Men Portrait Drawings and Watercolors

Rudolf Schlichter (1890-1955) Portrait of a man Ink on beige paper Signed 44 x 31 cm small damages on the edges Rudolf Schlichter was born in Calw i...

Woman Portrait is a beautiful drawing in pencil realized by Adolphe-Félix Cals (1810-1880) The state of preservation of the artwork is good. Included a Pa...

A striking watercolour study depicting a woman draped in blue staring directly at the viewer. Her eyes are piercing and she wears a stony expression in her face. Unsigned. Presented in a rustic gilt...

Portrait of Man is a beautiful drawing realized by a French anonymous artist active in the early 19th century. On the lower right, there are the initials “J.G.” that do not allow the...

While charcoal is naturally a loose drawing medium, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures the fine details with exacting clarity. In his drawing "Pritzlaff - 1903", the subject, a male with a glazed look, is wielding an ax and pointing a finger at the viewer. This drawing is framed in a simple black frame. The artist has signed with his initials and year on the front and signed his full name on the back of the piece. David Becker Pritzlaff - 1903 vine charcoal on paper 32h x 24w in 81.28h x 60.96w cm DB0027 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Watercolor portrait of a young Mexican girl by Joseph Yeager (American, 20th Century). Signed "Joe Yeager" in the lower right corner. This piece is on hea...

Jean-Gabriel Domergue (1889-1962) Paris, Les Bouquinistes sur les quais, (The booksellers on the banks) Signed and titled lower right Pencil on paper 17 x 27 cm In good condition, ...

Acrylic and watercolor on paper Signed in black ink, l.c. This artwork is offered by ClampArt, located in New York City. Price includes framing. Jack Balas...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick Law Olmsted...

This captivating charcoal drawing depicts the upper half of a nude African American woman adorned with a wrapped headscarf. The contrast between the delicate curves of her bare shoul...

HANNA BAKUŁA (born in 1950) Polish painter, stage designer and writer. Bakuła graduated with honors from the Academy of Fine Arts in Warsaw, where she studied under such polish maste...

Signed, titled, and dated, verso India ink and watercolor on paper This work is offered by ClampArt in New York City.

Sprinchorn, Carl (American, 1887-1971) UNTITLED. Drawing, pastel and ink wash on paper, not dated. Signed, lower right. 8 x 5 inches, framed to 16 x 12 inches. Provenance, Tom Veille...

eon Kroll Original Graphite Portrait of a Young Man c.1940 Outstanding portrait by listed American artist Leon Kroll Graphite on paper Dimensions 12" wide x 18" high The vintage ...

Superb original drawing in coloured conté pencils, heightened with white on oatmeal coloured vergé paper by Claudio Bravo. The work was created during the artist's Moroccan period, a...

French school 19th Century A Muskeeter Pencil on paper 26.5 x 17 cm Bears a signature "F. Roybet" in the lower right In quite good condition, bears some visible foxings, In an old mount (some damages) (not framed) Even if the style, execution and of course subject are those of Ferdinand Roybet...

France circa 1820 Portrait of a gentleman Black chalk and pastel on paper 12 x 10 cm In its original mount, modern oak frame : 25 x 22.5 cm

English School early 19th century, Portrait of two children, Pencil and light heightenings of white and red gouache 29.5 x 23 cm In quite good condition : the pape is yellowed by t...

Louis Gallait (1810-1887) Portrait of a Gentleman, Watercolor and gouache on paper, square white lines, 24 x 16 cm Stamp of the Louis Gallait Estate on the mount on the lower righ...

Theodore Blake Wirgman (1848-1925) Portrait of Sir Ernest Albert Waterlow RA, (1850-1919) pen and black ink on paper, inscribed with thename of the sitter on the verso of the sheet, now not visible under the framing 15 x 12 cm In a modern frame 34.5 x 30 cm Theodore Blake Wirgman (29 April 1848 – 16 January 1925) was an English painter and etcher who moved to London, studied at the Royal Academy schools, became a painter of history and genre subjects, and worked as a portrait artist for The Graphic. A number of these portraits are held at the National Portrait Gallery. Theodore Blake Wirgman was born in Belgium and died in London. He worked from a studio at 24 Dawson Place, Notting Hill, London, and joined The Arts Club in 1892. Wirgman was part of a group of avant-garde young artists who emulated Edward Burne-Jones and Simeon Solomon...

