Child Drawings and Watercolor Paintings

With elements of surrealism and fantasy, this is a soft pastel painting on toned archival paper. It is part of an ongoing series of work by the artist depicting humorous observations...

Painted circa 1950 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...

Early 20th Century French gouache and watercolour on paper of a fisherman by Louis Henri Magnat, The painting is signed bottom right and presented in a carved and gilt wood frame und...

"Performance I & II" are thoughtful and dynamic charcoal drawings on paper by Patsy McArthur. They are monotone, black and white, and show a woman wearing a fashionable striped skirt...

A watercolour scene depicting three children feeding a white rabbit perched in its hutch. Presented glazed in the original oak frame with a bevelled edge. Unsigned. On wove.

A wonderfully impressionist view of French market in Mantes-la-Jolie, France. Women gather at stalls under canopies, one woman walks towards the viewer in the foreground, a basket ov...

SIR HUBERT VON HERKOMER, RA, RWS (1849-1914) The Pipe’s of Pan Signed with initials and dated 26/2/74 Watercolour and bodycolour on paper 17 by 22 cm., 6 ¾ by 8 ¾ in. (frame size ...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Pastels are used to render a fine portrait of two twin girls in matching blue frocks. A remarkable portrait of two twin girls. Signed and dated. On wove.

This watercolor painting with ink accents depicting a young fashionable woman with a confident direct glance is in excellent condition -- no stains, tears, etc to the painting; antiq...

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

One of the characters in this scene is a mature man, kneeling with his head bowed and hands clasped near his chest in a gesture of supplication. His posture conveys a sense of humili...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

"Revolutions" is a dynamic and unique ink and pastel drawing on paper by Patsy McArthur showing a fashionable female figure dancing. The energy and movement makes it fun and whimsica...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Ernie Banks, aka "Mr. Cub" and "Mr. Sunshine", was a professional baseball player who starred in Major League Baseball as a shortstop and first baseman for...

Javier Báez was nicknamed "El Mago" (Spanish for "The Magician") when he was a middle infielder for the Detroit Tigers. On the international level, he represents the Puerto Rican national team. Báez was named the National League Championship Series co-MVP alongside left-handed starter Jon Lester as the Chicago Cubs clinched their 2016 National League pennant en route to winning the 2016 World Series. He is a two-time All-Star, as well as a Gold Glove Award, and Silver Slugger Award winner. He is also the cover athlete for MLB The Show 20. Margie Lawrence Javier Báez watercolor and graphite on paper 12.50h x 22.50w in 31.75h x 57.15w cm MAL031 Margie Lawrence b. 1957, Chicago Education School of the Art Institute of Chicago – Illustration, Printmaking, Chicago, IL University of Wisconsin-Madison – Theatre, Madison, WI Drake University, BFA – Theatre, Des Moines, IA National Theatre Institute, Waterford CT Royal Shakespeare Company, Stratford, England Exhibitions 2018 Baseball Art, Second Story Studios, Chicago, IL Baseball as Art, Cleveland County Arts Council, Shelby, NC Masterful Moxie – The Power of Art, Dank Haus, Chicago, IL Connections – Exploring the Ties that Bind, Open Walls, Chicago 2017 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2015 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2014 All Stars of Baseball Art, The Mason Civic League Gallery, Hoboken, NJ Pine Tar Portraits & Other Notables, Firecat Projects, Chicago, IL 2013 Baseball Art Show, George Krevsky Gallery...

Gouache on paper. Stamped. Frame dimensions: 63x78 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in New York at t...

Title: Historic Miniature Watercolor of St Bartholomews Gate with Various Figures by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...

"Snappy Answers to Stupid Questions" is one of Al Jaffee's signature series. This work was a double-page work that appeared on pages 60 - 61 in Mad Magazine in 1968. Although this w...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Watercolor over pencil strokes Dedicated to Madame Mossler / Respectful memories, signed and dated 188... bottom right. Provenance: • France, private collection.

Orange Poppies in a Vase, Modernist Still Life in Watercolor on Paper A vibrant watercolor still life with a vase filled with orange poppies on a carnation pink background with abstract leaves of teal blue and purple, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "L. Johnston '74" at the bottom left and "Lucile Johnston" on the back. Presented in a new cream mat with foam core backing. Mat size: 24"H x 20"W Paper size: 16"H x 12"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

This finely executed drawing in pen and wash is typical of the work of Leonaert Bramer, one of the most fascinating yet little-known artists of 17th-century Holland. In a nocturnal ...

The Prisoner is an original modern artwork realized the 1965 by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original watercolor drawing on Ivory cardboard. Hand-si...

Caves is an original China ink and watercolor drawing on ivory paper by Anonymous Artist of XIX Century. In very good condition. Titled on the lower margin.

This watercolor painting captures the ethereal beauty of a nude woman walking gracefully along the shore, her gaze turned back towards the vast sea and the sunset. The soft, flowing ...

