Framed Drawings and Watercolor Paintings

Landscape BW Mineral Oxide on Paper 40x29 cm framed 51x41 cm Original Art Ready to Hang The use of natural materials such as mineral oxide powder connects the work to a dimension...

"A Shady Runlet" Stream in Fall New Jersey Watercolor 1878 A rare and exceptional watercolor of two ladies viewing a New Jersey stream in fall by William C. Bauer (American, 1856- 1...

Snowy landscape by Maine artist Fannie Mae Cunningham (American, 20th Century). Tags on verso from previous backing have been preserved. Presented in a new grey-blue mat...

Circle of Erte, Romain de Tirtoff (Russian / French 1892 – 1990) A dress design for Estelle Pencil, ink and watercolour on paper Inscribed ‘Estelle’ (upper left) with other notations...

Mother and Child is an artwork realized by an unknown artist in 1962. Black Marker Pen on Cardboard 27.5 x 22.5 cm ; 60 55 cm with frame. Unreadable signature in the lower part. ...

Taddeo Zuccaro (Urbino 1529 – 1566 Rome) and Workshop (?) Seated Woman Holding a Staff Pen and brown ink, brown wash heightened with white, traces of red chalk on laid paper 37 x 27...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Interior design paintings. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (black) with a styrene face on a mat board in ...

" Femme de profil au téléphone " .pen , India ink and wash paper . signed Jean and dated . executed in 1930 . original drawing certified by Madame Annie Guedras .

Beautifully executed black and white watercolor and gouache drawing on archival paper of the Spanish colonial town of Taxco, Mexico. Circa 1960. Condition is excellent. Signed low...

"6th Avenue El" American Scene Social Realism Mid-20th Century Cityscape Modern Max Arthur Cohn (1903-1998) 6th Avenue Elevated 19 1/4 x 13 3/4 inches Watercolor on paper Signed an...

A finely detailed silhouette of a Victorian young man. Circle of Hinton Gibbs (1783-1839) Portrait of a young man, bust length, turned to the right, wearing coat and cravat watercol...

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

Alphonse Mucha 1860-1939 Czech Fruit Signed "Mucha" (lower left) Pastel on paper "Art only exists to communicate a spiritual message." —Alphonse Mucha Alphonse Mucha's distincti...

'Chinatown San Francisco at Twilight', ink and gouache, diptych on card stock, French School (circa 1950s). This artwork was discovered in Paris, France. The unnamed artist skilfully captured that magical moment at dusk when light is at its most beautiful. The scene is Chinatown, San Francisco in the 1950s. The Far East Café, depicted in this artwork was established in 1920. It is the oldest banquet-style Chinese restaurant in the city. Of course, Chinese cuisine in large cities in America has since moved on from the chop suey...

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Arthur Miles (British, act. 1851-1880). Original portrait of Georgy Chatfield. Signed with monogram to the lower left. Dated 1855. With further inscriptions to the upper right. Well ...

Title: Robin Hoods Bay Clifftop View with Sea and Rocks Yorkshire Coast 1983 By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 9.75 inches (height) x 11.25 inch...

'Ebren Ha Dor, Tremenus'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high a...

"Clown Fish" (2020) by Dustin Panzino is a beautiful digital painting created in Procreate, which details a fantasy scene of a knighted version of a court's...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

The series is dedicated to the artist's home town Riga. Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Ab...

'Girl in Red' by Carlo Maria Mariani, 1959. Guggenheim, Los Angeles County Museum of Art, Rome, Academy of Fine Arts, Venice Biennale ----- Signed upper right, 'C. Mariani' for Carlo Maria Mariani (Italian, 1931-2021) and dated 1959. Framed dimensions: 22.5 x 1.5 x 17.5 inches A native of Rome, Carlo Mariani first studied there at the Academy of Fine Arts where he was influenced by the prevailing styles of Hyper-Realism and Conceptualism. In 1994, he moved to New York City where he began to paint figural landscapes in a traditional, neo-classical style. The 1990s brought Mariani wide recognition and numerous honors, as he represented Italy three times at the Venice Biennale. Additionally, in 1998, he received the prestigious Antonio Feltrinelli Award for lifetime achievement in painting. Mariani continues to be best known for his refined and painterly, Renaissance technique. He was a central figure in Rome’s avant-garde in the 1970s and is widely regarded as an influential forerunner of 1980's Postmodernism. He achieved an international reputation, beginning in the early 1980s, for his arcane and, often, controversial paintings...

