Impressionist Animal Paintings

This equine impressionist painting, "More Than Just a Horse" by artist Lisa Palombo is a 18x24 acrylic painting on watercolor paper featuring a side view ...

Also shown below are other available paintings by Judy Crowe. Beautiful Melody is a mockingbird commonly seen in Texas and painted in the Impressionistic style by Texas artist Judy ...

Also shown below are other available paintings by Judy Crowe. A Dream to Soar is commonly seen in Texas and painted in the Impressionistic style by Texas artist Judy Crowe. It is o...

Vintage original modernist watercolor painting of horses attached to a carriage and buildings by Alfred Wands (1904-1998). It is painted in blues, yellows, and browns. Presented in a...

This Painting, "Another Fly", is a 24x24 oil painting on canvas by artist Trip Park. Featured in the painting is a large white and red butterfly with wings f...

This colorful equine impressionist painting, "Secretariat Hopeful Stakes" by artist Lisa Palombo is a 18x24 acrylic sketch on watercolor paper. Depicted i...

Snow,White,dog,winter Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dnep...

The accent in this picture is the cat's eyes. You can see the whole universe in them. Cat eyes are magical. They are mesmerizing and you can hardly take your eyes off them.

Dynamic Western figurative landscape scene of a cowboy and cattle, depicted with realist detail as they splash through a river, by unknown artist Jan Watson (American, 20th Century)....

"They Still Meet at Eleven", is fox hunting painting by Larry Wheeler, one of the best sporting artists in the United States. He is renowned for...

A narrative from the artist: "It belonged to a Hermit Thrush, which has one of the most beautiful songs in all of nature. Give it a listen on Audubon. A...

Oil painting on masonite,

Walter Shirlaw (1838 - 1909) The Coming Storm Oil on canvas 18 x 26 inches Signed lower right Exhibited: The Boston Art Club. Walter Shirlaw, born on August 6, 1838, was only three (fourteen according to one obituary) when he came to Hoboken, New Jersey from his place of birth, Paisley, Scotland. As a young man, he found work as a bank note engraver, a profession that he continued in Chicago, where he lived between 1865 and 1870. But already in 1861 he was exhibiting genre paintings at the National Academy of Design. In 1868, Shirlaw was a member of the Chicago Academy of Design, which would become the Art Institute of Chicago, after changing its name from the Chicago Academy of Fine Arts. Shirlaw spent the years 1870-77 in Munich, at the height of the movement led by Wilhelm Leibl in which a low-keyed, dark palette, combined with bold, virtuoso brushwork, were applied to realist subject matter. Michael Quick (in Quick, Ruhmer, and West, 1978, p. 28) defined the time of Shirlaw's arrival (1870-73) as an especially experimental period in progressive German painting. Shirlaw's teachers, however, sided with tradition. The genre painter Arthur Ramberg (1819-1895) and Wilhelm von Lindenschmidt (1829-1895), his successor at the Munich Academy, taught Shirlaw composition. The painter of genre scenes and landscapes, Alexander von Wagner (1838-1919) was Shirlaw's teacher in painting. T. H. Bartlett (in American Artists and Their Works, 1889, vol. 1, p. 23) mentioned that Shirlaw regarded Leibl as too realistic. Shirlaw won a scholarship at the Academy in 1874, the year in which he executed Toning the Bell (Art Institute of Chicago). Meanwhile, he was active as one of the "Duveneck Boys" in Polling. Sheep Shearing in the Bavarian Highlands (Private collection), painted under Lindenschmidt's direction in 1876, is regarded as one of Shirlaw's most important pictures. He exhibited it upon his return to America at the National Academy in the following year; in 1878, it won an Honorable Mention in Paris. In 1877, the second school year of the Art Students League, Lemuel E. Wilmarth announced that he would be returning to teach at the NAD. Frank Waller (1842-1923) took over as president of the ASL, and Shirlaw was hired to teach painting and drawing. The appointment was endorsed by Waller: "In Munich . . . he was regarded as one of the strongest of the American students and had the strong personality which would attract and influence others to have confidence in him, was so genuine in his artistic impulses and in his interest in the development of art in this country. . . ." (quoted by Landgren, 1940, p. 32). The hiring of Shirlaw and William Merritt Chase seemed to signify a preference of Munich over Paris among the members of the Art Students League, however, while Chase was under Leibl's spell, Shirlaw was strictly academic. During the fourth season at the ASL, Shirlaw taught composition. Thomas Wilmer Dewing...

