American Realist Art

This piece is an original oil painting on panel. It features red currants reflected in a silver vessel. A house finch perches above the scene, its red breast complimenting the berrie...

Majorettes on Parade by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous s...

Frederic Remington, After, American (1861 - 1909) - The Outlaw, Medium: Bronze Sculpture on marble base, signature inscribed on the base, Size: 25 x 14 x 7 in. (63.5 x 35.56 x 17.7...

Artist: Moses Soyer, American (1899 - 1974) Title: H.G with Standing Nude Year: circa 1960 Medium: Oil on Canvas Size: 24 x 20 inches Frame: 32 x 28 inches ACA Galleries label verso.

Original Antique Western Nevada Desert Oil Landscape by Phoebe K. Higgins A mid-century desert oil landscape of Western Nevada by Phoebe K. Higgins (American, 1895 - c 1960), circa ...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...

Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Good Insc...

Painting size with frame: 21"x28" Painting size without frame: 15 1/2 x 23 Eric Sloane (1905–1985), "Cold Shed," a beloved chronicler of Americana, Sloane’s work blends painterly r...

Noel Daggett, American (1925 - 2005) - Roll your own, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 22 inches, Size: ...

Charming 19th century oil on canvas of bunny rabbits. The painting appears to be unsigned. It measures 15 inches wide by 10 inches high. The period frame...

Joseph Kardonne (1911-1985).Male Figure at Beach, 1952.. Gouache on cardboard panel, 9 x 10 inches, 14.5 x 15.25 inches in maple frame. Signed, dated lower le...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". This is a very early work and despite the fact that it is squared off for enlargement,...

The Jewish Welfare Board. Original World 1 vintage poster, excellent condition; archival linen backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. Civilians: When we...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features Swedish model Inga Lindgren, wife of Argentinian finance minister Ceferino Alonso Irigoyen,...

Elizabeth Bell’s Dappled Elegance is a masterfully rendered oil painting celebrating the grace and stature of an Arabian or American Saddlebred horse in motion. The artist captures t...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

"Still Life with Hiroshi Sato Painting" (2025) is a beautiful handmade still-life oil painting by American realist Greg Gandy, depicting a vase of sunlit yellow lilies with a Hiroshi...

Sidney Goodman (1936-2013) The Tryout Oil on Canvas Hand signed lower right Dated 1965 Provenance: bears labels verso from Terry Dintenfass Gallery (partial label) George Krevsky Ga...

In th Bighorns (Wyoming) Drypoint, c. 1930's Signed in pencil lower right (see photo) Titled in the plate lower left Condition: Excellent Image/Plate size: 6 3/8 x 4 3/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

A 20th Century wood carved male figure, a 'Cigar Store Indian' with original polychrome decoration. A now controversial subject, but none the less charming rendition, of a native North American man originally probably used as an advertising figure. Wonderful quality of carving capturing the stance of the man looking out to the distance, hair flowing to his back and plait to the side, all the details of his costume, his native dress and hairpipe breastplate (suggesting he is possibly a Comanche) and chest ornament, apron, trousers, mocassins, shield and arrows. The original Polychrome decoration has weathered beautifully as has the wood itself to present a sculpture that would adorn any collection or interior. Because of the general illiteracy of the populace, early store owners used descriptive emblems or figures to advertise their shops' wares. American Indians and tobacco had always been associated because American Indians introduced tobacco to Europeans. As early as the 17th century, European tobacconists used figures of American Indians to advertise their shops. Because European carvers had never seen a Native American, these early cigar-store "Indians" looked more like Africans with feathered headdresses and other fanciful, exotic features. These carvings were called "Black Boys" or "Virginians" in the trade. Eventually, the European cigar-store figure...

Chris Forrest, American (1946 - ) - Screech Owl, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: ...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a couple sunbathing by the sea at Palm Beach, Florida. This is an estate stamped and hand ...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 24 x 36 Frame Size: 32 x 44 Medium: Acrylic on Canvas Clearly signed lower left quadrant about an inch above the...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Lee Jaffe, American (1950 - ) - Portrait of John Brown and Nat Turner, Year: 1983, Medium: Oil on Canvas, Size: 125 in. x 170 in. (317.5 cm x 431.8 cm)

THOMAS HART BENTON (1889-1975) INSTRUCTION 1940 (Fath 41) Lithograph, signed edition of 250 as published by Associated American Artists. 10 ¼” x 12 ¼”. Full margins, deckle edges....