Pierre-Georges Jeanniot (1848–1934) Portrait of Henri Rochefort ready for a duel, Pencil on paper Signed and titled lower left 28 x 21 cm In good condition : the left and right borders irregularly cut In a modern cardboard mount : 45.5 x 35 cm Henri Rochefort, whose complete name was Victor Henri de Rochefort-Luçay , was born in Paris on January 31 , 1831, he died in Aix-les-Bains on 1 st July 1913. He was a french journalist , playwright and politician A great polemicist in the pages of his newspapers ( La Lanterne , La Marseillaise , L'Intransigeant), he defended radical and even extremist political options (anticlerical , nationalist , favorable to the Commune , Boulangist , socialist and anti-Dreyfusard ) which earned him the nickname of "The man with twenty duels and thirty trials », And convictions, in particular in the prison of Noumea from which, unique fact, he managed to escape in 1874. Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris. He started out pursuing a military career, as an infantry officer (1866–1881). He was a lieutenant with the Twenty-third Infantry from 1868 to 1870. He fought in the Franco-Prussian War, was wounded at Rezonville, and was awarded the Légion d'Honneur. He subsequently served with the Ninety-fourth Infantry and the Seventy-third Infantry. At the time he left the army he held the rank of major, with the Chasseurs à Pieds. He never ceased drawing. He was known for the first time in 1872 at the art exhibition Salon de Paris, where he presented a watercolor painting called Intérieur de forêt. The next year he presented the painting Le Vernan à Nass-sous-Sainte-Anne. From then on he was a regular contributor to the Salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the Seine, and some portraits. In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris) with his les Flanqueurs (1883, Musée du Luxembourg). In 1886, La ligne de feu, souvenirs de la bataille de Rezonville, remembering the Battle of Mars-La-Tour (Museum of Pau), assured his notoriety. From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the "Belle Epoque", women in bathing suits...

French school 19th century, An italian bandit, 1864, watercolor on paper On the reverse of the sheet (now under the back of the frame) an annotation, "Rome 1864" 25,5 x 21.5 cm (v...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

Marius de Zayas was born in Veracruz, Mexico and emigrated to New York with his family in 1907. He joined the art staff of the New York Evening World newspaper and quickly became kno...

Auguste Gardanne (circa 1840- circa 1890) Soldiers at rest during the franco-prussian war of 1870 Watercolor on paper On the reverse Study of a battlefield (?) Pencil on paper Mark o...

A very fine early 20th Century portrait in delicate pastel, showing a refined older woman in elegant black dress with a white lace cap. She holds her knitting in her lap as she gazes...

A delightful oil study of four men loitering by the harbourside. They appear to be engaged in conversation whilst one is off to the side smoking a cigarette. In the background we can...

"Mission Impossible" Original TV Guide Drawing Illustration Caricature Mid Century NYC with Greg Morris, Barbara Bain, and Steve Hill. This original drawing...

A charming gouache and watercolours study of a man. Illegibly signed to the lower left and well presented in a white mount and hardwood frame. On wove.

1942 Calendar illustration featuring the First Lady of Haiti (Madame Elie Lescot]) rendered in a precise stipple effect and celebrating African-American women which was titled "Twelve American Women." It was executed during the hight of World War II. Lois Mailou Jones...

Beautiful 1950 drawing by Spanish artist, Federico Castellon (1914-1971). Graphite on wove paper, sheet measures 12 x 18 inches. Excellent condition with no restoration or damage. Signed lower right. Unframed. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, Spain Death place: New York, NY Addresses: NYC (immigrated 1921; citizen, 1943) Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGA Work: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

A very finely painted watercolour study of the New Zealand equestrian Blyth Tait. Ready Teddy was an eventing horse competitively ridden by Blyth. Together the pair competed in three...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in black ink on the recto, as well as the Jaipur City Council blindstamp, 13 5/8...

A charming self portrait in bold ink line work. The simplicity of form resembles the sketches of Matisse. The artist has inscribed with a dedication to his wife at the lower edge, re...

A sanguine conte study of a head. Presented in a wash line mount and a distressed gilt-effect wooden frame. Signed and dated to the lower-left edge. Pastel Society exhibition label o...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

The Power is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork was in mixed media of ink and white lead on paper. Included a Passepartou: 50...

