Oversized Paintings

“Flower Bombâ€

Rites of Passage by Parris Jaru is a commanding composition that captures the essence of transformation and resilience. The figure, painted in deep brown against a vibrant yellow bac...

Oil on canvas, signed on back. Jean Pandrigue de Maisonseul was born in Algiers on August 3, 1912. During the conquest of Algeria his great-grandfather, a naval officer from the Viv...

Benasque 2 (Snow series) is a painting by Spanish contemporary artist Calo Carratalá. Oil on canvas, 160 x 200 cm. This work of art represents a mountainous winter landscape in the P...

Colorful contemporary portrait of famous movie star John Wayne by Texas-based artist Robert Sandman. The work features a realistic portrayal of the actor dress in his iconic cowboy a...

Contemporary Art, Abstract Painting Acrylic on canvas 160x150cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura ...

Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...

Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female...

This is my take on the classic Pre-Raphaelite painting subject and poem “The Lady of Shalott,” by Alfred Lord Tennyson. It is also inspired by the John Everett Millais painting, “The...

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obtaining scholarships from both the Ministry of Culture and the Mayor of the city of Gdańsk. In 2006 he won the Grand Prix (ex...

Jose antonio, Martes 7 de julio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 60 H in. x 38 in. W Unframed On The back of the painting: Abstract, 1986 Pencil a...

Collection: Beyond the Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting...

Oil on canvas, signed, titled, and dated on reverse. Measuring 72" x 84" in good condition and ready to hang. American, b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Introducing "In Love," a mesmerising abstract expressionistic painting by contemporary artist Sophie Pollock. This artwork features a palette of soft rose and pink nuances, subtly bl...

The title, "Wetin Man Go Do," encapsulates the essence of the artwork, suggesting the universal question of what choices and actions a person can take when faced with the troubles an...

This piece, "Fishin' Solo" is a 36x48 oil painting on canvas by artist Trip Park featuring a man in orange shorts, blue shirt and cowboy hat fishing on the edge of the water. The wat...

A beautifully large, expressive piece depicting wildflowers arranged in a shallow vase on folded cloth. Signed to the lower right. Presented in a distressed gesso frame. Studio stamp...

Nicole Kidman (Moulin Rouge) by Liz London, British contemporary signed acrylic on canvas, framed framed: 46 x 36 inches canvas: 39 x 30 inches provenance: private collection, UK Pre...

Green Iron Jungles N9 is a unique round acrylic on aluminum and gloss varnish painting by Spanish contemporary artist Calo Carratalá, diameter is 150 cm (59.1 in). The artwork is sig...

This contemporary abstract painting radiates a bold, lively, optimistic spirit through its vibrant use of color and bold, intuitive style. The artist’s distinct approach combines an ...

By 2nd generation abstract expressionist Jack Nichols. Executed in oil on canvas. Measures 48" x 60" with a 49.25" x 61.25" frame. About the Artist: Jack Nichols, based in Texas, bo...

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features cool blue palette with light pink and dark charcoal accents and...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall painting as well as drawing. F...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By following her passion for paint, she tries to represent reality and thereby express her feeling in the expressive colors she uses. Her paintings show a fascination with the movement and texture of water, which is depicted in vivid colors in her works. Her hybrid painting style combines realism with impressionism in a very interesting way, providing a different view of the world and our memories of it. Devlin loves the unexpected, looks at things from a crazy angle and imagines. Since 2014 she mainly paints underwater portraits...

Since 2008, Tina Bluefield has been drawn to the world of large-scale abstraction, exploring the relationship between color, form, and the natural landscapes that inspire her. She g...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco de la época de la pintura en madera dorada (el marco presenta algunas pequeñas faltas) El esta...

Andreas Claussen’s **"Plan Ahead, Winter Is Coming"** (2023) is a striking oil painting that blends surrealism and contemporary realism. Measuring **31.50 x 42.20 inches**, this comp...