Dale Zinkowski is a master of still life. His work, reminiscent of Golden Age Dutch still life painting, glows with light and subtle, quiet beauty. This original oil painting shows a...

An oil painting of sun rays peeking through a clouded sky at one of the Great Lakes. 28.8 x 41 inches, framed American realist painter Carl Bretzke is particularly adept at noctur...

Beautiful black & white landscape photograph of forest trees and stream in the woods of Alaska, by Anchorage-based nature photographer George Provost (American, 20th Century). Hand signed and dated "George Provost 1989" lower right. Photograph is hand made from an 8x10 camera negative in a traditional "wet" darkroom, by the photographer. Mounted on white mat board. Unframed. Image size: 19"H x 15"W. Born in California, Provost grew up in the Bay Area. He has lived and worked in Alaska since 1987, specializing in large format, fine art, black and white photography. His work has been exhibited in over 60 exhibitions, received numerous awards, and is included in hundreds of collections, both public and private. George Provost was an Isle Royale...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Mid Century Seascape and Figural Original oil painting on Linen 1956 Solitary figure on wharf by California artist Robert Watson, painted 1956 (1923 - 2004)The following, is from To...

Noel Daggett, American (1925 - 2005) - A Last Look Back, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 25 inches, S...

This late 1950s urban portrait photograph, captured by society photographer Slim Aarons, features Faith Gibbons checks her hair in the mirror of a motor scooter, Bermuda. She is wear...

James Allen, 'Spiderboy', 1937, etching, edition 40, Ryan 86. Signed in pencil. A superb, richly-inked impression, on cream laid paper, with full margins (1 1/4 to 2 7/8 inches). A s...

Still Life with Watermelon and Cherries - Magic Realism still life oil painting in neutral grey with white and red. Larger than life cherries and sliced ...

NYC Subway Riders Mid 20th Century American Scene Social Realism WPA Modern 1930s Daniel Celentano (1902 - 1980) Subway Scene, 1930s 8 x 9 inches Ink and wash on paper Singed lower ...

Thomas Hart Benton, 'Goin' Home', lithograph, 1937, edition 250, Fath 14. Signed in pencil. Signed in the stone, lower right. A fine, richly-inked impression, on off-white, wove pape...

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...

A finely executed late 19th-century still life by Walter Brackett (1823-1919) of a rainbow trout with rod and reel in the foreground, along with the fly that captured the trout. Fin...

Charming, delicious still life with ripe fruits of strawberries. I just want to reach out and take a red fragrant berry. I specially applied the technique of painting, putting a deli...

Beautiful beach scene featuring surfers on California's Ocean Beach, includes its familiar Seal Rocks, a man and his dog and other surfers wading out to sea. The scene celebrates the atmospheric light that Dixon is known for, as well as white clouds across the blue sky with its purple haze and serene light reflecting upon the shoreline. The oil on canvas painting was created in 2019 by American Realist Willard Dixon. The canvas is 24 x 36 inches and it is framed in a classic artist fabricated hardwood floater frame 25 x 37 inches overall. Ready to hang and enjoy. Signed in paint with artist initials front. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art (SFMoMA), and the Metropolitan Museum of Art in NY, as well as the Califorrnia Museum of Oakland, CA. From Andra Norris Gallery in California. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher...

Noel Daggett, American (1925 - 2005) - Let's Move 'Em, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18.5 x 27 inches, Siz...

"MaineSunrise" with glowing water reflections of boats anchored in a peaceful harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on a b...

EASIN' EM HOME by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography ...

Duane Bryers, American (1911 - 2012) - Green River, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22.5 inches, Size: 21.5 in....

Noel Daggett, American (1925 - 2005) - High Country Chill, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, S...

Noel Daggett, American (1925 - 2005) - Pay Dirt, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 24.5 inches, Size: 22...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Noel Daggett, American (1925 - 2005) - We Shall Not Talk of War, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 25 inc...

Duane Bryers, American (1911 - 2012) - Horseshoe Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 28 in. (53.34 cm x 71.12 cm...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a New York debutante having her headpiece pinned. This is an estate stamped and hand numbe...

Noel Daggett, American (1925 - 2005) - Prize Rack, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 23 inches, Size: ...

Forest Landscape - an Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 36 x 24 inches F...