Paintings

Globe and glove. 2020. Canvas, cardboard, oil, 60x42 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 ...

Classic modern pop art.

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bel...

Yeffe Kimball (c. 1905 - 1978) Cepheus B, 1963 Signed, titled, and dated on the reverse Acrylic on canvas 34 x 40 inches Provenance: Private Collection, New York Estate of the above, 2022 Born in Mountain Park, Oklahoma, in 1914, Effie Y. Goodman subsequently spent her early years on her grandfather’s farm in Missouri. She attended college in Ada and the University of Oklahoma in Norman from 1931-1935. After college, she went to New York where she worked under distinguished artists such as George Bridgman and John Corbin at The Art Students League in New York in the early 1940s. She adopted the name Yeffe Kimball, adapting her first husband's surname of Campbell to form Kimball, and never returned to her small-town roots. She became a world traveler and student, studying intermittently with Fernand Léger in Paris from 1940-1941. In 1948, she married Harvey L. Stalin, an atomic scientist. Her art was influenced by Stalin’s work and she entered a new era, focusing on burning planets, atmospheric gases, and flashing comets. Her work was also inspired by American Indian spiritual...

Oil on linen Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bela...

Modernist Burton Kramer’s delightful compositions play with geometric shapes enhanced by a lively colour palette. This acrylic piece has a central square in turquoise complemented by...

Alejandra España presupposes the development of her language of forms through the creation of symbolic functionalism and allegories that elevates the ...

Artist: Gao, Renjie The member of the Hudson Artists Society, New York Agent of BRUNO MASSA Gallery, France Six Worldwide well-known art sales website agent KOONESS/1STDIBS/ARTPRICE/...

Edition 5 A Crocodile with the Basquiat crown. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

The glorious vivid colours of autumn leaves dance across the canvas in this abstract painting by Noreen Taylor. Short brush strokes in bright orange add ...

Lamar Briggs (1935 – 2015) Abstract artist, Lamar Briggs, was born November 13, 1935 in Lafayette, Louisiana. He initially attended the University of Southern Louisiana for architec...

A thoroughly charming original acrylic on canvas painting by American folk art artist James C. Litz. Perfect as a holiday gift or a wonderful adornment for your own home, this impo...

Harinath N - Untitled - 12 inches (Dia) (unframed size) Acrylic on Canvas. Can be sent framed or unframed as per requirement Both : 1970 Harinath is a Kalamkari artist from Srikalahasti, holy town in Chittoor district. He has been doing this traditional art of Kalamkari from 35 years and has received many awards for the same. His Kalamkari artworks recite the stories of Tree of Life, Indian God...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