'Study for Connecticut at Putney' is an original pastel drawing by American artist Wolf Kahn. The landscape is an exploration of color and light: it is rendered in cool blues and purples with fields of subtle yellow, the pastels treated with the same gesture as Kahn's paintbrush on a canvas. Indeed, this pastel was a study executed en plein air for a painting – the painting now sometimes called 'Bend in the River' – that he later created in the studio. This process of creating studies, selecting the best of the studies, and then recreating them as paintings was typical of Kahn's studio process and makes this pastel a significant example of the artist's creative output. 9 x 11 inches, artwork 15.5 x 18.13 inches, frame Signed 'W. Kahn' lower right Framed to conservation standards using archival materials including 100 percent rag matting. Housed in a gold finish wood moulding. Acquired directly from the artist. Wolf Kahn, the youngest of four siblings, was born into a well-to-do artistic family. His father was the conductor of the Stuttgart Philharmonic Symphony, and his mother came from a family of art collectors.(1) During 1938, Kahn took his first art lessons, but most of his initial drawings were of military or historical events. The next year Kahn was sent to England for safety following the ascendancy of Hitler to power, and in 1940, he immigrated to the United States. In 1942, he entered New York's High School of Music and Art, and while there, he was employed by a commercial art firm doing illustrations. After a stint in the Navy, Kahn entered Hans Hofmann's school, and among his fellow students were Neil Blaine, Jane Freilicher, Allan Kaprow and Larry Rivers. His initial results were done with a dark palette and abstracted forms, and although Hofmann's style of teaching was difficult, Kahn has consistently praised him for teaching him the value of control and understanding.(2) Kahn's first exhibition was a 1951 group show in a loft with several other artists in lower Manhattan. From this impromptu show, a group effort evolved called the Hansa Gallery Cooperative.(3) In 1953, Wolf Kahn had a one-man show at this gallery, which was reviewed by Fairfield Porter, and at this same time bolder, more vivid colors began to appear in his work. By the mid-1950's, on a summer trip to Provincetown, Kahn's paintings indicated a new direction of softening warm colors in the manner of Bonnard. He was included in Meyer Shapiro's seminal exhibition, The New York School: The Second Generation at the Jewish Museum, and by the end of the 1950s, he had developed his abstracted landscape style for which he is best known. In 1966, he made his first "barn" painting on Martha's Vineyard that reduced the complexities of detail of the architecture to a more basic shape, a stylistic convention that is evident in the Museum's painting. Kahn has since commented frequently on his use of color as a unique and specific component of each work as the situation demands, where the gradual buildup of the colors resembles the beauty and translucent nature of pastels.(4) Since then Kahn has had one-person exhibitions at the Kansas City Art Institute, Chrysler Museum, San Diego Museum of Art, Fort Lauderdale Museum of Art and the Columbus Museum, among others. His work is in the permanent collections of numerous museums throughout the United States. Footnotes: 1. Much of the biographical information is drawn from Justin Spring, Wolf Kahn (New York: Harry N. Abrams, 1996). 2. Spring, 21. Wolf Kahn draws this from a 1973 address to the College Art Association. 3. This group included Jane Wilson...

Charles Burdick, American (1924 - ) - Bull Fighter, Year: circa 1970, Medium: Ink on paper, signed, Size: 9.5 in. x 14.5 in. (24.13 cm x 36.83 cm), Frame Size: 16.5 x 22 inches

A traditional original oil painting of the beautiful English countryside, capturing the range of trees, fields and buildings to be f...

A charming watercolour and gouache study of a young child, lying outdoors with a black and white springer spaniel. Well presented in a circular gilt frame with hatching and foliate d...

Stamped with the signature 'chAgAll' (lower left), inscribed '8 90-44 Passy.' (center left) and inscribed 'Carnot 35.40' (lower right) Pen and India ink on paper Executed circa 192...

Original watercolor and pen artwork titled “Refuge”. Signed lower right by the artist and dated 1965. Condition is excellent. Artwork is matted with original thin white metal frame....

This pastel drawing without it's frame and passe-partout is 29 x 20 cm, of course it will be shipped, with the 'Clarity museum glass', passe- partout and frame. Ksenya Istomina made...

'Standing Nude Study', pastel on art paper, by Louis Latapie (circa 1930). There is something very pure in the naked human body, but for some that purity can veer towards pruriency. ...

This piece is an abstract botanical work on paper featuring hues of dark blue and tan. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures 60 by ...

