Contemporary Abstract Paintings

Acrylic, texture on canvas Marie Anne Decamp is a French artist born in 1973 who lives and works in Chambly in Oise in Picardy, near Paris. She belongs to the expressionist movement...

"Entangled" Abstract painting 47" x 31.5" inch by Maged Mikhail ARTIST BIO: Maged Mikhail was born in the Upper Egyptian city of Sohag in 1982. He studied at the Faculty of Fine Arts in Cairo, to graduate in 2004 with a major in Monumental Sculpture. His apprenticeship with the renowned Artist, Adam Henein, for nearly six years after graduation, was a cornerstone in his artistic development. He then received the Ministry of Culture’s full production sponsorship in the period between 2008 and 2011. During that time, he worked with different materials, sculpting in plaster, bronze, and stone, as well as producing ink drawings on paper. To this day, he works with all these mediums. Mikhail’s work focuses on ancient civilizations and collective heritage and seeks to understand their connection with everyday contemporary life. This direction began to take shape in his work starting in 2013. By 2016 he had developed an approach to Ancient Egyptian art and found his way of transforming it into abstract and contemporary sculpture. His current influences are two main elements: Architecture (Ancient Egyptian, Coptic, and Islamic) and Hieroglyphic symbols. The influence of architecture can be seen in the clean, geometric lines of his compositions and also in his approach with monumental pieces of public art. The Hieroglyphics are integrated into Mikhail’s work as abstracted sculptural interpretations. A sculpture then becomes a word to be both reads and viewed as an image. 2004 Bachelor of Fine Arts, Cairo, Egypt 2005-2010 Studied Sculpture under Egyptian Artist Adam Henein 2008 -2011 Egyptian Ministry of Culture Scholarship Exhibitions 2020 Solo exhibition, Karim Francis Gallery...

Acrylic, texture on canvas Marie Anne Decamp is a French artist born in 1973 who lives and works in Chambly in Oise in Picardy, near Paris. She belongs to the expressionist movement...

Gloria Petyarre, sometimes referred to as Gloria Pitjara, was one of Australia s most successful and significant female artists. Her depiction of the Kurrajong bush medicine leaves-with her layered, free-flowing, swirling brushstrokes that scatter across the canvas-became her iconic motif. Her career took off when she won the coveted 'Wynne Prize for Landscape' at the New South Wales Gallery in 1999. It was a triumph for Aboriginal art. Gloria became the first Indigenous Australian artist ever to win a major art prize at the Gallery of New South Wales. The painting was an extraordinary new artistic statement, quite unlike any other Aboriginal artwork at that time. A huge, gold and green abstract work, it was made up of swirling leaf shaped brush strokes positioned close together on a black background. It brilliantly captured the energy and flow of leaves being scattered by a fitful wind, seaweed swirling in a change of tide, or grass billowing in the wind. So much did this artwork fascinate the essentially nature-loving people of this country, that it was to become one of the most popular styles in Aboriginal art, bringing many a devotee to the genre because of its resonance with the viewer. Gloria continued to paint this style for the next 20 years until her retirement in 2019 due to health issues. During that time and subsequently, the style has been adopted and adapted by several generations of her family members. However, Gloria was and is credited with being the creator of this popular style and its most collectable proponent. Gloria's origins are in a region called Utopia, covering an area approximately 230 - 300km from Alice Springs, itself a remote town to many people. Many of Australia's foremost Indigenous artists spring from this area, including Gloria's renowned aunt, Emily Kame Kngwarreye, deceased since 1996, and the most famous and accomplished female Indigenous Artist Australia has produced. Gloria, her family members and her skin family, first became interested in art making by participating in the Utopia Women's Silk Batik Group introduced in 1977 and initiated by CAAMA (the Central Australian Aboriginal Media Association). Both Gloria and Emily were founding members of the group. With up to 80 members at a time, the Batik and Tie-die project became the seeding inspiration for the artists, and its tremendous success both in Australia and overseas led to another successful project introduced in 1988, again by CAAMA. This time, the artists were to paint on primed, stretched canvas, and many of the women took to the new medium with ease and enthusiasm, finding it more exciting to work with than the silk and batik techniques they had hitherto used. The resulting works were exhibited at the S.H.Erwin Gallery in Sydney and several other notable galleries across Australia. It was the beginning of the Utopian Art Movement, and it was impressive enough to gain international attention. Gloria was one of the artists at the very centre of it. As demand for Utopian art grew, so did Gloria's career. She travelled with her art to many countries and exhibited in France, Germany, the United Kingdom, Belgium, the Netherlands, Italy, the USA and Japan, and of course in regional and commercial galleries throughout Australia. It would be easy to think that Gloria's works were limited to bush medicine leaves works, so popular were they. In fact she had quite a number of Dreamings in her portfolio. She painted the 'Thorny Mountain Devil Lizard Dreaming', a pattern of swirling coloured lines which imitate the tracks made in the sand by the lizard's tail. Yam Dreaming, popularly executed by her aunt Emily, was also one of her commonly painted stories. She also painted Grass Seed, Pencil Yam, Emu, Bean, Small Brown Grass and Body Paint Dreamings. This breadth of subject matter and style has made her an extremely versatile artist. Later in her career, Gloria began to paint massive 'Big Leaf' paintings, expressionistically rendered with giant brush...

