Mixed Media

Untitled, 2019 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 35 cm H x 30 cm W Unframed Ana Seggiaro's training as an engraver awakens her fascination for the...

Valley House Gallery recently presented "Listening in the Silence" — our first solo exhibition of work by Chaco Terada, a native of Japan who has called Dallas home since 1992. Born ...

Pharrell Williams #3 by Hunter & Gatti Black and White Photography with broken glass on top of the image. Image size: 45.2 in. H x 32.5 in. W Frame s...

Pharrell Williams #4 by Hunter & Gatti Black and White Photography with broken glass on top of the image. Image size: 45.2 in. H x 32.5 in. W Frame s...

Listing includes framing, free shipping in the US, and a 14-day return policy Untitled, 2015 by Enoc Perez. 11 x 8.5 inches. Unique hand cut and painted collage Signed on verso Artist Biography - Enoc Perez was born in San Juan, Puerto Rico in 1967. He currently lives and works in New York. Known primarily for his multi-layered paintings of modernist buildings, throughout his twenty year career the artist has nevertheless engaged with a variety of subjects that appeal to him from voluptuous nudes to still lives of Don Q rum bottles...

Naufragos inminentes, 2020 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth Image size: 30 cm H x 25 cm W Framed Ana Seggiaro's training as an engraver awakens h...

Untitled, 2011 by Ana Seggiaro From the series "Books" Embroidery on printed cloth 19 cm H x 14 cm W Unframed The ambitious exercise of working with techniques such as large-format ...

Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Pharrell Williams #3 and #4, (Diptych) by Hunter & Gatti Black and White Photography with broken glass on top of the image. Overall size: Image size...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 1/16 x 6 inches Support sheet size: 10 9/16 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Valley House Gallery recently presented "Listening in the Silence" — our first solo exhibition of work by Chaco Terada, a native of Japan who has called Dallas home since 1992. Born ...

Profil de Jacqueline, Pablo Picasso, Edition, 1950's, Monochrome, Design, Plat Profil de Jacqueline Ed. 100 pcs 22.01.1956 White earthenware clay D. 42 cm Stamped on the back: Empre...

Untitled, 2011 by Ana Seggiaro From the series "Books" Embroidery on printed cloth 19 cm H x 14 cm W Unframed The ambitious exercise of working with techniques such as large-format ...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

acrylic paint on photograph on paper Feeling that older women seemingly disappear in our society, Brown has created an army of them. In this series, Paperdolls, the artist began wi...

acrylic paint over photograph on paper. Feeling that older women seemingly disappear in our society, Brown has created an army of them. In this series, Paperdolls, the artist began ...

acrylic paint over photograph on paper. Feeling that older women seemingly disappear in our society, Brown has created an army of them. In this series, Paperdolls, the artist began...

4 minute animation. Edition of 20. Dimensions are of a tv or monitor of average size. Individual drawings are also available.

Untitled, 2011 by Ana Seggiaro From the series "Books" Embroidery on printed cloth 19 cm H x 14 cm W Unframed The ambitious exercise of working with techniques such as large-format ...

Victory over the sun #1, 2021 by Monika Bravo From The Series of Duration Archival pigment print on paper mounted on a custom made box and intervened Ultra Premium Photo paper Paper ...

Untitled Mixed media with collage elements on paper, c. 1990's Signed by the artist in pencil lower right (see photo) Condition: Excellent Image size: 7 x 6 1/2 inches Support sheet size: 10 1/2 x 8 3/8 inches Provenance: Estate of the artist Dehn Heirs Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen...

Bruce McLean Untitled 2019 Screenprint and acrylic on paper collage on plywood 151.6 x 120 x 1.5 cms (48.2 x 36 x 6 ins)

Femmes Objets, 1991 35.5 x 27.5 in. Edition 6 Unframed. Femmes Objets Series In this series in black & white and with the same model. The artist represents what for him the object w...

Artist Statement: How many ways can I depict a flower? I can draw it, paint it, and photograph it. Then I can manipulate those images on a printer. I can enlarge it. Make it smaller. Make the negative. Make the positive. Change the color. My mornings in Santa Fe start with a walk around the garden to see what has bloomed overnight. Two summers ago, I rented an adobe guest house that is surrounded by Hollyhocks, Roses, Poppies, and Yellow Thistles. The flowers have crept into my vision. The first summer, I painted the flowers using oil on canvas. The second summer I became more experimental, combining drawing, photography, and painting. Mixing the media all in one artwork, I abandoned canvas for transparent Lucite panels. The new works are essentially mixed media collage applied to Lucite. Working on front and back, layered to see through to the next. Creating a real space with real shadows but in an ambiguous world. The flowers are dense but there is an identity and clear shape of each. These works are labor intensive, requiring precise cutting of the paper and careful application. In "The Flowers of the Street of Spirits," black Hollyhocks stand tall with turquoise Firewheels and magenta Coneflowers. Real and unreal. Cut paper and paint come together in a surreal garden...