Yolande Ardissone original oil painting on canvas . Condition is good measures 43x31. Some staining in the back of the canvas.

'In the Flow' by Via Li is a stunning example of modern figurative painting that combines vibrant, emotional depth with abstract form. Measuring 48" x 36", this acrylic on canvas cap...

Sold as a diptych, each elements dimensions: 200 x 140 cm/ 78.8 x 55,2 inches Available to purchase also individually, price on request Artwork is exclusive to IdeelArt. This artw...

HMS Resolution In A Gale, 17th Century Huge 17th Century British Royal Navy Third rate Ship Of The Line HMS Resolution sailing through a gale, oil on canvas. Excellent quality and c...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

A Magnificent Oil Painting "A Dainty Bit" A Young Woman With Lobster and Game, by Otto Meyer (German, 1839-1868) Oil on canvas with original gilt-wood fram...

CN 7 is an oil painting on canvas. The CN series of paintings take inspiration from research into the surface structure of planets and the moon. This painting may be hung directly o...

Charles William Wyllie. English ( b.1853 - d.1923 ). The Upper Pool, River Thames, London. Oil On Canvas. Signed Lower Left. Image size 17.3 inches x 31.5 inches ( 44cm x 80cm ). Fra...

This work is offered by CLAMP in New York City.

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Giuseppe Zais (Canale d'Agordo, Belluno 1709 - Treviso 1781) Pendant of paintings - The assault of the brigands / After the assault Oil on canvas, 108 x 42 cm. each In the frame 128...

"Passage Abstrait" is a contemporary large scale oil painting by Canadian artist Eric Robitaille depicting a racy, colorful and powerful horse. Created using a bold color palette, la...

Clean and precise, carefully ordered stripes and blocks of color in warm orange, soft yellow, pale blue and light brown are lively and vibrant against the soft beige background. Sign...

AUDRA WEASER "Golden Pearl" Acrylic, Metallic Pigments, Plaster Paint on Canvas 40 x 60 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based paintin...

Artist: Ian Hornak (1944-2002) Title: Last Song: Beim Schlafengehen (Going to Sleep) Year: 1985 Year: 1985-2001 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 i...

5154 Antique Italian oil painting of a reclining nude woman Framed Image size 24x36"

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove, red glove, Brown coat, ame...

Jeremy Prim is a contemporary artist, based in Seattle, Washington. He is known for his evocative abstract seascapes, inspired by the beauty of the ocean and the emotion one feels in...

Walking By The Sea. Artist signed lower right corner, canvas size (31 1/2 x 39 1/4in). Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he began devoting himself to painting in a studio at Via del Babuino in central Rome. Simbari's early exposure to the architectural world had a lasting impression on his art, as he incorporated geometric forms and architectural structures into almost all of his paintings. He began to develop a distinct style stemming from impressions of life, nature, and the Mediterranean...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Blue of Blues N12 Medium: Mixed Media on Paper Size: 90x 120 cm total (35.4 x 49.6 inches). Each panel measures 63 x 90 cm (24.8 x 35.4 inches). Year: 2023 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea paintings...

America Martin "Take The Sheets Off The Line" Oil & Acrylic on Canvas 48 x 48 Inches 49.5 x 49.5 Inches, Framed Signed painting by America Martin. Exploring the identity of both h...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Presenting an extremely rare, early oil painting by English artist Ernest Procter. Ernest Procter was classically trained and extensively exhibited throughout his lifetime. Procter ...

ARTIST: Stuart Denyer NEAC (1953-) British TITLE: "The Studio At The Royal Academy London" SIGNED: lower right and dated 1981 MEASURES: 120cm x 89cm inclusive of frame CONDITION...

Large oil on canvas by Edouard GOERG (1893-1969), France, 1955. LES 3 BRUNES. With frame : 114x95cm - 44.9x37.4 inches ; without frame : 92.2x73 cm - 36.3x28.75 inches. Format 30F. S...