1920s Figurative Drawings and Watercolors

Love is an original modern artwork realized by Gino Bonichi (February 25, 1904 – November 9, 1933), known as Scipione. Mixed colored china ink drawing. In...

The General is an original modern artwork realized in the first decades of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original red woodcut print o...

"Portrait" is an original pencil and watercolor drawing on ivory-colorated paper by Jane Dubaut (1885-1970). In very good conditions. Hand-signed in pencil on the lower right margin.

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Travel to the East is an original drawing in china ink and white lead on brown paper realized by Gabriele Galantara (1865-1937) in 1920s. In good conditions. Not signed. This artw...

Figures is an original drawing realized by Mino Maccari in the 1930s. Beautiful colored watercolour and tempera drawing on ivory paper. Good condition on a yellowed paper. Hand-si...

Trachino is an original drawing in watercolor on cardboard realized by Toha in 1923 ca., as scenography for the representation of Heliodorus of Emesa's "The Ethiopians". The state o...

Dove is an original artwork realized by Eugène Juillerat (1856-1925) in 1920s. Pencil drawing. Excellent condition.

Figure is an original drawing in watercolor on paper, realized by Cazanove in 1922. Hand-signed on the lower right. In good conditions, with aged margins. Sheet dimension: 38 x 26...

The Red Dress Watercolor on paper, mounted on board by the artist, 1926 Signed and dated, 1926 lower left (see photo) Condition: Mounted on support board by the artist ...

Figure is an original drawing in watercolor and pencil on ivory paper, realized by Raymond Cazanove in 1922. Hand-signed on the lower margin in ...

Perhaps a study or a preliminary work for for "L'ombre d'une jeune fille en fleur", Lot 46 - Christie's, New York (February 14, 2007) Private Collection, Miami Gouache and pencil...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Dale Nichols, 1904-1995 The Tree of Knowledge, Science, ca.1940 Ink and china white on paper Initialed: dn Provenance: Susan Teller Gallery...

Le Nouveau Napoleon is an original pen drawing realized by Emile Rouff in 1929. The little picture is in good conditions on a yellowed paper. Some pencil...

Nude is an original drawing in pencil applied on paper realized by Tibor Gertler in 1946. In good condition except for some folding and stains and a rip on the lower margin. Hand-s...

Travel on the East, in 1920s, is an original drawing in china ink and white lead on brown paper realized by Gabriele Galantara (1865-1937). In good conditions. Not signed. This ar...

L'asino legge l'asino (Donkey reads the Donkey) is an original modern artwork realized in the 1920 by the Italian artist Gabriele Galantara (Montelupone, 1865 - Rome, 1937). Origina...

Generals is an original modern artwork realized in the first half of the 20th Century by the Italian artist Filiberto Scarpelli (Naples, 1870 - Rome, 1933). Original drawing realize...

Farm and Farmers is a charcoal drawing realized by Jean Chapin in the early XX century. Signature stamp of the artist on the lower right margin. The drawing is detached from a note...

Portrait of a Man is an original modern artwork realized in the first decades of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original charcoal drawing on paper. Hand-signed in pencil by the artist on the lower central margin: Maccari. Excellent conditions. Beautiful black charcoal drawing...

Gate is a drawing in pencil on paper realized in 1925 by Werner Epstein. Hand-signed on the lower left and dated on the lower right in pencil. The state of preservation is very goo...

Original China Ink drawing realized by Dunoyer de Segonzac as a sketch for the illustrations of the book "Bubu de Montparnasse" by Charles-Louis Philippe published in 1929 by Societé...

Henry Ottmann (1877-1927) "Etal de Marché", A Market stall signed lower leftt pastel on paper 18 x 24.5 cm (view) In good condition Framed : 37 x 42 cm Published under n°580 of t...

Lovers is an original artwork realized in 1927 by Andre Leroux. Original black and white charcoal drawing. The artwork represents a couple of lovers wh...

Bedford Park by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 24.5 x 38 cm (9 ⅝ x 15 inches) Signed, inscribed and dated lower left, Bedford Park 1928 Ludovic Rodo Painted ...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Study of Ruth, c. 1925 Charcoal and sepia ink on paper 22 1/4 x 27 3/4 inches (56.5 x 70.5 cm) Signed upper center: Lillian Westcott Hale Lilian Westcott Hale showed an exceptional ...

'Portrait of a Young Girl', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pa...

FRANK DOBSON, R.A. (1886-1963) Study Towards Cornucopia Pencil, watercolour and gouache Framed 51 by 35.5 cm., 20 by 14 in. (frame size 71 by 55 cm., 28 by 21 ½ in. Provenance: T...

André MANTELET MARTEL (1876-1953) View Of The Pantheon, Descartes street, Paris Ve area, 1926 Charcoal on paper Signed, dated and located lower left 60 x 44 cm Provenance; former Jac...

Bishop, Isabel (American 1902-1988). STUDY FOR "IN FRONT OF THE 42D STREET LIBRARY." Drawing, pencil on paper, circa 1927. Initialed in pencil, lower right. 3 1/2 x 3 1/4 inches (ima...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Nu (Standing Female Nude) Red chalk on wove paper, c. 1925 Signed lower right by the artist, see photo Condition: Excellent Image/Sheet size: 12 1/8 x 8 5/16 inches Note: Despiau ...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Jean-Pierre Laurens (1875-1932) Study of a sitting beggar, Pencil on paper 25.5 x 20.5 cm Stamp of the Jean-Pierre Laurens Estate on the lower right In quite good condition : glued ...

