Paintings

Denise Driscoll's "Interaction 2" is a 16 x 20 inch abstract painting in bright matte blues and greens with shiny metallic gold. Webs of color tumble and intersect in flowing, mesmer...

Onto the rocks by Gordon Hunt [2021] original Oil on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed Pleas...

The textural aerial ocean and beach scene paintings of Elizabeth Langreiter are a delightful escape from reality into a playful and joyful world. ...

"Abstract Script" Ink on Fabric Painting 55" x 20" inch by Mohamed Monaiseer * Due to the Ministry of Culture policy, handling time (paperwork) may...

Work by Kasper Sonne

"Fanning Springs" is a painting by Margaret Ross Tolbert. The piece is 26 inches tall, 20 inches wide, and 2 inches in depth. It is not framed. "...

Red With Circles, Original Abstract Painting, 2021 Acrylic on canvas 36"W x 24"H Signed by the artist Artist Commentary: Red is a favorite color of mine although I find it so power...

Acrylic ink on linen. Inspired on Mark Rothko's floating shapes. Her elaborate and often repetitive patterns create moments of tension and release as they lead the viewer across the ...

Alan Fenton (1927 - 2000) Untitled, 1958-1960 Oil on canvas 96 x 78 inches Fenton's quiet and contemplative nonobjective paintings and drawings were widel...

Green, teal, sage, white, hunter green 31 x 31" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Vintage American modernist abstract oil painting by Christine Opolus. Oil on canvas, circa 1960. Signed. Framed. Image size, 32L x 12"H.

Wild & Free – Enchanted Meadows #4 – By Lucy Moore [2022] original and hand signed by the artist Acrylic on canvas Image size: H:60 cm x W:98 cm Complete Size of Unframed Work: H...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have c...

Orsolic Dalessio creates the illusion of clear blue water in oil paint for this plein air painting. Framed dimensions: 13.5 x 17.5 inches Tina Orsolic Dalessio is a figurative painter born and raised in Zagreb, Croatia. She graduated from Florence Academy of Art in June 2018. She also holds a bachelor’s degree from University of Zagreb Law School, LL.M. degree from the University of Michigan Law School and a PhD degree from the University of Maastricht, Faculty of Law. Before becoming a painter, she worked as a lecturer and researcher in law, specializing in philosophy of law and European Union law. Alongside her husband Marc Dalessio, she discovered her passion for fine arts, which lead her to a life changing decision to leave academia and devote herself fully to painting. After being accepted into the prestigious BP Portrait Award...

Mixed media, acrylics, pigments, oil on canvas

Street - abstract painting by Maestro Nina Ruseva. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. T...

Acrylic and oil on wooden panel

Jeff Aeling has a deep connection to the vastness of our landscape. In "Cattle Pond Near Fairplay, Colorado", we see the interplay between sky, land and light to create a sense of wonder and awe as the sun shines upon the clouds giving off a warmth that the viewer can almost feel. Painted on panel and framed in a custom black frame measuring 42.5h x 56.5w inches. Jeff Aeling Cattle Pond Near Fairplay, Colorado oil on panel 34h x 48w in 86.36h x 121.92w cm FRAMED DIMENSIONS 42.50h x 56.50w in 107.95h x 143.51w cm JAE029 Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago...