A Pair of Swans Leonie Arden Antwerp 1859 – 1904 Brussels, Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 21,5 x 27 cm, frame size 28 x...

This commissioned oil painting, 1884, was painted by James McGinley for owners of a custom home in Gladstone, NJ on the adjacent lands to the United Sta...

"Pink flowers" is a painting, oil on canvas by the Ukrainian artist Maestro Ksenia Logvinenko. About the artwork: TECHNIQUE: oil painting STYLE: ...

Artist/ School: signed and dated 1950 Title: The Dancing Horse Medium: oil on linen board, unframed size: 18 x 14.5 inches Provenance: private collection, France Condition: The...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

A Landscape with Two Roosters Hoess Eugen Immenstadt 1866 – 1955 Langenwang German Painter Signature: Signed bottom right and dated 27 Medium: Oil on canvas Dimensions: Image size 72 x 94 cm Biography: Hoess Eugen Ludwig was born in 1866 in Immenstadt, Germany. He was a painter of landscapes and hunting scenes. He painted not only oil paintings but also watercolours and made etchings. Hoess passed the entrance examination at the Academy of Fine Arts in Munich. He was a student of master teachers and artists Kirchbach, Raupp, v. Hackl and Ritter v. Herterich. In 1889 he moved to Frankfurt and in 1891 he returned to Munich. In 1898 he went on study trips to Sweden, Austria and Italy and returned to his hometown. Two years later he had his first exhibition in Munich with paintings of hunting scenes...

Summerhouse. Cardboard, oil, 33x48 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of applied arts (1942 – 43), in studio of L. Svem...

Artist/ School: Attributed to Edward John Cobbett RBA (1815-1899), signed Title: Landscape with cattle and a drover by a pond Medium: oil on pane...

"Summer evening" is a painting, oil on canvas by the Ukrainian artist Maestro Ksenia Logvinenko. About the artwork: TECHNIQUE: oil painting STYLE...

This colorful piece, "Blue Rider", is a 40x40 equine oil painting on canvas featuring a dark brown horse with a rider on it's back. Their reflection can be seen on the wet city streets. Bright reds, purples, and blues dance around the horse, capturing the vibrant energy of horse events. About the artist: David Noalia...

This colorful piece, "Jumping in White", is a 40x40 equine oil painting on canvas featuring a white horse mid jump during a jumping competition. Bright pinks, purples, and blues dance around the horses, capturing the vibrant energy of the horse competition. The rider is wearing a blue coat, white pants and black boots. About the artist: David Noalia...

"Love" is a painting, oil on canvas by the Ukrainian artist Maestro Ksenia Logvinenko. About the artwork: TECHNIQUE: oil painting STYLE: Impressi...

This colorful piece, "Moreno", is a 40x40 equine oil painting on canvas featuring a light brown horse standing against a dark background, dressed ready for show. Bright pinks, purples, and blues dance around the animal, capturing a vibrant energy of the animal. About the artist: David Noalia...

Louis Recchia's (US based) "Picasso's Mirror with Cat" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denve...

Artist/ School: Dutch School, late 20th century, signed Title: At the Close of Day Medium: oil painting on board, framed framed: 21.5 x 25 inches board: 15.5 x 19.5 inches Proven...

"Horses Feeding" is an Equestrian painting by American Impressionist painter Joseph Thurman Pearson, Jr. The 40.5" x 56.25" oil on masonite ...

"Fun" is a painting, oil on canvas by the Ukrainian artist Maestro Ksenia Logvinenko. About the artwork: TECHNIQUE: oil painting STYLE: Impressio...

Lead Handler displays the American Impressionistic Style . Raj Chaudhuri describes himself as one of the New Orientalists a traveling painter in the mo...

Signed lower right, 'Schwark' for Mary Beth Schwark (American, 1954-2001) and painted circa 1990. Additionally signed, verso, and titled, 'A Curious Pair' The daughter of professional musicians, Mary-Beth Schwark was born in Michigan and grew up surrounded by music. She attended Macomb Community College where she studied Graphic and Commercial Art with Ray Vinella, John Asaro...

