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Framed Landscape Drawings and Watercolors

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Frame Included
"St. Ives in the Evening"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Hayley Lever (1876-1958) Hayley Lever's exceptional career path took him from the shores of ...
Category

1910s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

"Doubles, " Expressionist Oil Pastel on Grocery Bag signed by Reginald K. Gee
Located in Milwaukee, WI
"Doubles" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed and dated the piece lower right. It depicts four motorcycles, each with two people ...
Category

Early 2000s Contemporary Landscape Drawings and Watercolors

Materials

Oil Pastel, Found Objects

"Central Park"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address. In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today. In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...
Category

Early 20th Century American Impressionist Landscape Drawings and Waterco...

Materials

Graphite, Paper

Zurich - illustrative realistic cityscape architecture watercolour paper
Located in London, GB
Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...
Category

2010s Contemporary Interior Drawings and Watercolors

Materials

Watercolor, Paper

Within the Forest, gray photorealist graphite landscape drawing, 2018
Located in New York, NY
In her newest landscape drawing, Within the Forest, Mary Reilly explores the full tonal depth of graphite. She finds all of the soft subtleties of gray in her movement from the momen...
Category

2010s Photorealist Landscape Drawings and Watercolors

Materials

Paper, Graphite

Horse in the Fields - 1930's Watercolor Figurative Landscape
By John Stellman
Located in Soquel, CA
Horse in the fields, a figurative watercolor landscape by Louis John Stellman (American, 1877-1961), c.1935. Presented in a wooden frame with linen liner. Signed "Stellman" lower right. Image size, 15"H x 19"W. Stellman moved to CA in 1901. By 1920 he had settled in San Francisco where he worked both as an artist and a writer for the Call-Bulletin newspaper. He later moved to the Monterey Peninsula where he remained until his death. Married to artist Edith K. Stellman (1877-1957). Works held: de Young Legion of Honor. His books include: Mate o'dreams and Other Poems Mother Lode; The Story of California's Gold Rush Port O' Gold A History-Romance of the San Francisco Argonauts Said the Observer Sam Brannan, Builder of San Francisco; A Biography That Was a Dream Worth Building; the Spirit of San Francisco's Great Fair Portrayed in Pictures and Words The Vanished Ruin Eta; San Francisco's Classic Artistry of Ruin Depicted in Picture and Song Stellmann was a protegé of Arnold Genthe...
Category

1930s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Crossing - contemporary cityscape architecture traffic watercolor paper framed
Located in London, GB
Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...
Category

2010s Contemporary Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Twilight on the Beach (Ephraim), " Pastel Seascape signed by Michael DeFrancesco
Located in Milwaukee, WI
"Twilight on the Beach (Ephraim)" is an original pastel drawing by Michael DeFrancesco. The artist signed the piece in the lower right. This piece depicts two chairs on the beach of a small village in Door County, Wisconsin. Separated only by a row of trees running along the horizon, the sky and lake are mirrors of one another. 22" x 30" art 30" x 37 1/4" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Biography Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...
Category

Early 2000s Landscape Drawings and Watercolors

Materials

Pastel

"Swirling Seas, " Nathaniel Dirk, watercolor, seascape, modernism, ca 1940s
Located in Wiscasset, ME
Born in Brooklyn, New York in 1895, Nathaniel Dirk studied at the Art Institute of Chicago and Art Students League in New York under Max Weber, Boardman Robinson and Kenneth Hayes Mi...
Category

1940s Modern Landscape Drawings and Watercolors

Materials

Watercolor

"Canadian Rockies - Misty Morning Calgary, Alberta, Canada, " Watercolor signed
Located in Milwaukee, WI
"Canadian Rockies - Misty Morning Calgary, Alberta, Canada" is an original watercolor painting on Kilimanjaro watercolor paper. These petite watercolo...
Category

