Abstract Paintings

Really impressive mid 1900s American school painting of Central Park. An amazing piece with hints of abstraction. Framed. No signature found.

Wonderful abstracted surreal figure of a spirit by Michael Eggleston (American, 20th Century). This piece is bold and lively, with bright colors and rich blacks. This horned spirit i...

Still life on black table. Oil on canvas, 135x140 cm

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Untitled red figurative abstract painting with various nude figures holding various objects by Portland, Oregon artist Brendan McKeon. The canvas is not currently framed.

Brazilian flowers is a beauty painting with frame by the Italian artists Frida & Raul in 2019. It is realized by mixed three-dimensional technique with acrylic, metal mesh, wood, plastic, concrete...

Something of a departure for Berlin, this highly figurative painting use motifs from ancient central American cultures to create a piece that writhes and turns on the canvas. Beautif...

"Daffodils for Victory" is a painting about rebirth and the power of life. It has become a symbol of the triumph of good over evil, of life over death. The daffodils depicted on the...

Amitabh Sengupta - Nigeria Period , Edition 1/1 Frottage on Paper , 30.25 x 22.25 inches , 1987 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depi...

Clarence Holbrook Carter (American, 1904-2000) Neon Ovoids, c. 1960s Acrylic on paper 9 x 12 inches Mid-Century Abstract neon orange, green, pink acrylic painting. Clarence Holbroo...

Clarence Holbrook Carter (American, 1904-2000) Seeing Egg No. 2, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches 34 x 29 inches, framed A surrealis...

Cafe. 2024., acrylic, paper, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 1996. – 2000. ...

A highly abstracted figure emerges in fluid, elegant brush strokes, reminiscent of the works of Francis Bacon, in this striking abstract painting by Bay...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Meeting. Oil on canvas, 110x110 cm

This original 1949 gouache and wax painting, titled Fetishes, is by renowned New Mexico modernist artist Howard Schleeter (1903-1976). Signed and dated by the artist on the lower rig...

Robert Glick (American, born 1950) "Day at the Coast" 2023 Acrylic Paint, Canvas, Stretcher Bars The artist signed the middle left of the painting. "Day ...

Clarence Holbrook Carter (American, 1904-2000) Rockefeller Center, 1962 Acrylic and sand on scintilla Signed and dated lower left 25 x 20 inches Clarence Holbrook Carter achieved a ...

Very nicely painted American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 12L.

Modernist abstract landscape painting by Abraham Pariente. Oil on canvas, circa 1990. Signed. Displayed in a giltwood impressionist frame.

This vibrant work by noted 20th century American artist, Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted still life composition.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 22L x 28H.

Fereydoun (Fred) Rahimi Assa (Iranian, b. 1936) Oil and mixed media on canvas, Hand signed lower left Framed : 48-1/2"h x 36-1/2"w Sight: 48"h x 36"w Made with metallic paint, the...

Clarence Holbrook Carter (American, 1904-2000) Chromatic, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches A surrealist mid-century figural abstrac...

Walking Creature, Contemporary Surreal Figurative Abstract by Michael William Eggleston Bold and imaginative contemporary figurative abstract by San Francisco artist Michael William...

Very impressive modernist still life by Miguel Guzman. Oil on canvas. Nicely framed. Great color and composition.

Geometric Composition is an original contemporary artwork realized by Aldo Moriconi in 1967. Mixed colored enamel on wood. Hand signed and dated on th...

Summer Bloom I captures the essence of wildflowers and delicate grasses, blending vibrant hues of pinks, purples, and soft blues. The flowers are painted in loose, expressive strokes...

Clarence Holbrook Carter (American, 1904-2000) Dichotomy, 1962 Oil on paper Signed and dated upper left 20 x 25 inches Mid-century figural abstract green painting of woman swimming ...

Oil on canvas. Signed

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Antique English modernist landscape oil painting by Phillip Castle (Born 1943). Oil on canvas. Framed. Signed verso.

Oil on academy board by the Russian/American artist Nahum Tschacbasov. Signed and dated lower left, 1945. Condition: Excellent. Presently not framed. Biography : Russian-America...

An original oil on canvas painting by American artist James Koenig created in 1944.

Nice quality modernist painting. Oil on canvas. Framed. Image size, 16L x 12H.

Antique American modernist cityscape oil painting. Oil on canvas, circa 1970. Signed. Displayed in a giltwood frame. Image, 20"L x...

Figurative Cubist Surrealist Abstraction Mid 20th Century American Modern Large O. Louis Guglielmi (1906 - 1956) OBSESSIVE THEME 44 x 33 inches Oil on canvas Signed and dated '48 lo...

