Expressionist Landscape Drawings and Watercolors

JESPERS Floris. Landscape. Charcoal drawing. Signed lower left

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherm...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

George Grosz NYC City Scene Modernism Watercolor German Expressionism Weimar George Grosz (Germany, 1893-1959) "City Scene," 17 x 12 inches, signed and dated “33” lower left, watercolor on paper. This drawing, created while Grosz was living in NYC. Period frame, It has been authenticated by Ralph Jentsch, the globally recognized Grosz expert. Provenance: Hirschl & Adler and 511 Gallery...

mixed media on mylar Among the best selling works by Audrey Frank Anastasi are the birch trees, "process-oriented works, drawn and painted in various media. According to Ms. Anast...

Dynamic pastel drawing of Tower Bridge in London by Allie William "Bill" Skelton (American, 1942-1986). Signed and dated in pencil by the artist in the lower right corner. Unframed. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Soft watercolor accents add to the beauty of this cyanotype and watercolor of the Italian countryside by Cheryl Trotter (American, 20th century). S...

Watercolor on paper

Watercolor on paper

Signed lower left, 'C. Riter' for Carl Frederick Riter (American, born. 1915) and dated '6-'67'. Stamped verso with certification of authenticity...

Watercolor on paper

Watercolor on paper

Watercolor on paper

Paris street view. Charcoal drawing. Signed and dated 1928. This drawing is from the best period of this interesting artist. Roger van Gindertael was a...

Robert Trenaman Back (British, 1922 – 2004) A moody coastal scene Gouache on paper with gum arabic 9.3/4 x 18.1/4 in. (24.5 x 46.5 cm.) Robert Trenaman Back is best known as a marit...

Bauhaus Iconic work by the master or Cubism and Expressionism Dalzell Hatfield Gallery, Los Angeles Bonhams, Exhibited: Moller Fine Art, "Precision ...

Dark tonal Italian landscape with hits of yellow greens and reds. The pastel image is framed in a natural wooden frame with a white matte. Artist signed the work in the bottom right ...

Provenance: Directly from the atelier of the artist Notes: This is an excellent example of a depiction of a French countryside village, with an emphasis in simplicity.

Studio stamp of Gromaire, lower left Provenance: Atelier of the artist Notes: Noyelles, where this drawing was created, is a small town in the Somme department of Northern France ...

Artist: Rene Genis, French (1922 - 2004) Title: Beachscape Medium: Watercolor on Laid Paper, signed l.r. Size: 10 x 16 inches Frame Size: 15 x 21 inches

Signed lower right 'Engel G' and titled, 'Californie ... Cote d'Azur'. Born in Badenweiler, Irma Leisinger first studied in Paris with Andre Lhote from 1926. In 1930, she entered th...

Soft watercolor accents add to the beauty of this unique cyanotype and watercolor landscape of the Point Sur Lighthouse in Big Sur, California by Cheryl Trotter (American, 20th centu...

Studio stamp of Gromaire, lower center Provenance: Atelier of the artist Notes: A typical Normandy beach scene, perhaps near Deauville or Trouville.

"Narrow is the Way Which Leads" is an original watercolor on paper by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a forest in fall. 11" x 15" art Co...

"Trees" is an original watercolor by David Barnett. It depicts some dark leafless trees and shrubs. The artist signed the piece lower right. 24" x 18" art 29 1/4" x 23 1/4" frame ...

"Entrance to the Iridescent Garden-First Day of Spring" is an original mixed media piece by David Barnett. The artwork is signed in the lower right. Barnett used iridescent watercolo...

One of several prominent women associated with the artistic life of Cincinnati at the turn of the century, Annie G. Sykes was recognized for her colorful, Impressionist-inspired watercolors. Throughout her long and successful career, she explored a variety of themes ranging from landscapes, flowers and the figure to the picturesque scenery of New England, Europe and Bermuda. Sykes was born Annie Sullings Gooding in Brookline, Massachusetts. Her father, Josiah Gooding, was a silversmith and engraver, and her mother, Ann, was a gifted needle-worker. Stimulated by the example of her parents, Sykes developed an interest in art during her childhood, honing her skills as a draftsman in art classes at school by drawing flowers, trees and other natural forms. She initiated her formal studies at the Lowell Institute in Boston in 1875, attending drawing classes there until 1878, when she enrolled at the school of the Museum of Fine Arts. Sykes is believed to have studied at the museum school until her marriage to Gerritt Sykes in 1882. Following her nuptials, Sykes and her husband moved to Cincinnati, at that time a flourishing cultural center dubbed the "Queen City of the West." While Gerritt and a friend established the Franklin School for boys, Sykes continued to follow her artistic inclinations. Desirous of refining her skills, she enrolled at the Cincinnati Art Academy in 1884. Throughout the next ten years, she continued her training under such noted American painters as Frank Duveneck and Thomas Satterwhite Noble. Although she occasionally worked in oil, watercolor became Sykes' favorite medium of expression. Despite the birth of two children--Milly in 1885 and Anne in 1888--Sykes successfully balanced the demands of home and family with her professional aspirations. She began contributing to the annual exhibitions of the Boston Art Club in 1890 and the New York Watercolor Club the following year. In 1892, she became a charter member of the Woman's Art Club of Cincinnati, where she would exhibit regularly until 1923. In 1895, Sykes had her first solo show at the Traxel & Maas Gallery in Cincinnati, exhibiting a group of her watercolors. Local critics praised her fresh, vibrant colors and her spontaneous technique, and in a review in the Cincinnati Enquirer she was identified as representing "the new school of impressionism." Sykes's longstanding relationship with the Cincinnati Art Museum began that same year, when she first participated in that institution's annual shows. Indeed, between 1895 and 1926, she would exhibit there on forty-two occasions. Sykes also had a show (with Emma Mendenhall) at the Cinncinati Art Museum in 1908, and a three-person exhibition (with Emma Mendenhall and Dixie Selden) two years later. Sykes's work was also featured in the annual watercolor shows at the Art Institute of Chicago, the Philadelphia Water Color Club and the Ohio Water Color Society. Her numerous professional affiliations included the National Association of Women Painters and Sculptors in New York and the Cincinnati Museum Association. Her standing among her peers was such that she was often invited to serve juries of selection, along with such eminent painters as Duveneck, Noble, Maurice Prendergast and Edward Redfield. Prior to 1900, Sykes' was active in and around Boston, Cincinnati, and in Nonquitt, Massachusetts, where her family had a summer home. After the turn of the century, she spent many summers in Cape Porpoise...

