Mixed Media Abstract Paintings

"Sand Castle" is a framed mixed media work on canvas by Maura Segal, with abstract shapes and color blocking. The artist cuts hundreds of paper shapes and adheres them to the canvas ...

hanji, acrylic and pigment on canvas. original artwork by los angeles based artist sam kupiec. 60’h x 36’w x 1.5’d.

Wintersong, Original Framed Minimalist Black and White Abstract Diptych Painting 30x48x2 (HxWxD), Mixed Media A minimalist abstract work, these two canvases by artist Stacey Warnix...

The painting depicts the light of the city when it is under the snow . The artist memories of the walks close to the Danube river. As usual on my painting I like to hide symbols and/...

Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...

Untitled 13 (Blues) (Abstract painting) Mixed mediums on paper - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Hunters herded the bison and drove them over the cliff, breaking their legs and rendering them immobile. Tribe members waiting below closed in with spears and bows to finish the kills.

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This abstraction by NY based artist Margo Margolis has a very sophisticated/playful sensibility with brilliant, intense color (dark green, bright green, orange, yellow, black and white) - the significant attribute of the artist's flashe medium, a water based French paint. Consisting of multiple layers of underpainting and glazing, and frequent contrasts between hard and soft edges, these paintings not only have associations with Henri Matisse's palette and Alexander Calder's sculptural forms, but also share in these artists' levels of complexity after initial relatively straightforward first takes. Fresh and intelligent exploration into the possibilities for abstraction are Margolis's focus, and these works achieve that rare quality of making abstraction feel new. Margo Margolis "White and Green" 2022 Flashe on Canvas 24 x 18 x 1.25 Inches This painting is unframed and framing is not necessary as the sides are painted white. It is currently on view in an exhibition of the artist's work in Wellesley, MA where it is featured in a group of works of varying sizes, small, medium, and large: 24 x 20 inches, 40 x 32 inches, 72 x 60 inches, and works on paper measuring 30 x 22 inches. Also available are a series of earlier small canvases measuring 14 x 11 inches each which also work well as groupings. Margolis’s continuing commitment to abstract painting dates back to the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang gallery for 'The Boston Globe' then chief art critic Nancy Stapen stated: “…eccentric, quasi-geometric forms and initial impression of simplicity belie this artist’s highly sophisticated grasp of paintings. These are multi- layered works concerned with the discipline’s core issues – transluscency and opacity, flatness and illusioinism, line and form, figure and ground, pattern and surface, structure and weightless pictorial space… these paintings may be analyzed up to a point. In the end, their process remains mysterious. Their appeal lies in their engagement with an inventive form language intrinsic to painting, as well as in their deft synthesis of quietude and quirkiness.” June 3, 1993 Current Chief Art Critic for 'The Boston Globe, ' Cate McQuaid, wrote of Margolis’ 2017 exhibition in the gallery: “Her marks grab at you as insistently as a toddler demanding attention. They’re like a language made purely of punctuation, rhythmic and emphatic, let out of the duty of modifying sentences, freed at last to express itself alone.” January 6, 2017 Works are included in numerous public collections including the Philadelphia Museum of Art, the Brooklyn Museum, Chase Manhattan Bank, Amerata-Hess Corporation, General Mills, Best Products, IBM, Estee Lauder, Miami-Dade College, Chemical Bank, and Wellington Management. She is the recipient of many awards including 2 grants from The National Endowment for the Arts, a New York State Council on the Arts Grant, and Yaddo and MacDowell Residency Grants. Margolis received a BS degree from Skidmore College and an MFA from Indiana University. She lives and works in New York. The artist recently retired as Chairman of the Tyler School of Art's (Philadelphia) Department of Painting. Statement by Margo Margolis: "While