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Period: 1910s
Medium: Lithograph
Mele - Original Advertising Lithograph by Marcello Dudovich - 1910s
Located in Roma, IT
Image dimensions. 26x18.2 cm.
Mele is a precious color lithograph printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914.
An advertising poster of the famous Italian tai...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Food and the War! Original c. 1918 World War 1 vintage poster
Located in Spokane, WA
Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...
Category
1910s Academic Art by Medium: Lithograph
Materials
Lithograph
George Grosz "Whisky" Lithograph, 1917
By George Grosz
Located in Berlin, DE
Color Lithograph on handmade paper Ecce Homo by George Grosz, 1917. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numerals lo...
Category
1910s Art by Medium: Lithograph
Materials
Handmade Paper, Color, Lithograph
Verde e Azzurro - Original Advertising Lithograph by E. Sacchetti - 1914 ca.
Located in Roma, IT
Verde e Azzurro is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Enrico Sacchetti. Printed by Officine Ricordi, Milan, this adver...
Category
1910s Art by Medium: Lithograph
Materials
Lithograph
Caffè Greco - Original Print - 1918
Located in Roma, IT
Greek Café is an original lithograph by the Italian artist, painter, and printmaker Anselmo Bucci.
Signed on the plate on the lower right and titled.
In very good conditions.
The ...
Category
1910s Futurist Art by Medium: Lithograph
Materials
Lithograph
Düsseldorfer Bühnenball by R. Hoch, German Art Deco marionette lithograph
Located in Chicago, IL
A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect.
“The modern poster as we know it- large, colorful ...
Category
1910s Art Deco Art by Medium: Lithograph
Materials
Lithograph
Levitation magic poster, The Fakir Shah Rabey and The Aerial Woman, c. 1915
Located in Chicago, IL
A magician billed as The Fakir Shah Rabey is pictured with his "astral" subject, The Aerial Woman, who levitates above in a hoop.
Original lithographic magic poster...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Candid Oder der Optimismu - Original Rare Book Illustrated by Max Unold - 1913
Located in Roma, IT
Candid oder der optimismus is an original modern rare book written by Voltaire and illustrated by Max Unold (Memmingen, 1885 - Munich, 1964) in 1913.
Original Edition.
800 Numbere...
Category
1910s Symbolist Art by Medium: Lithograph
Materials
Paper, Lithograph
Keep it Coming, Waste Nothing original World War 1 vintage poster
Located in Spokane, WA
Original WW1 poster: Keep It Coming: "We Must Not Only Feed Our Soldiers at the Front but Millions of Women & Children Behind Our Lines" ...Waste Nothing.
United States Food Administration. General John J. Pershing.
The W. F. Powers Co. Litho N.Y.
Linen backed. Good condition. Original WW1 lithograph ready to frame.
The upper left outside boarder was repaired during the linen backing keeping this poster from being a 100 year old perfect condition vintage poster.
This image created by the artist George Illion features a line of trucks with the word food on the side traveling to delivery needed supplies to our troupes and allies. One lone soldier is shown directing the truck traffic to keep moving.
The trucks are done in an Army green since many computer monitors display different color tones. The “Keep” and “Coming” are done in a pumpkin orange lettering. This is an original World War 1 poster...
Category
1910s American Realist Art by Medium: Lithograph
Materials
Lithograph
Save your Child, Buy War Savings Stamps World War 1 vintage poster
By Herbert Paus
Located in Spokane, WA
Original World War 1 vintage poster: Save Your Child from Autocracy and Poverty. Buy War Savings Stamps. W.S S. (Small Format). This poster for War Savings Stamps features a small blond child wearing nothing but shoes and socks. He is clutching the arm of the Statue of Liberty. The poster was designed by Minneapolis born Herbert Paus. His most noted work is found in the famed advertising campaigns for Victor Records...
Category
1910s American Modern Art by Medium: Lithograph
Materials
Lithograph
Fire Department Certificate pub. by Currier & Ives 1911
Located in Paonia, CO
This is an original certificate of honorable discharge from the Saratoga New York Fire Department. It is signed by the Village President and dated 1911...
Category
1910s Other Art Style Art by Medium: Lithograph
Materials
Lithograph
Loden Dal Brun - Vintage Advertising Lithograph by Achille Beltrame - 1910 ca.
