Face Portrait Drawings and Watercolors

The Man in Bed is a black marker drawing on paper realized by an unknown artist in the mid-20th Century. Hand-signed on the lower, illegible. Good conditions. The artwork is reali...

Figures is a china ink Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, Jun...

Woman's Profile is a violet marker Drawing realized by Mino Maccari in 1970. Hand-signed in the lower margin. Good condition on a little yellowed cardboard. Mino Maccari (Siena, ...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Jairo, 2016 by Celso Castro-Daza Watercolor and ink on archival paper Image size: 53 H in. x 36 in. W Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

The Couple is a china ink Drawing realized by Mino Maccari in 1970. Hand-signed in the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, June 16, 198...

Monochromatic abstract figurative drawing by Texas artist Ike E. Morgan. The drawing depicts two figures in profile and some textual elements around them. Signed by the artist at the...

Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'". Minor browning, collection stamp on the reverse. - In the shadow of betrayal - About the artwork This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376). Hermann Prell, Betrayal of Judas, 1886 The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner. In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk. As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting. About the artist In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions. Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904). From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

A charming portrait of a young girl with short cropped hair seated in a red chair. The artist captures her features and ruffled dress in expressive pastel markings, bringing vibrancy...

In this portrait of a young man I wanted to show feelings of boredom and frustration held in check. Created with pastel pencils on recycled kraft paper.

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Dora Maar (1907 - 1997). Born Henriette Théodora Markovitch in France, Dora Maar was a 20th century photogra...

I wanted to capture the fierce gaze of the young woman in this portrait. Created with colour pencil on recycled kraft paper.

I wanted to capture the fierce gaze of the young woman in this portrait. Created with colour pencil on recycled kraft paper.

A pretty portrait of a young woman on a rocky beach. She wears a simple linen dress and pink hat. Presented in a gilt effect frame. Signed with initials. On watercolour paper.

French School 18th Century, L'étonnement, Astonishment as a form of expression, Titled on the lower right "L'étonnement N°9" Black chalk on paper 43 x 29 cm In good condition, a sta...

Signed: by Richard Geiger (1870 – 1945), Austrian - Hungarian painter. Also pencils inscriptions on reverse with date 33 (1933). By the 1920s, he worked illustrating books, bookplates and posters. His paintings included portraits, nudes, genre paintings, and mythological scenes, but he was known for his illustrations, especially his carnival motifs. Spectacular masterwork. Size app.: 18 x 23.3 cm (roughly 7.1 x 9,2 in), framed 31.7 x 36.4 cm (roughly 12.5 x 14.3 in). Very Good condition, minimal age wear. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Please study good resolution images for overall cosmetic condition. Glass will be removed prior to shipment for safe transit. Weight of app. 0,5 kg (without glass!) is going to measure some 2 kg volume weight packed for shipment. R. Geiger was born in Vienna. He first attended a drawing school and then studied at the Academy of Fine Arts Vienna, where he studied under Christian Griepenkerl and August Eisenmenger. He studied sculpture with Fritz Klimsch at the Academy of Arts in Berlin. There he took part in the exhibitions of the Academy with his portrait busts and sculptures. In Paris he studied at the Julian Academy and worked in the studio of François Flameng...

Cyclop is an artwork realized by Ferdinando Codognotto in 2023. Black marker on paper. Handsigned and dated in the lower right part. 33x24 cm, no frame. Excellent conditions.

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

A charming graphite study in the delicate manner. The woman wears a puffed sleeved and ringlets fall to the side of her face in a typical Victorian fashion. Unsigned. Presented in a ...

A delicate portrait miniature of a Victorian girl wearing a puffed blouse and beaded red necklace. The girl stands with her back to the viewer, peering ...

Casimiro Martinez Tarrassó (1900-1979) - Seated Woman - Pencil Drawing measures 31x21 cm. Frame measures 47x37 cm. MARTINEZ TARRASSO, Casimiro – Barcelona 1900 - 1979 Casimiro Martínez Tarrasó, known as TARRASSO, trained at the La Lonja school in Barcelona, ​​completed his studies in Paris where he was able to see first-hand the Fauvist works that were shaking the Parisian artistic environment at this time. He cultivated still life and Catalan and Mallorcan landscapes and held his first exhibition in 1928 at the Galerías Layetanas in Barcelona and since then his shows have followed one another in Barcelona, ​​Madrid, Palma de Mallorca and Bilbao. His awards include the Pollença in 1962 and the Santiago...

A charming 19th Century watercolour depicting a Fisherman's wife wrapped in a tartan shawl holding a hand of cards. The artist captures the woman in profile, sporting a dotted head s...

A charming pastel study of a 17th Century noble child seated on a red chair next we an earn. He looks down at a hat on the floor and wears a royal blue uniform. Signed faintly with i...

A delicate watercolour study of a young child with angelic features. Well presented in a gilt effect frame. Unsigned. On watercolour paper.

