Paintings

Self portrait after Diego Velasquez. Oil on canvas. 32.2,5 x 41 unframed, 35.75 x 44.5 framed. Late 19th century.

French School of the 19th century Portrait of a young man, 1891 Signed (illegible) and dated 91 on the lower right Oil on canvas 46 x 38 cm Framed 52 x 44 In good condition, recently...

This superb British Edwardian Impressionist portrait oil painting is by noted portrait artist James Jebusa Shannon. Painted circa 1906, oil on panel and part of a family collection, it is a half length portrait of a blond lady in lace which is depicted with bold, free brushwork. This is a stunning Edwardian portrait by a much sought after artist, housed in a superb period gilded oak frame. Provenance. Family collection. Condition. Large oil on panel, 30 inches by 20 inches unframed and in fine gallery condition. Housed in a stunning gilded oak frame of the period, 40 inches by 30 inches framed and in good condition. Sir James Jebusa Shannon RA (1862–1923) was an Anglo-American artist. Shannon was born in Auburn, New York...

"the Madonna Of Justice" Oil On Canvas Work From The Early 19th Italian School" the history: No doubt painted for the ducal palace of Genoa Genoa, ducal palace, Sala dei Sindacatori...

GEORGE WRIGHT Plough Team horses and a Dog in a Landscape, oil on canvas A fine painting from the renowned equine artist George Wright. This oil on canvas depicts the 2 horse plough ...

Family Scene, Children by the Victorian Cottage By T. Stevens, British late 19th century Signed oil painting on canvas, framed Framed: 12.75 x 19 inches canvas: 10 x 16 inches Condi...

Signed, dated and inscribed oil on canvas landscape by French pre-impressionist painter Marie Joseph Leon Clavel Iwill. The work depicts a sil...

‘The River Wye at Chepstow’ by Frederick William Watts (1800-1870). Frederick Watts entered the Royal Academy Schools in 1817 where he was awarded two medals of excellence. During ...

This late 19th century framed 14" x 27" watercolor painting by artist Andrew Douglas depicts an ominous landscape in a dark and neutral palette of browns, gray, and yellow. In the fo...

The Artists Model French School, late 19th century oil on canvas, unframed canvas: 20 x 17.5 inches provenance: private collection, France condition: very good and sound condition

Rare and finely painted early American impressionist oil painting by Joe (Joseph) Franklin De Yong (1894 - 1975). Framed. Oil on canvas. Signed. Image size, 13H by 15L.

A remarkable work by Charles Nicolas Etienne Mayre, an academic painter born in Choisy le Roi near Paris in 1819. He studied with the masters Michel-Martin Drolling and Leon Cogniet...

1-4064 Oil on canvas applied to board of a vintage French farmhouse illegibaly signed lower left set in a hand carved gilt wood frame

Charles Euphrasie Kuwasseg French, (1838 - 1904) A View of St Denis, Paris Oil on canvas, signed & dated 1882, transcribed in pencil verso Image size: 25 inches x 20.5 inches Size ...

A wonderful oil on paper laid on canvas circa 1905 by French neo-impressionist painter Theo Van Rysselberghe depicting a climbing rose - the pink of the flowers contrasting against the green and yellow of the leaves. Signature: Signed lower right Dimensions: Framed: 23"x23" Unframed: 17"x17" Provenance: This work is included in the Catalogue Raisonne of Theo van Rysselberghe by Ronald Feltkamp under the reference P-032 Sotheby's, New York, November 5, 1969, lot 83 Christie's, Amsterdam, June 9, 2004, lot 87, Lancz Gallery, Brussels, Private collection, United Kingdom Exhibition: Le Lavandou...

A Magnificent Oil Painting "A Dainty Bit" A Young Woman With Lobster and Game, by Otto Meyer (German, 1839-1868) Oil on canvas with original gilt-wood fram...

Walpi Hopi Village, Arizona First Mesa Landscape by Marion Kavanaugh Wachtel. Significant southwestern painting of Hopi at Walpi Mesa in Arizona...

