Paintings

Very impressive early American modernist abstract still life. Oil on board. Framed.

The Flowers: Guzmania. Circa 1963. Signed Giandante X, a painter born in Milan in 1899 and died in 1984. Milano. Measurements without the frame: 50 x 35 cm. On the back is a pho...

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on canvas, c. 1960s Signed lower r...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Full Bloom Oil on canvass, 28 x 21 1/2 inches Signed lower right: Robert Hallowell Provenance: Estate of the artist Marbella Gallery, New York Illustrated in Ma...

Untitled (Surrealist rendering of Pyramids at Giza with alligator) watecolor and gouache on paper, 1960 Unsigned Beni Kosh estate stamp No. 717 verso, unsigned. (see photo) Co...

Nicely painted mid century impressionist painting of Lake Como, Italy. Oil on canvas. Signed. Framed.

Very impressive mid 20th century modernist interior scene. Oil on canvas. Framed. Signed with a monogram. Really impressive quality and a great subject.

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Nicely painted mid century abstracted figurative painting. Oil on canvas. Framed. No signature found. Great color and composition. Nicely framed in a period modernist molding.

Lucien-Victor Guirand de Scevola (1871-1950) A Bouquet of anemones Pastel on paper Signed upper left 44.5 x 36.5 cm Framed : 53.5 x 45.5 cm Lucien Victor Guirand de Scévola was ...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...

Painting by Donald Purdy (1924 - 2016). Oil on masonite Measures 25"L x 23"W. Work is behind glass and comes with exceptional antique frame. Acquired from the Schoneman Gallery in NY...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

"The Sheepfold in the Hills" Toussaint Ambrogiani d'Orcino (France, 1913-1986) Oil on canvas Signed lower right 20 x 26 (27 x 33 frame) inches T...

Nicely painted mid century abstract minimalist painting. Signed vero. Framed.

'Nude at the Window Overlooking Sacré-Coeur', oil on paper mounted on canvas, by Louis Latapie (circa 1930s). Although later in Latapie's career he embraced cubism and abstraction, t...

A very beautiful signed and dated 1936 impressionist oil on canvas by Lelia Caetani depicting the river Seine in Paris. The artist is very interesting - please see biography below ...

Very impressive mid 20th century beach scene. Great colors. Nice vintage frame. Oil on board. No signature found. Image size, 12H x16L.

Hans Tisdall (1910-1977) signed l.l. White Cliff II , 1960 oil on canvas , 20 x 16 inches Beautiful pared down landscape of a white cliff against a dark background , British coast ...

Acrylic on canvas. Signed, dated, and titled verso. 62.25 x 62.25 in. 63.75 x 63.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance ...

Oil on canvas. Signed and dated lower left; titled verso. 47.25 x 47.25 inches 48.5 x 48.5 inches (framed) Custom framed in a solid maple floater finished in a polyurethane clear c...

This early to mid-20th-century self-portrait by Henri-Georges Bréard (1873-c.1939) depicts the artist deep in thought. He’s holding a pipe. Henri-Georges Bréard was an accomplished ...

Aaron Levy was born in New York City in 1899. After retiring in 1951 from a career as president of E. Milius & Company, a textile company, Levy began a new career as a fine artist. ...

Luigi Lucioni Vermont Landscape with Birch Trees, 1936 Signed and dated lower left and inscribed indistinctly verso Oil on board 20 x 15 7/8 inche...

Georgina Klitgaard (1893 - 1976) Buttermilk Bay, Cape Cod, Massachusetts, 1933 Oil on canvas 18 x 30 inches Signed lower right Provenance: Frank K. M. Rehn Galleries, New York Harold Ordway Rugg Private Collection, Western New York Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...

Reginald Marsh Tugboat at Dock, circa 1937 Signed lower right Watercolor and pencil on paper 13 3/4 x 20 inches Housed in a Lowy frame. Provenance: Sotheby'...

ROBERT WILLIAM WOOD(1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrated to the United States and ros...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

A beautiful mid 20th century Southeastern European oil on canvas portrait of a lady wearing a white headdress. This intriguing work is expertly painted with thick impasto paintwork which has been built up across the surface. Indistinctly signed lower right and presented in a reverse profile frame. We think that this work was painted by an artist working in Southeastern Europe, most likely Greece or Macedonia. Artist: Southeastern European School...