A well-painted and fun picture of a feeding pig. Oils on canvas The artist painted animal subjects like this with a great deal of skill, giving his animals life and character. He ...

Louis Recchia's (US based) "Renoir's Boathouse with Silhouettes" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary ar...

Owen Baxter Morgan (British, fl. 1905 – 1932) Returning home at sunset Oil on canvas Signed in capitals ‘BAXTER MORGAN’ (lower right) 14 x 21 in. (3...

This Painting, "Blue Birdie", is a 14x11 oil painting on canvas by artist Trip Park. Featured in the painting is a colorful blue exotic bird inside a cage. A...

Windmill. Middle of 1940s, oil on cardboard, 54x65 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of applied arts (1942 – 43), in s...

This is a one of a kind realistic oil portrait by San Diego artist, Charlene Mosley. Its dimensions are 8" x 24" x 1.5". It comes in a wood frame. A ce...

Paulette Lee works from her studio on Route 66 in South Pasadena, California. Her loose, expressive painting style is influenced by the Russian Masters of...

This is a one of a kind impressionist oil portrait by San Diego artist, Charlene Mosley. Its dimensions are 20" x 20" x 3". It is unframed. A certificate of authenticity will follow...

This is a one of a kind impressionist oil portrait by San Diego artist, Charlene Mosley. It is painted on a circular wood panel. Its diameter is 24". ...

Sheep, Miserden [2021] Original Landscapes and seascapes Oil paint on canvas Image size: H:60 cm x W:80 cm Frame Size: H:74 cm x W:94 cm x D:5cm Sold Framed Please note that insitu i...

Autumn. 1967. Oil on cardboard, 68x57 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons a...

Vibrant watercolor of a black and a blue fish painting by Florence, Italy artist Vittorio Guidotti (Italy, b-1922). Unsigned. "Original watercolor b...

Louis Recchia's (US based) "We are Star-Stuff" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denver for ov...

Peaceful landscape of sand dunes along a California beach with seagulls drifting overhead in a soft gray-blue sky, by a California artist. Signed "Noland" lower right. Presented in a...

Louis Recchia's (US based) "Bystander" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denver for over three...

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. Paint Wild Mustang is a 16 x 16 oil painting by artist Joan Breckwoldt...

Evening sun. 1954, oil on cardboard, 33x61 cm

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

The Visit is painted plein aire in the Chilean countryside. It is oil on canvas and has a Italian handmade frame. The frame adds about 3 inches to the size. The austral blackbird (Curaeus curaeus) is a species of bird in the family Icteridae. It is found in Argentina and Chile. Its natural habitats are temperate forests, subtropical or tropical high-altitude shrubland, and heavily degraded former forest. Viviana Ovando Cid Visual Artist and Painter. She studied Visual Arts at the University of Chile and specialized as a Painter at the Martín Soria Academy of Fine Arts. Awarded by the Chilean-Japanese Cultural Institute and the National Society of Fine Arts. Viviana has participated constantly in group and individual exhibitions nationwide, Thanks to her constant concern she handles different painting techniques, from those coined by the Classic Academy to digital techniques, participating in 2D and 3D animation projects, exploring new representation techniques. Who are your biggest influences? Are you inspired by the work of your colleagues or someone else in particular? Antonio López, Goya, Rembrandt, Velásquez, Sorolla, Caravaggio, Franz Marc, Muñoz Vera, Sergio Castillo...

Louis Recchia's (US based) "Violin Player" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contempo...

This Painting, "Garden Birdies", is a whimsical 30x30 oil painting on canvas by artist Trip Park. Featured in the painting are four bird cages, each with two...

Louis Recchia's (US based) "The Cautious Guardian" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denver fo...

This piece, "Wild Thing", is a 48x48 equine oil painting on canvas by artist Trip Park featuring a contemporary portrait of a brown horse standing against a ...

This is a one of a kind impressionist oil painting on canvas by San Diego artist, Charlene Mosley. Its dimensions are 20"x20". It is unframed. A certificate of authenticity will foll...

Louis Recchia's (US based) "Interior with Picasso" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denver fo...

This Painting, "Goldy Birdie", is a 14x11 oil painting on canvas by artist Trip Park. Featured in the painting is a colorful exotic bird inside a cage. Accents of gold leafing and te...