"Star Lake Autumn" is an original watercolor painting by David Barnett. It depicts the view of a lake through some trees. The artist signed the painting in the lower right. 6" x 4"...

"Footloose in Carefree, AZ" is an original watercolor painting by David Barnett. The artist signed the piece in the lower left corner. David Barnett has done several pieces centered ...

MANE KATZ [Katz Emmanuel] 1894-1962 Kremenchug, Ukraine 1894-1962 Tel Aviv (Russian / Ukrainian / French / Israeli) Title: Boats in the Harbour, circa 1938 Technique: Original...

Wonderful Fauve Landscape with blocky areas of punchy bold reds and yellows. This was done the same year of the Armory Show in which both William Zor...

One of several prominent women associated with the artistic life of Cincinnati at the turn of the century, Annie G. Sykes was recognized for her colorful, Impressionist-inspired watercolors. Throughout her long and successful career, she explored a variety of themes ranging from landscapes, flowers and the figure to the picturesque scenery of New England, Europe and Bermuda. Sykes was born Annie Sullings Gooding in Brookline, Massachusetts. Her father, Josiah Gooding, was a silversmith and engraver, and her mother, Ann, was a gifted needle-worker. Stimulated by the example of her parents, Sykes developed an interest in art during her childhood, honing her skills as a draftsman in art classes at school by drawing flowers, trees and other natural forms. She initiated her formal studies at the Lowell Institute in Boston in 1875, attending drawing classes there until 1878, when she enrolled at the school of the Museum of Fine Arts. Sykes is believed to have studied at the museum school until her marriage to Gerritt Sykes in 1882. Following her nuptials, Sykes and her husband moved to Cincinnati, at that time a flourishing cultural center dubbed the "Queen City of the West." While Gerritt and a friend established the Franklin School for boys, Sykes continued to follow her artistic inclinations. Desirous of refining her skills, she enrolled at the Cincinnati Art Academy in 1884. Throughout the next ten years, she continued her training under such noted American painters as Frank Duveneck and Thomas Satterwhite Noble. Although she occasionally worked in oil, watercolor became Sykes' favorite medium of expression. Despite the birth of two children--Milly in 1885 and Anne in 1888--Sykes successfully balanced the demands of home and family with her professional aspirations. She began contributing to the annual exhibitions of the Boston Art Club in 1890 and the New York Watercolor Club the following year. In 1892, she became a charter member of the Woman's Art Club of Cincinnati, where she would exhibit regularly until 1923. In 1895, Sykes had her first solo show at the Traxel & Maas Gallery in Cincinnati, exhibiting a group of her watercolors. Local critics praised her fresh, vibrant colors and her spontaneous technique, and in a review in the Cincinnati Enquirer she was identified as representing "the new school of impressionism." Sykes's longstanding relationship with the Cincinnati Art Museum began that same year, when she first participated in that institution's annual shows. Indeed, between 1895 and 1926, she would exhibit there on forty-two occasions. Sykes also had a show (with Emma Mendenhall) at the Cinncinati Art Museum in 1908, and a three-person exhibition (with Emma Mendenhall and Dixie Selden) two years later. Sykes's work was also featured in the annual watercolor shows at the Art Institute of Chicago, the Philadelphia Water Color Club and the Ohio Water Color Society. Her numerous professional affiliations included the National Association of Women Painters and Sculptors in New York and the Cincinnati Museum Association. Her standing among her peers was such that she was often invited to serve juries of selection, along with such eminent painters as Duveneck, Noble, Maurice Prendergast and Edward Redfield. Prior to 1900, Sykes' was active in and around Boston, Cincinnati, and in Nonquitt, Massachusetts, where her family had a summer home. After the turn of the century, she spent many summers in Cape Porpoise...