Located in Roma, IT
Loden Dal Brun is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914.
A vintage poster representing an elegant couple walking, wi...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Original Antique French Poster "Antar" by Georges Rochegrosse, Stone-Lithograph
Located in Dallas, TX
Antar, artist: Georges Rochengrosse. Size: 26.26" x 34.25". Year: 1912. Archival linen backed in very good condition; ready to frame. This poster was printed by Maquet Gr. PARIS.
Or...
Category
1910s Art Deco Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Schnackenberg-Ausstellung 1914""
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Sur la Grève - Original Lithograph by L. von Hoffmann - 1910 ca.
Located in Roma, IT
Sur la Grève is a red lithograph realized by the German artist Ludwig von Hofmann. It was published in the Gazette des Beaux Arts in 1910 (cfr.n. 1910.12 of the catalog Sanchez Seydo...
Category
1910s Art by Medium: Lithograph
Materials
Lithograph
Tristram and Ysoli, Düsseldorf state-theatre, Expressionist stage lithograph
Located in Chicago, IL
Uzarski’s expressionist lithograph advertises a stage production of Tristram and Ysoli (Tristan and Isolde) at the Düsseldorf city-theatre in 1919. This example was published c. 1919...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Kriegsnotspende für Leipzig - Etching by Bruno Héroux - 1916
By Bruno Héroux
Located in Roma, IT
Kriegsnotspende für Leipzig is an amazing black and white etching on paper, realized in 1909 by the German painter, Bruno Héroux (Leipzig, 1868-1944). Sig...
Category
1910s Symbolist Art by Medium: Lithograph
Materials
Lithograph
Original Antique French Poster, "Journee", Charles D. Fouqueray, Lithograph
Located in Dallas, TX
"Journee des Regions Liberees!" artist: Charles D. Fouqueray. Size: 45 x 30. Year: 1919. Archival linen backed in great condition; ready to frame.
Original linen backed stone lithograph:
Charles D. Fouqueray
Journee des Regions Liberees!
De La Vasselais Paris Vire (Calvados) Imp. circa 1919 Canvas poster / Vintage Poster on Linnen
Featured is a French poster from award-winning artist Charles Fouqueray, produced for World War I. The image is the majority with title separate and positions across the top in red outlined black text. The text reads "Day of the liberated regions.... think of the destroyed homes". Set against a background of devastated buildings in flames, stands a family group: the father embraces his daughter while the mother hold a younger naked child...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
"La Triennale: Exposition d'Art Francais, " Lithograph by Theophile Steinlen
Located in Long Island City, NY
Artist: Théophile Alexandre Steinlen, Swiss (1859-1923)
Title: La Triennale: Exposition d'Art Francais
Year: 1916
Medium: Lithograph, signed in the plate
Image Size: 56 x 48 inches
F...
Category
1910s Impressionist Art by Medium: Lithograph
Materials
Lithograph
Nude of a Man - Hand Colored Lithograph by Max Lingner
By Max Lingner
Located in Roma, IT
Nude of a man is a wonderful double-colored lithograph on paper realized by the German artist, Max Lingner (Leipzig, 1988- Berlin, 1969).
Signature and date on plate on lower right...
Category
1910s Symbolist Art by Medium: Lithograph
Materials
Lithograph
The Brothers Karamazov - Lithograph by E. Heckel - 1919
By Erich Heckel
Located in Roma, IT
Original title: Die Bruder Karamasov
This original lithograph is hand signed and dated in pencil on the lower right. Edition of 125 prints.
Representing a scene from Dostojewski's novel "The Brothers Karamazov...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Mele - Original Advertising Lithograph by Marcello Dudovich - 1910s
Located in Roma, IT
Mele is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914.
An advertising poster of the famous Napolitan tailoring society "Mele", in very...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Claudine/Theatre du Moulin Rouge
Located in New York, NY
Freres. Clerice. Claudine 1910.On Linen. Color lithograph poster for the
Operette en 3 Actes de Willy. d'après les Romans de Willy & Colette Willy
with music by Rodolphe Berger. Ref. Broido No. 21
The Clerice Frères...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Ausgedient - Lithograph by Ferdinand Andri - 1917
Located in Roma, IT
Ausgedient (“Obsolete”) is an original artwork realized by Ferdinand Andri in 1917. Lithograph in black over yellow plate on paper. Published in 1917 as part of a Jahresmappe (Annual...
