Abstract Geometric Abstract Paintings

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

"Geostructure VI" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Purple and gold mixed media abstract with reflective gold square and highly textured surface by artist and architect Peg Denney (American, 20th century...

Untitled #904 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Fine original abstract painting by the French artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Paris. It ...

Original portrait painting by the German artist Ljubow Jung. Jung is a professional artist and clothes designer. Imitation of stained glass windows. Stained glass windows are made o...

Abstract Compostion French School, circa 1960's period oil on board, unframed board: 21.5 x 29 inches provenance: private collection, France condition: very good and sound condition

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Abstract geometric painting in pastel shades of white, yellow, green, orange, and red "Ultraviolence" painted by Hudson Valley, NY based painter, Anthony Finta, in 2022 36 x 48 inch...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Untitled #201 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

An exquisite work of geometric abstraction by this celebrated artist Winston Roeth Untitled, ca. 1996 Pastel on handmade paper Hand signed on the front Frame included: Floated and fr...

Ettoja is one of the most prominent illustrators and street art creators in Lithuania. His work explores themes such as social issues, ecology, environmental protection, and the rela...

Untitled #525 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Title: Pothos Medium: Oil on canvas Size: 31 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2013 Artist: Jing Zhang...

Black Line Geometric Abstract Artist signed verso, oil on canvas 48x36 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almost every drawing and panting were on display in his classroom. During his college years, in Vienna Austria, studying to become mechanical engineer, he continued to study art. His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where he finished his first small oil painting. Since then JARO painted on and off, until he opened his own studio in 1965 on East 4th Street in the Village. Here he created a series of well designed palette knife paintings in the style of abstract expressionism. JARO stretched off shaped canvases, making him one of the first artists working with these unique shapes. At the time JARO owned his own studio, he studied at the Art Students League 57th Street, New York.  Later in 1969, he studied in Woodstock for several years with John Pike, one of the foremost watercolorists in America, as well as, with Robert Angeloch...

Sacred geometry acrylic paint on canvas, 2018. Signed, titled and dated on the back. Ready to hang. It comes directly from the studio of the artist. Height 15.75 in ( 40 cm ), Width ...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Acrylic painting on canvas, 2020. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 20.98 in ( 53,3 cm ), Width 16...

"The Beginning That Starts in the Middle" is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in blue,...

In Clef, Linda Kamille Schmidt composes a lyrical fabric collage that echoes the rhythm of music and memory. Layered bands of translucent and opaque textiles are stitched into a vibr...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Califonia artist, Brandon Neher captivates with his figurative abstract artworks that seamlessly blend German Expressionism and Pop Abstraction. His original paintings on canvas embo...

Introspective and innovative—Yvonne Lammerich’s bold contemporary artwork always inspires. Here circles radiate outward from a target in the center of a neutral canvas rendered in a ...

Acrylic paint on canvas, 2019. Signed, titled and dated verso. Ready to hang. The artwork comes directly from the artist's studio. Measurements: 55.24 x 55.24 x 1.56 in ( 140,3 x 140...

This abstract painting by artist Christine Averill-Green is made with oil and mixed media on canvas. Blue, purple, and teal colors blend together beautifully and are juxtaposed by metallic gold paint embellishments, causing the painting to change in altering light. The artwork features organic line work and calming colors. Averill-Green has been exhibiting her artwork in galleries and museums in Upstate New York for over 40 years. She received her B.A. in Art and an M.S. in Art Education. Artists such as Richard Diebenkorn, Euan Eglow, Antonio Lopez Garcia, and her teachers Catherine Kehoe...

Set against a dark, textured black background, this artwork explores the interplay between order and disruption through geometric abstraction. Five white circles, thick and dimension...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

"Homage to Josef Albers" - Suprematist Abstract Geometric Composition Abstract composition with a nested squares by an unknown artist (20th Century) in the style of Josef Albers (Ge...

This original oil painting is noted for its bright and vivid color palette and soft, yet distinctive geometric shapes that appear to dance within the frame. The artist, Wynn Gay, wri...

A superbly clever, très French and highly decorative abstracted painting by Bernard "Becool" Coolen which tells a story: it is in fact a stylised representation of of the Champs Ely...

Bold, large-scale geometric abstract with primary color blocks by Marianne K. Brown (American, 1928-2019). Red, yellow and blue rectangles are separated with white borders, which are accented with the delicate detail of thin colorful lines. Signed "Marianne K. Brown" in pencil the lower right and was acquired with a collection of Brown's work. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

In this work, I evoke a memory from my childhood that combines beauty, loss, and meaning. A friend of my mother gave her a pair of parakeets that fascinated me with their vibrant son...

Acrylic on linen b. 1986 Yantai, Shandong, China In the Diamond Sūtra, existence and emptiness are fundamental Buddhist notions. Buddha states that, “All conditioned phenomena are ...

Marble statue of a discobolus (or discobolos), a discus thrower, poised as if ready to throw his discus. For me, ancient Greek statues are the absolute of human magnificence. I dis...

"Making Lemonade" is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in ...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Bands, squares and rectangles in pink, mauve, aqua and black dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition intersects music, ...

This artwork makes part of my small collection of abstract paintings created in various soft neutral earth tones. Main colors of this collection are grey, brown, suede, black, white....

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

IWONA DELIŃSKA (born in 1963) She studied interior design and painting at the Academy of Fine Arts. She received her diploma in 1992. For many years she was desigining clothes, espec...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

"Homage to Kasimir Malevich" - Suprematist Abstract Geometric Composition Abstract composition with a red half circle by an unknown artist (20th Century) in the style of Kazimir Mal...

This expressive artwork "Heart.Soul.Mind" underlines the importance of having an inner maturity based on harmony between heart, sould and mind. As an artist and as a woman in my ...

Brightly colored hard edge and geometric land scape by Antoine RENAULT (French B-20th c). He has been painting seriously since 1987 He started practicing t...

Aster da Fonseca Stormy Weather I Acrylic on Wood 2019 10.5 x 9.25 inches Signed on verso, lower right COA provided #abstract #geometric # minimal #acrylic # nature #painting #wood ...

This painting is from my series titled "Convergence". This is a captivating series that explores the concept of deconstruction through a unique interplay of lines and color. Rather t...

James Rosati Untitled Geometric Abstraction, 1982 Two-sided Acrylic and Colored Pencil on Paper drawing Hand signed and dated on lower right front 14 1/2 × 13 1/2 inches This is a un...

Reflexion ritmique I is one of a brand new series of three different unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief...

Portrait/ abstract geometric by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a fe...

Sophie Dumont invites us to peer into the creative cauldron of her artist's studio. Through the language of geometric abstraction, she reveals the vibrant energy and meticulously orc...

Martin Rosenthal "Triangles and Semi Circles" 1965 Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosenthal 189...

"Nobody Dreams of Orange Sherbet" is an original, handmade oil painting on canvas, by Amy Hutcheson, that depicts an abstract painting with colorful geom...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...