Hebe with Zeus mythological nude by Eduard Buchler 19th Century Hebe is the daughter of Zeus and his sister-wife Hera. Pindar in Nemean Ode 10 refers to her as the most beautiful of...

23" x 16" – Oil on Canvas Framed Size: 32.5" x 26" This Peruvian antique Cuzco School painting depicts an angel in elegant clothing playing a bulge ...

Early 20th-Century Antique English Autumn/fall river landscape. Sidney Pike was a prolific landscape and genre artist exhibiting between 1880-1907, London based originally he seems ...

This painting by Olof Sager-Nelson, executed during his time in Bruges in 1894, is a splendid example of symbolism. It depicts a serene canal in Bruges, surrounded by sunlit houses w...

William Hart (1823 - 1894) Pastoral Landscape, 1877 Oil on canvas 9 1/2 x 14 1/2 inches Signed and dated lower left Born in Paisley, Scotland, William Ha...

Enrique Galwey (1864-1931) - Landscape - Oil canvas Oil measurements 61x74 cm. Frameless. (Barcelona 1864-1931). Spanish painter. He began his training at the San Jorge School of Fi...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

A 19th century black and white spaniel standing in a landscape, with a country house in the distance. Signed C B Spalding, lower right. Oil on canvas in a giltwood frame. Charles B...

James MacMaster Irvine Harbour Signed lower right Watercolor on paper 10 1/4 x 14 inches Provenance: Private Collection, New Jersey

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. Binam, he was clea...

Eliseo SALA, attributed to (Milan, 1813 – Triuggio, 1879) Dream of freedom Oil on canvas 46 x 38 cm without frame 66x 57 with frame Around 1846 Related work: La toeletta del matti...

A fine framed oil on canvas painting by the renowned artist William Sidney coope.Signed and dated 91 lower left. This painting depicts 3 cows resting by a river, a village with hous...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Old Chateau Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 i...

American School, 19th Century Portrait of a Gentleman, c. 1850s-1860s Oil on Canvas 14" x 12" Housed in a 2" Frame Overall Size: 17 1/2" x 15 1/2"

Firmado por el artista en la parte inferior (desconozco el artista) El estado de conservación es aceptable Se presenta enmarcada la obra Medidas obra: 19 cm altura x 40 cm ancho. ...

Oil Painting by Maurice Levis "Le Moulin de Jarcy" S.F.A 1860 - 1940 French painter of landscapes and town views, pupil of Harpignies and member of the French Artists where he was a...

Russian Icon, oil on wood, with beautiful cloisonné enamel around. Icon is surrounded with floral motifs decorative insert that is placed into the thick carved wooden frame. Icon is signed verso with dedication to the church that it was made for. c. 1860s 23.5”h x 20.5”w, overall size is 47.5” x 34” Writing on the back of the icon says: "Painted family icon was donated to the church of the name of Pokrova of Virgin Mary with additions of flora and laurel and with 3 saints: Vasiliy the Great, Gregory the Theologian and John Chrysostom by people born at the village of Gubino and later by the merchant Vasiliy Miheev from Saint Petersburg with his wife Tatiana Yakovleva-Miheeva. Done in the memory of completion of this church with stone fence...

The work is old, dated from the middle of the 19th century. The artist has been sold more than 300 times in auction houses, mainly in France (origin of the painter), which explains t...

This late 19th century European School oil painting captures a serene woodland scene with a lone stag grazing amidst slender trees. The composition draws the viewer's eye through the...

The Monarch Of The Glen, 19th Century by ROBERT CLEMINSON (1864-1903) Large 19th Century Scottish Highland Loch scene of "The Monarch Of the Glen", oil on canvas, by Robert Clemins...

La obra no va firmada La obra se presenta enmarcada (el marco presenta algunas faltas) Medidas obra: 40 x 32 cm. Medidas marco: 60 x 51 cm. Estado bueno el de la obra

A beautiful late 19th century French Orientalist oil on panel depicting a North African street with figures seated under an awning. Perhaps the location is the pink city of Marrakesh...