Early 2000s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

"Seaside Village"
Located in Lambertville, NJ
One of several prominent women associated with the artistic life of Cincinnati at the turn of the century, Annie G. Sykes was recognized for her colorful, Impressionist-inspired watercolors. Throughout her long and successful career, she explored a variety of themes ranging from landscapes, flowers and the figure to the picturesque scenery of New England, Europe and Bermuda. Sykes was born Annie Sullings Gooding in Brookline, Massachusetts. Her father, Josiah Gooding, was a silversmith and engraver, and her mother, Ann, was a gifted needle-worker. Stimulated by the example of her parents, Sykes developed an interest in art during her childhood, honing her skills as a draftsman in art classes at school by drawing flowers, trees and other natural forms. She initiated her formal studies at the Lowell Institute in Boston in 1875, attending drawing classes there until 1878, when she enrolled at the school of the Museum of Fine Arts. Sykes is believed to have studied at the museum school until her marriage to Gerritt Sykes in 1882. Following her nuptials, Sykes and her husband moved to Cincinnati, at that time a flourishing cultural center dubbed the "Queen City of the West." While Gerritt and a friend established the Franklin School for boys, Sykes continued to follow her artistic inclinations. Desirous of refining her skills, she enrolled at the Cincinnati Art Academy in 1884. Throughout the next ten years, she continued her training under such noted American painters as Frank Duveneck and Thomas Satterwhite Noble. Although she occasionally worked in oil, watercolor became Sykes' favorite medium of expression. Despite the birth of two children--Milly in 1885 and Anne in 1888--Sykes successfully balanced the demands of home and family with her professional aspirations. She began contributing to the annual exhibitions of the Boston Art Club in 1890 and the New York Watercolor Club the following year. In 1892, she became a charter member of the Woman's Art Club of Cincinnati, where she would exhibit regularly until 1923. In 1895, Sykes had her first solo show at the Traxel & Maas Gallery in Cincinnati, exhibiting a group of her watercolors. Local critics praised her fresh, vibrant colors and her spontaneous technique, and in a review in the Cincinnati Enquirer she was identified as representing "the new school of impressionism." Sykes's longstanding relationship with the Cincinnati Art Museum began that same year, when she first participated in that institution's annual shows. Indeed, between 1895 and 1926, she would exhibit there on forty-two occasions. Sykes also had a show (with Emma Mendenhall) at the Cinncinati Art Museum in 1908, and a three-person exhibition (with Emma Mendenhall and Dixie Selden) two years later. Sykes's work was also featured in the annual watercolor shows at the Art Institute of Chicago, the Philadelphia Water Color Club and the Ohio Water Color Society. Her numerous professional affiliations included the National Association of Women Painters and Sculptors in New York and the Cincinnati Museum Association. Her standing among her peers was such that she was often invited to serve juries of selection, along with such eminent painters as Duveneck, Noble, Maurice Prendergast and Edward Redfield. Prior to 1900, Sykes' was active in and around Boston, Cincinnati, and in Nonquitt, Massachusetts, where her family had a summer home. After the turn of the century, she spent many summers in Cape Porpoise...
Category

20th Century Expressionist Landscape Drawings and Watercolors

Materials

Watercolor

September Morning: The First Ferry.
Located in Storrs, CT
September Morning: The First Ferry. 1929. Watercolor. 10 1/8 x 13 (image and sheet). Provenance: The Fine Art Society, London. A misty, impressionist watercolor on French papier ved...
Category

1920s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Flowering Hillside, grayscale photorealist graphite landscape drawing, 2018
Located in New York, NY
In her newest landscape drawing, Flowering Hillside, Mary Reilly explores the full tonal depth of graphite. She finds all of the soft subtleties of gray in her movement from the mome...
Category

2010s Photorealist Landscape Drawings and Watercolors

Materials

Graphite, Paper

Franz Xaver Unterseher Watercolor Painting untitled, 1935
Located in Berlin, DE
Watercolor Painting, 1935. Dated and signed in pencil lower left: 25.8.35 F.X. Unterseher Sheet dimensions: 8.66 x 11.02 in ( 22 x 28 cm ) Framed: 15.2 x 17.72 in ( 38,6 x 45 cm ) F...
Category

Mid-20th Century Landscape Drawings and Watercolors

Materials

Watercolor

"Low Tide - Martha's Vinyard, " Watercolor signed by Craig Lueck
Located in Milwaukee, WI
"Low Tide - Martha's Vinyard" is an original watercolor painting by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. Sc...
Category

Early 2000s Landscape Drawings and Watercolors

Materials

Watercolor

"Cloudy Day - Venice, " a Watercolor signed by Craig Lueck
Located in Milwaukee, WI
"Cloudy Day - Venice" is an original watercolor painting on Holbein watercolor paper signed in pencil lower right and titled in pencil lower left. These petite watercolors that make ...
Category

Early 2000s Landscape Drawings and Watercolors

Materials

Watercolor

"Lenexa Field, Kansas, " Watercolor signed by Craig Lueck
Located in Milwaukee, WI
"Lenexa Field, Kansas" is an original watercolor painting on Holbein watercolor paper. The artist, Craig Lueck, signed the piece in the lower right and titled it in the lower left in...
Category