"Spring Thaw" by Modernist painter, Stanley Bate is a textured and energetic abstract painting, created in the early 1960s. Bate, who was inspired by his Abstract Expressionist peers...

"Two Ballerinas Oil On Canvas By Maria Szantho Frame" Nice and large painting "two ballerinas", painted by the female artist Maria Szantho (1897 - 1998) Hungarian school. Maria Szant...

Work on canvas

English mid century oil painting Portrait of a Wire Haired Jack Russell terrier. Kate Gray was a British animal portrait painter during the last half of the ...

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

English mid century oil painting Portrait of a cute Corgi. Paintings of this breed are very rare and very collected. Kate Gray was a British animal portrait painter during the last...

Beautiful oil landscape painting of the Santa Cruz Mountains by Santa Cruz, California artist Ann Fuson (American, 1926-2001), c.1960s. Signed "A....

Plump or fleshy and voluptuous nude... you can describe it as you see it. Signed, titled and dated lower left: John Steuart Curry / 1934 "Hilda Nellis", John Steuart Curry is best ...

Nicely painted mid century impressionist cityscape oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed. Nice view of the Empire State Building!

Title: Flower In White Vase Medium: Oil On Canvas Painting Size: 35"" x 29"" Frame Size: 38.5"" x 33"" Condition: This artwork is in good overall condition for its age. Signature: S...

Vintage impressionist dock scene painting. Oil on canvas. Framed. No signature found.

This early 20th-century oil painting by German artist Paul Sannemann (1886-1943) depicts a vibrant still life with chrysanthemums. Sannemann had an eye for colour, never one to shy ...

Nicely painted early American modernist landscape by Rita Rogers (b.1936). Oil on canvas. Framed. Signed. Artist Bio: Rita Rogers was born in North Miami Beach and raised in Bro...

Mid Century Original Big Sur Seascape Oil Painting Gorgeous mid century Big Sur seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Blue and aqua...

Johann Berthelsen Danish/American, 1883-1972 Central Park with People in the snow and the downtown in the background barely visible through the snow. Signed Johann Berthelsen (lr) Oi...

Marcel Dyf (French, 1899-1985) Leçon de musique; Music Lesson Circa 1965, Oil on canvas Dimensions: 29 x 24 inches (73.0 x 61.0 cm) Framed: 36 x 31 Inches Signed lower right: Dyf T...

Antoine Blanchard (French, 1910-1988) Boulevard de la Madeleine Oil on canvas Measures: 18 x 21 inches (45.7 x 53.3 cm) Framed: 24 X 27.5 Inches Signed lower right: Antoine Blanchard...

Emile A. Gruppe (Am. 1896 - 1978) large oil Maritime painting Gloucester MA. Circa 1960. The clouds are clearing up in Gloucester Harbor after a spring rain on the net haulers and fi...

Emile Albert Gruppe (American, 1896-1978) Post Impressionist Titled Verso: “Hauling The Nets” Oil on canvas Canvas: 25 x 30 inches (63.5 x 76.2 cm) Framed Dimensions 31 X 36 Inches S...

Raoul Dufy (French, 1877-1953) Nu allongé sur canapé, circa 1939 China ink, gouache, and watercolor on paper laid on board Sight: 16 x 19.75 inches (40.6 x 50.2 cm) Signed lower righ...

Jacques Martin-Ferrières (French, 1893-1972) Le marché de Raguse en Yougoslavie, avec la fontaine, circa 1938 Oil on canvas Measures: 22-3/4 x 29-1/4 inches (57.8 x 74.3 cm) Framed: ...

Anthony Thieme (Am. 1888–1954) Dutch landscape with Windmill. Oil on canvas Signed (A. Thieme) L/L, A very large and formidable oils painting on canvas by Anthony Thieme. The land...

Emile Albert Gruppe (Am. 1896-1978) Oil Painting Oil on canvas. Titled on verso “Fall Birches Along The River By Emile A. Gruppe” Canvas: 20 x 24 Inches Frame: 26 x 30 Inches Anoth...

Man. original figurative drawing painting. virtual frame Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. He wa...

Incredible mid century abstract expressionist oil painting by Ken Munowitz. Oil on canvas. Framed.