Black and White Snoopies in a Crowd Unique Painting on Canvas 16x20 inches. This is from the series of "Snoopy Influence" paintings and drawings I have been making for three decades....

Diurnal Rhythms is a contemporary abstract mixed media painting perfect for the modern home and the perfect size. Layered with thick texture and acrylic paint ona 30" x 40" canvas an...

Acrylic on canvas This painting tells about the relationship between humans and nature, where relationships can be maintained properly when humans can protect and preserve nature by...

Acrylic, texture on canvas Marie Anne Decamp is a French artist born in 1973 who lives and works in Chambly in Oise in Picardy, near Paris. She belo...

Gesso, medium, acrylic, sumi-ink, glass on canvas Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil draw...

Layered, circular shapes in orange, indigo blue, green and teal are eye-catching on a multicolored, jewel-toned background. Framed in a thin, light natural wood float frame with a ru...

Quim Bove abstract painting, "Fire", 1997

Abie Loy is the eldest of five children, and was born on Utopia station, about 270km north east of Alice Springs in the Northern Terrirtory. Abie definitely has painting in her blood: being the daughter of Margaret Loy Pula (who won the Wynne Prize in 2012) and Ray Loy Pula. Her aunt is the celebrated artist, Gloria Petyarre and her Grandmother is the equally respected senior woman artist, Kathleen Petyarre. A very innovative mid-career artist, she began painting at the age of 19. She was mentored by her grandmother Kathleen Petyarre, who taught her the methodology of using details and tiny shimmering dotting to create complex optical effects. Over the years, Abie further developed her skills as an artist to become an extraordinarily talented colourist and designer, experimenting with elements of line, colour and form. Abie is a custodian of the Bush Hen Dreaming which she inherited from her Grandfather. At the simplest level, her Bush Hen Paintings...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Departmen...

Thin stripes of color in gradient shades of soft hues, start with deep purple, navy blue and indigo at the bottom and transition through dark eggplant to burgundy and reddish orange ...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Department of Tianjin Academy ...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Department of Tianjin Academy ...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Department of Tianjin Academy ...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Department of Tianjin Academy ...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Departmen...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

Original painting on handmade paper. Hand signed and dated on front by the artist. Artwork sheet size 19.75 x 15 inches. Frame size approx 30 x 26 inches. Artwork is in excellent...

Gloria Petyarre, sometimes referred to as Gloria Pitjara, was one of Australia s most successful and significant female artists. Her depiction of the Kurrajong bush medicine leaves-with her layered, free-flowing, swirling brushstrokes that scatter across the canvas-became her iconic motif. Her career took off when she won the coveted 'Wynne Prize for Landscape' at the New South Wales Gallery in 1999. It was a triumph for Aboriginal art. Gloria became the first Indigenous Australian artist ever to win a major art prize at the Gallery of New South Wales. The painting was an extraordinary new artistic statement, quite unlike any other Aboriginal artwork at that time. A huge, gold and green abstract work, it was made up of swirling leaf shaped brush strokes positioned close together on a black background. It brilliantly captured the energy and flow of leaves being scattered by a fitful wind, seaweed swirling in a change of tide, or grass billowing in the wind. So much did this artwork fascinate the essentially nature-loving people of this country, that it was to become one of the most popular styles in Aboriginal art, bringing many a devotee to the genre because of its resonance with the viewer. Gloria continued to paint this style for the next 20 years until her retirement in 2019 due to health issues. During that time and subsequently, the style has been adopted and adapted by several generations of her family members. However, Gloria was and is credited with being the creator of this popular style and its most collectable proponent. Gloria's origins are in a region called Utopia, covering an area approximately 230 - 300km from Alice Springs, itself a remote town to many people. Many of Australia's foremost Indigenous artists spring from this area, including Gloria's renowned aunt, Emily Kame Kngwarreye, deceased since 1996, and the most famous and accomplished female Indigenous Artist Australia has produced. Gloria, her family members and her skin family, first became interested in art making by participating in the Utopia Women's Silk Batik Group introduced in 1977 and initiated by CAAMA (the Central Australian Aboriginal Media Association). Both Gloria and Emily were founding members of the group. With up to 80 members at a time, the Batik and Tie-die project became the seeding inspiration for the artists, and its tremendous success both in Australia and overseas led to another successful project introduced in 1988, again by CAAMA. This time, the artists were to paint on primed, stretched canvas, and many of the women took to the new medium with ease and enthusiasm, finding it more exciting to work with than the silk and batik techniques they had hitherto used. The resulting works were exhibited at the S.H.Erwin Gallery in Sydney and several other notable galleries across Australia. It was the beginning of the Utopian Art Movement, and it was impressive enough to gain international attention. Gloria was one of the artists at the very centre of it. As demand for Utopian art grew, so did Gloria's career. She travelled with her art to many countries and exhibited in France, Germany, the United Kingdom, Belgium, the Netherlands, Italy, the USA and Japan, and of course in regional and commercial galleries throughout Australia. It would be easy to think that Gloria's works were limited to bush medicine leaves works, so popular were they. In fact she had quite a number of Dreamings in her portfolio. She painted the 'Thorny Mountain Devil Lizard Dreaming', a pattern of swirling coloured lines which imitate the tracks made in the sand by the lizard's tail. Yam Dreaming, popularly executed by her aunt Emily, was also one of her commonly painted stories. She also painted Grass Seed, Pencil Yam, Emu, Bean, Small Brown Grass and Body Paint Dreamings. This breadth of subject matter and style has made her an extremely versatile artist. Later in her career, Gloria began to paint massive 'Big Leaf' paintings, expressionistically rendered with giant brush...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Pensamientos Oil On Canvas 40 x 16 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other ...