Early 2000s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Haughwout building at Broadway and Broome, original pencil on vellum
Located in Southampton, NY
The drawings and paintings of David Edward Byrd are legendary. If you were producing a Broadway play or top Rock and Roll concert in the 1970's, David Byrd was the artist you wanted to create the imagery. He created for Broadway the classic art for, Godspell, Follies and Jesus Christ Superstar to mention only a few. For the Rock and Roll industry David created all of the iconic artwork for the Fillmore East including their classic and highly valued posters and programs. The Who's "Tommy" art was David's as was The Rolling Stones 1969 World tour artwork, and the 1969 Jimi Hendrix American concert tour, along with the very first version of the art for the original 1969 Woodstock Music Festival poster...
Category

1970s Realist Landscape Drawings and Watercolors

Materials

Pencil, Vellum

"Bandelier National Park, NM, " Watercolor signed by Craig Lueck
Located in Milwaukee, WI
"Bandelier National Park, NM" is an original watercolor painting on Holbein watercolor paper. The artist, Craig Lueck, signed the piece in pencil in the lower right and titled it in ...
Category

Early 2000s Landscape Drawings and Watercolors

Materials

Watercolor

"Footloose in Carefree, AZ, " Watercolor signed by David Barnett
Located in Milwaukee, WI
"Footloose in Carefree, AZ" is an original watercolor painting by David Barnett. The artist signed the piece in the lower left corner. David Barnett has done several pieces centered ...
Category

Early 2000s Expressionist Landscape Drawings and Watercolors

Materials

Watercolor

"Barker Road Residence, " a Watercolor signed by Craig Lueck
Located in Milwaukee, WI
"Barker Road Residence" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artis...
Category

Early 2000s Landscape Drawings and Watercolors

Materials

Watercolor

McGraw-Hill Building West 42 Street, Pencil on Vellum,
Located in Southampton, NY
In 1975, The New York Times commissioned Superstar artist David Byrd to create the "Manhattan Coloring Book" It was to be a coloring book for adults (That they really weren't going to color in as the drawings were very detailed.) I have included a photo in this listing of the cover of the original 1975 coloring book just as a reference it is not included in the sale. The book was to be a collectors item and a tribute to the city of New York. It sold out rather quickly and the 1975 first edition did indeed become a collectors item. It featured the most important architectural structures in New York City. We are please to offer for sale one of the original 1975 drawings by Mr. Byrd that was used in that collectible book. This drawing is of the McGraw-Hill building on West 42Street.. If you were producing a Broadway play or top Rock and Roll concert in the 1970's, David Byrd was the artist you wanted to create the imagery. He created for Broadway the art for, Godspell, Follies and Jesus Christ Superstar to mention only a few. For the Rock and Roll industry David created all of the iconic artwork for the Fillmore East including their classic and highly valued posters and programs. The Who's "Tommy" art was David's as was The Rolling Stones 1969 World tour artwork, and the 1969 Jimi Hendrix American concert tour, the very first version of the art for the original 1969 Woodstock Music Festival poster...
Category

1970s Landscape Drawings and Watercolors

Materials

Pencil, Vellum

St Thomas Church 5th at 53rd, Original drawing from 1975 Manhattan Coloring Book
Located in Southampton, NY
This is the actual drawing that was used for the 1975 "Manhattan Coloring Book" If you were producing a Broadway play or top Rock and Roll concert in t...
Category

1970s Realist Landscape Drawings and Watercolors

Materials

Vellum, Pencil

Funeral Range, Watercolor by Ralph Hulett
By Ralph Hulett
Located in Long Island City, NY
Artist: Ralph Hulett, American (1915 - 1974) Title: Funeral Range Year: circa 1970 Medium: Watercolor on Cardboard, signed Size: 12.75 x 39.25 in. (32.39 x 99.7 cm) Frame Size:...
Category

1970s American Realist Landscape Drawings and Watercolors

Materials

Watercolor

Skyscrapers.
Located in Storrs, CT
Skyscrapers. c. 1950. Pastel. 29 3/4 x 19 7/8 (framed 37 x 27). Provenance: The New Britain Museum of American Art, New Britain, Connecticut. Signed, lower right. Housed in a stunn...
Category

1940s American Modern Landscape Drawings and Watercolors

Materials

Pastel

The Crooked Steps / Astoria
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category

21st Century and Contemporary Photorealist Landscape Drawings and Waterc...

