Figurative Paintings

Date: 1944 Medium: Oil on Board Dimensions: 19.00" x 13.00" Signature: Signed Upper Left Advertisement for Gulf Oil, 1944.

Medium: Oil on Canvas Signature: Unsigned

Oil on canvas Canvas size: 6 x 12 inches Framed size: 13.5 x 17.5 inches Signed

Medium: Oil on Board Signature: Signed Lower Right Book cover for "Company K" by William March. Subject matter features three army soldiers in monochrome ...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Among the Catalan artists who have remained loyal to figurative techniques, several have successfully fixed their gaze on the architecture, streets and commercial trappings of the mo...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Date: 1927 Medium: Oil on Canvas Signature: Signed Lower Right Liberty Magazine Cover, September 24, 1927

Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...

Medium: Gouache Signature: Signed Lower Right a slave with shackles on the ground behind him appealing to Abraham Lincoln with the Civil War battle s...

Signed on verso

Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed Lower Right

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

Nostalgic painting of vintage toy car that has been worked on by a novice mechanic. Oil on canvas with black frame one inch on front, two inches deep. This piece sold but commissio...

Born in Manziales, Colombia in 1987, Esteban received his MFA from the New York Academy of Art before returning to his native country. Related works are featured in top collections, ...

Fabrizio Lavagna was born on December 18, 1971 in Savona. Began to frequent the circles of artistic contemporaries since 2004, when he enrolled at the Academy of Fine Arts in Carrara by attending the painting course by Omar Galliani. In 2006 he was the winner of the Erasmus scholarship from the University of Bellas Artes de Murcia, an experience that will affect his entire artistic production. In 2008, he graduated with a thesis entitled "Pictorial materials in their epochal mutability" obtaining a score of 110 with honors. In the same year he was invited to participate in a master's degree in sacred art Stauros at the Museum of Sacred Art and the contemporary island...

Date: 1958 Medium: Oil on Board Dimensions: 23.20" x 33.50" Signature: Signed Lower Left Story illustration for Good Housekeeping magazine, December 1958. Image of woman and two sailors leaving house at Christmas time. Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- January 5, 2014 A Native American finding a Raggedy Ann doll...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.

LEE’S works are mythically driven and influenced by his Asiatic roots. Primitively drawn they evoke a palpable yet sublime reverence for quietude and reflection. His work floats, a...

Medium: Oil Board Dimensions: 40.00" x 25.50" Signature: Signed Lower Left Frank G. Slaughter 'Sword and Scalpel" Book Cover

"A World in a Flower" is a Buddhist saying, similar meaning like what William Blake's poem says, to see a world in a grain of sand, and a heaven in a wild flower. Hold infinity in th...

Signature: Signed Lower Right Illustration, 1917

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. She lounges comfortably in a carpeted boat with a lute by her side, running...

Signature: Signed Lower Right Medium: Gouache on Board

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

Contact for exact dimensions. The Atlantic Magazine Cover Illustration. November 1956, Volume 198

The painting is being offered with a work and authenticity certificate

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

Medium: Oil on Canvas Signature: Unsigned Advertisement, Cream of Wheat, 1929.

Date: 1880 Medium: Oil on Board Dimensions: 18.20" x 24.00" Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

Painting of a young boy with a toy sailboat in the water.

Medium: Mixed Media on Board with Collage Signature: Unsigned

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Date: 1928 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people standing around.

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Hugues Claude Pissarro b.1935 French Dimanche au champ de course (Deauville) (Sunday at the Racetrack) Signed “H. Claude Pissarro” (lower left) Pastel on card French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled Dimanche au Champ de Course (Deauville), it showcases the artist's highly distinctive and sophisticated style. Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President...

Medium: Oil on Canvas Signature: Unsigned Study for the July 7, 1917 cover of Collier's National Weekly (the title story was "Why I'd Let My Boy Go To War").

Medium: Acrylic on Board Dimensions: 20.50" x 24.00" Signature: Signed Lower Right "Lay the Mountains Low" Book Cover, by Terry C. Johnston

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Medium: Gouache on Board Signature: Signed Lower Right Saturday Evening Post magazine cover, October 25, 1941

Medium: Watercolor & Acrylic on Board Signature: Signed May 20, 1939 Saturday Evening Post Cover John LaGatta - Women on a Rainy Day Painting Original Art (c. 1940). LaGatta's work...

Date: 1976 Medium: Mixed Media on Board Dimensions: 38.25" x 28.50" Signature: Signed Lower Right This artwork was created as a promotional poster for the film, Bugsy Malone...

Medium: Oil on Canvas Dimensions: 30.00" x 20.00" Signature: Signed Lower Right

Medium: Oil on Canvas Dimensions: 32.00" x 35.00" Signature: Signed Lower Right Story illustration for “Mrs. Parkington” by Louis Bromfield for Cosmopolitan, published November 1942, pages 56 and 57. The full caption reads: “‘And you’re not to tell anyone where you’re going or that you’re going away together,’ Mrs. Parkington said as she told Janie and Ned her plan.” A Native American finding a Raggedy Ann doll...

Medium: Painting Signature: Unsigned Artist Unknown Contact for dimensions.

Medium: Oil on Canvas Signature: Signed Lower Right Collier's Magazine Cover, March 24, 1923

Date: 1928 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Left Liberty Magazine Cover 3/31/28