American Modern Figurative Drawings and Watercolors

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

"Animated Discourse" WPA Mid-Century American Scene Modernism Realism Figurative. Chris Ritter (American, 1906 – 1976) "Animated Discourse," 19 x 24 (sight). Watercolor on paper. Si...

Donald Stacy (1925-2008) New Jersey "Upclose Portrait" 1953 Ink on paper 14" x 16.5" unframed Signed and dated in pencil lower right Came from artist estate *Custom framing available...

"Five Faces #736" is an original black ink drawing with a stamped signature in the lower left by Sylvia Spicuzza. It depicts five female faces from a...

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis. Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on...

Black and white charcoal on toned Grey archival paper signed and dated by artist. fantasy cat lady

Art Seiden was born in Brooklyn, NY in 1923. He received a BA at Queens College and studied for eight years (!) at the Art Students League. Mario Cooper was among his instructors. Up...

Born in Brooklyn, New York, Frank Kleinholz was a painter based in New York City whose work spanned several art movements including Expressionism and Social Realism. His early works ...

Children Sledding, Women's World Magazine Cover, December 1939 Signed lower center image watercolor, gouache, pencil, and wash on paper

Chain Gang Music Watercolor on paper, dated '39, but created in the 1970's Signed "Longstreet" lower left corner Titled and annotated "George - '39" in pencil at top of sheet Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Born Henri Weiner (sometimes spelled Wiener), the artist tried alternate names and personae including Paul Haggard, Thomas Burton, and David Ormsbee before settling on the name Stephen Longstreet in 1939. Longstreet dates his art based on the period he means to represent, not the actual date of execution. Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

A Delightful, 1930s Portrait Sketch of a Young Boy in a Baseball Cap by Noted Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Full of Character! A charming little gem of a po...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unparalleled influence on artists and visual cultur...

Welcome to Gahan Wilson's magnificently morbid mind, where viewing his cartoons/illustrations gives the viewer the creeps. In this work, a husband designs...

A nude viewed from behind, with black hair , inscribed on the lower right by the artist John Begg "Mature Nude" c.1953 Outlined in black ink and with som...

A drawing by Irving Norman. "Striptease" is a macabre cultural commentary drawing, pencil and color pencil on paper executed in a dark palette of blacks, grays, and reds by social su...

Collier's Magazine Illustration From the Estate of Charles Martignette. Work is framed in a period wood frame Watercolor on board

Running Horse Study William Henry Dethlef Koerner (German, American, 1878-1938) Pencil on Paper Signed Lower Right 5 x 8 inches 12 x 15 inches with frame William Henry Dethlef Koern...

Golfers, 1928 Fred Conway (American, 1900-1973) Signed and Dated Lower Right 18.5 x 24.5 inches 30.5 x 37 inches with frame A member of the faculty of the Washington University Art ...

A political satire illustration “Hanging by a Hair” originally published in the The Philadelphia North American newspaper circa 1902, edited by Edwin A Van Valkenburg and pubilshed b...

Dong Kingman "Chinese Theater, Los Angeles" 1965 Watercolor on Paper Sheet Size: 15 x 22 inches Framed Size: approx 19 x 26 inches Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...