text and image combine to tell the story, it is the drawing around the narrative, the space between text and image that I find compelling. In my work, it is the space between, on the periphery, in the margins that has become the foreground. It is the charged environment that has become the subject. Equally significant and transformative have been innovations in process that have evolved. Discrete marks are de-contextualized, reassembled and photocopied. They are further manipulated by exaggerations in scale, repetition and excessive layering. I have introduced 'printerly' processes (carbon tracking and stencils) that combine with marks that are hand-drawn, hand-painted. These are layered over and under transparent veils of paint. The incorporation of printing methods has been critical both formally and conceptually. These processes underline the fact that this is a system based on a 'ready-made' language. They create an identity distinctly different from action painting, gestural painting or any notion that the artists' stroke is assumed to reveal his/her psyche. These are distanced marks and frozen gestures. In combination with what is handmade, they reveal an alternate translation. Importantly, these processes, in allowing direct reproduction point to the semantic mutability of the language. However, most important is the process of building, excessive layering, and the continual dissolution and re-materialization of form. The paintings have a physicality and material presence that affirms the medium and is in contrast to their graphic impact." MARGO MARGOLIS EDUCATION B.S. Degree 1970, Skidmore College, Saratoga Springs, New York MFA Degree 1972, Indiana University, Bloomington, Indiana SOLO EXHIBITIONS 2022 Beth Urdang Gallery, Wellesley, Massachusetts 2019 Beth Urdang Gallery, Boston, Massachusetts 2016 Beth Urdang Gallery, Boston, Massachusetts 2007 Beth Urdang Gallery, Boston, Massachusetts 2001 Beth Urdang Gallery, Boston, Massachusetts 1997 Esso Gallery, New York, New York 1993 Beth Urdang Gallery, Boston, Mass. 1991 Beth Urdang Gallery, Chicago, IL. 1989 Beth Urdang Gallery, Boston, Mass 1987 Richard Green Gallery, New York 1980 Brooke Alexander Gallery, New York 1979 University of Southern Florida, Tampa, Florida 1979 Miami-Dade College, Miami, Florida 1978 Brooke Alexander Gallery, New York 1977 Connecticut College, New London, Ct. 1977 Brooke Alexander Gallery, New York SELECTED GROUP EXHIBITIONS 2016 Fabulous You, Tiger Stikes Asteroid, Brooklyn, New York 2011 Twin, Twin, Pierogi Gallery, Brooklyn, New York 2010 Spring Editions, Pelavin Editions, New York 2010 Group Exhibition, Beth Urdang Gallery, Wellesley, Massachusetts 2004 Analog Click-Click, Temple Gallery, Philadelphia, Pa. 2002 Snapshots, Arcadia University Gallery, Glenside, PA, Aldrich Museum of Contemporary Art, Ridgefield, CT 1999 Tenth Anniversary Exhibition, Beth Urdang Gallery, Boston, MA 1998 Accrochage in the Gallery, Esso Gallery, New York 1998 Brad Kalhammer, Nicholas Rule, Margo Margolis, Solo Voices, North Dakota Museum of Art, Grand Forks, ND 1998 Art Exchange Show, New York 1998 Works on Paper, Galeria Martano, Turin, Italy 1998 Paintings and Monoprints, Cheryl Pelavin Gallery, New York 1997 Esso Gallery in Torino, Villa Buttino, Torino, Italy 1997 Art Exchange Show, New York 1996 Objects by Some Artists and Architects, Beth Urdang Gallery, Boston, MA 1996 The Art Exchange Show, New York 1994 Abstract Painting, Carolyn Roy Gallery, New York 1995 Wayne C. Brown DePonton d”Amecourt Collection, Colby College, Waterville, ME 1994 Contemporary Prints, Quartet Gallery, New York 1992 Mentors, Vox Populi Gallery, Philadelphia, PA 1991 Presenze, Artisti Stranieri in Italia Oggi, Rocca Paolina, Perugia, Italy 1990 Contemporary Painting, Langman Gallery, Philadelphia, Pa. 1989 Very Special Arts Benefit, Christies, New York 1989 Ground Work, Valencia College, Valencia, FL 1989 Group Show, Shea Beker Gallery, New York 1989 Drawings, Lorence Monk Gallery, New York 1989 Monoprints, University of Maine, Orono M 1989 Inadmissible Evidence, SUNY Purchase, New York 1988 Group Show, Bernard Jacobsen Gallery, New York 1986 Mutual Respect, Vanguard Gallery, Philadelphia, PA 1984 Nature As Image, OIA, New York 1983 Works on Paper, Bucknell University, A 1982 Group Show, Brooke Alexander Gallery, New York 