SHERRON FRANCIS (AMERICAN, B. 1940) Trap Rock, 1972 Acrylic on canvas 22 3/4 x 16 inches Signed, titled and dated on the reverse A reappraisal is long overdue for the second-generation abstract expressionists. Artists such as Helen Frankenthaler, Morris Louis, Dan Christensen, and Sam Francis are already well-known names. However, Sherron Francis, a female artist from the Midwestern United States, exhibited alongside many of these stars, yet has not been the recipient of a major exhibition in nearly 40 years. Francis was born in the Chicago suburb of Downers Grove, Illinois in 1940. She studied fine art at the University of Oklahoma from 1958 to 1960 before transferring to the Kansas City Art Institute for better educational opportunities. At the time, Francis remained loyal to figurative art. Philip Pearlstein, a contemporary artist and visiting professor once remarked at the confidence of Francis’ draftsman abilities. In the early 1960s, art dealers and gallerists from New York would visit the Institute to recruit artists by offering scholarships, but they only offered these scholarships to men. Francis was forced to plead with deans to allow a scholarship for women so that she could continue her studies. She ultimately graduated from the Kansas City Art Institute in 1963. In Missouri, Francis met Dan Christensen (Class of 1964), an artist friend, who would play a key role in her career throughout the next two decades. Francis then received her MFA from the University of Indiana, where she was housemates with Mernet Larsen, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in Soho. At the time, the neighborhood boasted some of the biggest names in abstract expressionism. She quickly became friends with Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Larry Zox, and Larry Poons, who all lived and worked in the neighborhood. In fact, Francis introduced Larry Poons to his now wife, Paula, a friend and student of Sherron’s. Francis helped to found The Bowery Gallery in 1969 and received her first solo exhibition there in 1970 for her figurative works. After this exhibition, Francis decided to switch to abstraction. By 1971, Christensen, who was exhibiting with Andre Emmerich, introduced Francis to the legendary gallerist. There was no better gallery to be showcasing abstract expressionism and color field painting during this decade for an artist. For example, in 1972, Emmerich held solo exhibitions by art titans, such as Hans Hofmann, Al Held, Esteban Vicente, David Hockney, and Morris Louis. In 1973 alone, Emmerich gave one-person exhibitions to Helen Frankenthaler, Kenneth Noland, Hans Hofmann, Jack Bush and a new discovery: 32-year-old Sherron Francis. The January 27 - February 14 exhibition for Francis was a great success with Peter Schjeldahl commenting in the New York Times: “Francis has…sidestepped the danger of seeming hopelessly derivative of such artists as Mark Rothko, Morris Louis and Helen Frankenthaler —by, it seems to me, the use of a single canny formal device. All her canvases are tall, vertical rectangles. What this shape achieves is a physical presence that supports the paintings' fragile play of color and texture. Bearing roughly the proportions of the human body, but bigger in size, her pictures confront the viewer with a satisfying firmness, inviting delectation.” Francis’s career now took off with the stain paintings. In a 1974 article in Arts Magazine, Whee Kim writes, “She has asserted the credibility of her own answer to the problem of the outer edge of a canvas by limiting her investigations to a singular central image. In her variations on this theme, an intuitive sense of color and touch is given restricted free-play.” Schjeldahl added, “Her paintings, stained and brushed to a suavely grainy texture, each float an area of warm, soft color in a somewhat less‐intensely colored field. The areas are amorphous in shape and closely related, by hue, to the surrounding fields. Her colors run to luxurious brown‐golds, dreamy bluegreens and dusty pinks, though each canvas is alive with a variety of evanescent hues and tints. The goal of her art is to be at once as gorgeous and as delicate as possible: she intends to ravish.” In 1973, Francis exhibited at the Whitney Biennial and then received a second solo exhibition at Emmerich the following year. Corporate collections and private enthusiasts, including Helen Frankenthaler, rushed to purchase her paintings. More than sixty of her paintings sold in one year at Emmerich’s gallery. Throughout the 1970s and early 1980s, Francis exhibited at other leading American galleries, including Janie C. Lee Gallery in Houston, Barbara Kornblatt Gallery in Baltimore, Douglas Drake in Kansas City, Rubiner Gallery in Detroit, and Tibor de Nagy Gallery in New York. Francis always marched to the beat to her own drum. Although she admired the works of Jules Olitski, Jack Bush, and Kenneth Noland, Francis never felt that her work and lifestyle were influenced by others. When her friends summered in the...

Morning Poppy Meadows #17 – By Lucy Moore [2022] original Acrylic on canvas Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76 cm x W:76 cm x D:1.5cm Sold Unframe...

"Amazon River II" is an oil-on-canvas painting by Colombian artist Jorge Yances. This piece is part of the artist's "Amazon" series. Yances reflects the L...

Turquoise Reflection 2 is painted on board with acrylic paint. It is an abstract sunset over water, finished with a gloss varnish. As well as being a sunset, I see this painting as...

Vibrant, moody, exciting textures to ignite your imagination. I wanted this collection to inspire, move you to make change from your normal, step out of your comfort zone and dream! If you look long into the depths and shadows of this abstract expressionist work I hope you will see and feel a calm serenity, light in the darkness and joy in the stillness . Heavy layers reveal rich delicate details, marks and descriptive textures. Night Shadows...

The underlying body of work is an exploration of texturizing distortion as a language of expression. The works explore an awaking of an Afrocentric consciousness connected to gender,...

Orsolic Dalessio's sky seems to dance in this plein air painting. A line of healthy trees and foliage is interrupted by a tall church, and continue again on the other side with a dif...

Entitled "In the midst of all greenery", this landscape by artist Lionel Tison depicts a lush summer scene of a small hillside with varied greens, reds, o...

Humming Along III, Oil on Panel, 16 x 12 Inches, is one of a series of paintings, watercolors, mosaics and prints by Lisa Houck, a very established artist from Boston with a large following devoted to her exceptional work reminiscent of Matisse and Aborigine art, with gorgeous color and a sensibility both playful and quite serious that is uniquely her own. Houck has also executed many large public art commissions for interior and exterior sites in Boston and nationwide which are ambitious murals in oil or mosaic located in hospitals, libraries, playgrounds and other public buildings. Humming Along III Oil on Panel 16 x 12 Inches LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Selected Public Collections, Numerous Private Collections The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Education and Professional Affiliations Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Selected Public Collections, Numerous Private Collections The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Grants/Projects Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Red Flowers Year: 1979 Medium: Oil on Canvas, signed, titled and dated verso Size: 7...