Victory over the sun #2 and #1, 2021 (Diptych) by Monika Bravo From The Series of Duration Archival pigment print on paper mounted on a custom made box and intervened Ultra Premium P...

48 x 48 inch framed + $2,000 New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hands held to the face shield...

Victory over the sun #2, 2021 by Monika Bravo From The Series of Duration Archival pigment print on paper mounted on a custom made box and intervened Ultra Premium Photo paper Paper ...

Don't Forget to Breathe Again, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Image size: 15 in. H x 11 in. W Frame...

(59 x 45 inch framed + $2,000) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hands held to the face shield...

Paisaje Invernal, by Fanny Finkelman Szyller Metal, oxides, and pigments Dimensions:  24.5 H x 25.5 W x 1.5 D cm. Weight: 4 lbs 2021 ______ Fanny Finkelman's sculptures are the resu...

Chope Visage, Picasso, Pitcher, Edition, 1950's, Design, earthenware, Figurative Chope Visage Ed. 300 pcs 1959 Earthenware clay, decoration in engobes, g...

Untitled (Seascape at night) Tissue paper collage on Fabriano wove paper, 1964 Signed in ink lower left Annotated 42 in pencil on verso Condition:...

The "Ventura" Series (Framed), 2019 Set of 11 Embroidery thread on canvas Overall Image size: 108 cm H x 51 cm W Overall Frame size: 160 cm H x 90 cm W x 3 cm D Individual size: Im...

Lotophage, L'Éternel Recommencement and Skull, (Triptcyh) 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Overall Image size: Image size: 76 cm. H x 183 cm. W Indivi...

L'Éternel Recommencement & Temporaire, 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Overall size: 76 cm. H x 122 cm. W Individual Size: Image size: 76 cm. H x 61 ...

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

Reed, Robert (American, 1938-2014). SAN ROMANO: BLACK NINE. Mixed media, collage, assemblage. painted and colored papers and office staples, not dated, but ...

A work by Penelope Gottlieb. "Tupha latifolia" is acrylic and ink over an Audubon print by contemporary, female artist Penelope Gottlieb. The artwork is signed in the lower right, "PG". After receiving her BFA from the Art Center College for Design in Pasadena, Penelope Gottlieb went on to earn her MFA from the University of California in Santa Barbara where she currently lives and works. Gottlieb’s artistic repertoire is thoroughly modern and includes innovative paintings as well as compelling media design, for which she received an Emmy in the field of motion picture title design in 1993. Gottlieb’s more recent works showcase a unique synthesis of her modern graphic design background and the vintage botanical renderings of natural scientists. However, her paintings are also unique in their perspective on the traditional floral still life. Stylized flora and fauna are depicted as emanating from a comic book explosion, illustrating what the artist refers to as “the dire state of the planet” as faced with species extinction and the resulting biological and ecological ramifications. These violent representations of the artistically typified placid natural world are intended as “visual eulogies for lost plant life.” The particular specimens that Gottlieb depicts are in fact extinct and she is able to recreate them only from historical drawings and botanist’s descriptions. Although avant-garde and aesthetically unique, Gottlieb’s paintings delineate clear influences from the renowned artists of Pop and Expressionist art. The composition of many of her paintings is reminiscent of Kandinsky’s canvas-filling outpours while her bold color palette and black outlines recall Lichtenstein’s comic book panels. Her work is also closely related to a more contemporary group of artists, including Alexis Rockman...

Lotophage, Pharrell Williams portrait (Framed) 2020, by Hunter & Gatti From "Live Forever" Series Acrylic and oil pastel on Pigment Print Image size: 76 cm. H x 61 cm. W Framed size:...

The Radiants, Le Fauteuil de l'oubli & Head, (Triptcyh) 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Overall Image size: Image size: 76 cm. H x 183 cm. W Individu...

The theater of high fashion is captured in this imaginative mixed media painting by Canadian artist Peter Hoffer. Part of his couture series, Hoffer features a runway model in the ce...

