Canvas Animal Paintings

This poignant painting by Rudolf Kosow presents us with a remarkable visual allegory rich with surrealistic influences. The canvas is occupied by a colossal, detailed black labrador ...

Artist: Jack Graves III (American, 1988-) Title: "Black Cat in Wonder" Series: Americana *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2023 Medium...

Joseph Bail Limonest 1862 – 1921 Paris French Painter ‘Cats Playing around a Mirror’ Signature: signed lower right ‘Bail Joseph’
 Medium: oil on canvas
 Dimensions: image size 45,5...

Please note, the whites areas in the painting are trully white as opposed to bluey as shown in the pictures. Painting is signed at the front. COA provided keywords; surrealism, humo...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Frederick E. Cohen (American, born England, c. 1818-1858) Boy in a Dog Sled, 1853 Oil on canvas, 25 x 30 inches Framed: 35 x 40 inches (approx.) Signed and inscribed: (on side of sle...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

Jungle Rhapsody by Marc Zimmerman Bold color and sweeping form create a jungle setting where the artist assigns strong color and tonal contrasts. The design leans towards cubism wher...

A young boy feeding his dove, accompanied by his loyal dog, dated 1765 In this intimate Dutch Old Master painting by P. J. Geerst, dated 1765, a tender moment between a child and hi...

The Dismounted Hunter, Sir William Rowley, circa 1800 attributed to DEAN WOLSTENHOLME (1757-1837) Large circa 1800 English Hunting scene of a dismounted huntsman, horse and terrier...

A charming and sensitively rendered late 19th-century oil portrait of a Rough Collie, this work captures the breed's intelligence and gentle temperament with remarkable clarity. Indi...

Derek Hirst (British, 1930-2006) La Mouche No.I (1952) Oil on canvas 20 x 24.1/4 in. (51 x 61.6 cm.) Provenance: Flowers East Gallery, Richmond Derek Hirst (b. in Doncaster, Y...

"Winnie" is a 16x12 original oil painting by Vermont-based artist Ray Simonini featuring a standing brown and white cow portrait with an abstract yellow and gray background. The sty...

Vintage American school modernist fish still life oil painting. Oil on canvas. No signature found. Framed. Image size, 30L x 24H.

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

L'Ora tra Cane e Lupo Hour between Dog and Wolf Oil Painting Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan fami...

A girl and her dog This was possibly used as an advertisement. It is in a great illustrator style. 22 x 18. framed. 19.5 x 15.5 canvas. Lawrence Wilbur (1897 - 1960) was active/l...

Sydney Kendrick British, (1874-1955) Going for a Walk Oil on canvas, signed Image size: 25.75 inches x 19.5 inches Size including frame: 32.75 inches x 26.5 inches Provenance: Jack & Boyle, 23 Market Street, Brighton, Sussex A lovely genre painting of a woman with a dog outside a country house by Sydney Kendrick. A young woman can be seen dressed for a wintry day in a green velvet cloak over a brown dress and holds a fur muffler in her hands. She is shown walking down the snow covered stone steps of a country house followed by a black and tan rough collie. Sydney Percy Kendrick was born on 17 September, 1874. Little is known about his early life, however he is believed to have studied art in Paris. By the early 1900’s he was living in London where he set up a studio at 3D Warwick Avenue, Maida Vale known as Fulthorpe Studios. He began exhibiting at the Royal Academy in 1903 and later at the New Society of Artists in Suffolk Street. Kendrick became known for his genre paintings featuring women and also painted portraits of well-known people including the Duke of Devonshire, Marquess of Lansdowne, Dame Sybil Thorndike, Cecil John Rhodes...

This lyrical 1935 oil painting by rare female American artist Eva L. Stephey captures a solitary white swan gliding through a twilight pond, encircled by blooming pink lotus flowers ...

Fine landscape painting, oil on canvas of Snowdonia, Wales by 19th century British artist Thomas Huson, RI, RA. Rushing rapids from a lake, mountain landscape and clouded skies, and...

Antique American modernist animal portrait painting by Jerry Farnsworth. Oil on canvas, circa 1970. Signed. Image size 20L x 16H. Housed in a peri...

Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...

Charming late 19th century landscape of English country Tudor style houses and chickens in style of Edward Wilkens Waite (English, 1854-1924) and...

Crane in Flight Heat Wave oil on canvas 68 x 29 About the Artist: Shanna E. D'Antonio is a mixed-media artist living and working in Hammond, Louisiana. Born 1981 in Baton Rouge...

Serenade By Gerard Tunney [2021] Gerard Tunney Serenade Original Surrealist Painting Acrylic Paint on Canvas Canvas Size: H 30cm x W 40cm x D 2cm Serenade is an original animal painting by Gerard Tunney. A dog busks on the street, 'singing for its supper'. The painting uses allegory to describe the problems that a stray experiences in its struggle to survive. in front is the collection plate and a small...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1970 signed "Grau Sala" (lower left) signed, dated and titled "GRAU SALA / 1970 / "Paddock"" (on the reverse) oil on canvas 15 x 18-1/8...

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...

Artist: Reginald Wilson, American (1909-1993) Title: Feeding the Horse a Carrot Year: Circa 1950 Medium: Oil on Canvas, signed l.r. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 3...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

Large American Orientalist oil painting of a courtyard by F. A. Bridgman American, c. 1900 Canvas: Height 69cm, width 91cm Frame: Height 95cm, width 108cm, depth 8.5cm Wonderfully p...

Oil on canvas by Dana Buchel (born in 1970 in Poland)

Loving Horses One of a kind Mixed Medium on Canvas Collector's Edition Mixed Media: Acrylic, Ink, Stucco, Glass Beads, Crackle Paste SPECIFICATIONS: - Fine art canvas - Professio...

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

John Farrar (American, 1928-1972) Signed: John Farrar (Lower, Left) “ Pardner ”, 1943 Titled Above Signature (Lower, Left) Oil on Canvas 26 ⅛” x 32 ⅛” Housed in a 2 ½” period ornamented Newcomb-Macklin frame in toned gold leaf, in good original condition. Outside Size: 30 1/2" x 36 5/8" A recent discovery of a painting that appears to be Farrar’s family dog. This was done when he was just fifteen years old. As a teenager in the 1940s, Farrar received much local acclaim in the Washington D.C. art Scene. Words like “Child Prodigy”, “Brilliant” and “Gifted” were used to describe him in the local newspaper. He had a great bout of early success which included developing patrons among Washington DC’s art elite but this was short lived as he was afflicted with schizophrenia and alcoholism as an adult causing him to spend much of his life in mental institutions. In 1942, Farrar won the Washington Times-Herald's outdoor art fair. This painting was executed the following year when he was 15 (1943). That same year he won the top prize at Atlanta University’s third annual “ Exhibition of Paintings, Sculpture and Prints by Negro Artists ” with a piece titled “ Queenie ”. Approximately one hundred and fifty works of art were included in the show, representing the best works of more than seventy-five contemporary African American artists. This show included works by Romare Bearden, who was awarded Honorable Mention for his painting “ The Two Genrerations ”. Also included among the exhibitors - Charles H. Alston, Allen Rohen Crite, Aaron Douglas, Fredrick Flemister, Sargant Johnson, Horace Pippin, Jacob Lawrence, Marjorie Wheeler Brown, Hughie Lee Smith, Lois Mailou Jones...

Claude Cardon British, (1864-1937) Feeding Time in the Orchard Oil on canvas, signed & dated 1918 Image size: 19.25 inches x 29.25 inches Size including frame: 27.5 inches x 37.5 in...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

The painting Green Horse is a fabulous landscape featuring a fantastical horse. The rich palette and dreamy atmosphere draw the viewer into a magical world where the ordinary merges ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left. Not much is known about Marco de Marco, but just look at...

Pair of paintings each in original American Federal Period white pine gilded scoop frames with inner row of beads. Framed Dimensions: 24 x 29 1/2 inches. Provenance available upon request. Michele Felice Cornè, considered to be Salem, Massachusetts’ most versatile early nineteenth century artist, painted this remarkable pair of paintings about a decade after he arrived in America from Naples, Italy. Cornè worked and lived in Salem from 1800-06 when he moved to Boston. During his Boston tenure (1807-22) the artist was noted for painting portraits of Boston ships and naval battles of the War of 1812, as well as taking on major mural commissions. This charming pair of paintings, each of two children playing, were possibly intended as overdoor decorations for a Federal period house. Cornè’s most ambitious decorations were the wall murals which he painted for the Sullivan Dorr house in Providence in 1810. And this pair of paintings seems to date from about the same period. From 1822 to his death in 1845 he lived in Newport, Rhode Island. The pair of paintings of Children playing was long in the famous Americana collection of Benjamin Flayderman. Flayderman was said to have set the standard for collecting in American furniture and decorative arts in the 1920s. Much of his collection was sold at a legendary sale at the American Art Association-Anderson Galleries (predecessor of Parke-Burnet and Sotheby’s, New York) in April of 1931. These paintings, however, were retained by Flayderman and descended in his family. Cornè was instrumental in transferring current Neapolitan painting techniques as well as Italian landscape themes to America. On the subject of Cornè's non-marine work, Nina Fletcher Little, the Cornè expert, stated: “Although Cornè's claim to twentieth century recognition has rested chiefly on his marine subjects, it is becoming increasingly apparent that he was equally successful in the charming landscapes he placed upon overmantles, fireboards, and framed canvases. Many depict the rolling countryside of his native Italy, which he copied from romantic engravings. These compositions, featuring grazing cows and frolicking peasants, are extremely colorful and picturesque. Arched bridges, steepled churches, crenellated castles, and round stone towers form most decorative backgrounds.” The two paintings: Two Children at Play with a White Bird and Two Children Playing recall earlier European and Italian models. Cherub paintings were popular throughout western Europe in the last quarter of the 18th century. But these Cornè paintings also recall the Renaissance paintings of putti such as the little angels by Raphael, painted as part of his Sistine Madonna, and lately enjoying greatly renewed popularity and notice. Cornè often used Italian old master models as a basis for landscape or figure paintings. Cornè was born on the island of Elba in 1752. During the Napoleonic Wars, he sought refuge and sailed to America on the ship Mount Vernon commanded by Elias Hasket Derby, Jr., at whose father's house Cornè resided in Salem. The artist arrived in Salem, Massachusetts in July of 1800. Derby, impressed by the Neapolitan marine paintings that he had seen and collected during his Mediterranean voyages of the late eighteenth century, sought to make the same skills available in Salem by encouraging Cornè to live and work in that town. Cornè was quite successful in transferring the current Neapolitan decorative painting to America, and his popularity grew rapidly. Cornè attracted the patronage of many in Salem, and was introduced to Samuel McIntire with whom he worked on many of Salem's houses. Between 1807 and 1809 he was at 27 Hanover Street in Boston, but by 1810 the city directories list him at 61 Middle Street. By 1822, he was settled in Newport, Rhode Island and received enough patronage to support him the rest of his life. Cornè is well represented in public and private collections including the American Antiquarian Society, Worcester, Massachusetts, the Peabody-Essex Museum of Salem, Bowdoin College Museum of Art, Boston Museum of Fine Arts, New Haven Colony Historical Society, the New York Historical Society, Newport Historical Society, Redwood Library and Athenaeum, Rhode Island Historical Society, the Smithsonian Institution, the Society for the Preservation of New England Antiquities, the United States Department of State, the United States Naval Academy...

This Blue Dog work consists of a red background with 3 animals, 1 each Boogie Bear, Dudley the dog and Blue Dog. All the animals have soulful yellow eyes and there is a bright yello...

Jean-Charles Cazin Ploughing on the Hillside Signed lower left Oil on board 6 1/2 x 6 inches The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...

André Brasilier French I b. 1929 Automne d'or Signed “André Brasilier” (lower right) Oil on canvas In Automne d'or, celebrated French artist André Brasilier exquisitely conveys th...

"Anubis" Figurative Animal Oil Painting 36" x 36" inch by Alina Shimova ABOUT Alina Shimova is a young and ambitious artist Russian born, Miami based. Her creative journey began at ...

Rudolf Kosow delivers a surreal masterpiece that encapsulates his fascination with the interplay of scale and the deep connection between humans and animals. In this painting, a Sain...

"Shy," a tender and evocative work by Rudolf Kosow, portrays an encounter that is wrapped in quietude and gentle introspection. A sizable, soulful-eyed dog fills the canvas, its gaze...

Wild Flower Garden With Bees by Jan Rogers [2021] original Acrylic paint on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:0.1cm Sold ...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful silver tone landscape. Slonem...

"Hungry" is a captivating painting by Rudolf Kosow that beautifully illustrates a moment of connection between a gargantuan, doleful-eyed bulldog and a diminutive woman. The dog’s fa...

Vibrant, painterly fauvist portrait of a red rooster by California artist Sophie D. Marshall (American, 20th Century). A vibrant red chicken stands against a ...

“Transmigration” by Allison Green is a large-scale oil painting inspired by butterfly migration. Depicting a cluster of translucent butterflies set against the center of a deep blue background, this work is part of Green’s “Celestial Navigation...

“Alpaca” (2024) by Zura is a striking acrylic on canvas measuring 66 x 42 inches (168 x 107 cm). Continuing his exploration of the interplay between human and animal forms, Zura pres...

Alfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written exhibition label verso with the artist’s address Image size: 31.5 inches x 54.5 inches S...

Signed and dated lower left: "Molly Luce 27". In fine condition. A similar painting, The Zoo (1926), is in the collection of the Whitney Museum of American Art. Exhibited: The Soci...

DANNY GALIEOTE Bird 'n Barrel Oil on Canvas 16 x 20 inches 18.5 x 22.5 inches, Framed Danny Galieote has a propensity for capturing the quintessentials of Americana in works that b...

The item is located in central Rome, Italy The painting will be shipped rolled without stretcher bars, unframed. It is possible to ship this item stretched and framed. Please, feel...

The item is located in London, will be shipped stretched, ready to be framed/ hung unframed. the item is located in central London.UK can be picked up/shipped. oil on canvas orig...

Sudnika Zita, Green ones. Oil on canvas, 76x101.5 The painting depicts a vibrant and lively scene of several colorful frogs in a lush, green environment. The background is filled wi...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Paritosh Sen - Untitled Acrylic on Canvas 36 x 30 inches, 1996 ( Framed & Delivered ) A stunning work in colors on "red ,Blue Gold in Acrylic on Board , By teh Great Indian Modern A...