'Portrait of Boy in a Chair', gouache on art paper, by Raymond Debiève (circa 1960s). Here the artist paints a young boy, very probably his son, Vincent, sitting in a chair posing fo...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Untitled Male Nude, Seated Unique Ink on Paper Drawing Hand signed by Archipenko Good condition overall. There are paper losses and tears to upper right corner, as shown. There is ...

Artist: Ada L. Dennis (English, Late 19th Century-Early 20th Century) Title: "Children Playing with the Baby" *Initial signed by Dennis lower right Circa: 1900 Medium: Original Water...

Mother Goose is a French fairy tale and later of English nursery rhyme. In this illustration, we see an oversized Goose in a yellow bonnet elevated on a step and engaging with an attentively curious young girl and young boy. Large vases of flowers frame them. Titled in pencil center bottom: "Goosey, Goosey Gander. Where do you wander? Signed Margaret Evans Price...

Frantisek Kupka, Czech (1871 -1957) - Personnage, Medium: Crayon on Paper, initaled lower right in pencil, Size: 8 x 3 in. (20.32 x 7.62 cm), Frame Size: 11.25 x 6.5 inches, Descr...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Santa has a quickie with Mom. Elmer Simms Campbell was the first African American Illustrator to work for major newsstand magazines. Published December, 1963 Signed in pencil lower...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

Image Dimensions: Image 9" x 19" Sheet Dimensions: 15" x 20.25" Medium: Watercolor, ink, and graphite on paper laid to board This is an unsigned study for the 38" H x 75" W oil pain...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

A delightful watercolour study depicting a young girl at the piano. She sits facing the artist dressed in blue with a music sheet opened behind her. Signed to the lower right. Presen...

Charcoal on paper Unique work Hand-signed by the artist on the back THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly accordi...

French School 19th Century Episode of the Franco-Prussian war of 1870, a cantonment of soldiers during the siege of Paris Pen and brown ink on paper 15 x 23 cm Annotated on the lower...

A finely painted portrait of a young boy dressed in a fine blue suit with a lace collar. He holds a large flower, possibly foxgloves. Well presented in a dark wood frame with gilt sl...

"Animated Discourse" WPA Mid-Century American Scene Modernism Realism Figurative. Chris Ritter (American, 1906 – 1976) "Animated Discourse," 19 x 24 (sight). Watercolor on paper. Si...

B.J.O. NORDFELDT (Swedish/American 1878 – 1955) (WINDMILL AND WORKERS). c.1900. Color pastel on colored paper, unsigned. 22 ¼ x 15”. Sheet: 24 ½ x 18 ¼”. In 1900 Nordfeldt studied ...

Alfredo Opisso Cardona (1907-1980) - Jota - Pastel Measures work 46x36cm. Frame measures 65x55 cm.

A Day At The Lake - Original Watercolor on Paper Original watercolor on paper depicting a day at the lake by Ken L. Stephens (. The viewer looks on as two women can be seen painting...

Charming pen & ink framed sketch depicting Mr Max Beerbohm (1872-1956) taking advantage of the English climate and amusing himself w/ a box of paints. S...

"Performance I & II" are thoughtful and dynamic charcoal drawings on paper by Patsy McArthur. They are monotone, black and white, and show a woman wearing a fashionable striped skirt...

Norman Meredith was British painter and illustrator, born in Liverpool (1909 - 1985) England. He studied at the Liverpool College of Art. He subsequently won a scholarship to the Ro...

MALCAH ZELDIS ''Basketball'', 1988, gouache on paper Hand signed and dated bottom right, titled in pencil on paper verso Malcah Zeldis (born Mildred ...

Signature lower right, 'Dopplera' for Freida Wilhelmine Doppler (Swiss, 1870-1968) and painted circa 1890. (Also spelled Frieda Doppler.) Accompanied by label with title, 'Train Stat...

Title: Shakespeare Inn and Temple Church Bristol Historical Street Scene by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.25 i...

Title: Historic Miniature Watercolor of St. Peter’s Hospital in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 4 inche...

Magazine story illustration for “Hero Come Home” by Ruth Burr Sanborn for The Saturday Evening Post, published September 12, 1942, page 24. This sentimental illustration, accompany...

After George Romney (1734-1802). An impressive watercolour copy of the original painting of the Gower family, the children of Granville, dancing in an Arcadian landscape. Unsigned. P...

Artist: Arnold Grossman (American, 1923-2016) Title: Seated Nude Year: c.1980 Medium: Watercolor Paper: Watercolor paper Image size: 21.25 x 17.85 i...

Beautiful watercolor on paper, in very good conditions. The Artist, who was Simeone Fort's son, belonged to French school of XIX century and started his work in Salon of Paris in 184...

Jules CAVAILLES Waiting Woman (c. 1965) Original gouache and oil painting on paper Signed bottom right On heavy paper 26 x 18 cm (c. 10 x 7 inch) Authenticated with the estate stamp...