Territorial Bird is constructed from stylized and highly reflective ribbons of stainless steel that change colour and luminosity with the surrounding environment. Abstracted, but recognizably bird like, the weightless effect of Biczysko's sculpture achieves the appearance of motion. Ania Biczysko obtained a Master’s Degree in Sculpture from the Fine Art Academy in Gdansk, Poland (1986). Biczysko’s versatility is reflected through a variety of creative expressions and mediums. Over the years, she has received many public exhibitions and commissions, both within Canada...

Skull, Pharrell Williams portrait, from the series LIVE FOREVER (Framed) 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Image size: 76 cm. H x 61 cm. W Framed size:...

The Radiants and Head, 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Overall size: 76 cm. H x 122 cm. W Individual Size: Image size: 76 cm. H x 61 cm. W One of a K...

Fuscae II 2019, by Hunter & Gatti Acrylic And Oil Pastel On Pigment Print Image size: 43 cm. H x 33 cm. W Unique Unframed This piece is part of the H&G series titled "Nothing Stays ...

Strangers and Autre Moi, 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Overall size: 76 cm. H x 122 cm. W Individual Size: Image size: 76 cm. H x 61 cm. W One of a...

Girls, 2018 by Casey Waterman Plaster, Glass, Vinyl, Walnut One of a kind art wall installation of 16 pieces. Overall size: 72" h x 17" w x 1.5" d Framed piece size: 18" H x 16" w x...

Untitled 20, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Image Size: 9.5 in. H x 9.5 in. W Frame Size: 11.6 in. H x 11.6 in. W x 1.5 in. D One of a kind...

A painting by Penelope Gottlieb. "Rosa Rugosa" is a contemporary mixed media work, acrylic and ink over an Audubon print by American, female artist Penelope Gottlieb. After receiving her BFA from the Art Center College for Design in Pasadena, Penelope Gottlieb went on to earn her MFA from the University of California in Santa Barbara where she currently lives and works. Gottlieb’s artistic repertoire is thoroughly modern and includes innovative paintings as well as compelling media design, for which she received an Emmy in the field of motion picture title design in 1993. Gottlieb’s more recent works showcase a unique synthesis of her modern graphic design background and the vintage botanical renderings of natural scientists. However, her paintings are also unique in their perspective on the traditional floral still life. Stylized flora and fauna are depicted as emanating from a comic book explosion, illustrating what the artist refers to as “the dire state of the planet” as faced with species extinction and the resulting biological and ecological ramifications. These violent representations of the artistically typified placid natural world are intended as “visual eulogies for lost plant life.” The particular specimens that Gottlieb depicts are in fact extinct and she is able to recreate them only from historical drawings and botanist’s descriptions. Although avant-garde and aesthetically unique, Gottlieb’s paintings delineate clear influences from the renowned artists of Pop and Expressionist art. The composition of many of her paintings is reminiscent of Kandinsky’s canvas-filling outpours while her bold color palette and black outlines recall Lichtenstein’s comic book panels. Her work is also closely related to a more contemporary group of artists, including Alexis Rockman...

29.88 x 22.36 ins (75.9 x 56.8 cms) Edition of 96 Signature:Signed "R. Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

Untitled, 2020 Image size: 24 in. H x 17.71 in. W Collage, image transfer on acetate, nylon cables ties One of a Kind _________________________________ Roberto Fonfría lives and work...

The palette of Wave exudes a soothing, earthly, elegance. Working with a new medium and a new palette, Teichert is communicating with us more subtly than ever before: her line, while...

Strangers. Pharrell Williams portrait, from the LIVE FOREVER series by Hunter & Gatti Acrylic and oil pastel on pigment print Image size: 76 cm. H x 61 cm. W Framed size: 90.5 cm. H...

Untitled Gold leaf collage with acrylic on canvas, mounted on canvas, c. 2003-4 Unsigned Provenance: Estate of the Artist Peter Marks (1935 -2010) Peter M...

L'Éternel Recommencement Pharrell Williams portrait (Framed) 2020, by Hunter & Gatti Acrylic and oil pastel on Pigment Print Image size: 76 cm. H x 61 cm. W Framed size: 90.5 cm. H ...

Untitled 24, 2019 by Francisco Larios Lacquer, Acrylic, oil and gold leaf on MDF Deep Image Size: 23.6 in. H x 19.75 in. W Frame Size: 25.6 in. H x 21.75 in. W x 1.5 in. D One of a k...

Polyurethane cast, ebony, acrylic, taxidermy snake, 2017, numbered from the edition of 10, 17 x 10 x 10 cm. (3.9 x 6.9 x 3.9 in.)

Just like its counterpart, Becoming I, the energy of the oblong orb in Becoming II is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as ...