Paper Drawings and Watercolor Paintings

The Spouse and Horse is a Carbon Pencil Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the margin. Good condition. Mino Maccari (Siena, 1924-Rome, June...

In the camp, 150x80cm, Watercolor, paper, pencil

Sunil Das - Early Horses X - 34 x 20.75 inches (unframed size) Charcoal on paper ( Framed & Delivered ) Sunil Das was one of India's most important postmodernist painters and rose t...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...

Original conte crayon on paper. Dated "12.84" lower margin. Provenance: Barbara Gladstone Gallery, New York. Artwork size 12.5 x 9.5 inches. Fram...

Kiev is a Watercolour and Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition and vivid colors on a sheet of a notebook. No Signature, ...

Signed lower right "Sally Mack" (American, 20th century) and painted circa 1975. Painted on Arches paper. A vibrant, Post-Impressionist still-life showing branches of cherry-blossom...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Erwin Pfrang, German (b. 1951) Graphite, Colored Pencil on paper Framed 20.5/8 X 16.5/8 sheet 6 X 7.75 Erwin Pfrang (born 1951, in Munich) is a German painter and printmaker. Pfrang studied at the Academy of Fine Arts in Munich from 1974–79. Later he spent many years as an independent artist in Montepulciano, Val d’Orcia and Catania, Italy, interrupted by stays in Munich and Augsburg. He presently lives and works in Berlin. Erwin Pfrang is the grandson of the Munich folk comedian Konstantin Pfrang. Carla Schulz-Hoffmann makes an attempt at characterising the painter: “An artist such as Erwin Pfrang inhabits an alternative world, a tiny microcosm of subjectivity, and lives that life uncompromisingly, with all the limitations and hardships that it entails. Among twentieth-century artists a comparable stance can be encountered perhaps in Jean Fautrier, but certainly in Otto Wols. His oeuvre relates in its figuration to Bosch or James Ensor and his oil painting to Lucian Freud in its painterly quality. Erwin Pfrang is represented by gallerists Fred Jahn, Munich (Exhibition: Don’t Forget Your Mask: Don’t (Part I: Don’t Forget Your Mask), Forget (Part II: Don’t Forget Your Mask), Your Mask (Part III: Don’t Forget Your Mask)Artists: Imi Knoebel, Barry Le Va, Karel Appel, Alexi Tsioris, William N. Copley, Isa Genzken...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Mother and child hippopotamos Gabrielle Pool’s inks on paper of African animals are simple and charming. Using an unforgiving medium she produces work that is delicately poised bet...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Bats is a charcoal Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed and titled on the lower margin. Good condition on a cream colored paper. Mino Maccari (Siena,...

Original Cecil Beaton (signed LR) watercolour set design for the 2nd version of Beaton's play "The Gainsborough Girls" circa 1951 theatrical production entitled "Landscape with Figur...

Early Indian Mithila Folk Art Painting Traditional Indian Mithila Painting artist signed verso. Pencil, ink, natural dye watercolor, on handmade paper 22x30 framed under glass 26x36...

Signed lower left, "Di Gesu" for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with Roman numeral "II". Ink drawing of a woman reclining with knees bent, her head r...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The guided coincidence plays a ...

Melchior DOZE (1827-1913) Study of a saint, ca. 1875-79 Preparatory drawing for the decoration of the church of Saint-Félix de Saint-Gervasy (Gard), chapel of the Cross (south side),...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Nude of Woman is an Ink and Watercolor drawing realized by Gaspard Maillol (1880-1946). Good condition on a yellowed cardboard, included a white cardboard passpartout (51x35 cm). No signature. Gaspard Maillol , born on July 10 , 1880 in Barcelona and died on January 6...

Colorful still life with calla lilies and a potted plant against a dynamic background of swirling colors by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Le...

Figure is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition on white paper. No Signature. Reynold Arnould was born in Le Havre, Fra...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

229 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Kingfisher Size: 12 x 16 inc...

Small landscape with cows by Carmel artist Cetin (20th Century). Two cows are grazing in the foreground. Beyond the cows, a field stretches out towards a...

Tree is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (70x51 cm). No signature. Reynold Arnoul...

This is a beautiful drawing, brimming with the unique personalities of Alice Liddell and her beloved sisters, Lorina and Edith. Dating back to the late 19th Century, this captivatin...