In need of full restoration. Unsigned. On canvas.

Nicely painted 1880s European impressionist beach scene oil painting. Oil on canvas. Framed. Signed. Very finely painted and impressive in person. Excellent ready to hang condit...

A perfect example of Charles Baxter's work. Two beautiful ladies , one holding a flower, dressed in their best finery. Despite being unsigned, the paint...

A fine 19th century oil on canvas portrait stated to be Captain Paul John Henry Butler, 5th Royal Lancashire Militia, half length, wearing breast star. Hou...

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

This painting is in excellent condition having been behind glass until recently. The colours are preserved and the canvas is blemish free. Artwork Size: 30 x 36" (76 x 91cm) Artwor...

"Still Life of Mushrooms in Undergrowth" French circa 1830's-1840's Oil on canvas Illegibly initialed lower right 17 3/4 x 13 1/4 (25 1/2 x 21 frame) inches This deftly painted depi...

Work on cardboard Black wooden frame with glass pane 16.4 x 13.2 x 2 cm

Realistic early German portrait painting of Georg Friedrich wearing his military uniform. The back features further documentation about the man's life and service. Currently hung in ...

'Perdu dans la Poésie’ by Alfred Stevens (1823-1906) The painting - which depicts a young Parisian society beauty reading beside an open window – is signed by the artist and present...

Carl Bertold, Nordic Fjord Landscape in Sunlight, oil on canvas Dimensions without frame 81 x 120 cm Dimensions with frame 94.5 x 134.5 cm

Wonderful English Victorian River Landscape during the Summer with horses, fields , trees etc Thomas O Hume was an English landscape painter who exhibit...

Vintage Coastal Scene Simone Forge 1930's French Impressionist oil on canvas unframed canvas: 13 x 18 inches Provenance: private collection Condition: good condition with obvious we...

Oil Painting by William Howard "St Angers Bridge on the Rhine" 1879 - 1845 Painter of atmospheric Britain and Continental townscapes represente...

This atmospheric oil painting by Thomas Spinks (1847-1927) depicts the rushing falls near Pandy Mill, Bettws-y-coed, with turbulent waters cascading over large rocks. The painting ha...

Lionel Birch was a landscape and animal painter from the turn of the 19th to 20th century. He traveled throughout Europe painting and for a while lived in Florence Italy. Most of his...

A very attractive rural scene of a fisherman and his dog on a riverbank, in very good colour and an appealing composition. Claude Hayes (1852-1922) A fisherman and his dog by a riverbank Signed Watercolour with touches of pencil 6½ x 10 inches, image only 13 x 16 inches with the frame Claude Hayes was a Dublin born painter who to avoid his father's wish to make a businessman of him ran away to sea and served on the Golden Fleece, one of the transports used in the Abyssinian expedition of 1867-68, and also spent a year in the United States. Returning to London, he studied art at Heatherley's and the Royal Academy Schools, and then in Antwerp, under Charles Verlat. He worked in Hampshire with James Aumonier and also in Surrey with William Charles Estall, whose sister he married. Hayes exhibited widely in London and provincial centres, and was elected a member of the Royal Institute of Painters in Water Colours in 1886, the Royal Institute of Oil Painters in 1883, and the Royal Scottish Society of Painters in Watercolour, 1902. He also showed at the RA, RBSA, Brook Street Art Gallery, Dudley Gallery, FAS, GI, Grosvenor Gallery, Walker Art Gallery, Liverpool, MAFA, RBA, RHA, Ridley Art Club, RSW and Walker's Gallery, London. In 1912, Claude Hayes represented England at the Venice Biennale. His work is in various public collections in England and Ireland including the Ulster Museum, Museums Sheffield, Torre Abbey Museum and the Leeds City Art Gallery. His father was the artist Edwin Hayes.