Watercolor on paper painting by Eve (Van Ek) Drewelowe titled "The Champagne Cascades, Crescendos, Crashes" from 1945. An abstract landscape scene of a waterfall with white, yellow, and black. Presented in a custom gold frame, outer dimensions measure 43 ¾ x 33 ¾ x ½ inches. Image size is 29 ¾ x 19 ¾ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: A painter and sculptor, Eve Drewelowe was the eighth of twelve children and grew up on a farm with a tomboyish spirit. Her farm duties did not permit her to take art classes in her youth that she later felt would have hindered the development of her artistic style. Although her father died when she was eleven, he imparted to her reverence for nature and a true love of the earth, values later reflected in her western oil and watercolor landscapes. She attended the University of Iowa at Iowa City on scholarship, receiving her B.A. degree in graphic and plastic arts in 1923. After graduation and against the advice of her art professor, Charles Atherton Cumming who believed that matrimony ended a woman’s painting career, she married fellow student Jacob Van Ek. While he pursued his doctorate in political science, she enrolled in graduate school at the University of Iowa for her M.A. degree in painting and the history of art. At that time her alma mater was one of the few universities in the United States offering an advanced fine arts degree, and she was its first graduate, receiving her degree in 1924. That year the Van Eks moved to Boulder, Colorado, where Jacob had obtained a position as an assistant professor at the University of Colorado. Five years later he became the Dean of the College of Arts & Sciences, a position he held until 1959. Eve briefly studied at the University. In 1927 and 1928 she taught part-time at the University’s School of Engineering and a decade later summer courses (1936 and 1937) in the University’s Department of Fine Arts. In 1926 she became a charter member of the Boulder Artists Guild and participated in its inaugural exhibition. Like many American artists of her generation, she helped foster an art tradition outside the established cultural centers in the East and Midwest. Her professional career spanning six decades largely was spent in and around Boulder. There she produced more than 1,000 works of art in oil, watercolor, pen and ink, and other media in styles of impressionism, regionalism, and abstraction. She devoted a considerable part of her work to Colorado, Wyoming, and Arizona subject matter depicting colorful and fantastic landscapes pulsating with energy and untouched by humans. Excited by what she saw, the wide open spaces made her feel like a modern-day pioneer. In discussing her work, she once said, “What really motivated me in my youth, in my growth, in maturity was my desire to captivate everything. I put on canvas an eagerness to possess the wonder of nature and beauty of color and line – to encompass everything, not to let anything escape.” Before World War II she and her husband took two international trips that had far-reaching consequences for her career, exposing her to the arts and cultures of countries in Asia and Europe. The first in 1928-29 was an extensive excursion in the Far East for which her husband had received a scholarship to study and report on the socioeconomics of Japan, Korea, China, the Philippines, the Dutch East Indies and India. The year after their return she had her first solo show at the University of Colorado’s library gallery. Discussing the twenty-six oils and sixteen ink drawings on view representing sixteen different countries, the Christian Science Monitor reviewer noted: “The pictures have a wide range and are far from being stereotyped in subject matter, being personal in choice. The ink-brush drawings are spontaneous, well balanced, and striking in their masses, giving the sense of having been done on the spot.” Her second trip with her husband and a party from the Bureau of University Travel had a four-month itinerary that included England, Denmark, Finland, Russia, Turkey, Greece, Italy, and France. It yielded seventeen oils and twenty-six ink-wash drawings which she exhibited in a February 1936 solo show at the Boulder Art Association Gallery. Her creative output in the 1930s attracted the attention of the critic for the Parisian Revue des Arts whose observations were translated and printed in the Boulder Daily Camera on June 10, 1937: To present our readers Eve Van Ek [at that time she signed her work with her married name] …is to give them an opportunity to admire a talent of multiple aspects. The eclecticism of her art passes from a rich skill in forceful oil painting of fine strokes of precision best seen perhaps in her treatment of mountain subjects, of craggy cliffs hewn as in nature, through pen and ink or lithographic crayon design, water color, and occasionally embroidery and sculpture, to the delicate perfection of detail of the miniature. The lofty mountains of Colorado have supplied her with extremely interesting subjects for study; she knows how to represent in an entirely personal way the varying scenes and the curious restlessness of the terrain. While pursuing her art, she also was a dean’s wife. The responsibilities attached to that position proved too restrictive, contributing to a grave illness. She underwent an operation in 1940 at the Mayo Clinic for a gastric polyp, a dangerous procedure at that time. Although she had expected to come back to Boulder “in a box,” the surgery proved successful. Depicting her painful hospital stay in a watercolor, Reincarnation, she reflected on the transformative experience of piecing her life back together. That October she received encouragement from the review of her solo exhibition at the Argent Gallery in New York written by Howard Devree, art critic for the New York Times who said: “The whole exhibition is stimulating…Boats, fences and even flowers in the canvases of Eve Van Ek…seem struggling endlessly to escape from the confines of the frame.” Her watercolor, Crosses, Central City (1940), illustrates her work described in the New York review. The composition pulsates with energy conveyed by the modernist technique of juxtaposing the scene’s various angles, distorting the shapes and positions of the structures, additionally highlighting them with bright colors. The telephone poles at various angles represent crosses figuratively marking a Way of the Cross symbolized by the wooden stairs...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

Colorful surrealist landscape painting by contemporary Texas artist Henry David Potwin. The work features a group of tanks moving from one side of the city to the other. Signed in fr...

Artist: Yankel Ginzburg, Khazakhstan-American (1945 - ) Title: Still Life with Spices Year: 2003 Medium: Acrylic on Wood, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame...

Oil on canvas Galina Navodnitchaia-Malfoy alias Galka is a French artist born in 1971 who lives and works in Callians near Cannes in France. At the School of Fine Arts in Brest, Bel...

