Coat Drawings and Watercolor Paintings

C. 20th Century - Watercolor Drawing of a Man " Parandello Play " Signed Lower Rightside

The Carriage and Horse is a drawing in charcoal and pencil on paper realized in the early 20th century by Fernand Bivel. On the rear, there is another drawing of a nude. The state ...

Girbent's realistic charcoal drawing of a woman in the Louvre is highly evocative and transmits a moodiness in shades of gray.

Abstracted portrait of a man in a raincoat by artist John Dobbs. This impressionistic depiction of the subject allows for stylistic references to Monet, and Sisley. John Barnes Dobbs, a determinedly figurative painter who launched his career in the 1950s against the prevailing winds of Abstract Expressionism, lived to see a time when Realism would coexist with Abstraction, Minimalism, Conceptual Art and a variety of other artistic movements. On August 9 Dobbs died at his home in New York’s Greenwich Village at the age of 80. In his final works, Dobbs’ figures appear against flat backgrounds, iconic as the images on tarot cards: acrobats, boxers and contortionists, struggling against the physics of their own bodies and that of the universe. Dobbs had many solo shows at galleries, universities and museums. His work was exhibited at the Museum of Modern Art, the Whitney Museum, the American Academy of Arts and Letters, the Butler Institute of American Art in Ohio, and the Salon Populiste in Paris. Dobbs’ paintings are part of the permanent collections of the Hirshhorn Museum, Washington, DC; the Montclair Art Museum, Montclair, NJ; the Neuberger Museum, Purchase, NY; the Canton Museum of Art, Canton, OH and the Springfield Museum of Art, Springfield, MA. From 1972 to 1996, he was a Professor of Art at John Jay College, City University of New York. He was a member of the National Academy, to which he was elected in 1976. Born in 1931 in a small house by the Lackawanna Railroad...

Refurbishing This graphite pencil drawing ‘Sinterklaas in Voorburg – 03-12-23’ is my first one after I my big operation on my website. It doesn’t happen that often I skip ...

An original watercolor illustration by Nicholas Riley, American (1900 - 1944) for the Saturday Evening Post 10/19/1940. The painting...

Artist: Emmet Edwards Title: Eleanor Medium: Watercolor on paper, signed, dated, and titled in pencil Image Size: 21 x 14 inches Frame Size: 28.5 x 21.5 inches

Caricature of Amintore Fanfani is a modern artwork realized by the Artist Emilio Giannelli. Black and white drawing Hand signed on the lower margin Includes frame: 34 x 24 cm

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

Vogue Magazine Fashion Illustration (Stephen Sprouse) Antonio's mature style is on full display with a few quick strokes of the brush he is exemplifying the epitome of style and clas...

Monotype & collage on paper Federica Frati is an Italian artist born in 1977 who lives lives and works in Brecia, Italy. She is graduated from art school Foppa where she learned the...

Entitled "Drawing for Allegheny + Ludlum Helmet & Jacket," this work by Chicago-based artist Patrick Fitzgerald is a companion piece to his sculpture "A+L Helmet & Jacket." Worn by the imagined driver of one of his miniature soap box derby cars, each helmet & jacket is branded with an industrial sponsor, in this case the Allegheny Ludlum Corporation, a steel manufacturer from the early 20th century. Mounted on subtle collage materials and paper fragments...

[Mode Drawing] From Tutti studios - Military inspiered dress Original ink, pencils and felt pen drawing on drawing paper 29.7 x 21 cm (c. 12 x 8in) c. 1978 INFORMATION : Located Ru...

Portrait of Gentleman is a drawing in Pencil, Charcoal, and watercolor realized by Alfred Grévin in the late 19th Century. Applied on a Passeprtout. Hand-signed in pencil In good ...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Signed with the artist's initials lower right Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...

Austrian Soldiers is a modern artwork by Gabriele Galantara (1865-1937) in 1916. The artwork was realized in China ink and watercolor on cardboard. ...

Figures is a black marker Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was...

The Elite is an ink and watercolored ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condit...

Puppets is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for being ...

Garde Imperiale is an original drawing in ink and watercolor realized by Herbert Knotel in 1930/40s. Good condition except for being aged. The artwor...

Portrait of Child is an original drawing in Pencil realized by Alfred Grévin in the Late-19 Century. Applied on a Passepartout: 49x 32 cm. With the stamp of atelier "Grevin" on the...

Portrait of Pierre-Jean de Béranger is an original drawing in Pencil realized in the Early 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-bal...

This work entitled "Benvenuto Cellini with bird" is a test study for the graphic novel published in 2016 by Kleiner Flug "Benvenuto Cellini". The wo...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...

Costume Party is an original drawing in pencil on ivory-colored paper realized by a French anonymous artist in 1836. Includs a white passepartout: 49 x 34 cm. Hand-signed at the bo...