"Marc Chagall" Original Drawing Illustration Caricature William Saroyan book This drawing was published in the 1976 edition of William Saroyan's SONS ...

Rousselet, French School early 20th century Portrait of an officier, 1915 Wax crayon on paper signed "E Rousselet" and dated 1915 lower right 51.5 x 31.5 cm In quite good condition, ...

Santa has a quickie with Mom. Elmer Simms Campbell was the first African American Illustrator to work for major newsstand magazines. Published December, 1963 Signed in pencil lower...

Edouard Chevret (1835-1864) Napoleon and his soldiers, different studies Signed on the lower right and dated 1860 28 x 45 cm In a modern mount covering the original mount. In quite g...

Carl Haag 1820 - 1915 One of the Howling Dawashes in Cairo Watercolour on paper, signed lower right & dated 1880 Image Size: 10 5/8 x 7 3/4 inches (27 x 19.5 cm) Original Frame 'One...

Signed and dated (on back) "January 1845/ J.E.J." Provenance: Mr. and Mrs. Bertram Rowland, Buckingham, PA Mr. and Mrs. Edward Abraham, West Chester, PA Hirschl & Adler Galleries...

Sterner, Albert (American. 1863-1946). PORTRAIT OF HAROLD STERNER. Charcoal and pastel on paper, not dated, but 1912, as the subject is stated to be aged 17. Signed, lower right. 16 1/2 x 11 1/4 inches, framed to 26 1/8 x 20 1/8 inches. In very good condition. Albert Sterner was born in England, and studied in Paris. He worked as a magazine illustrator, but is best known for his paintings and prints. Harold Sterner (American, 1895-1976). Architect, painter; New York, N.Y. Born 1895, died 1976...

HERBERT JOHNSON HARVEY (British 1883-1956) Reverie Signed with monogram and dated l.l.: HJ 09 Red chalks Framed 29.5 by 22 cm., 11 ¾ by 8 ¾ in. (fra...

Anonymous. "SMITHEREENS" ORIGINAL ART FOR AN ALFRED E. SMITH CAMPAIGN POSTER. Circa 1920. Ink drawing with white highlighting. 20 x 22 inches, in an early fra...

Georg Philipp I RUGENDAS (1666-1742) Frederick I of Prussia Red chalk, ink and brown wash on paper 45x42 cm This drawing has been long considered representative of Charles VI. In r...

Provocative portrait of a young woman, in primarily celadon green and cream, wearing a crown and offering a pensive look, from Kim Frohsin, who is often associated with the Bay Area ...

This large scale charcoal on paper is from the artist's series "These fragile truths". This body of work explores the limitations and aesthetics of human memory through portraiture...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

"Double Opinion" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower left. It depicts a confused and wide-eyed face with two mout...

A Compelling, 1951 Mid-Century Modern Portrait of a Young Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 12 x 9 1/2 inches. Artwork is unframed, matted/...

The Assembly is an original drawing in watercolor and pencil realized by Edouard Dufeu (1840-1900) in the late 19th Century. Hand-signed on the lower, illegible. Good conditions. ...

Stella, Joseph. STUDY OF A MAN WITH A HAT AND OVERCOAT. Blue, red and black crayon on tan wove paper, c. 1920. 6 7/8 x 4 3/4 inches; 173 x 120 mm. Signe...

Patrick Vale Greg G acrylic, ink, colored pencil on paper 24h x 19w in 60.96h x 48.26w cm PKV015 See What I See Why are Chicago and baseball so perfect f...

Sandu Liberman (1923-1977) Untitled, c. mid-20th century Watercolor on paper Sight: 13 1/4 x 10 in. Framed: 22 1/4 x 18 3/4 x 3/4 in. Signed lower right: Sandu Liberman Sandu Liberm...

Sandu Liberman (1923-1977) Untitled, c. mid-20th century Watercolor on paper Sight: 13 3/4 x 9 3/4 in. Framed: 22 1/2 x 19 3/4 x 3/4 in. Signed lower right: Sandu Liberman Sandu Lib...

This vivid pastel portrait features a young African American man wearing a bright yellow rain jacket. The artist’s use of pastel captures the jacket's luminous color with striking in...