Keith Vaughan Male nudes II Ballpoint pen sketch 17 x 13 cm Born in 1912, Keith Vaughan was a British painter known for his modernist and semi-abstract depictions of the male fig...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Manfred Schwartz (American, b. Poland, 1909-1970), Abstract Pointillism Composition, Mixed Media on Paper, signed lower right, M. Knoedler & Co. Inc. label to the reverse, brass fram...

Willem DELSAUX Ixelles 1862 - 1954 Gimbergen Profile portrait of « Allah Dita »,Indian soldier of the British Indian colonial army Pastel on p...

'The Church of Saint-Nicolas du Chardonnet, Paris', gouache on art paper by Lucien Génin (circa 1930s). In Paris' 5th Arrondissement the site in which Saint-Nicolas du Chardonnet is ...

Fernand de Launay (1838-1904) Portrait of a child, probably the daughter of the artist Lead pencil on paper Signed and dated "4 septembre 1890" on the lower left 27 x 21 cm In quite ...

Roger Cecil. Welsh ( b.1942 - d.2015 ). Llangorse, Brecon Beacons. Watercolor & Pastel Mixed Media On Paper. Signed Lower Left. Image size 19.5 inches x 29.5 inches ( 49.5cm x 75cm...

HENRY MOORE, RA, RWS (1831-1895) Evening, East Coast Signed and dated 1892; signed and inscribed with title and the artist’s address on a label attached to the backboard Watercolou...

Dramatic desert landscape by Betty Jenkins (American, 20th Century). Red rock formations stretch across the center of the composition, executed with skil...

Signed to the lower left. Presented in a gilt frame. On paper.

Title: Charmouth Dorset River Scene with Wooden Footbridge and Rolling Hills Landscape By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10.75 inches (height) x...

In this expressive gouache study, Carl Oscar Borg captures the dramatic sweep of the Arizona highlands, where storm clouds gather over layered mesas and valleys bathed in shifting li...

Watercolor on paper realized by Sirio Pellegrini in 1960s. Hand signed. Includes a tailor made frame realized by the Artist, 108.5x84.5 cm. Very good condition. Sirio Pellegrini,...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

Aaron Berkman was born in Hartford, Connecticut in 1900. In 1916 Berkman attended the Connecticut League of Art Students, founded by Charles Noel Flagg. Beginning in 1919 he studied under Albertus E. Jones at the Hartford Art School. Berkman was influenced during this time by George Inness and John Singer Sargent and the Old Masters. He received a scholarship to the Museum Art School of Boston in 1921 and then traveled to Europe, remaining there from 1924 through 1925. He spent time in France, Italy, Spain, Holland and Belgium. In 1929 Berkman moved to New York City, continuing a friendship and painting relationship with Milton Avery. He was appointed by the W.P.A. as Director of the WPA Art Center at the 92nd Street Y in New York City. Berkman helped established the A.C.A. Gallery in New York City at 52 West 8th St., the first Artist Cooperative Gallery in New York City. He spent summers on Monhegan Island in...

Anatole Krasnyansky, Ukrainian/American (1930 - ) - Regal Arrival, Year: 2008, Medium: Watercolor and Acrylic on handmade Japansese paper, signed lower left, Size: 27.25 x 20.25 in....

A comical sketch of a Jolly Innkeeper captured alongside other characters. Attributed to political cartoonist and caricaturist William 'Bill' Papa...

This artwork titled "Spenger's Fish Grotto, Berkeley CA" is a watercolor on paper by noted California artist Arnold A. Grossman, 1923-2016. It is signed at...

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

This piece is an abstract botanical work on paper featuring hues of red, blue and tan. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures 60 by ...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

This piece is an abstract botanical work on paper featuring hues of yellow and light green. It is framed in a simple white box frame behind UV Plexiglas. The unframed work measures 4...

Ora Coltman (American, 1858-1940) Julia Maud De Forest, 1898 Watercolor on paper Signed and dated upper left 9.25 x 12.75 inches 15 x 18.25 inches, framed Ora Coltman was born in 18...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study Of A Male Nude Half Kneeling Pose. Pencil & Charcoal On Paper With Heightening. Paper size 2...

Mountain View of a Lush Green Valley in the English Lake District - Vintage Oil Painting by 20th Century Modern British Landscape Artist, Arthur Terry Blamires (b. 1930) Art measure...

Bernard Myers (British, 1925 – 2007) Still life on blue pastel on paper signed ‘B. Myers’ (lower left) 24 x 31.3/4 in. (61 x 80.7 cm.) (including frame) From the estate of Bernard My...

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

French Impressionist pastel on paper of a Provençal lunch. Signed bottom right but as yet not deciphered. Presented in a white frame under perspex. A charming, highly colourful and ...