Abstract Geometric Abstract Paintings

I have worked on a new collection of abstract paintings.This new abstract series is dedicated to a "heart- mind connection". This abstract geometric artwork with squares is called "Story 0.2" While working on this artwork, I was inspired by the idea that every person has its own story of the life with its ups and downs, with the moments of joy, happiness, loss and desperation. This painting is particularly rich in red, blue and black colors mixed with golden color. This artwork is done with acrylic paints on canvas on which a coat of High Gloss vanish was applied. It gives a painting a nice beautiful glossiness. It also protects the artwork from fading, dust, humidity. The painting is sold unframed: it's ready to hang. The edges are painted in black. The choice to sell my art...

Abstract geometric painting in pastel shades of white, yellow, green, orange, and red "Ultraviolence" painted by Hudson Valley, NY based painter, Anthony Finta, in 2022 36 x 48 inch...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Daniel Hill’s work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also sa...

In Could Anvil, Kurt Herrmann channels his signature colorist instinct into a vivid, multichromatic geometric abstraction rendered in black, white, and primary colors. Executed on a ...

Mystery Artist, Style of Washington Color School Untitled, c. Later 20th Century Oil on canvas 22 x 27 3/4 x 3/4 in.

Archibald Dunbar McIntosh RGI RSW (b.1936) was born in Glasgow and studied at Glasgow School of Art from 1953-1957. After graduating, he became a teacher and, later, the President of...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

This striking geometric wall sculpture features intricately layered, swirling shapes that create a mesmerizing sense of movement and depth. With precisely cut, radiating forms in war...

Contemporary British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, Surrey, England condition: The painting is in ...

Erin O'Brien Framed, 2021 acrylic on linen 25 x 20 in. (obri018) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of blue, orange, and pu...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Contemporary British acylic painting on paper stuck on board, in a black frame framed: 16 x 18.5 inches paper: 11 x 13.5 inches private collection the painting is in overall very go...

This 40" x 40" acrylic on canvas painting, 'Levitation,' by Dragana Milovic depicts a fantastical abstracted landscape of geometric shapes and lines in...

Bands, squares and rectangles in pink, mauve, aqua and black dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition intersects music, ...

Jane Sangerman lives and works in New York City. She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had one ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

I collected meaningful symbols of this brutal war in Ukraine for liberty on this canvas: the leopard as a sign of help with armament, metal from Azovstal, images of the mother's womb...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Artist: Cary Smith, Puerto Rican/American (1955 - ) Title: Not Now Year: 1989 Medium: Oil and wax on canvas Size: 72 x 72 in. (182.88 x 182.88 cm)

''Cubist Composition" by Édouard Righetti (1924-2001) inscribed verso oil painting on canvas, beautifully painted with thick impasto oil and bold colo...

"Homage to Josef Albers" - Suprematist Abstract Geometric Composition Abstract composition with a nested squares by an unknown artist (20th Century) in the style of Josef Albers (Ge...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Rectangles and squares, large and small, in grey, green, red, blue and orange, dance across an orthogonal of light blue on a white ground in this canvas by Burton Kramer. The title o...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Bold, large-scale geometric abstract with primary color blocks by Marianne K. Brown (American, 1928-2019). Red, yellow and blue rectangles are separated with white borders, which are accented with the delicate detail of thin colorful lines. Signed "Marianne K. Brown" in pencil the lower right and was acquired with a collection of Brown's work. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

"Great white Shark grey pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the ...

A dreamy 1983 Abstract Geometric painting by Institute of Design artist Eugene Dana. Artwork size: 45". x31". Framed size: 46" x 32". Provenance: Estate of the artist. Born in M...

