Photography Landscape Drawings and Watercolors

This artwork "Seascape" is a watercolor by noted American artist, Charles Grant Davidson, 1865-1945. It is signed at the lower left corner by the artist. The artwork size is 10.5 x 1...

Significant 1940s work titled "Toiler's House" by George Demont Otis (American, 1879-1962). Titled "Toiler's House on the bottom left and signed "George Demont Otis" on the bottom right. Presented in a black wood frame. Image size, 12"H x 18"W. Otis was born in Memphis, Tennessee where he was orphaned at age six and was raised by his grandmother in Chicago...

Original watercolor of Grace Bay in the Turks & Caicos signed by Freddy Cushing (1934-2013) the Newport, RI scion & dated 1/20/90 Provenance: The Ishe...

"Cantonment Stevens, Looking Westward," is a hand-colored lithograph by Gustavus Sohon. His signature is printed under the lower right of the oval, and the publisher is printed under...

Born in Toronto (1942), Charles Pachter is one of the most collected and cherished Canadian artists. In both style and content, Pachter’s uplifting images share characteristics with ...

Carbon drawing, 1912 by Lesser Ury ( 1861-1931 ). Signed and dated lower left: L.Ury 1912. The drawing will be included in the forthcoming catalogue raisonné. Dimensions: 20.08 x 12...

ROCKET LAUNCH is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 196...

Charles Pachter’s unique version of Pop Art has confirmed his position in the canon of 20th-century Canadian art. In the artist's most cherished work take archetypes of Canadiana --...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Unknown/ Unidentified Artist, "Untitled: Seascape Watercolor", Landscape/Seascape Watercolor on Paper, 4 x 9.25, Mid to Late 20th Century Colors:...

Artist: Bart Perry (American, 1906-1992) Title: Winter Landscape Year: Circa 1950 Medium: Watercolor Paper: Watercolor Size of image: 15 x 20 inches ...

Graphite and watercolor on paper stock drawing by the Russian Federation artist, Carl Ivanovitch Kollmann. Circa 1830. Condition: Good. Actual drawing diameter is 6.5 inches. Impr...

Original drawing by Ardengo Soffici. Reference: Published in "Il Selvaggio", n. 7/8, p. 45, in 1935. Catalog "Mino Maccari e l'avventura del Selvaggio", Colle Val d'Elsa 1998, n. 27,...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

François Louis Thomas Francia (French 1772–1839), "Untitled: Man At Sea", Landscape Watercolor on Paper, 6.50 x 9.50, Early 19th Century ...

Jim’s of Lambertville is proud to offer this artwork. Signed. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address. In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today. In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...

Artist: Bart Perry (American, 1906-1992) Title: Landscape Year: Circa 1950 Medium: Pastel Paper: Sketch Image size: 14 x 17 inches paper size: 14 x 17 inches Signature: Signed lower right Condition: Very good Frame: Framed in a custom wooden gold frame, with gold color bevel. About the artist. Bart Perry studied at the California School of Fine Arts, MFA, 1928. Fine Arts, Mills College, Berkeley, CA. 1955. Selected Exhibitions: Lucien Labaudt Gallery with Wm. Mayo, 1946; California School of Fine Arts, Roy DeForest, Relf Case, Richard Brodney...

Marc Swanson In the Garden, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame size The duality betw...

Great early John William Guerin landscape drawing of a field and mountains in nice vintage condition from the 1960s. Signed by artist in bottom right corner. Dimensions Without Fram...

Lovely early 20th century colored pencil landscape sketch of Shoreham Downs by an unknown artist (United Kingdom, 20th Century). Signature i...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Signed LM John Whorf was one of the most accomplished and esteemed watercolorists of the first half of the twentieth century. Creating realist depictions of urban and rural imagery,...

Figurative watercolor in mainly green from Mary Robertson whose paintings Wayne Thiebaud calls "Joyous and meditative colorful simulations of contentment and sacred play.” Steepe...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Jim’s of Lambertville is proud to offer this artwork: Framed watercolor of mountain landscape with summer clouds. Arthur B. Davies (1862-1928) Born in...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Architectural scene in watercolours. Presented in a decorative gilt-effect frame with internal slip and glazing. Indistinctly signed to the lower right. On paper.

A delightful composition by this master watercolourist. William Payne (1760-1830) Figures chating by a cottage and stream, a rivermouth beyond Watercolour and touches of charcoal 5½...

This coastal scene features a woman standing on a hill looking at the ocean and a beached, broken down row boat in the grass in the foreground. Seagulls fly above the scene. By Charl...

Artist Nestor Fruge (b. 1916) grew up in the small Louisiana town of Bayou Lafourche. His French Quarter scenes are well-known and ubiquitous in New Orlea...

Antonio Petruccelli (1907 - 1994) Fly Ball New Yorker cover proposal. c. 1930s 12 1/4 X 8 1/4 inches (sight) Framed 18 X 14 inches Gouache on board...

Two small, fine watercolors out of the estate of esteemed American actor Raymond Burr, most known for his roles as Perry Mason and as a detective in "Irons...

Mary Ann Hanretty "Is That Bolinas?!" Original Watercolor 20th C Bolinas in Northern California is known for its reclusive residents and is accessible via unmarked roads Original w...

Emil Kosa, Jr., N.A. (1903-1968) Born: Paris, France; Studied: Academy of Fine Arts (Prague), Ecole des Beaux Arts (Paris), Chouinard Art Institute (Los Angeles); Member: National Ac...

Signed and dated lower left Titled lower right Provenance: Gifted by the Artist to Martin Doyle Gifted to Mrs Darlington Thence by descent

A unique oil monotype by Romare Bearden circa 1980. Reminiscent of the artist’s watercolor paintings, he used thinned oil to produce the crashing waves in bold bright colors. Artist...

Pencil on artist's prepared card Inscribed verso 'Assisi / Oct 8-55 / Ben Nicholson' Blind stamped 'REEVES BRISTOL BOARD' (upper right) Nicholson's work in Italy, although closely related to the central concerns of his art, is a special category in his oeuvre, which demonstrates his appreciation of Italian architecture and landscape. He visited Italy...

Cassilly Adams (American 1843-1921) "Medicine Man" c. 1860s Watercolor on Paper Unsigned Provenance: Questroyal Gallery, NYC Site Size: approx. 14.5 x 8....

"Les Usines En Banlieue" 1926 Gouache 31 x 40cm/approx. 12.5 x 16.75 inches Signed and Dated Lower Right Catalogue Raisonne: Petredies, Plate AG166, Page 190-191

EDWARD DUGMORE Maine #33, 1965 Ink on paper 24 x 19 inches Loretta Howard Gallery is pleased to present an exhibition of major canvases by Edwa...

EDWARD DUGMORE Maine #35, 1965 Ink on paper 19 x 24 inches Loretta Howard Gallery is pleased to present an exhibition of major canvases by Edwa...

Rembrandt can Rijn (Attr) Ink and brawn wash. Collection stamp of A. Firmin-Didot (1790-1876) on the reverse. Another unrecognized stamp on the reverse. Ex Collection family Fran...