Acrylic and canvas collage on canvas by 20th century artist Margo Hoff (1910-2008). An abstract geometric painting in Margo's signature style of canvas collage, laying bits of canva...

Holloway [2022] original and hand signed by the artist Oil on Cradled Panel Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:4cm Sold Unframed...

bottom of the sea- original abstract acrylic canvas painting Artwork by Spanish artist ISIDRO CAHUE. Acrylic Perfect state The personality of the artist is reflected in different f...

This is a one of a kind original oil on panel portrait of Madonna by Southern California artist, Gina Palmerin. Its dimensions are 24x24. It is unframed. A certificate of authenticit...

Under The Sea Series Nº 23. Oil on paper. Fantasy underwater abstract landscape. Green-blue color. Transparencies effect. Measurements: (H) 35 cm....

Agate textures and formations painted in acrylic on stretched canvas. Celebrating the natural occurring colours, hues, shapes and patterns created through time and natural proces...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Serie "U no és ningú" No. 21 by Antoni Tàpies (1923-2012) Acrylic, felt and pencil on cardboard 50 x 65 cm (19 ³...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

Oli T. Sihvonen (1921 - 1991) The Secrets in the Circle, 1962 Oil on canvas 25 x 34 in Signed lower right; signed, titled dated, and inscribed "Box 563 Taos, N.M." on the reverse Provenance: Private Collection, Nyack, New York Known for large, hard-edged abstractions, Oli T. Sihvonen, a Brooklyn native of Finnish ancestry, grew up in Connecticut. He attended the Norwich Art School before enrolling at the Art Students League in New York between 1938 and 1941. During World War II, Sihvonen served in the United States Army as a sergeant, specializing, as he later said, in “camouflage and deception.” His tour of duty took him to Europe where he encountered the work of Paul Cézanne. In the summer of 1946, Sihvonen traveled to western North Carolina to study at Black Mountain College, which experienced a boost in enrollment following the war years. He was greatly influenced by the progressive color theories of Josef Albers, and, later, the thinking of Buckminster Fuller. After leaving Black Mountain in 1948, Sihvonen continued his studies under the G.I. Bill at Louis Ribak’s Taos Valley Art School in New Mexico from 1949 to 1950. A year spent painting murals in Mexico included work for the Instituto Politécnico Nacional in Mexico City, an early example of his large-scale proficiency. Returning to the East Coast, Sihvonen held a succession of teaching posts: initially in Washington, DC, and then in New York City, first at Hunter College in 1954 and the following academic year at Cooper Union. Drawn to the southwestern landscape, Sihvonen moved to New Mexico, where he resided in Taos from 1956 through 1967. There, he painted sizeable geometric compositions with exuberant colors, which was atypical of Taos painters...

This piece is made by casting Hydrostone on top of an oil clay pattern. Once cured, the oil clay is removed, then paint is applied to the surface. The piece is hung with an aluminu...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant ...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and a...

Claire Pichaud (French 1935 – 2017) Patchwork of squares Acrylic on canvas 31.1/2 x 31.1/2 in. (80 x 80 cm.) Signed (on the reverse on the stretcher) Further works by Claire Pichaud...

Original Semi Abstract Painting Acrylic Paint on Board Board size H 30 cm x W 30 cm x D 0.5 cm Framed size H 33 cm x W 33 cm x D 3 cm Sold Framed in a White Wood Float Frame Free Shipping Please note that In Situ images are purely an indication of how a piece may look. Cornish Blue...

Oil on canvas

Andrzej Skorut's (US based) "Big Sky" is an oil painting that depicts clouds looming over the vast plains with distant mountains. Bio/artist statement:...

Therese painted this piece in response to an experience she had whilst visiting the 6th century  St Tudno's Church on the Great Orme. She came across it by accident and found it very...

Linen, acrylic paint, linocut.

Oil on canvas Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bel...

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bela...

Hatzi's incredible use of oil paint on linen allows her to create photorealistic depictions of under water reflections and shimmers. Ready to hang.

“In Africa, Yoruba land to be precise where I grew up the nourishing attitude of Omoluwabi, our facial looks is been used to define us as a person, a guy with ear piercing and dreadlocks on his head being looked at as a thug, frauds tars, and so on, Meanwhile, these guys are a cool and calm-hearted person Though there are guys like these that are truly counted in the act not all of them are like that Good and God fearing youth still exist” (Written by the Artist) Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity. - About the Artist Joy Eyitayo Alagbe...

Oil on canvas

Mixed media, acrylic, pigments on canvas

Zennor Calling (II) by Mary Scott [2022] original and hand signed by the artist Acrylic and pencil on cradled panel Image size: H:51 cm x W:61 cm Complete Size of Unframed Work: H:5...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and ...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant ...

Born 1979 in Warsaw. Works in painting and photography. Between 2001 and 2006 she studied at the Warsaw Academy of Fine Arts in the studio of Professors Jaroslaw Modzelewski and Grze...

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...