Category
1910s Modern Art by Medium: Lithograph
Materials
Lithograph
Le Perron (The Porch) /// French Impressionist Henri Le Sidaner Garden Landscape
Located in Saint Augustine, FL
Artist: Henri Le Sidaner (French, 1862-1939)
Title: "Le Perron (The Porch)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by Sidaner in the plate (printed signature) lower right
Year: 1911
Medium: Original Lithograph on soft-cream Simili Japon paper
Limited edition: approx. 1,500
Printer: Maison Fortier and Marotte, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Sanchez and Seydoux 1911, No. 12
Sheet size: 10.75" x 7.13"
Image size: 7.5" x 5.75"
Condition: Light toning to sheet. It is otherwise a strong impression in excellent condition
Notes:
Printed in one color: blue.
This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Biography:
Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot (1860–1923), who shared his interest in atmospheric light. Later Le Sidaner traveled extensively throughout France. He also visited many cities around the globe, as well as villages throughout Europe. He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy. Marcel Proust's mention of Le Sidaner's work in his novel In Search of Lost Time confirms its later reputation. In Sodom and Gomorrah...
Category
1910s Post-Impressionist Art by Medium: Lithograph
Materials
Lithograph
L'heure de la soupe a aquatique city, World War I lithograph by Truchet, 1914
By Francis Abel Truchet
Located in Melbourne, Victoria
Scene from the Western Front.
French lithograph signed and dated in pencil below the image.
Louis Abel-Truchet was a French painter, etcher and lithographer who studied art in Pa...
Category
1910s Other Art Style Art by Medium: Lithograph
Materials
Lithograph
Composition with Nudes - Hand Colored Lithograph by Max Lingner - 1911
By Max Lingner
Located in Roma, IT
Symbolic composition with nudes is a wonderful double-colored lithograph on paper realized by the German artist, Max Lingner (Leipzig, 1988- Berlin, 1969).
Monogram and date on pla...
Category
1910s Symbolist Art by Medium: Lithograph
Materials
Lithograph
Die Mörderin - Original Lithograph by Ernst Barlach - 1912
Located in Roma, IT
Die Mörderin is an original hand-signed lithograph realized by the Expressionist German artist Ernst Barlac in 1912.
This is the edition 150 prints.
In good conditions.
This lith...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Les Vins de Bourgogne.
By Guy Arnoux
Located in New York, NY
Les Vins de Bourgogne. printed by Devambez, Paris, signed in the
plate. 1916. Color lithograph. On Linen
Guy Arnoux is an artist , illustrator and graphic designer French.
He ...
Category
1910s Art Deco Art by Medium: Lithograph
Materials
Lithograph
Evakuierte in Ostgalizien
By Oskar Laske
Located in Roma, IT
Evakuierte in Ostgaliezien ("Evacuation in East Galicia") is an original color lithograph on paper realized by Oskar Laske in 1916. Printed by k. k. Hof- und Staatsdruckerei Wien / A...
Category
1910s Modern Art by Medium: Lithograph
Materials
Lithograph
Mele - Original Advertising Lithograph by Marcello Dudovich - 1910s
Located in Roma, IT
Image dimensions. 13.5x26 cm.
Mele is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914.
A nice advertising poster representing...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Female Nude Lying with Scarf - 1910s
Located in Roma, IT
Female Nude Lying with Scarf is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-tone collotypes after drawings by Gustav Klimt.
Published by Gilhofer and Ranschburg, Vienna, July 1919, just one year after Klimt...
Category
1910s Modern Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Odeon-Casino"
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
The Rhone River, 1919, Print by Vincent van Gogh
Located in Long Island City, NY
A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions of drawings and watercolors. The artwork is accompanied by a copy of the colophon.
Artist: Vincent van Gogh (After)
Title: The Rhone River...