Man with Headdress is a modern artwork realized in the 19th Century. Original drawing in pencil on paper. The signature of the drawer is present on the mantle of the man. Some fox...

"Woman Figure" is an original watercolor drawing on ivory-colorated paper by Karl Hanny (1879-1972). In excellent conditions. Passepartout dimension: 40 x 30 cm. Not signed. Karl...

Figures is an original drawing in pen and pencil on paper by Gabriele Galantara (1865-1937). In good conditions except for some diffused foxings and repaired rip on the paper. She...

Philosophical Study is a artwork realized in 1871 by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the time. This beautiful...

Musicians is a drawing in watercolor on paper, realized by anonymous of 19th Century. Included Passepartout: 50 x35 cm. The state of preservation of the artwork is good but aged. ...

Watercolour stuck on a pink cardboard, 1820 c.a. Very good quality watercolour representing a monk. Hand-titled "Monaco Pasqualino che va alla circa in Campagnia, Napoli" (Monk Pas...

Watercolour on paper, 1820 c.a. Hand-titled "Uomo del Paese di Carafa Greci" (Man of Carafa Greci town), with the caption "Provincia Contado di Molise". Hand-signed on lower-right m...

James Rassiat ( 1909 -1998 ) . " la Tour Eiffel au bras de Maurice Chevalier " gouache on paper : 38 X 28 cm Framed : 51 X 41,5 cm

Art Sz: 10 1/2"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

"Woman in Coat & fancy Hat" is a graphite drawing signed by Sylvia Spicuzza. An older woman is sketched as she stands. She is wearing a winter coat and quite...

Art Sz: 13"H x 8 5/8"W 1973

A charming full length watercolour portrait of a young boy, scruffily dressed with crumpled trousers and unlaced shoes. the carries a satchel over his shoulder and scratches his head...

A finely detailed watercolour and pen costume design for the opera "Young England". Design number 49. Well presented in a contemporary black frame and white card mount. Unsigned. On ...

Street Costumes by Ruth Kreps. Signed lower right. Most likely for a book published in the 1930's about turn of the century women's fashion. "Costume Design of the Gay Nineties" T...

artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

This is one of my plein air paintings. I love watercolor because it’s a very challenging medium. I used Daniel Smith Extra Fine Watercolors with world-class acid-free Arches Baohon...

17 1/2" x 12 1/2" Folio w/ 36 colour plates of fashionable ladies at Longchamp Racecourse, *6 of which have varying degrees of water staining* Exemplaire No 169 of 250 Andre Dant...

Le Due Fait de la Peinture by Georges Manzana Pissarro (1871-1961) 27.5 x 18.3 cm (10 ⁷/₈ x 7 ¹/₄ inches) Graphite and coloured crayon on paper Inscribed upper left and signed lower ...

A young woman stands outside the Heritage Hotel in Germany. Perhaps she is mesmerized by the holiday décor as she stands outside in the rain. :: Painting :: Realism :: This piece c...

A young woman sits under the weeping willows in the beautiful Public Garden in downtown Boston. She's all set with her basket, flowers, and refreshments to have a peaceful afternoon...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

Xenia Ostrovskaya was born on August 7, 1989 in Leningrad, Soviet Union. She lives and works in Vienna. The artist explores ideas of heritage and belonging in her work, juxtaposing t...

Stylish & dapper watercolour 'decoupage' vignette by 'Fell' 1923 Featuring seven English gents sporting various styles of bespoke apparel Image Sz: 17"H x 12 3/4"W Frame Sz: 23 1/4"H x 18 3/4"W (04/14/1880- 11/1972) Herbert Fell Sharp was a British comic artist/illustrator born in London, United Kingdom in the district of Islington, son of Charles Sharp and Catherine née Fell. He immigrated to United States by 1910 married Ruth Sheriff in 1916 in Westchester, New York. He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyendecker as a prominent member during the 1950's. Sources suggest that Fell Sharp began his career as a comic artist, composing illustrations for the Amalgamated Press comics circa 1900 and "The Jester and Wonder" in 1905. Mr. Sharp possesses an artistic technique that is easy to identify and yet unique. The people featured in his artwork show details of pointed noises. Sharp's career, like his contemporaries, explored a diversity of avenues in which to market his craft. For example, he sketched artwork...

My studio painting :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signatur...

Art Sz: 13"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 10"H x 5"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Pen & ink drawing by F.W. (LL) depicting two dapper racecourse gents enquiring, Are they engaged? Yes, but she won't marry him until he gives up the "ring" Art Sz: 13 3/4"H x 9 3/4"...

Art Sz: 12"H x 8 3/4"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Watercolour, ink on paper Liubov Juravliova is a French painter born in Chisinau, Moldova in 1963 who lives and works in Argenteuil, near Paris, France She has been listed at Drouot...

Art Sz: 13"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 12"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11 3/4"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA