Modern Abstract Paintings

Warm toned modern cubist abstract still life enhanced giclee painting by Houston, TX artist David Adickes. The work features yellow and red flowers in an abstracted face shaped vase. Signed by the artist in the front upper right corner. Currently hung in a beautiful gold frame. Dimensions Without Frame: H 23.5 in. x W 17.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

"Beautiful Life at the Lake 2" is a lovely acrylic painting on paper. It is inspired by the Bavarian Lake "Spitzingsee" and its gorgeous surroundings. It matches perfect with "Beau...

Philippe Visson, (1942-2008), whose parents were both of Russian origin, was born in New York in 1942. His mother, a Parisian art historian, was the Editor of La Gazette des Beaux-Arts from 1930 to 1960, and had always frequented the international artistic milieu. His father was a major political journalist for The Washington Post and Roving Editor for The Reader’s Digest. Philippe Visson therefore was raised in a cosmopolitan milieu between the United States and Europe. At the Vissons, one devours; one spends beyond one’s means; one falls, but only to land on one’s feet. Visson is a painter to whom it is difficult to assign a particular movement in art history; and that, principally for two reasons: firstly, his origins,his education and his way of life have produced a personality without any true roots, but rather a citizen of the world, who carries with him all cultures, from pre-Revolutionary Russia to the black ghetto of Washington, D.C. Secondly, he is self-taught, and can work in complete solitude, as well as before a large audience. His art is therefore uniquely his own, and certainly not that of an Art Brut ‘author’. His faces, his anti-portraits, reveal a continuum of humanity’s facets: from Christ to the demon, from the child to the aged, from the Caucasion to the African. Biography Philippe Visson, whose parents were both of Russian origin, was born in New York in 1942. His mother, a Parisian art historian, was the Editor of “The Gazette des Beaux-Arts” and had always frequented the international artistic milieu. His father was a major American political journalist for “The Washington Post” and “The Readers Digest”. Philippe Visson therefore was raised in a cosmopolitan milieu between the United States and Europe. He starts to paint in the bathroom of Parisian luxury hotel at the age of 16, working in a frenzy and without art lessons. He’s immediately confronted with the scrutiny of professional experts that surround his parents. He has instant success when he shows at the Craven Gallery in Paris in December, 1958, quickly offered to him; then in New York in the Milch Galleries in May, 1959; followed by shows in Monte Carlo, Geneva and New York again. It was too much, too soon. Visson falls into drinking. Returning to Washington, D.C. on 1960, the period 1963-1979 is differentiated by a life that is sometimes social, sometimes reclusive, which continues when his family settles in a large villa in Switzerland (Epalinges above Lausanne) in the mid-sixties. Visson has stopped drinking. He paints in one of the rooms of his parents’ house and inundates all the empty rooms with his productions that remain hidden from the public, allowing them to be seen only by personalities such as Marcel Brion and René Huyghe, both of the Académie Française; or Jean Leymarie, Director of the Museum of Modern Art in Paris. It’s only at the start of the seventies that he once again opens his work to the public. He meets several important cultural figures of the time, such as René Berger, Director of the State Fine Arts Museum of Lausanne; and Michel Thévoz, future Director of the Art brut Museum. After the death of his father in 1973, he settles without money with his mother in a luxury hotel in Paris. It’s only after a year and a half of perpetual and colorful adventures that they return to Washington, D.C., where he resumes painting and produces a unique period of abstracts. Returning to Switzerland at the death of his mother in the beginning of the eighties, Visson meets with blatant success in Switzerland, where institutions exhibit and purchase his paintings (Aarau State Fine Arts Museum, the Federal Office of Culture in Bern). His fury for painting takes the form of an explosion while remaining focused (he always keeps what he considers the best paintings for himself). After the life of a hermit in the Paccots, Visson comes down from his mountain to settle in Montreux on the Swiss Riveria. This moving is marked by a sort of return to social life, despite the fact that he paints in a cellar. A period of public projects with charitable goals is launched. Visson thrives on this contact with the public. This changes somewhat when he receives a working studio in The Montreux Palace in the late nineties. This emerging from the cellars denotes a new era for the artist. He starts an intense period of painting, and moves six thousand of his paintings to the Palace. He continues his public projects, including the acquisition against paintings of a Stradivarius violin...

"Tesserae" . 4 pieces Mosaic, Acrylic and mixed media on panel. Painting composed by 4 small format Abstrac landscapes Dimension art: Every item is 30 x 30 x 3 cm and the 4 pieces ...

Modern grey and black toned landscape painting by Texas born artist Clark Fox. The work features a clean-lined, geometric rendering of an architectural façad...

Exhibited: 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born in San Francisco in 1927, and received both his BA (1949) and MA (1954) from University of California, Berkley. At the San Francisco Art Institute Martin studied with Clyfford Still, Mark Rothko and David Park...

Gina Parr Chando Limited Edition Photographic Print of 10 Image Size: 54.9 x 36.6 cm This is one work Sold Unframed Chando – 2 of 10 Limited Edition Photograph by Gina Parr from a S...

Sky blue-toned abstract portrait of a Victorian woman attributed to American Modernist artist, John O'Neil. This painting depicts a pale white woman with rosy cheeks wearing a sky blue Victorian garment, sitting against an abstract light blue background. The canvas used for this piece was originally painted with an abstracted landscape and was painted over for this work. This piece has not been authenticated. Signed, dated, and titled at the back. Currently unframed, but options are available. Artist Biography: John O'Neil (1915-2004) was a painter, educator, and writer best known for his Abstract Imagery and Early Modern (before 1950) styles. O'Neil was born in Kansas City, Missouri in 1915. He received his Bachelor of Fine Arts from the University of Oklahoma in 1936 and his Master of Fine Arts in painting from the University of Oklahoma in 1939. He studied at the Colorado Springs Arts Center, with Boardman Robinson, Paul Burlin, and Henry Varnum Poor; Taos School...

Red, gray, and black abstract expressionist painting by an unknown artist. The piece depicts several geometric elements against a background of red, yellow, and black paint splatters...

Original painting beach with parasols BLUE DREAM Viviane. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2022. Carole G...

Geometric Hard Edge Op Art Painting by Richard Gubernick. Acrylic on Canvas. 1970s. BORN: New York, New York STUDIED: State University College at Buffalo, Buffalo, New York (B.S...

Oil on board by Russian painter Igor Melnikov titled “Fly Away I” in 1996. Referenced in the Book on Melnikov’s work titled ‘Pictures’. Of the modern period.

mixed media on wood, acrylic paint In this piece, Zin Helena Song utilizes a sharp triangular shape as her wood panel. This shape is common in city grids, like when Broadway meet...

mixed media on wood, acrylic paint 21" x 9" x 6" 2015 In this piece, Zin Helena Song uses a long vertical shape, as opposed to her usual landscape, or square pieces. Due to thi...

mixed media on wood, acrylic paint 25" x 11" 8" 2015 In this piece, Zin Helena song uses a vertical panel, evoking the shape of an urban building. Her strips of paint ride verti...

Robert Glick (American, born 1950) "Blue Synergy" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Blue Synergy" by Robert Glick is a ...

Engaged large figurative abstract Signed, titled and dated, new frame. Arbe Berberyan Russian/Armenian Artist born 1958. The son of a disting...

Up for sale here is a really fantastically painted modernist composition. The painting is signed lower right, "P. Williams 1972". Gouache on board, circa 1972. Housed in a plexi ...

"One of The Thieves Was Saved" from Waiting for Godot by Samuel Becket An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition ...

Helen Steele (German, 1961-2022) 'In Passing' 2010 Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. "In Passing," a 48" x 24" work by Helen Steele, is...

This captivating oil on paper geometric painting, created by renowned 20th-century artist Ralph Anderson, showcases a bold composition in rich shades of purple, red, and blue. Ander...