Category
1910s Post-Impressionist Art by Medium: Lithograph
Materials
Lithograph
Adolphe Willette Lithograph Original Hand Signed Seven Deadly Sins Erotic Nude
Located in FR
Adolphe Willette Lithograph Original Hand Signed erotic nude No 189
Well known for his version of The Seven Deadly Sins
Adolphe Léon Willette (30 Jul...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Edith Schiele mit Hund Lord - Original Lithograph After Egon Schiele
Located in Roma, IT
This lithograph from the portfolio "Egon Schiele" is a reproduction of "Edith Schiele mit Hund Lord", an original artwork realized by Egon Schiele in 1917. The portfolio, that includ...
Category
1910s Modern Art by Medium: Lithograph
Materials
Lithograph
Lithograph by George Grosz "Der Mädchenhändler" ( The white Slaver ), 1918
By George Grosz
Located in Berlin, DE
Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1918. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin
Published by Malik Verlag, 1923. Numbered in Roman numera...
Category
1910s Art by Medium: Lithograph
Materials
Handmade Paper, Color, Lithograph
"Emprunt 4% 1918 - Appel, " Original Lithograph Poster by A. Malassinet
Located in Milwaukee, WI
"Emprunt 4% 1918 - Appel" is an original lithograph poster by A. Malassinet. This poster advertised a fund for the national defense during World War I. The following are two statemen...
Category
1910s Modern Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Anne Lemans"
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Die Rodelhexe"
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Kino Plasticon
By Faragó Géza
Located in New York, NY
Kino Plasticon. Ca 1920s. Budapest. Color lithograph
The Hungarian artist and illustrator Geza Farago worked in Budapest as a cartoonist, theatrical costume designer and poster ar...
Category
1910s Art Deco Art by Medium: Lithograph
Materials
Lithograph
Chemin De Fer Rhetique
Located in New York, NY
Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp.
1913. Color lithograph
Cardinaux created an extensive work of different media, he illu...
Category
1910s Art Deco Art by Medium: Lithograph
Materials
Lithograph
Grand Hotel Rogoledo - Original Advertising Lithograph by E. Sacchetti -1914 ca.
Located in Roma, IT
Grand Hôtel Regoledo is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Aldo Mazza.
This modern artwork ...
Category
1910s Art by Medium: Lithograph
Materials
Lithograph
The Mill of Alphonse Daudet at Fontevieille, Lithograph after Vincent van Gogh
Located in Long Island City, NY
A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...
Category
1910s Post-Impressionist Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Erry & Merry"
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Adolphe Willette Lithograph Original Hand Signed Seven Deadly Sins Erotic Nude
Located in FR
Adolphe Willette Lithograph Original Hand Signed 'Le Banquet' erotic No 95
Well known for his version of The Seven Deadly Sins
Adolphe Léon Willette ...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
"Leir Abri (Their Shelter), " Original Color Lithograph by Abel Pann
By Abel Pann
Located in Milwaukee, WI
"Leur Abri (Their Shelter)" is an original color lithograph by Abel Pann. It features soldiers hiding behind cowering civilians, women and children, and was created during World War I. The artist signed the piece lower right, and the edition number is 40/500.
12 1/4" x 19 1/2" image
19 5/8" x 24 3/4" paper
25 3/4' x 30 1/4" frame
Over many years, Abel Pann (1883-1963) was regarded as the foremost Land Of Israel Painter. This view was shared by the Jewish community throughout the world and by the general public in pre-State Israel where reproductions of his works were hung in almost every home”. This is how Yigal Zalmone, Chief Art Curator of the Israel Museum, describes Abel Pann.
Abel Pann was born in 1883 in the town of Kreslawka in the Vetebsk region of White Russia. His father Nahum was a rabbi and head of a yeshivah, a religious academy. Pann received a Jewish elementary school education until he was twelve. He studied the fundamentals of drawing for three months with the painter Yehuda Pen of Vetebsk, who also taught Marc Chagall and Ossip Zadkine. When he was twelve he traveled between Russian and Poland, earning money as an apprentice in sign workshops. In 1898 he went south to Odessa, where he was accepted by the Academy of Fine Arts.
In 1903 Pann moved to Paris, where his work included depictions of Jewish daily life, Parisian genre paintings, as well as sketches and caricatures that were humorous and psychological criticisms regarding society. His empathy for the poor and wretched became well known.
In 1912, the director of the Bezalel School of Art and Crafts in Jerusalem asked Abel Pann to teach at the school which he accepted a year later.
