3. TÍTULO PUERTA NUMERO 6 Maestranza de Sevilla, 2023 MEDIDAS: 100x74,85 CM Papel Hahnemuhle Photo Rag Sangre 2 cm 1/7 + COPIA DE AUTOR

2. TÍTULO: ANTIGUA ESTACIÓN Sevilla, 2023 MEDIDAS: 100X84,65 CM Papel Hahnemuhle Photo Rag Sangre 2 cm 1/7 + COPIA DE AUTOR

Oil on panel, signed and dated 2018. Classic French black wooden frame with gold leaf. Unframed size: 19.69 inches high x 19.69 inches wide. Framed size: 25.2 inches high x 25.2 inches wide x 1.25 inches deep. Sold framed. Inspired by the modest works of the French painter, Chardin, this classic composition focuses on the simple, zen-like qualities of the gustatory delights of Stefaan’s locale, where bread and cheeses are freshly made and sold at his favorite outdoor market. Interposed with a large knife and antique glass wine bottle...

Oil on panel, signed and dated 2007. Classic French black wooden frame with raised panel and gold leaf. Unframed size: 18.11 inches high x 14.96 inches wide. Framed size: 25.6 inches high x 22.4 inches wide x 1.25 inches deep. Sold framed. Inspired by 17th century Masters, Davidz De Heem and Willem Heda...

Mark Schwartz's "M.Y. 3" is an original, handmade oil painting that depicts a portrait of a female model gazing downward as her black hair blends into the darkness of the background.

"Zeus and Ganymede", oil and silver leaf on canvas, 39x39in / 100x100cm Inspired by the legend of Zeus and Ganymede. Shipped as it is, stretched, directly from the artist's studio.

Attributed to John Bradley ( - After 1847) " Portrait of a Lady Wearing Puffy Sleeves Holding a Book ", c. 1830s Oil on Canvas 36" x 29" Housed in a 2 1/8" Frame Overall Size: 3...

Oil on Canvas. The vertically developed landscape features an imposing ruined architectural structure in the center, overgrown with weeds and presented in blurred colors and strokes...

A luminous still life that borrows themes from Dutch 17th Century Masters, we are drawn to the very details that Beirne captures effortlessly. The subdued, yet boldness of the colors represent an interesting arrangement throughout. In this painting, Beirne depicts a beautiful Quimper bowl on a wooden board with black grapes and clothe. Signed lower right comes displayed in a wonderful wood ornate antique gold frame with hanging wire on verso. Art measures 9 x 8 inches Frame measures 12 x 11 inches Bert...

Antique American modernist still life signed oil painting. Oil on canvas, circa 1940. Unframed. Signed. Image size, 30L x 26H

Flirting, 160x130cm

The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...

Evening blues, 100x100cm

Artist: Unknown (Circle of David Teniers the Younger, Flemish, 1610-1690) Title: "Man in Tavern Smoking a Pipe" *No signature found Circa: 1690 Medium: Original Oil Painting on Wooden Board Framing: Framed in an antique gold gesso frame...

Signs Mixed Media Paint 80x80 cm Original Art Made in Italy Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting at the Aca...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Abstract Art, Title: In The Moment Size: 39" x 19" x 0.8...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

Artist: Voskan Galstian Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: Free Falling 2 Size: 24"...

Laura Nugent describes her paintings as “colliding blocks of color made orderly overtime.” In her "Small Series", Nugent continues to explore color relationships in softly geometric compositions on new surfaces such as uniquely textured repurposed paper and vintage hardback book...

A stunning American modern industrial painting by an unknown artist with a very skilled hand. This beautiful impressionist painting depict...

My forest, 100x100cm, Oil, Canvas, Sand

Honey Jump, 120x120cm, Oil, Canvas

My dawn, 120x120cm, Oil, Canvas, Sand

'Untitled Cubist Figure', oil on board, by STM (circa 1970s). A vibrant modern painting inspired by Picasso and Braque, the artist uses angles, lines and...

Embracing the sky, 100x100cm, Oil, Canvas, Sand

My focus, 100x150cm, Oil, Canvas, Sand

Spring in the village, 120x120cm, Oil, Canvas, Sand

There will be a holiday, 60x40cm, Oil, Canvas, Sand

Doggie Shmul and a cup of coffee, 100x100cm, Oil, Canvas, Sand

Golden coat and birds, 100x200cm, Oil, Canvas

My little wizard, 160x120cm, Oil, Canvas, Sand

Tenderness 90x70cm, Oil, Canvas, Sand

Me and my owner Benya, 140x100cm, Oil, Canvas, Sand

Magic horse racing, 100x200cm, Oil, Canvas, Sand

Shipped rolled in a tube without frame Enamel and Acrylic on Canvas The work itself is an impressive example of the artistic style known as "action painting". This style is charact...

Tactile #11 is an original mixed media painting. I created this modern art piece using plaster, paper and black acrylic paints. Perfect for the modern contemporary home.

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Alfred Bergström (1869 - 1930) was a prominent Swedish artist and professor at the Academy of Fine Arts in Stockholm. He honed his artistic skills thr...