Art by Medium: Ink

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

This drawing, bistre on paper, depict a typical Renaissance style Maesta, so the Virgin enthroned with Jesus on her lap. The echoes are clearely referable to the school of Filippo Lippi...

Medium: Ink, Graphite, and Watercolor on Paper Mounted Signature: Signed Lower Right circa 1881 Exhibited: Kennedy Galleries, with their label suggesting the creation date of 1881.

Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, we...

Antique scene. 19th century drawing. Ink wash, black chalk and white chalk. Paper laminated on paper. Folds and dirt. 35.5 x 30 cm

The Scribe is an original Modern artwork realized in the first decades of the XIX Century. Original Ink and Watercolor on paper. Mint conditions. Beaut...

Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...

Geocentric Universe is a China ink drawing realized by Anonymous in the late 19th century Good conditions. Good condition with aged margins

Attributed to Léon COGNIET Paris 1794 -1880 Portrait of Condottière Pen and brown ink 10,5 x 8cm 30 x 25cm framed Period frame

Jules COIGNET Paris 1798-1860 Torrent in the Alps Watercolor and brown ink wash Signed lower left 18 x 26.5 cm 29.5 x 37.5 cm framed Condition: Remarkably fresh Period frame and gl...

Group of Three 19th Century Framed Painted Silhouettes Framed in black: Male: 6.25x7.75, unframed 5.5x7 Framed in black: Female: 4.75x6.25, unframed 2.x2.75 Gilded frame: Female: ...

Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper Full Title: Kyoto: Kiyomizu Temple (Kyô Kiyomizudera), from the series Scenes of Famous Places along...

Xanthus Russell Smith (American, 1839-1929) Army Transport "Neptune" Ink on bristol board, 9 x 14 1/4 inches Framed: 16 x 22 (aprox.) Signed at lower left: "X.S.” Inscribed: (on pap...

Old Battersea Bridge View, Chelsea, 1879 - Etching on Paper Black and white 1897 etching titled "Old Battersea Bridge View" by Charles John Watson (British, 1846-1947). View at Chelsea from the bank of the Thames, with boats moored in foreground at left, Old Battersea Bridge in background, and Chelsea Old Church beyond. Signed and dated "Charles J Watson...

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...

Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony. Presented in a new off-white mat with foamcore backing. Mat size: 16"H x 20"W Paper size: 9.63"H x 14.5W" Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...

Narihira's Journey to the East - Japanese Woodblock on Paper Original 19th century Japanese woodcut print depicting Narihira's journey to the East by a follower of Utamaru, Kikugaw...

Horace Vernet (French 1789-1863), Study for “The Artist’s Studio” 1820. This is a charming detailed pen and ink study for “Vernet’s The Artist’s Studio” which was painted in 1820. I...

A highly decorative and whimsical study of ‘The Grand Duchess of Gerolstein’ starring Julia Matthews as the title role, first shown in 1867. La Grande-Duchesse de Gérolstein is an ...

A rare mid-19th century Phra Malai illustrated Buddhist Manuscript from Thailand, 19th century Samut khoi accordion-style folding book with lacquered paper cover, narrating the lege...

Questo schizzo, inchiostro su carta, è firmato in basso al centro C. Brancaccio. Raffigura un gruppo di figure, tra cui un bambino che sembra protendersi verso un animale, si può sup...

Il disegno, 30 x 41 cm acquarello su carta, raffigura una scena di caccia. Il centro del foglio è dominato dall'assalto di un cane molosso con il collare ad un cervo, mentre sullo sf...

Home of Colonel William H. Terrill Roanoke Virginia Original Photograph Home of the Colonel William Terrill (CSA) Roanoke Virginia, original period s...

Utamaro Kitagawa – active ca. 1753-1806 Woodblock Print title : Awabi Diver with Shell date: Showa era edition size : oban, approx. 9.5 x 14.5 in...

Although Western painting was initially embraced during Japan’s Meiji period (1868–1912), artists brought on a revival of traditional painting styles as they sought to create a moder...

Beauties Mirrored in the Forms of Flowers - Utagawa Kuniyoshi Japanese Woodblock A Japanese beauty dressed and posed resembling flowers by Utagawa Kumiyoshi (Japan, 1797 - 1861 ). A...

Japanese Parade - Woodblock Print Japanese woodblock print by Utagawa Kuniyasu (歌川 国安) (Japan, 1794–1832). Japanese women, dressed in blue and red kimonos, are the focal point. A vi...

Pioneering English Female Illustrator Helen Stratton masterfully renders in pen and ink a scene from "The Little Mermaid" in George Newnes's 1899 editi...

Dressing the Boy Samurai - Kuniyoshi Japanese Woodblock Print Original Wood Cut A young Samurai boy is finishing dressing with the help of a younger sister while his mother looks on ...

3 Panel Hand Colored Japanese Woodcut Print Lithograph Three panel hand colored woodcut lithograph from Nanso Satomi hakkenden, Tale of the Eight Dogs...

"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae. The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs. The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...

Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延). Colorful and expressive court scene. Two actors...

Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass. A charming s...

The Sower by Camille Pissarro (1830-1903) Ink on paper 23 x 16 cm (9 x 6 ⁵/₈ inches) Stamped lower right, C.P. This work is accompanied by a letter of authenticity from Dr. Joachim...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

Circa 1890. Pencil and black ink on cream laid paper with a border drawn in light blue ink, 6 x 5 1/8 inches (153 x 130 mm). Scattered light surface soiling and multiple soft horizontal folds. Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...