UN Poster Design American Scene Mid 20th Century Modernism WPA World Peace Jo Cain (1904 – 2003) We Are All Members of the Human Race: UN Poster Proposal 21 x...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel...

Artist: Ted Gilien, American (1914 - 1967) Title: Untitled Year: circa 1960 Medium: Oil on Masonite, signed l.l. Size: 24 x 32 inches [60.96 x 81.28 cm]

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

Hea-Sook Yoo, artist, internationally renowned, has her paintings hanging in residences, businesses and art galleries on three continents over three decades.Ms. Yoo is classically tr...

Modern pastel pink abstract painting by Texas born artist Clark Fox. The work features an intricate geometric pattern of dots against a shaped canvas. Titled...

"Stairs, Shelter Island" is a purple, blue, and pink landscape of stairs down to the beach. Carmody made the horizon line much higher than what would be technically "accurate" in ord...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 9"x12" A certif...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 9"x12" A certificate of authenticity will ...

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman and Israeli architect Yasha Jacob Grobman. Biography 1939 – Born in Moscow. 1960s – Active member of The Second Russian Avant-Garde movement in the Soviet Union. 1967 – Member of Moscow Artists Union. 1971 – Emigrates to Israel and settles in Jerusalem. 1975 – Founded the Leviathan group and art periodical (in Russian). Since 1983, he lives and works mainly in Tel Aviv. Awards In 2001, Grobman was a co-recipient of the Dizengoff Prize for Painting. Solo exhibitions 2007 – Last Skies, Loushy & Peter Art & Projects, Tel Aviv (cat. text: Marc Scheps) 2006 – Creation From Chaos to Cosmos, Bar-David Museum of Fine Art and Judaica, Kibbutz Baram (cat. text: Sorin Heller) 2002 – The Last Sky, installation, Tsveta Zuzoritch pavilion, Belgrad (cat. text: Irina Subotitch) 1999 – Mikhail Grobman: Works 1960–1998, The State Russian Museum, St. Petersburg (cat. texts: Evgenija Petrova, Marc Scheps, Lola Kantor-Kazovsky, Michail German) Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” Grobman’s lithograph work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture Part of the generation of emigre Russian artists, many Jewish, that included Yuri Kuper, Komar and Melamid, Eduard Steinberg, Erik Bulatov, Viktor Pivovarov, Vladimir Yankilevsky, Ilya Kabakov and Grisha Bruskin. Date of Birth: 1939, Moscow 1960s Active member of The Second Russian Avant Garde 1967 Member of the Moscow Painters Association 1971 Immigrated to Israel and settled in Jerusalem 1975 Founded the Leviathan group and art periodical (in Russian) Since 1983 Lives and works in Tel Aviv . Selected Solo Exhibitions: 2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch) 1999 The State Russian Museum, ST. Petersburg 1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya 1995 "Password and Image", University Gallery, Haifa University 1990 Tova Osman Gallery, Tel Aviv 1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer] Spertus Museum, Chicago Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet) 1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva 1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu) 1966 Mos-lng-Projekt, Moscow 1965 Artist's House, Moscow Energy Institute, Moscow History Institute, Moscow Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni) 1959 Mukhina Art Institute, Leningrad . Selected Group Exhibitions: 2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat) 1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John...

Study for Mid-Manhattan II Oil and graphite on paper, mounted to board, 1932 Signed by the artist in pencil lower right Sight size: 8 1/2 x 7 inches One of a series of studies for th...

"Tesserae 6". Úbeda. Mixed media on panel, 30 x 30 cm. Small-format painting with intense chromaticism and texture, with relief marking the different planes. The dense brushstrokes...

Modern abstract blue and yellow toned landscape painting by American artist Jane Tate. The work features an open field dotted with tranquil ponds and the sun...

Vahan P. Amadouni is an artist whose work has found critical acceptance both in Europe, the United States and the Mideast. Born in ancient Armenia in June 1933, he took his early sc...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

JB Nearsy Untitled Study 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1762 -------------- Tags: post graffiti, street art, expressionism, galax...