Dualidad Oil On Canvas 43 x 37 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other medi...

About L' Atlas - Street Art and Optical Art Movement: One of the most promising artists of his generation, L' ATLAS overturns codes, bringing the street into galleries and museums. A...

A painting inspired by Scottish landscapes, the view onto a loch, abstracted with line and texture created by the application of multiple layers over a soft gold background colour. "...

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

Tactile #7 is a mixed media black textured abstract painting by Debra Ferrari on canvas. Using texture, plaster and multiple layers of acrylic paints. Perfect for the neutral modern ...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Departmen...

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Departmen...

Light Refraction #61, 2015 by Natasha Zupan From the series Light Refraction Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique ______...

The Hana-Bi 7 — luminous oil on linen. Dimensions are 31 1/2 x 23 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and ...

The Hana-Bi 8 — luminous oil on linen. Dimensions are 31 1/2 x 23 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and ...

The Hana-Bi 9 — luminous oil on linen. Dimensions are 31 1/2 x 23 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and ...

François Benoit Lison (1968 - ) "Lointain" Oil on canvas 100 x 81 cm 2022 Born in Granville, France, on April 14, 1968, François Benoît-Lison began with a figurative approach, which gradually evolved into abstraction, first lyrical, then more contrasting, where black reigns supreme. Black is a sacred color, sometimes dark, sometimes dazzling, without limits, it can be dominant or gentle. After acrylics and oils, bituminous pastes and inks opened another door, that of the abstract, much more profound and contemporary, with the possibility of working these materials in many aspects and forms. Since the 1980s, the artist has been offering us works imbued with research, reflection and philosophy, charged with a strong, raw message, highlighting his thoughts and leaving an indelible imprint. Abstraction is his adventure, his freedom, his struggle, his dreams, his rage, his solitude. Works by Jackson Pollock, Caravaggio, Egon Schiele, Pierre Soulages and André Marfaing...

Lukaszs Olek Ordo Luris Acrylic on Canvas Year: 2021 Size: 79x67x0.8in Signed by hand COA provided Ref.: 924802-1578 *comes framed on stretcher ready to...

Oil on canvas

An original acrylic painting by artist Robert Lackney.

'Luminous 1' — luminous oil on linen. Dimensions are 64 x 48 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and Californi...

Oil on canvas

Large rectangular abstract painting in mixed media on canvas. Unframed, deep stretcher painted in dark tone. Dramatic, high contra...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack...

Oil on canvas

Oil on canvas

Introducing “Mother Nature” a mesmerizing acrylic painting by contemporary Danish artist Steffen Bue. This exquisite piece is a celebration of the natural ...

Polzeath Drive is an Original Painting by Eleanor Woolley. Inspired by last summers drive to Polzeath this painting shows the dappled light falling through the trees on a summers day...

Always Summer is an original painting by Nicky Chubb. This large scale canvas has a bold but joyful impact due to the combination of golf and silver in the background and the combina...

An original acrylic painting by artist Robert Lackney.

An original acrylic painting by artist Robert Lackney.

Entitled "Indigo" this 2012 painting is part of a series of works celebrating the 200th year of the statehood of Louisiana. In this long work, the Indigo part is depicted on the l...

ANNA MASIUL-GOZDECKA Graduated from Warsaw Academy of Fine Arts in 2000. She studied painting at prof. Krzysztof Wachowiak`s atelier, photography under the guidance of prof. Rosław S...

This painting is an image of Tower Bridge from the Shard. Oil and enamel on canvas. Loved all the twinkling lights and how Tower Bridge dominated the ...

"Air Castle" Painting 55" x 47" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. ...

Inspired by the incredible Bourne Woods in Surrey, this piece is all about the energy of the colours and the movement behind the mark-making, I LOVED creating it. Fiona Pierce's ori...

Signed, dated and titled verso. Gelfman is often praised for using unconventional approaches during the creation process. This intricate mixed media piece is no exception. Her use ...

Mixed media on canvas

Maureen’s work excites the eye as it elicits a sense of movement and vibrating patterns through her subtle shifts in colour and intricately dot-painted diamond shaped designs. She us...