Antique modernist landscape painting. Oil on canvas. Housed in a period frame. Image size, 17.5L x 13.75H. Signed.

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born Jan...

Clarence Holbrook Carter (American, 1904-2000) Reverberations, 1970 Acrylic on illustration board Signed lower left 20 x 30 inches Mid-century abstract surrealist black acrylic painting...

Antique American modernist abstract oil painting. Oil on board. Framed. Image size, 5.5L x 7.5H.

Pinchas Litvinovsky (Russian/Israeli, 1894-1985) A group of people, Jerusalem Types Hand signed indistinctly (lower right) in English and in Hebrew Verso. Oil on canvas Dimensions 16 1/8 x 51 1/16in Pinchas Litvinovsky (1894-1985) was a prominent Israeli painter, born in the Russian Empire (now Belarus) in Novo-Georgiyevsk, Russia. As a student he visited the Bezalel exhibition in Odessa and met Boris Schatz, the founder of the Bezalel School of Arts and Crafts. Schatz persuaded the young, talented student to study art in Jerusalem at Bezalel. He immigrated to Palestine in 1911, where he became a key figure in the local art scene and was among the pioneers of Israeli art. Litvinovsky studied art in Odessa and later in Paris at the Académie Julian. In the 1930’s he traveled to Paris, France where he encountered the art of Henri Matisse, Pablo Picasso and artists of the Ecole Juif Jewish School of Paris. (Marc Chagall, Modigliani, Chaim Soutine). Litvinovsky worked in many modernist styles, especially Cubism as reflected in the Russian constructivist paintings of the 1920’s His work, which includes landscapes, portraits, and biblical scenes, reflects a blend of European influences and Middle Eastern motifs. He was a member of the Bezalel group of artists and participated in the establishment of the Tel Aviv Artists' House. Throughout his career, Litvinovsky's art evolved, but he remained dedicated to exploring the unique light and landscapes of Israel, contributing significantly to the cultural fabric of the young nation. Select Group exhibitions Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Arie Allweil, Ludwig Blum, Nachum Gutman, Itzhak Frenel Frenkel, Reuven Rubin, Shmuel Schlezinger, Eged - Palestine Painters Group, Allenby Street, Tel Aviv, 1929 Artists: Chana Orloff, Abraham Melnikoff, Sionah Tagger, Elias Newman, A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem, 1940 Artists: Moshe Mokady, Jakob Steinhardt, Anna Ticho, Joseph Budko, Mordecai Ardon, Moshe Castel, Abel Pann, Hermann Struck, Rina Gallery, Jerusalem Artists: Motke Blum, Efraim Fima (Roytenberg, Ephraim) Zelig Segal, David Sharir, Joseph Halevi, David Caftori, Menashe kadishman, Dedi Ben Shaul, Raffi Lavie Exposition des Artistes de Jérusalem Grand Palais, Paris, France Artists: Samuel Ackerman, Marek Yanai, Zvi Tolkovsky, Zvi Miron Sima...

This original vintage painting by Charles Ragland Bunnell (1897-1968), titled Quitting Time from Bunnell's Black and Blue Series from 1941, exemplifies his unique Abstract Structure ...

Composition 16 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 32...

Very well painted period cubist still life. Oil on canvasboard. Framed. No signature found.

Impressive early American modernist farm landscape painting. Framed. Oil on canvas. Image size, 25H by 30L.

Signed lower left, 'Aung Aung Taik' (Burmese, born 1948) and dated 1981. Exhibited: San Francisco Cultural Center, 1981. A major work by this celebrate...

Antique American modernist abstract landscape painting. Oil on canvas, circa 1970. Signed. Image size 24L x 18H. Housed in a period modern frame.

Expressive portrait, a caricature of a man with bowtie by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of the artist's work. Another version of th...

Very impressive mid 20th century abstract cityscape painting. Oil on canvas. Framed. No signature found.

Sam Francis 1923-1994 American Untitled Signed and dated "Sam Francis 1965" (en verso) Oil on canvas This striking painting hails from the renowned Edge Paintings series by impor...

This stunning mid-20th-century oil and spackle painting by Henriette "Yetti" Stolz captures a bold, abstract cityscape with a dramatic bridge and towering buildings. The striking com...

Ricky Hunt’s mixed-media minimalist wall art is influenced by his tumultuous past, which led to a paradigm shift in creativity and life. He covers the wood panel with layers of acryl...

Step into the vibrant world of mid-20th-century American art with this remarkable Vintage New York School Minimalist Abstract framed oil painting, dating back to the pivotal year of ...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...

The Sea by Louis Eugene Glasser (French b. 1897) signed oil on board, framed framed: 22.5 x 29.5 inches board: 17.5 x 24.5 inches provenance: priv...