Colorful abstract modern pop art painting by Texas artist Robert Sandman. The title refers to when Jor-El and Lara watch as their son Kal-El, better kno...

Colorful abstract modern portrait painting of a couple by Texas artist Robert Sandman. Alternatively title "Unconscious Uncoupling" by the artist. While...

Oil on canvas, signed on back

Modern abstract black, white, and gray landscape painting by American artist Jane Tate. The work features a central waterfall cascading down to the pools bel...

WHITE, YELLOW, BLUE, BLACK Size: 29 x 51 cm (including frame) Oil on board A striking contemporary abstract still life composition that celebrates the beauty and simplicity of every...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

This original abstract oil and metal foil on board painting titled Warlock by George Cecil Carter (1908-1987) dates back to the 1950s. The piece is a striking example of Abstract Expressionism, painted in dynamic shades of dark blue, gray, white, orange, and purple. The artist's use of textured metal foil and oil paint creates an intriguing interplay of light and shadow, enhancing the piece's modernist appeal. Signed by Carter in the lower right corner, and titled and dated on the verso, this unique work is presented in its original George Nix frame, measuring 30 ¾ x 36 ¾ inches, with the image size itself measuring 23 ¼ x 29 ¼ inches. About the Artist: George Cecil Carter was born in 1908 in Woodward, Oklahoma, and became a prominent figure in the Colorado Abstract Expressionist scene. Despite having no formal artistic training, Carter developed a distinctive style, influenced by his diverse life experiences. He worked in various industries, including as a coal miner, gold miner, and machinist at Schneebeck's Industries in Colorado Springs for 20 years. During this time, Carter honed his artistic skills under the mentorship of Charles Bunnell, a painter from the Broadmoor Academy. Carter’s works reflect the boldness and emotional intensity of Abstract Expressionism, with vivid colors and strong compositions. He worked primarily out of Colorado Springs and Canon City, Colorado, and exhibited his art nationally, including shows in Texas and Illinois. His contemporaries included fellow Colorado artists such as Al Wynne, Mary Chenoweth...

Red, green and teal abstract in a gestural style. The work is signed and dated by the artist. It is framed in a black frame. Dimensions without Frame: H...

Ted Hinrichs Elijah and the Ravens Acrylic on Canvas Year: 2022 Size: 36x24in Framed: 38x26x1.75in Signed by hand COA provided Ref.: 24802-1726 *Framed...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architects and graduate painters. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

Kerry Smith The Stooges - The Stooges Mixed Media on Crescent board Year: 2017 Size: 21x20in Signed, dated by hand COA provided Ref.: 92-1671 *Black frame with a mirror-gloss finish...

Chris Liberti is a favorite with collectors here and abroad. Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he wor...

Blue, red, and yellow abstract modern portrait painting by Texas artist Robert Sandman. The work features a well dressed man with part of his face obscu...

If you compare Hans Franta’s earliest works – from around 1911 to 1920 – with his later work from the years after the Second World War, the fact becomes obvious that you are dealing ...

An original mid century modern abstract painting.

Mixed media work with various animals and the phrase, "very restful here...". Artist Biography: Dick Wray, a native Houstonian,born in Heights Hospital in 1933 was primarily educat...

An original 1950's unsigned abstract. This whimsical bright work comes housed in a contemporary natural wood frame presentation which signs on the w...

Dandelion 18.0 x 24.0 x 0.75, 7.5 lbs Acrylic, archival paper, and wood panel Hand signed by artist Artist's Commentary: "This modernist abstract piece features bright yellow and ...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted ...

This lively original painting with the color of bright yellow brings an uplifting energy to any room. Painting is 17X22" hand-cut parchment comes custom-framed float mount in...

Red and white three-dimensional trapeze-shaped canvas. The artist creates each individual canvas shape and stretched the canvas over the uniquely created stretchers. Towards the top ...