Marsh, Reginald. ACROBATS. Ink, gouache, and pastel on paper, 1922. Signed, lower right. c. 18 1/2 x 14 1/2 inches; framed to 28 x 23 1/2 x 1 1/4 inches. In excellent condition.

John Sloan, 1871-1951 Shine, Washington Square, 1923 Etching 5 X 7 inches Sloan-5 Signed lower right: “John Sloan” and Titled by the artist lower center: “Shine, Washington Square” Recorded: Peter Morse. John Sloan’s Prints...

Albert MARQUET Bordeaux 1875 - Paris 1947 Oriental characters, Algeria Around 1920 Indian ink wash Workshop stamp lower right 32,5 x 20,5 cm 55 x 41,5 cm framed

An Art Deco gouache painting by American artist Anthony Nelle featuring exquisite details and materials to create a fantastic and enchanting scene.

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Jean-Pierre Laurens (1875-1932) Study of a reading monk Pencil on paper 29.5 x 19 cm Stamp of the Jean-Pierre Laurens Estate on the lower right In quite good condition : crease and ...

Sumi ink drawing, c. 1928 Signed in the lower right corner (see detail) Original illustration for the novel "Gunmo" (Hoi Polloi or Blind and Foolish Masses), volume 4 in the "Complete Works of Burafu Nakamura." Nakamura, a popular Japanese novelist and playwright, lived from 1886-1949. Framed in acid free rag matting, OP3 Acrylic and a rounded corner metal leaf frame Sight size: 6-3/4 x 5-3/8" Frame size: 14-5/8 x 12-5/8 x 3/4" Shinsui Itō...

Attributed to Henry Ottmann (1877-1927) A Provence landscape, watercolor on paper 24 x 32 cm (view) In a modern frame : 45 x 55.5 cm When unframed it appears the work is larger (...

Léa Lafugie is a painter who has travelled extensively throughout Asia. She is renowned for her portraits. She studied at the Ecole des Arts Décoratifs in Paris, then at the Ecole de...

Head of a Deco Woman (recto) Standing Male Model (verso) Graphite on paper, 1925 Signed with the artist's initials "PW" and dated 1925 Created while the artist was studying at the ...

Sterndale Bennett Honor 1886-1975 Watercolour artist, born in Watford, she married into the famous family noted for its composers and for its military members. As an army wife she s...

Maurice Asselin (1882-1947) Le Chateau de Tournon (The Castle of Tournon), 1928 signed, dated and titled on the lower right watercolor on paper 24 x 34 cm Framed : 49 x 58 cm Exhibition label on the reverse at the Galerie Charpentier...

FRANK WATKINS (1863-1929) Jack Escapes the Giant Pen and ink, unframed, in conservation mount only 24 by 29 cm., 9 ¾ by 11 ½ in. (mount size 40 by 44.5 cm., 15 ¾ by 17 ½ in.) Frank Henry Watkins was born in Lambeth, London and was the son of a bank clerk. He worked as a children’s book and comic illustrator in the early 20th century, drawing for many children’s stories including Dolly Twoshoes (1901); The Wonder and Dolly Daydream (1902); Illustrated Chips and Dick and Daisy (1919-1921) and also for Merry Moments. He provided book illustrations for The Man From the Moon by Philip Carmichael (1909); The Sun’s Babies by Edith Howes (1910); The King Who Never Died: Tales of King Arthur by Dorothy Senior (1910) and Fairy Rings...

A pair of exquisite drawings by American Ashcan School artist Alexander Oscar Levy.

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

Two Studies of Henriette (Left: Head of the artist's wife, Right: The Artist's wife writing a letter) Watercolor and graphite on paper, 1928-1930 Signed in pencil lower right (see photo) Image/sheet size: 9 3/8 x 11 inches Condition: Excellent Colors fresh and unfaded Provenance: Estate of the artist The Orange Chicken...

MARCEL DELMOTTE (1901-1984) Nude Signed and dated l.r.: M Delmotte/1928 Black and red chalks Framed 33 by 20 cm., 13 by 8 in. (frame size 53 by 39 cm., 21 by 15 ¼ in.) The son of...

FRANK WATKINS (1863-1929) The Boat Builder Giant Pen and ink, unframed, in conservation mount only 20.5 by 29.5 cm., 8 by 11 ¾ in. (frame size 36.5 by 45 cm., 14 ½ by 17 ¾ in.) Frank Henry Watkins was born in Lambeth, London and was the son of a bank clerk. He worked as a children’s book and comic illustrator in the early 20th century, drawing for many children’s stories including Dolly Twoshoes (1901); The Wonder and Dolly Daydream (1902); Illustrated Chips and Dick and Daisy (1919-1921) and also for Merry Moments. He provided book illustrations for The Man From the Moon by Philip Carmichael (1909); The Sun’s Babies by Edith Howes (1910); The King Who Never Died: Tales of King Arthur by Dorothy Senior (1910) and Fairy Rings...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two apples, still clinging to their leaves. Examples like this show the ability of Spicuzza to draw i...

Jean-Pierre Laurens (1875-1932) Study of a sitting bearded man Pencil on paper 24.5 x 20 cm Stamp of the Jean-Pierre Laurens Estate on the lower left In quite good condition : glued...

Wotton-under-Edge by LUCIEN PISSARRO (1863-1944) Ink, watercolour and crayon on paper 14.6 x 18.5 cm (5 3⁄4 x 7 1⁄4 inches) Signed with monogram and dated lower left, 1920 Inscribed ...

Born in St. John’s Wood, London in 1874, landscape and animal painter William Brock studied at the Royal Academy and Ecole des Beaux Arts in Paris. Brock exhibited at the Royal Acade...