Martin Rosenthal "Triangles and Semi Circles" 1965 Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosenthal 189...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Beautifully intricate piece from Sue's studio nestling above the Atlantic Ocean. Her paintings invite one into them and the eyes see the deep patterns she has woven. Oil on canvas

Inspiration 2021 Artist signed verso, oil on canvas 48x36 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almost every drawing and panting were on display in his classroom. During his college years, in Vienna Austria, studying to become mechanical engineer, he continued to study art. His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where he finished his first small oil painting. Since then JARO painted on and off, until he opened his own studio in 1965 on East 4th Street in the Village. Here he created a series of well designed palette knife paintings in the style of abstract expressionism. JARO stretched off shaped canvases, making him one of the first artists working with these unique shapes. At the time JARO owned his own studio, he studied at the Art Students League 57th Street, New York.  Later in 1969, he studied in Woodstock for several years with John Pike, one of the foremost watercolorists in America, as well as, with Robert Angeloch...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

Post Cubismo is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 1989. Original Oil Painting on Plywood. Hand-signed and dated on the back of the canvas. Very good co...

In Clef, Linda Kamille Schmidt composes a lyrical fabric collage that echoes the rhythm of music and memory. Layered bands of translucent and opaque textiles are stitched into a vibr...

Artist/ School: Modern British contemporary Title: abstract composition Medium: oil on canvas , unframed Canvas : 19.5 x 19.5 inches Provenance: private collection, UK Conditi...

Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates paintings that are comprised of both abstract and representational elements, and consider the natural world as it intersects with utilitarian design. 'Landscape No. 2' — 3x6 feet (36 x 72 inches), — depicts a bird's-eye-view of the Delta as viewed by the artist during his frequent flights over California's Sacramento–San Joaquin River...

Dallas artist David A. Dreyer’s eighth solo exhibition at Valley House Gallery was presented early in 2021, accompanied by an exhibition catalogue. His recent paintings are inspired ...

Maggie LaPorte Banks A Winters Day at Crosby Beach Acrylic Paint and Mixed Media on Box Canvas. Canvas Size: H 25cm x W 30cm x W 4cm Sold Unframed Insitu images are purely an indication of how a piece may look. A Winters Day at Crosby Beach is an original abstract painting by Maggie LaPorte Banks. The intitial sketches for this work were made on a winters day on the 3 km. Crosby Beach. In response to the Anthony Gormley...

In Pollenator No. 2, Kurt Herrmann expands his exploration of color and form in a radiant geometric abstraction. Executed in acrylic on a square canvas, the painting balances crisp p...

Entitled "Study for Tarantula Nebula," this painting by Chicago-based artist Jan Pieter Fokkens offers a representation of the gigantic star-forming region of the same name. Located in the Large Magellanic Cloud, nearly 160,000 light years from earth, it's the birthplace of an astonishing number of massive stars, some roughly 100 times the mass of the Sun. Inspired by telescope images of deep space, contemporary computer compression algorithms and early non-representational art...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Original portrait painting by the German artist Ljubow Jung. Jung is a professional artist and clothes designer. Imitation of stained glass windows. Stained glass windows are made o...

This abstract statement painting by Roger Mudre features a warm red and yellow palette and light layers of circular shapes arranged in a larger circle at the center of the compositio...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Fine original abstract painting by the French artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Paris. It ...

"Color Moves" is a colorful abstract with a broad linear element. Artist David Rubello studied and painted naturalism for many years. In 1965 he began s...

In Upweller, Kurt Herrmann orchestrates a striking interplay of color, form, and movement in a vivid geometric abstraction. Executed in acrylic on a square canvas, the painting is de...

Erin O'Brien Mother, 2020 acrylic and bleach on linen 25 x 20 in. (obri017) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of pink, yell...

Bands, squares and rectangles in fire red, orange, mauve, aqua and orange dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition inter...

Rectangles and squares, large and small, in orange, mauve, blue and more, dance across a light green ground in this vibrant acrylic painting by Burton Kramer. The title of the painti...

Robert W. Petrick Come Again Construction Series East Village NYC , 2022 acrylic on canvas NYC, New York, 2nd street studio Colorful geometric abstract acrylic painting on canvas fr...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...