Chandelier Drawings and Watercolor Paintings

The Crucifix is a Watercolor Drawing realized by Hermann Paul Good condition on a yellowed cardboard. René Georges Hermann-Paul (27 December 1864 – 23 June 1940) was a French arti...

Mid-century French pen and ink drawing on transfer paper of entry to lounge in pink and yellow, circa 1950. Original artwork on paper displayed on a white mat with a gold border. A...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Signed lower right, 'Riso Aldo' for Aldo Riso (Italian, 1929-2008) and painted circa 1975 Aldo Riso was born in 1927 in Santa Maria di Leuca, near Lecce. He...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Conte Hindou en blanc Signed “Erté”(middle right) Inscribed "No. 76 / Conte Hindou 1922" (en verso) Gouache on paper Designed fo...

'Hydrangeas in White' Original Artwork, Unframed _________________ Sunlight dancing upon the hydrangeas, blooming in sumptuous summer fullness, giving the shadows depth and form. On...

At long last is a contemporary artwork realized by Ryan Mendoza in 2009. Oil painting on canvas. Hand signed and dated on the back. Provenance: Galleria Massimo Minini, Brescia Born in 1971 in New York, Mendoza's personal story is subsequently intertwined with the two extremes of Europe, Naples and Berlin, the two cities in which he has lived and worked up to now. In his works he represents complex theatricality, models anatomies, doses colours, calibrates lights, draws on a rich archive of memories, confusing ancient pictorial wisdom and contemporary risks. The artist's attention is particularly focused on portraits in which he carries out distortions and alterations: he exhibits perspective disproportions, reveals anatomical dissonances, manifests dystonias between the characters in the foreground and the backgrounds. His characters appear "possessed", it is no coincidence that the title of the 2010 solo show at the Muse d'Arte Contemporanea Donna Regina in Naples is "The possessed...

"Porcelain Lamp" is an original watercolor and ink drawing on ivory-colorated paper realized in 1880 ca. by Anonymous Artist of the late 19th Century. With a description in pencil o...

Highly detailed drawing by Patricia Pearce (American, b. 1948). Many of the ribbons in this piece are slightly metallic in finish. Signed ("Patricia Pearce") in the bottom right corn...

Charcoal drawing on archival Ingres paper. Love the velvety quality of charcoal, its deep blacks and soft whites and that is the reason it was the medium chosen for this imagined wi...

Teaching Drawing to Children is a drawing artwork realized by Alexandre Lagrant in the early 20th Century. Pencil and ink drawing on paper. The state of preservation is good with s...

Decoration is an original drawing in china ink on paper by Gabriele Galantara (1865-1937). the state of preservation is good. Sheet dimension: 15 x 12.3 cm. This is an original dra...

Gouache on paper - 72 x 102 x 3 cm

"Machine City" is a series of drawings that represents the imaginary city where I exist. It's the place where my soul resides. In the series, the drawings are made in different color...

Kevin Varner, American (1954 - 2019) - The Center of the Gravity. Year: 1993, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 29 x 29 in. (73.66 x 73.66 cm)

Kevin Varner, American (1954 - 2019) - Chain Letters with Elvis Stamps. Year: 1993, Medium: Color Pencil and Ink on Paper, signed and dated lower left, Size: 28 x 28 in. (71.12 x 71...

Paul Delvaux 1897-1994 Belgian Study for “L’Acropole” Signed and dated "P.Delvaux 1965" (lower right) Watercolor, pen and ink on paper This preliminary drawing for Paul Delvaux’s greatest masterpiece L’Acropole, which resides today in the Centre Pompidou in Paris, features the artist’s most beloved subject — mystical scenes of nude women. A centrally-placed, stoic woman draped in a long green gown stands with her arms outstretched by her sides. She gazes at another idealized woman in the foreground, lying nude on a chaise lounge, while behind her, multitudes of other women in white dresses undertake a long procession towards a distant door. The captivating scene exudes the unique Surrealist style for which the artist has become known. With this skillful rendering of the surreal setting, Delvaux has mastered depicting nude women in a sensual yet non-erotic manner. The artist drew inspiration from a variety of sources, including the futuristic writings of Jules Verne and the mythos of Homer, and blended them with his subconscious themes, which frequently included the nude female form. In combination with the loose concepts of form and perspective found in the 16th-century Mannerist paintings that Delvaux studied in Italy before World War II, his distinctive style served to create memorable dreamscapes without veering into lewdness. Like the very best Surrealist images, the work is both innovative and engaging. Paul Delvaux's earliest and most lasting influences in his art were the futuristic writings of Jules Verne and the mythos of Homer. After completing his initial artistic training at the Académie Royale des Beaux-Arts in Brussels, Delvaux exhibited with Surrealists Dalí...

watercolor on paper, 51"x72" This large scale watercolor on paper depicts a crystal chandelier that appears to have crashed to the floor. Smal...

"Machine City" is a series of drawings that represents the imaginary city where I exist. It's the place where my soul resides. In the series, the drawings are made in different color...

Art Sz: 17"H x 11 3/4"W

Sz: 14 3/8"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Salon w/ Palm Tree Interior

Nurhan Gokturk is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

Gabrielle Barzaghi's drawing "Perfect World" is part of a series also called "Perfect World," which engage with themes of utopia and dystopia. This work is unframed. Though we can provide a good frame at reasonable cost, safely shipping larger works on paper...

Art Sz: 14 1/2"H x 23"W Alexander Warren Montel (1921-2002)

Art Sz: 15 1/4"H x 22 1/2"W Alexander Warren Montel (1921-2002)

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...