MALCAH ZELDIS ''Circus, Fire Eaters'', 1989, gouache on paper Hand signed and dated bottom center, titled in pencil on paper verso Paper 12''h, 9''w. Provenance: Estate of Laura Fisher...

Mixed media on Korean traditional paper (Jangji) & wood panel

Textured colorful abstract painting by Reeves Art + Design owner and Houston TX artist Paul Reeves. This piece features abstract brushstrokes that form various forms and shapes and a...

Inconstancy is an original painting realized by the Italian artist Salvatore Travascio in 2003. This is a modular piece, made up of 3 acrylic pain...

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each ...

Ridge (Contemporary Abstract Landscape Oil Painting of Peach Vines and Leaves Against a Blue Sky and Mountain Landscape) by David Konigsberg oil o...

Mixed media on Korean traditional paper (Jangji) & wood panel

Highly energetic and abstracted garden flowers and the hint of a figure emerge from this abstract expressionist explosion of color and form, by Dana Wegter (American, 20th-21st Century), 2000. Signed and dated "Dana Wegter '00" lower right. Displayed in a bright yellow mat...

Clean and modern still life against a landscape background by Kipp Stewart (American, b. 1928). The still life consists of a rose in a pitcher, two Native American baskets (Salish an...

Coral Drifters is part of the Light in the Deep Series by artist Ellen Hart. Coral Drifters investigates the ubiquitous patterns of light, shadow and reflection that we all experience daily, but that we rarely stop to notice. The works reflect a perceptual duality: a tangible, distinct moment and place when the source pattern is found, intertwined with the fleeting and ephemeral nature of time. As light and atmospheric conditions shift, my source patterns morph, move and change. LOOK FOR FREE SHIPPING AT CHECKOUT This can be seen as an underwater landscape...

Pastel, acrylic and pencil on wood panel

Inspired by her background in fashion, Atlanta, Georgia-based artist Lindsey McCord creates artworks that encapsulate the fun of being stylish and the a...

"Untited" (2018), by Brittany Williams, based in the Finger Lakes region of NY state Figurative portrait, female face, profile portraiture, geometri...

Mixed media on Korean traditional paper (Jangji) & wood panel

In this painting Stefanelli conveys the intrigue and mystery of oracles, who were offering counsel through prophecies and divination in the ancient times. Wise and insightful, oracle...

DONALD BAECHLER Untitled painting for ACRIA, 1996 Mixed media with ball point pen, acrylic paint, industrial varnish and paper collage on canvas board Hand Signed and Dated. Framed with official label verso. artist frame included Measurements: Framed: 13.4 inches (vertical) x 10.8 (horizontal) x 1.25 (width) Artwork: 8 inches (vertical) x 6 inches (horizontal) Makes a fantastic gift! This unique signed collage by Donald Baechler is one of a series of unique pieces the artist made to benefit ACRIA a New York-based charity that supports AIDS victims. ACRIA, pioneers of HIV research, prevention & awareness, have now merged with the Gay...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

First of a series of totem like images by the artist dealing with everyday objects. Oil on canvas titled signed and dated on reverse

This sophisticated Mid Century Modern abstract acrylic on canvas painting was realized by the esteemed 20th Century French-American artist Sacha Kolin (1911-1981) circa 1965. The com...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating...

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art Fine Art Fair. In 2019, Winkler was selected by US Ambassador, John Pommersheim and the curators of the Art in Embassies program to participate in a 3-year International exhibition at the Ambassador’s residence in Dushanbe, Tajikistan. Winkler was also invited to exhibit at the Colorado Governor’s Residence in Denver. Her artworks are in many private, public and corporate collections. These include The Phoenician and Mountain Shadows Resort, Paradise Valley, AZ. The Hilton West Palm Beach, FL. The InterContinental St Paul, MN. The Cosmopolitan Hotel of Las Vegas. The Viceroy Aspen. Ritz Carlton, Denver, CO. One Empire Pass, Montage, Deer Valley...

Pyramid chromatic tone indicator is a beauty painting with wooden frame by the Italian artists Frida & Raul in 2020. It is realized by abstract tecni...