Beautiful mid century floral watercolor still-life of magnolia blossoms on budding branches by Ann Hobbs (American, 20th Century). Signed "Ann Hobbs" lower right. Titled "Tulip Tree...

"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identic...

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

'Yellow tulips in a tall vase 1' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity,...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A bold figural study of a nude in contrapposto, shown posing with drapery and cont...

Paco Rabanne ( 1934 -2023 ) Grand couturier et parfumeur franco - espagnol . Il a marqué l'univers de la mode dans les années 60. En 1963 , Lauréat de la Biennale de Paris avec une s...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Beth Van Hoesen (1926-2010) was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of ...

Dina introduces a sense of movement to her gouache Bird by Bird series with her miniature portrait, Gold-fronted Woodpecker. Wings spread, beaks open wide, and legs hover in the air....

Colorful abstract work by Bay Area artist Kelvin Curry (American, 20th Century). Signed "Kelvin Curry" lower left. Unframed. Image size, 15"H x 11.25"W. Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Sketches is an original Drawing on paper realized by the painter Henri Lehmann (1814-1882). Drawing in ink. Fair conditions with aged margins. The art...

Two Mid Century Rural Landscapes in Watercolor on Paper Two lovely watercolors by Beverly Lyons (American, 20th Century). In the top watercolor, an expansive sky sits above a strip ...

Graphite on paper Dated in pencil, l.r. This artwork is offered by ClampArt, located in New York City. John Button (1929-1982) was a fine draftsman and drew from life models throug...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Portrait of a Lady is a pencil, ink and watercolor drawing realized by Hermann Paul. Hand signed on the lower right corner. Passpartout included cm 40.5x30.5 Good condition. René ...

Modern and bright urban abstract in yellow & purple by Carl E. Schwartz (American, 1935-2014), c.1970s. Signed "Schwartz" lower right. Presented in a silver metal frame. Image size: ...

Indian ink and marker on archival paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International F...

A ca. 1945, Cubist black & white graphite drawing of fruit by artist Illinois and Michigan artist Stanley Bielecky. Image size: 4" x 5". Archivally matted to: 13 1/4" x 16". Stanley Bielecky was an Indiana artist who painted the American scene, from the factories and workers around East Chicago to the bucolic settings of Mackinac Island...

Male Foul is a Pencil Drawing realized by Mino Maccari (1924-1989) in 1960s. Hand-signed on the lower margin. Good condition on a little cardboard. Mino Maccari (Siena, 1924-Rome,...

Boris Akopian "Relaxation"

Paul Jenkins Untitled, 1971 conveys a strong sense of movement through a bold central composition dominated by shades of yellow, purple and black...

Signed lower right, in graphite, 'Frances Pratt' (American, 1913-2003) and dated 1947. Born in Glen Ridge, New Jersey, Frances Pratt moved to New York City where she studied at the New York School of Applied Design for Woman (1930-33), and, subsequently, at the Arts Students League (1933-35). She then met her first husband, Christopher Ritter, with whom she opened Laurel Gallery in Greenwich Village and printed the Laurel Folios. Frances Pratt taught drawing and painting at the Ballard School from 1942 into the early 1950's. She also taught mixed media and watercolor techniques at the Parsons...

Pastel & pencils on paper Anna Kazmina is a Russian artist born in 1987 who lives between Moscow, Russia and Beijing, China. She was graduated from Department of Art, Moscow State U...

Ashlee received her BFA with a Minor in Art History from University of Missouri-Columbia in 2012 and has been exhibiting and selling her artwork for the past twelve years. When she’s not making art, Ashlee loves to get lost in her garden with her four year old son where they battle pirates on lost islands, fly with dragons around kingdoms in the sky, and search lush jungles for purple tigers.

John Downman 1750-1824 Portrait of a Lady in a White Dress Pencil, stump and watercolour, heightened with white chalk, signed and dated 1784 Imag...

Damien Hirst "Shark" Sketch of the famous shark of Damien Hirst and signed by the artist, Ink on paper. 20,5 x 29 in Frame included

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surr...

This is a Gyotaku method painting of a fish on a textured mulberry paper background. This fish impression using minimal color is akin to a fossil. The fish is then hand painted in ...

Signed lower right, 'Burnham SWA' for Jane Burnham Crawford (American 1926-2016) and painted circa 1985. A substantial and loosely painted view of five d...

Tom Martinelli works with simple rounded shapes, fields of color and the character of a painted edge. Using stencils, paint rollers and spray paint he ...