1981 Abstract Painting, Womens Caucus of the CAA, New York 1981 Ten Years Later, Skdmore College, Saratoga Springs, New York 1981 Exchanges III, Louis Abrons Center, New York 1981 Group Show, Brooke Alexander Gallery, New York 1981 Sign and Symbol, Jeffrey Fuller Gallery, Philadelphia, PA 1981 Five Abstract Painters, Brooke Alexander Gallery, New York 1981 Group Show, Marion Locks Gallery, Philadelphia, PA 1980 New York, New, Work,”Delahunty Gallery, Dallas, Texas 1979 Group Show, Brooke Alexander Gallery, New York 1978 Diamond, Margolis, and Ripps, Brooke Alexander Gallery, New York 1978 Contemporary Drawings, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1978 Drawings, Pratt Graphics Center, New York 1978 Thick Paint, Curated by Carter Ratcliffe, Renaissance Society, University Of Chicago, Chicago, IL 1978 New Editions, Brooke Alexander Gallery, New York 1978 Three New York Painters,” Alice Simsar Gallery, Ann Arbor, MI 1978 Six Contemporary Painters,”curated by Marcia Tucker, Kirkland College Clinton York 1977 Works on Paper, Alice Simsar Gallery, Ann Arbor, MI 1977 Critics Choice,” Joe and Emily Lowe Gallery, Syracuse University, Syracuse, New York, Munson-Williams Proctor Institute, Utica, New York 1977 New Abstract Objects,” Halls Walls, Buffalo, New York 1977 Diamond, Jacquette, Margolis and Ripps-New Work, Brooke Alexander Gallery, New York 1977 Painting ’75,’76,’77, Sarah Lawrence College, Bronxville, New York; American Federation for the Arts, Miami, FL; Contemporary Art Center, Cincinnati, O 1977 Works on Paper, Vick, Klaus, and Rosen Gallery, Philadelphia, PA 1976 Group Exhibition, Towson State College, Towson, MD 1976 “Contemporary Approaches to Painting,” University Museum, University of California at Santa Barbara 1976 “Four Young Artists,” Bykert Gallery, New York 1976 Invitational, OK Harris Gallery, New York PUBLIC COLLECTIONS Philadelphia Museum of Art, PA Brooklyn Museum, New York IBM Corporation, New York Fidelity Investments, Boston, MA Prudential, New York Rosenthal and Rosenthal, New York Chase Manhattan Bank Collection, New York Ivan Chermayeff, New York Lehman Brothers, New York Miami-Dade College, Miami, FL Amerada-Hess Corporation, New York American Can Company, Greenwich, CT Estee Lauder Corporation, New York General Mills, Minneapolis, MN Freed, Frank, Shriver, New York Chemical Bank, New York Delahunty Gallery, Dallas, TX Best Products, Richmond, VA Skadden, Arps, New York Stephen Paine, Boston, MA Davis, Polk, Wardwell, New York Roger Sonnabend, Boston, MA Fabric Workshop and Museum, Philadelphia, PA Zimmerli Archives, Rutgers University, New Brunswick, NJ GRANTS AND AWARDS Temple University Study leave, 1980, 1987,1994, 2002 Visual Arts Fellowship, National Endowment for the Arts, 1987 Visual Arts Fellowship, National Endowment for the Arts, 1980 New York State Council for the Arts, 1977 Yaddo Residency Grant, 1976 MacDowell Residency Grant, 1976 Indiana University Fellowship, 1970 CATALOGUES Painting ’75,’76,’77 Critic’s Choice Contemporary Drawing, Philadelphia Thick Paint Margo Margolis, Miami Dade College Exchange III Nature as Image Ground Work Presenze Chemical Bank: An Art Collection in Perspective Margo Margolis, Esso Gallery BIBLIOGRAPHY Richard Lorber, Arts Magazine, September 1976 Art Week, October 23, 1976 Henry J. Seldis, Los Angles Times David Rush, "Paintings with a Sculptural Character," Art Week, October 30, 1976 Allen Ellensweig, Arts Magazine, April 1977 Richard Brugin, New York Arts Journal, September 1977 Mary Delahoyd, "Painting '75, '76, '77" (catalogue essay) 1977 Hayden Herrera, "Critics' Choice," Joe and Emily Lowe Art Gallery, Syracuse, New York and Munson-Williams-Proctor Institute, Utica, New York (catalogue essay) 1977 John Russell, New York Times, June 1978 Carter Ratcliffe, "Thick Paint" University of Chicago, IL (catalogue essay) 1978 Ann Percy, "Contemporary Drawings, Philadelphia," Pennsylvania Academy of Fine Arts (catalogue essay) 1978 Alexandra Anderson, Village Voice, March 26, 1979 Peter Frank, "In One Medium, Out the Other," Village Voice, April 9, 1979 Thomas Lawson, Art in America, October 1979 Karen Valdes, Margo Margolis, Miami-Dade Community College, (catalogue essay) 1979 Print Collector's Newsletter, Spring 1979 Lee Edwards...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