Materials

Pastel

Field of Flowers 1, photorealist graphite floral drawing, 2016
Located in New York, NY
Reilly uses a toning technique to endow her graphite works with a smooth, seamless quality. Rather than distinct outlines, her flower petals glide gracefully into the surrounding spa...
Category

2010s Photorealist Landscape Drawings and Watercolors

Materials

Archival Paper, Graphite

White Rock Lake
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category

2010s Photorealist Drawings and Watercolor Paintings

Materials

Pastel

Algeria, Mountain Pass: Detailed Color Pencil Drawing of Landscape & Stamp
Located in Hudson, NY
colored pencil and postage stamp on paper 30 x 22 inches 34 x 26.5 inches framed This modern, intricately drawn color pencil drawing was made by American artist, Andrea Moreau, in 2016. The artist creates her drawings by embellishing the design found in the postage stamp, which she collects from her travels around the globe. This specific red stamp is from Algeria and features a bridge through a mountain pass in teal and maroon color. The stamp is highlighted in the middle of the drawing and the artist then embellishes on the design from the stamp, extending it into the further reaches of paper with teal and maroon colored pencil. The colored pencil landscape...
Category

2010s Modern Landscape Drawings and Watercolors

Materials

Paper, Found Objects, Color Pencil

Early 20th Century Shoreham Downs Landscape Drawing
Located in Soquel, CA
Lovely early 20th century colored pencil landscape sketch of Shoreham Downs by an unknown artist (United Kingdom, 20th Century). Signature i...
Category

1930s Impressionist Landscape Drawings and Watercolors

Materials

Color Pencil, Paper, Watercolor

Glen Orchy.
Located in Storrs, CT
Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; ot...
Category

20th Century Modern Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Watercolor on Cardboard "Arven am Matterhorn" by Carmina Manger, 1929
By Carmina Manger
Located in Berlin, DE
Watercolor on cardboard, 1929. Signed lower right: Carmina Manger sheet dimensions: 33.46 x 22.44 in ( 85 x 57 cm ), framed: 34.84 x 23.43 in ( 88.5 x 59.5 cm )
Category

Early 20th Century Landscape Drawings and Watercolors

Materials

Watercolor, Cardboard

"Crashing Surf"
Located in Lambertville, NJ
Signed LM John Whorf was one of the most accomplished and esteemed watercolorists of the first half of the twentieth century. Creating realist depictions of urban and rural imagery,...
Category

20th Century Landscape Drawings and Watercolors

Materials

Watercolor, Paper

The Crew, photorealist graphite graffiti drawing, 2015
Located in New York, NY
An homage to cannabis and weed culture, Mary Reilly works with both powdered graphite and graphite pencil on paper in her photorealist drawing, "The Crew." The artist memorializes tr...
Category

2010s Contemporary Landscape Drawings and Watercolors

Materials

Graphite, Archival Paper

"Bare Tree"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...
Category

Early 20th Century American Impressionist Landscape Drawings and Waterco...

Materials

Charcoal, Paper

"Pigs"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...
Category

1940s American Impressionist Landscape Drawings and Watercolors

Materials

Charcoal

"Lunch at the Stockton Inn"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Pencil drawing. Complemented by a hand carved and gilt frame. Daniel Garber (1880-1958) ...
Category

20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Pencil

1940's California Hills Landscape
Located in Soquel, CA
Substantial and period mid-century modern American Scene watercolor of the Oakland, California countryside by Erle Loran (American, 1905-1999), 1944. Signed lower right "Earl Loran...
Category

1940s American Modern Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

"Mountain Landscape"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork: Framed watercolor of a mountain landscape. Arthur B. Davies (1862-1928) Born in Utica, New...
Category

20th Century Tonalist Landscape Drawings and Watercolors

Materials

Watercolor

'Menton, France', École des Beaux-Arts, student of Gustave Boulanger and Gerome
Located in Santa Cruz, CA
Signed lower left, 'A.F. Gorguet' for Auguste François Gorguet (French, 1862-1927), titled 'Menton' and dated with roman numerals 'XI' for 1911; bearing old 'P. Navez' exhibition lab...
Category

1910s Impressionist Landscape Drawings and Watercolors

Materials

Board, Gouache, Watercolor, Paper

Early Spring - Cedar Elm
Located in Dallas, TX
“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley...
Category