During the first year of World War I, Pann was restricted to leave Europe after he returned to recover belongings to take back to Jerusalem. During the first years of the war, he concentrated on popular, nationalist posters and illustrations, including depictions of the cruelty of the German enemy.
In 1920 he returned to Jerusalem and resumed teaching at the Bezalel School, and formed the Palestine Art...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
La Secchia Rapita - Original Advertising Lithograph by Marcello Dudovich - 1910s
Located in Roma, IT
Image dimensions. 26x18 cm.
La Secchia Rapita is a beautiful and rare color lithograph printed by Ricordi, Milan, in 1910.
A nice poster for "La Secchia Rapita", by Alessandro Tass...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
"Emprunt de la Defense Nationale, " Orig. Lithograph Poster by Francisque Poulbot
Located in Milwaukee, WI
"Emprunt de la Defense Nationale" is an original lithograph poster by Francisque Poulbot. It depicts a mother with three young children saying goodbye to her husband as he leaves for war. This was an advertisement for French people to donate to the war effort during the first world war.
43 1/2" x 30 1/4" art
48" x 34 1/2" frame
Emprunt de la Défense Nationale [National Defence Loan]
WW1 French...
Category
1910s Modern Art by Medium: Lithograph
Materials
Lithograph
Corriere della Sera - Original Advertising Lithograph by G. Beltrami - 1910
By Giovanni Beltrami
Located in Roma, IT
Corriere della Sera is a beautiful and rare colored lithograph printed by G. Ricordi and C. Milano, Milan in 1910.
A vintage poster for the renown...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Rozsa/Szucs
By Arpad Bardocz
Located in New York, NY
Rozsa/Szucs. Ca 1915. Budapest. Color lithograph. Hungarian Art Nouveau posters are rare.
Bardócz was a graphic artist and painter, active between the 1910’s and the 1930’s.
His p...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Consee"
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Les Drapeaux ( The Flags )
Located in Paonia, CO
Henri DeGroux (1866-1930) was a Belgian Symbolist painter, sculptor and lithographer. He was known for his allegorical, religious and historical subject matter. He became an inspired...
Category
1910s Symbolist Art by Medium: Lithograph
Materials
Lithograph
Ottokar Mascha Folio: plate 11 "5th Secession Exhibition Poster" by Kolo Moser
Located in Chicago, IL
after KOLOMAN MOSER (1868-1918) 5TH SECESSION EXHIBITION POSTER, 1899, (In Mascha, no. 11) A pivotal figure in early-20th century Austrian ...
Category
1910s Vienna Secession Art by Medium: Lithograph
Materials
Lithograph
Kostume, Plakate, und Dekorationen, "Shadows & Light"
Located in Chicago, IL
Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.
In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color.
SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920.
The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...
Category
1910s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Oli Sasso - Original Advertising Lithograph by Plinio Nomellini - 1914 ca.
Located in Roma, IT
Oli Sasso is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Plinio Nomellini.
This modern artwork is signed on plate on higher left margin and has the inscriptions printed on lower margin in the image "Chiedere Catalogo e Campioni ai Sigg. Sasso Oneglia e Figli", under the image: "P. Nomellini/ Off. G. Ricordi and C. Milano / 140 x 200". From the Ricordi Portfolio...
Category
1910s Art by Medium: Lithograph
Materials
Lithograph
Fattoria Bolla - Vintage Advertising Lithograph by Achille Beltrame - 1910 ca.
Located in Roma, IT
Fattoria Bolla is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914.
A vintage poster representing a farmer feeding her son wit...
Category
1910s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Promenade avec Gabrielle - by Jean Giraudoux - Litho by J.E. Laboureur - 1919
Located in Roma, IT
Edition of 185 copies plus 20 out of commerce, illustrated with 16 lithographs by J.E. Laboureur. Original soft cover in blue light worn with binding restored, perfect conditions ins...
Category
1910s Art by Medium: Lithograph
Materials
Lithograph
Lithograph art for sale on 1stDibs.
Find a wide variety of authentic Lithograph art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, yellow, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Joan Miró, Marc Chagall, Peter Max, and Alexander Calder. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Lithograph art, so small editions measuring 0.01 inches across are also available