Colorful abstract expressionist painting by contemporary Texas artist Winifred Booth. The work features a red and yellow field bisected with blue and green accents. Signed by artist ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Rolph Scarlett (1889 - 1984) A major exponent of non-objective painting, Rolph Scarlett's career and art...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Acrylic & ink on wooden panel

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art Fine Art Fair. In 2019, Winkler was selected by US Ambassador, John Pommersheim and the curators of the Art in Embassies program to participate in a 3-year International exhibition at the Ambassador’s residence in Dushanbe, Tajikistan. Winkler was also invited to exhibit at the Colorado Governor’s Residence in Denver. Her artworks are in many private, public and corporate collections. These include The Phoenician and Mountain Shadows Resort, Paradise Valley, AZ. The Hilton West Palm Beach, FL. The InterContinental St Paul, MN. The Cosmopolitan Hotel of Las Vegas. The Viceroy Aspen. Ritz Carlton, Denver, CO. One Empire Pass, Montage, Deer Valley...

Stunning original oil painting by Elvic Steele depicting this surrealist fantasy abstract painting. Elvic Steele is a fascinating English painter. Her works entrance the observer, d...

Lindsey Kustusch’s (US based) "Apricity" is an original, handmade oil painting that depicts a Great blue Heron bird with fall colored leaves and designs in the background. Artist S...

Legendary artist Jean-michel Basquiat (1960 – 1988). Original painting. Acrylic and oil on canvas. 30"x 40" (76cm x 101cm). Ready to hang. Not framed. :: Painting :: Pop-Art :: ...

Modern, large scale social commentary painting by California artist John Valdez. Comes with the original sketch as well as a book about the artist. Inspired by the cover of a Mexican tabloid, Valadez invites the viewer to examine the duality of a society that mourns the death of an iconic religious leader and neglects those close to them who are perhaps deemed not worthy of consideration. The bold red headline reads “El cardenal Gabiri será beatificado” (Cardinal Gabiri will be beatified) above a large accompanying image of the cardinal in his casket and two smaller images, one of sobbing mourners and another of the cardinal sitting at the altar. Dividing the image is a subhead that reads, “El pueblo católico está de luto” (the Catholic people are mourning) placed above a depiction of four young boys who seem to be sniffing glue. The adjacent text reads “The indifference of the adults is the cause behind the issues these forgotten children have to live.” This work was exhibited at the Pacific Standard Time, Long Beach Museum of Art in 2011, the Museum of Contemporary Art San Diego in 2012, as well as the National Museum of Mexican Art in Chicago, IL in 2013. Signed by artist in front lower right corner as well as titled and dated in front lower left corner. Currently unframed, but options are available. Artist Biography: John Valadez...

Through his artistic practice, Martin Benson is exploring ways to express questions about deeper levels of reality. Inspired by sacred geometry and esoteric symbolism, his paintings embody his own contemplative practices and the experiences within them. Reconciling the tension between spirituality and the hyper-materialist modern world, his pieces act as visual koans for both the artist and the viewer. Benson received his MFA from the University of New Orleans and his BA at the University of Southern California. He has exhibited at the Ogden Museum of Southern Art, the Contemporary Arts Center (LA), the New Orleans Museum of Art, and the Jazz and Heritage...

Born 1952, Saint Simon, France Jean-Pierre Rives is an internationally renowned sculptor, and painter, as well as a Hall of Fame rugby player. After retiring from rugby in the early 1980s, he discovered the work of sculptor Albert Feraud. Discussions with the artist inspired him to pursue his own art practice, working scraps of abandoned steel into fluid, curvaceous forms. In his frequently monumental work, the softness of the curve is juxtaposed against the hardness of the material. Rives says about his practice, "I always seek to bring 'lightness' to the ‘heavy'; romanticism and poetry to the rigid; and sculpt an industrial masterpiece that harnesses innovation with energy. My sculptures are pieces of reality: their rust marks a measure of time, honouring the past while celebrating the future." Rives has exhibited his work in galleries, museums, and public spaces around the world including the Jardin du Luxembourg in Paris (an honour previously held exclusively by Rodin), Sculpture by the Sea (a renowned international public sculpture...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

JULIE HEDRICK HELIOS #2, Sun God, The Apollo Trilogy, 2021 oil on canvas 36 x 36 in. 91.4 x 91.4 cm.

Canadian artist Noreen Taylor’s expressive abstract work is often inspired by the natural world found in her own garden. This piece is a tapestry of rich...