Late 20th Century Contemporary Landscape Drawings and Watercolors

Materials

Paper, Charcoal

"Cloud Study"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork: Framed watercolor of Summer cloud study. Arthur B. Davies (1862-1928) Born in Utica, New York, Ar...
Category

20th Century Tonalist Landscape Drawings and Watercolors

Materials

Watercolor

Children Playing
By Elba Louisa Riffle
Located in Wiscasset, ME
Born in Winamac, Indiana in 1905, painter, illustrator and commercial artist Elba Louisa Riffle studied at the John Herron Art Institute and School of Art and Design. Riffle was a me...
Category

1930s Realist Landscape Drawings and Watercolors

Materials

Watercolor

"Fishing, New Hampshire"
Located in Lambertville, NJ
Signed LL Recognized as one of America’s leading etchers and watercolorists during the early twentieth century, Sears Gallagher depicted a variety of subjects ranging from New England landscapes and European subjects to views of Monhegan Island, Maine. Born in Boston in 1869, Gallagher has impressive family lineage extended back to the Pilgrim fathers and to the first Governor Bradford. He began his art education locally, studying drawing with the Italian artist, Tomasso Juglaris, and watercolor painting with the Samuel P.R. Triscott. He made his first submission to the annual exhibitions at the Boston Art Club in 1887, exhibiting a drawing entitled "Evening News." Gallagher later refined his skills at the Académie Julian in Paris, working under Benjamin Constant and Jean-Paul Laurens during 1895-96. During his three-years abroad (1894-96), he made summer visits to popular artists’ colonies such as Grèz-sur-Loing, where he painted and sketched en plein air. He also spent time in Italy and England. Gallagher began his career in Boston, working as an artist-reporter for a local newspaper and illustrating textbooks for the publishing firm of Ginn and Company. However, by the early 1900s he had established himself as a professional artist specializing in etchings and watercolors. By 1920, he had produced 138 etchings of the historic streets and landmarks of Boston, such as Copley Square, the Old State House, and Trinity Church. He was also fond of marines, producing etchings as well as oil and watercolor views of Monhegan Island, Maine, where he spent his summers, as well as Plymouth and Nantucket on Cape Cod. His work includes landscapes painted during autumn trips to Jackson, New Hampshire, as well as views of New York, Venice and England’s Cornish seacoast. Gallagher exhibited at the major national annuals in United States, and had several solo shows at Doll and Richards Gallery in Boston. His work also appeared at the Paris salons and at the Paris Exposition of 1900. Gallagher’s memberships included the Guild of Boston Artists, the Boston Society of Water Color Painters, the Brooklyn Society of Etchers and the Chicago Society of Etchers. He won several awards and prizes, among them the Logan Prize for etching at the Art Institute of Chicago in 1922 and the City of Boston Tercentenary medal...
Category

20th Century Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"S.S. Blackman at Dock"
By Joseph DiGemma
Located in Southampton, NY
Exhibited original watercolor on paper painting by American artist, Joseph DiGemma. Signed lower right and dated 1949. Overall framed and matted (white) in natural maple frame 26 by 32 inches. Exhibition label verso: "Shared Aesthetic, Artists of Long Island North Fork, 2009". From the estate of Countess Consuelo Crespi. Joseph Paul DiGemma was born in New York City and studied at the Pratt Institute and the Arts Students League. His engravings are in the collections of the Metropolitan Museum of Art, the Brooklyn Museum and the Astor-Lenox Collection. Several of his wartime paintings...
Category

1940s American Realist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

City Street, Urban Landscape
Located in Soquel, CA
Urban landscape of a tram car on a city street with tracks and cables criss-crossing the composition by an unknown artist. Signed illegibly "T. Zu '95" lower ...
Category

1990s Modern Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Ever Green Alkanet - Anchusa Sempervirens"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category

19th Century Other Art Style Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Deadly Nightshade - Atropa Belladonna"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category

19th Century Other Art Style Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Lexington Backyard
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
Category

2010s Photorealist Landscape Drawings and Watercolors

Materials

Pastel

"Moth Mullein-Verbascum Blattaria"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category

19th Century Naturalistic Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Common Cotton Grass - Eriophorum Angustifolium
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category

19th Century Naturalistic Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Cladium Mariscus"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category

19th Century Naturalistic Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Flat Top Mountain - Abstract Geometric Landscape
Located in Soquel, CA
Gorgeous burst of blue behind a flat top mountain with splashes of orange in this abstract geometric landscape by Erle Loran (American, 1905-1999). Signed and dated lower right "Erle...
Category