Queen Victoria’s Daughter, Princess Alice Maud Mary, of the House of Hanover. English ( b.1843 - d.1878 ). Long Life and Happiness – June 11th 1860 Watercolor. Signed and Dated. Image size 12.4 inches x 7.7 inches ( 31.5cm x 24cm ). Frame size 18.5 inches x 15.2 inches ( 47cm x 38.5cm ). Available for sale; this charming and delicate watercolor is by the second eldest daughter of Queen Victoria, Princess Alice Maud Mary of the House of Hanover, and is dated 1860. This original watercolor is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and non-reflective Tru Vue UltraVue® UV70 glass. This intriguing and gentle piece will be of specific interest to those who have an interest in the Of the British royal family and its history. This antique piece is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. This intriguing and gentle piece will be of specific interest to those who have an interest in the British royal family and its history. A unique and very special painting, this charming delicate watercolour was painted by Princess Alice Mary Maud, of the House of Hanover, the second daughter of Queen Victoria. This is very significant because the artist is now the great- great grandmother of the current monarch, HM King Charles III. The artist herself was an extraordinary woman, the painting was created at a special time and place, and the subject of the painting is a mystery. The painting depicts a winged angel looking down at a small baby lying in a cradle. The angel holds a scroll, emblazoned with “Long life and happiness” A date, “June 8th, 1860”, is written clearly and prominently above the child, signifying a date of birth. The painting is signed simply “Alice” and the date of its completion is recorded as “June 11th, 1860.” The painting demonstrates that the young Princess, just 17 at the time, was an accomplished and sensitive artist. The work commemorates the birth 3 days earlier of a baby whose arrival must have been personally celebrated by the Princess. The identity of this child is a mystery. The fact that the cradle is decorated with blue ribbons and trimmings does not necessarily suggest that this is a male child as the custom of blue for a boy had not yet been adopted at this time. Princess Alice of the United Kingdom became Princess Louis and Grand Duchess of Hesse and by Rhine by marriage. She was born on 25th April 1843 and was the third child and second daughter of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha. Like her siblings she spent her early childhood in the company of her parents and siblings, travelling between the British royal residences. Her birth prompted her parents to purchase Osbourne House on the Isle of Wight, and for Alice this was very much her family home. Here, at her father’s insistence, she and her siblings learnt family values and practical skills such as housekeeping, cooking, gardening and carpentry. During the Crimean War Alice, aged just eleven, toured London hospitals with her mother and elder sister. This triggered her interest in health and public welfare which continued all her life. Alice was considered the most emotionally sensitive of her siblings and was genuinely sympathetic to the burdens of others. Her compassion meant that she took on the role of the family caregiver. She nursed her grandmother, Victoria, Duchess of Kent, mother to Queen Victoria, throughout her final illness, and provided emotional support for all the family after her death. As Alice reached adulthood Queen Victoria made plans for her to be married. Queen Victoria wanted her children to marry for love, but the choice of suitors was nevertheless severely restricted by protocol. After Alice rejected the first two potential suitors her mother and elder sister suggested Prince Louis of Hesse, a minor German royal who was heir to the Grand Duchy of Hesse. He and his brother were invited to Windsor Castle in 1860, ostensibly so that they could watch the Ascot Races in the company of the royal family. In reality, the visit was an opportunity for the Queen to inspect her potential son-in-law. Louis and Alice got on together well, and Alice made it clear that she was attracted to him. They became engaged the following year. The visit to Windsor Castle by the German Princes...

"The Smoker" After Shakespeare's "The Taming Of The Shrew" Petruchio - Antique Lithograph Lithograph titled "The Smoker," after the character "Petruchio" in William Shakespeare's pl...

A delightful composition by this master watercolourist. William Payne (1760-1830) Figures and cattle by a river Watercolour 7¾ inches, circular, unframed 15 x 14½ inches with the fr...

Rue de la Paix, Paris - Hand Colored Lithograph 1845-1860 Delicate hand-colored lithograph of Rue de la Paix Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Illuminated psalter - Psalm 31 Illuminated manuscript on vellum 15 x 11 (sheet)...

The Crusades is a drawing realized by Alfred de Richemont (1857-1911) in the late 19th Century. Pencil, Ink, and Watercolor on paper. Hand-signed. In good conditions. Including a...

Alexander Phimister Proctor was an American sculptor with the contemporary reputation as one of the nation's foremost animaliers. Growing up on the f...

Ink and watercolor on fibrous Japon paper laid down to period cream laid paper, 6 x 7 1/2 inches (155 x 190 mm). Minor toning and some insect damage on the mount, painting itself rem...

French painter (19th century) - Four erotic scenes. 17 x 24 cm without frames, 21.5 x 28.5 cm with frames. Antique ink drawings on paper, in wood...

"Young Girl With Hat" is a classical Victorian portrait etching. It is signed in graphite in the lower right by the artist, F.M. Spiegle. It depicts a Victorian girl with curly hair ...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...

This beautiful drawing, of great technical virtuosity, is one of the many studies made by Ingres for Astraea, one of the key characters in the Golden Age fresco he painted between 18...

Ink wash with watercolor in sepia and black, and blue, on buff wove watercolor paper, 14 1/4 x 10 1/4 inches (360 x 260 mm). 1/4" of the lower right corner is lost, minor crack (doe...

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 12 5/8 x 8 9/16 inches (320 x 217 mm). Toning, handling creases and minor sc...

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor sca...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in gray ink, and the 1889 Jaipur State Council stamp in black ink, 13 1/4 x 8 3/4 inches (335 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto. "A ragamala, translated from Sanskrit as "garland of ragas," is a series of paintings depicting a range of musical melodies known as ragas. Its root word, raga, means color, mood, and delight, and the depiction of these moods was a favored subject in later Indian court paintings...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and ...