Monotype, ink and oil on paper, signed by the artists Samuel Bloch paints canvases on the frontier of abstraction that give free rein to the imagination. He studied graphic design ...

A fine 20th Century costume study. This full length portrait shows an actor (possibly Edouard de Reszke) as Wolfram in Wagner's 1845 opera, Tannhäuser. The drawing is unsigned and pr...

Pierre Olivier Dubaut (1886-1968) Portrait of an artist Stamp of the artist on the lower part watercolor on paper 46.5 x 30 cm In a vintage frame : 58 x 42 cm, some damages in the ...

FRANK LEWIS EMANUEL (1865-1948) Portrait of Archibald Hartrick Signed, inscribed and dated l.l.: A S HARTRICK (artist) by F L EMANUEL 1884 Black chalk heightened with white chalk on blue paper...

Orange, blue, and yellow abstract figurative portrait by Texas artist Ike E. Morgan. This pastel drawing depicts an abstract figure of George Washington against a yellow halo on a re...

A finely painted watercolour portrait of an old man in green hat and yellow cloak, drinking from a flagon. Signed G. Rushton to the lower right. Presented in a quality gilt effect fr...

A fine and delicately detailed 19th Century watercolour copy of the self portrait by Rembrandt from 1634. The artist has signed to the left edge and the painting has been presented i...

French School 18th Century, Le Mépris et la Haine, Contempt and Hate as a form of expression, Titled on the lower right "Le mépris et la haine N°7" Black c...

Portrait is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (70x51 cm). No Signature, another pen...

"Apollo" Original art, signed 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio Antiquity is an endless inspi...

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 89 of the book. An image of the book cover can be seen in this listing. This beautifully matted & framed original art...

French School 18th Century, Le Rire, Laughter as a form of expression, Titled on the lower right "Le rire N°12" Black chalk on paper 43 x 29 cm In quite good condition, stains vsibl...

A fine watercolour copy of the famous original oil self portrait by Peter Paul Rubens, painted in 1623. The painting is unsigned and presented in a fine 19th Century gilt frame with ...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Red chalk on paper 11 x 14 3/4 in. Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern sculptors...

A delightful pastel portrait depicting three Regency women in fashionable dress. The style is a of the French revival period of the early 20th Century, ...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

The Maiden is an original Drawing in pencil realized in the 19th Century by Paul Huet (1803-1869). With another drawing on the rear. In good condition. The artwork is depicted sk...

B. C. Leeming (British, circa 1901) A Portrait of John Ruskin Ink Signed and dated ' B C Leeming 01’ (lower left) 13 x 10.1/4 in. (33 x 26 cm.). Provenance: Collection of James S D...

A charming charcoal drawing depicting the Welsh poet Dylan Thomas. The artist captures his signature wild hair and thoughtful look through this expressive po...

Beautiful WWII era portrait of a young man by Louis Krupp (1888-1978). Charcoal on paper measures 16.5 x 22.5 inches, 25 X 30 IN MATTING. Signed and dated...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

SIR CECIL BEATON, CBE (1904-1980) Regency Girl with Ringlets Pencil Unframed, in mount only 21.5 by 18 cm., 8 ½ by 7 in. (mount size 33.5 by 30 cm., 1...

Wonderland Tale - Fairy Tale - Female Illustrator - The work is meticulously rendered in an exacting technique of line to the point of wonderment. Yet, Baxter can obtain an ethereali...

A delightful pastel study of a woman arranging small spring flowers into a brightly coloured vase. The artist captures the scene in bright, uplifting colours from the neatly arranged...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Ink on paper 11 x 14 3/4 in. (each panel) Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern sculptors...

A fine watercolour portrait depicting two young sisters in matching gowns. The artist captures the children in delicate watercolour brush strokes show...

A fine 18th century French pastel portrait on paper of an aristocrat wearing the order of St Louis, inferring that the sitter had been in the military serving the King. The pastel is unsigned but to the the back is a piece of the original backing paper with a notation to the Baronne de Minck. The paper has been backed with a type of vellum, It is presented in a plain gilt wood frame on a period stretcher under 18th century glass. The artist has used the pastel to create a wonderful soft velvety texture so characteristic of this medium which became so popular for portraits in the 18th century. A charming rendition of a typical 18th century nobleman...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Red chalk on paper 11 x 14 3/4 in. Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern sculptors...

A striking and colourful contemporary gouache self portrait, showing the inner monologue of the artist, arguing with themselves, set against a vivid and intricate patterned backgroun...

Work on paper Brown wooden frame with glass pane 92 x 73 x 5 cm

A pair of original red conte crayon drawings in their original frames featuring two young women in period clothing.

A striking watercolour study depicting a woman draped in blue staring directly at the viewer. Her eyes are piercing and she wears a stony expression in her face. Unsigned. Presented ...

A fine 19th century watercolour of a noble cavalier walking the cloisters at court. The artist has caught the gallant figure dressed in red, clutching a sword in his left hand. Indis...