There is a strong, playful streak in Mago's mixed-media paintings. In "Dancers", we see an interesting relationship between abstraction and representation. Red and yellow fills the canvas forming a kinetic composition, while the floating figures of dancers appear almost dreamlike coming out of the sun...

Project for a Decorative Panel is a beautiful mixed media, original drawings in blue-colored, coupe-papier, applied on cardboard, realized in 1969 by the artist Esy A. Belluzzi, Hand...

Psychi 2 from "The Soul" series is a pop-art inspired and fun painting on Fabriano paper depicting a colorful Butterfly. The painting is unframed. We can coordinate framing for you a...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

The Brooklyn Bridge has been an iconic subject of artists for generation. This is contemporary artist Joe Novak's take referencing the early modernist ...

Suprematist composition. 1919, paper/gouache 21,5 x 28,5 cm Gustav Klucis (1895-1938) Latvian painter, sculptor, graphic artist, designer and teacher, ...

Yellow, orange and red gallery-wrapped mixed media on canvas abstract painting made by boxing with boxing gloves dipped into paint by artist Omar Hassan.

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

This abstract equine painting, "Color Run" by artist Gabrielle Benot is a 36x48 original mixed media painting on canvas. Depicted is a colorful abstract horse race from a head on pe...

Geometrical Abstract Composition is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo (Messina, 1947) in 2020. Mixed Media on Paper. Hand-signed on ...

Geometrical Abstract Composition is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo (Messina, 1947) in 2020. Mixed Media on Paper. Hand-signed on t...

Geometrical Abstract Composition is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo (Messina, 1947) in 2020. Mixed Media on Paper. Hand-signed on t...

Geometrical Abstract Composition is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo (Messina, 1947) in 2020. Mixed Media on Paper. Hand-signed on t...

Geometrical Abstract Composition is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo (Messina, 1947) in 2020. Mixed Media on Paper. Hand-signed on ...

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

This is a painting of an abstracted and re-imagined playing card with birds and textures writing. This card in particular is the 6 of clubs, larger version. The painting is mixed med...

"Balancing Act" 2018, Acrylic and Gouache on 2 Panels, 24 1/2 x 36 inches (Diptych) Abstraction in shades or orange, red, blue, cream, and brown. This painting consists of 2 pan...

The Consequence of Small Decisions Solo Exhibit by Cassandra Ott This dynamic mixed media work was created as part of the artist's series "The Consequence of Small Decisions". ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Partha Shaw - Untitled - Acrylic on Board . 25 x 14 inches This work will be shipped flat without frame. Style :Shaw works mainly with landscapes, but handles them in a very c...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The result...

Carl Smith combines his own photographic material with drawings and other fragments of narrative imagery onto canvas. He works with several layout combinations before creating a fini...

New Orleans artist Allison Stewart has gained national recognition for her paintings expressing the complex and disturbing dialogue between man and nature. Trained as a biologist, St...

"Interlude" is an original 20in x 20in painting by Kelly Kozma with mixed media elements. Please note: The last three photos show images of the full "Tiny Particles Connecting the...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The resulti...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The result...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The resulti...

Vinyl and doily collage on paper yoda98

Digital mosaic. Limited and signed edition, number 3 of 8. Edition original 8 ex + 3 EA. Joël Moens is a serial creator. Over the course of his lifetime, he has spawned over fifteen different businesses. Nowadays, and almost schizophrenically, he switches between his businessman’s hat and his artist’s hat at the mere click of a mouse, given that this disciple of the philosophy of action devotes his time to digital art. His artistic 'love at first sight' moment was his discovery of and introduction to photo mosaics. This is a process which renews the ancient technique of mosaic and is testament to the change in status of the image that resulted from the technological revolutions of the end of the twentieth century. The particular works of Joël Moens are made up of scores of feminine curves, that when assembled form a unified whole. The tiny photographic images lend a real sense of depth to the artist’s work, an idea of infinity. They can be read in two ways, depending on whether the viewer is looking at the content or the form. This reflects the ambivalence of his existence where he alternates between his activities as a businessman and his work as an artist. The photo mosaics of Joël Moens de Hase first began to emerge in 2011. They rapidly caught the interest of a national and international viewership, and both were highly receptive. This digital art form, a contemporary alternative of pixel art...