1970s Abstract Geometric Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper, Rag Paper

"Lillies in Bloom"
Located in Lambertville, NJ
One of several prominent women associated with the artistic life of Cincinnati at the turn of the century, Annie G. Sykes was recognized for her colorful, Impressionist-inspired watercolors. Throughout her long and successful career, she explored a variety of themes ranging from landscapes, flowers and the figure to the picturesque scenery of New England, Europe and Bermuda. Sykes was born Annie Sullings Gooding in Brookline, Massachusetts. Her father, Josiah Gooding, was a silversmith and engraver, and her mother, Ann, was a gifted needle-worker. Stimulated by the example of her parents, Sykes developed an interest in art during her childhood, honing her skills as a draftsman in art classes at school by drawing flowers, trees and other natural forms. She initiated her formal studies at the Lowell Institute in Boston in 1875, attending drawing classes there until 1878, when she enrolled at the school of the Museum of Fine Arts. Sykes is believed to have studied at the museum school until her marriage to Gerritt Sykes in 1882. Following her nuptials, Sykes and her husband moved to Cincinnati, at that time a flourishing cultural center dubbed the "Queen City of the West." While Gerritt and a friend established the Franklin School for boys, Sykes continued to follow her artistic inclinations. Desirous of refining her skills, she enrolled at the Cincinnati Art Academy in 1884. Throughout the next ten years, she continued her training under such noted American painters as Frank Duveneck and Thomas Satterwhite Noble. Although she occasionally worked in oil, watercolor became Sykes' favorite medium of expression. Despite the birth of two children--Milly in 1885 and Anne in 1888--Sykes successfully balanced the demands of home and family with her professional aspirations. She began contributing to the annual exhibitions of the Boston Art Club in 1890 and the New York Watercolor Club the following year. In 1892, she became a charter member of the Woman's Art Club of Cincinnati, where she would exhibit regularly until 1923. In 1895, Sykes had her first solo show at the Traxel & Maas Gallery in Cincinnati, exhibiting a group of her watercolors. Local critics praised her fresh, vibrant colors and her spontaneous technique, and in a review in the Cincinnati Enquirer she was identified as representing "the new school of impressionism." Sykes's longstanding relationship with the Cincinnati Art Museum began that same year, when she first participated in that institution's annual shows. Indeed, between 1895 and 1926, she would exhibit there on forty-two occasions. Sykes also had a show (with Emma Mendenhall) at the Cinncinati Art Museum in 1908, and a three-person exhibition (with Emma Mendenhall and Dixie Selden) two years later. Sykes's work was also featured in the annual watercolor shows at the Art Institute of Chicago, the Philadelphia Water Color Club and the Ohio Water Color Society. Her numerous professional affiliations included the National Association of Women Painters and Sculptors in New York and the Cincinnati Museum Association. Her standing among her peers was such that she was often invited to serve juries of selection, along with such eminent painters as Duveneck, Noble, Maurice Prendergast and Edward Redfield. Prior to 1900, Sykes' was active in and around Boston, Cincinnati, and in Nonquitt, Massachusetts, where her family had a summer home. After the turn of the century, she spent many summers in Cape Porpoise...
Category

20th Century Expressionist Landscape Drawings and Watercolors

Materials

Watercolor

Franklin & 8th
Located in Dallas, TX
"He [Cobble] has come to accept the fact that low production can lead to under appreciation in the short run, but he also knows that his gifts of perception and discrimination are ra...
Category

21st Century and Contemporary Photorealist Landscape Drawings and Waterc...

Materials

Pastel

"Summer Clouds"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork: Framed watercolor of mountain landscape with summer clouds. Arthur B. Davies (1862-1928) Born in...
Category

20th Century Tonalist Landscape Drawings and Watercolors

Materials

Watercolor

"Great Wild Valerian"
Located in Lambertville, NJ
A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...
Category

19th Century Other Art Style Landscape Drawings and Watercolors

Materials

Watercolor, Paper

"Hölzerne Hängebrücke über einen Fluss" ( Plank Bridge Across The River ), 1925
By Franz Lenk
Located in Berlin, DE
Drawing by Franz Lenk ( 1898-1968 ), Germany. An example of Neue Sachlichkeit ( New Objectivity ). Monogrammed and dated lower left: FL 1925. Framed....
Category

1920s Landscape Drawings and Watercolors

Materials

Pencil

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