Melissa Shaak

"Door to the Arch", abstract, archway, bold, grey, teal, red, acrylic painting

2018

Lesley Anne Spowart (American, born 1957) "Azurite II" 2019 Acrylic Paint, Vellum, Board The artist signed the back of the painting. "Azurite II" by Lesley Anne Spowart is an evocat...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...

Acrylic, fabric, and paper on board Each board is 12 x 12 inches with 1 inch space between them

This mixed media artwork by Gozo, titled Ten Cypresses Arguing About the Byzantine Empire, presents a surreal landscape featuring a row of vibrant green cypress trees set against a s...

Artist : Katherine Bello Title : Before the Beginning Materials : Mixed Media on Canvas Date : 5/2019 Dimensions : 24"X24"X1.5" Signed and Dated by Hand COA Provided Katherine Bello...

Katherine Bello Title : Going Home Materials : mixed media on canvas Date : 2020 Dimensions : 36"x36"x1.5" Signed and Dated by Hand COA Provided Katherine Bel...

"I welcome the continual emergence of change, evolution, and the inevitable challenges that form a large part of a working artist’s life." With CHEF'S HAT, a recent and evolving work, I am moving into more dimensionality and space. My intention is to push patterned and embellished surfaces on paper from its naturally flat surface into a more structural and spatial plane. This involves making sculptural pieces from paper and experimenting with new construction methods using strips and lengths of paper over-lapped and fastened together, shaped into objects with physical presence. I feel I am migrating from the flat surface into the third dimension. I envision the paper constructions as a landscape to be wandered in and out of, through and around, a space that invites all and sundry to enter on their own terms. I hold firmly to the belief that my work exhibits a playfulness that belies a more serious assessment of our social world. I am interested in how something that is initially perceived as frivolous and celebratory can constitute a reaction against and resistance to the shadowy world of misfortune, hard luck, and weariness. Born in 1959, Lanie Gannon was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched...